Indian Horror Cinema

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Indian Horror Cinema

Author : Mithuraaj Dhusiya
Publisher : Taylor & Francis
Page : 278 pages
File Size : 53,5 Mb
Release : 2017-09-13
Category : Performing Arts
ISBN : 9781351386487

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Indian Horror Cinema by Mithuraaj Dhusiya Pdf

This book studies the hitherto overlooked genre of horror cinema in India. It uncovers some unique and diverse themes that these films deal with, including the fear of the unknown, the supernatural, occult practices, communication with spirits of the deceased, ghosts, reincarnation, figures of vampires, zombies, witches and transmutations of human beings into non-human forms such as werewolves. It focusses on the construction of feminine and masculine subjectivities in select horror films across seven major languages – Hindi, Tamil, Telugu, Kannada, Bangla, Marathi and Malayalam. The author shows that the alienation of the body and bodily functions through the medium of the horror film serves to deconstruct stereotypes of caste, class, gender and anthropocentrism. Some riveting insights emerge thus, such as the masculinist undertow of the possession narrative and how complex structures of resistance accompany the anxieties of culture via the dread of laughter. This original account of Indian cinematic history is accessible yet strongly analytical and includes an exhaustive filmography. The book will interest scholars and researchers in film studies, media and cultural studies, art, popular culture and performance, literature, gender, sociology, South Asian studies, practitioners, filmmakers as well as cinephiles.

Bollywood Horrors

Author : Ellen Goldberg,Aditi Sen,Brian Collins
Publisher : Bloomsbury Publishing
Page : 278 pages
File Size : 48,7 Mb
Release : 2020-11-12
Category : Religion
ISBN : 9781350143173

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Bollywood Horrors by Ellen Goldberg,Aditi Sen,Brian Collins Pdf

Bollywood Horrors is a wide-ranging collection that examines the religious aspects of horror imagery, representations of real-life horror in the movies, and the ways in which Hindi films have projected cinematic fears onto the screen. Part one, “Material Cultures and Prehistories of Horror in South Asia” looks at horror movie posters and song booklets and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. Part two, “Cinematic Horror, Iconography and Aesthetics” examines the stereotype of the tantric magician found in Indian literature beginning in the medieval period, cinematic representations of the myth of the fearsome goddess Durga's slaying of the Buffalo Demon, and the influence of epic mythology and Hollywood thrillers on the 2002 film Raaz. The final part, “Cultural Horror,” analyzes elements of horror in Indian cinema's depiction of human trafficking, shifting gender roles, the rape-revenge cycle, and communal violence. This book also features images (colour in the hardback, black and white in the paperback).

Genre in Asian Film and Television

Author : F. Chan,A. Karpovich,X. Zhang
Publisher : Springer
Page : 255 pages
File Size : 47,5 Mb
Release : 2011-03-29
Category : Performing Arts
ISBN : 9780230301900

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Genre in Asian Film and Television by F. Chan,A. Karpovich,X. Zhang Pdf

Genre in Asian Film and Television takes a dynamic approach to the study of Asian screen media previously under-represented in academic writing. It combines historical overviews of developments within national contexts with detailed case studies on the use of generic conventions and genre hybridity in contemporary films and television programmes.

Haunting Bollywood

Author : Meheli Sen
Publisher : University of Texas Press
Page : 264 pages
File Size : 49,9 Mb
Release : 2017-03-01
Category : Performing Arts
ISBN : 9781477311585

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Haunting Bollywood by Meheli Sen Pdf

Haunting Bollywood is a pioneering, interdisciplinary inquiry into the supernatural in Hindi cinema that draws from literary criticism, postcolonial studies, queer theory, history, and cultural studies. Hindi commercial cinema has been invested in the supernatural since its earliest days, but only a small segment of these films have been adequately explored in scholarly work; this book addresses this gap by focusing on some of Hindi cinema’s least explored genres. From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today’s globally influenced zombie and vampire films, Meheli Sen delves into what the supernatural is and the varied modalities through which it raises questions of film form, history, modernity, and gender in South Asian public cultures. Arguing that the supernatural is dispersed among multiple genres and constantly in conversation with global cinematic forms, she demonstrates that it is an especially malleable impulse that routinely pushes Hindi film into new formal and stylistic territories. Sen also argues that gender is a particularly accommodating stage on which the supernatural rehearses its most basic compulsions; thus, the interface between gender and genre provides an exceptionally productive lens into Hindi cinema’s negotiation of the modern and the global. Haunting Bollywood reveals that the supernatural’s unruly energies continually resist containment, even as they partake of and sometimes subvert Hindi cinema’s most enduring pleasures, from songs and stars to myth and melodrama.

Bollywood Horrors

Author : Ellen Goldberg,Aditi Sen,Brian Collins
Publisher : Unknown
Page : 264 pages
File Size : 46,8 Mb
Release : 2020
Category : Electronic books
ISBN : 1350143189

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Bollywood Horrors by Ellen Goldberg,Aditi Sen,Brian Collins Pdf

"Bollywood Horrors is a wide-ranging collection that examines the religious aspects of horror imagery, representations of real-life horror in the movies, and the ways in which Hindi films have projected cinematic fears onto the screen. Part one, 'Material Cultures and Prehistories of Horror in South Asia' looks at horror movie posters and song booklets and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. Part two, 'Cinematic Horror, Iconography and Aesthetics' examines the stereotype of the tantric magician found in Indian literature beginning in the medieval period, cinematic representations of the myth of the fearsome goddess Durga's slaying of the Buffalo Demon, and the influence of epic mythology and Hollywood thrillers on the 2002 film Raaz . The final part, 'Cultural Horror,' analyzes elements of horror in Indian cinema's depiction of human trafficking, shifting gender roles, the rape-revenge cycle, and communal violence."--

Haunting Bollywood

Author : Meheli Sen
Publisher : University of Texas Press
Page : 264 pages
File Size : 43,9 Mb
Release : 2017-03-01
Category : Performing Arts
ISBN : 9781477311608

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Haunting Bollywood by Meheli Sen Pdf

Haunting Bollywood is a pioneering, interdisciplinary inquiry into the supernatural in Hindi cinema that draws from literary criticism, postcolonial studies, queer theory, history, and cultural studies. Hindi commercial cinema has been invested in the supernatural since its earliest days, but only a small segment of these films have been adequately explored in scholarly work; this book addresses this gap by focusing on some of Hindi cinema's least explored genres. From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today's globally influenced zombie and vampire films, Meheli Sen delves into what the supernatural is and the varied modalities through which it raises questions of film form, history, modernity, and gender in South Asian public cultures. Arguing that the supernatural is dispersed among multiple genres and constantly in conversation with global cinematic forms, she demonstrates that it is an especially malleable impulse that routinely pushes Hindi film into new formal and stylistic territories. Sen also argues that gender is a particularly accommodating stage on which the supernatural rehearses its most basic compulsions; thus, the interface between gender and genre provides an exceptionally productive lens into Hindi cinema's negotiation of the modern and the global. Haunting Bollywood reveals that the supernatural's unruly energies continually resist containment, even as they partake of and sometimes subvert Hindi cinema's most enduring pleasures, from songs and stars to myth and melodrama.

Historical Dictionary of Horror Cinema

Author : Peter Hutchings
Publisher : Rowman & Littlefield
Page : 447 pages
File Size : 47,7 Mb
Release : 2017-11-22
Category : Performing Arts
ISBN : 9781538102442

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Historical Dictionary of Horror Cinema by Peter Hutchings Pdf

Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from subtle and poetic to graphic and gory, but what links them together is their ability to frighten, disturb, shock, provoke, delight, irritate, and amuse audiences. Horror’s capacity to take the form of our evolving fears and anxieties has ensured not only its notoriety but also its long-term survival and international popularity. This second edition has been comprehensively updated to capture all that is important and exciting about the horror genre as it exists today. Its new entries feature the creative personalities who have developed innovative forms of horror, and recent major films and cycles of films that ensure horror’s continuing popularity and significance. In addition, many of the other entries have been expanded to include reference to the contemporary scene, giving a clear picture of how horror cinema is constantly renewing and transforming itself. The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. The entries cover all major movie villains, including Frankenstein and his monsters, the vampire, the werewolf, the mummy, the zombie, the ghost and the serial killer; film directors, producers, writers, actors, cinematographers, make-up artists, special-effects technicians, and composers who have helped shape horror history; significant production companies; major films that are milestones in the development of the horror genre; and different national traditions in horror cinema – as well as popular themes, formats, conventions, and cycles.

Filming Horror

Author : Meraj Ahmed Mubarki
Publisher : SAGE Publications Pvt. Limited
Page : 0 pages
File Size : 42,5 Mb
Release : 2016-06-14
Category : Language Arts & Disciplines
ISBN : 9351508722

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Filming Horror by Meraj Ahmed Mubarki Pdf

First book to study the horror genre of Hindi cinema in all its forms and expressions Filming Horror: Hindi Cinema, Ghosts and Ideologies bridges the gap that currently exists in the field of genre studies in Hindi cinema. Analyzing more than 80 horror films from Mahal (1949) to Ragini MMS 2 (2014), the book uncovers narrative strategies, frames unique approaches of investigation, and reviews the revolutions taking place within this genre. The book argues that Hindi horror cinema, which lies at the intersection of myths, ideology and dominant socio-religious thoughts, reveals three major strands of narrative constructs, each corresponding to the way the nation has been imagined at different times in post-colonial India. Moving beyond establishing the theoretical framework of horror cinema, the book intends to demonstrate how this genre, along with its subsets, provides us with the means to contemplate the nation and its representation.

The A to Z of Horror Cinema

Author : Peter Hutchings
Publisher : Scarecrow Press
Page : 432 pages
File Size : 41,5 Mb
Release : 2009-09-02
Category : Performing Arts
ISBN : 9780810870505

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The A to Z of Horror Cinema by Peter Hutchings Pdf

Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.

Horror Films

Author : Colin Odell,Michelle LeBlanc
Publisher : Oldcastle Books
Page : 239 pages
File Size : 44,6 Mb
Release : 2010-11-04
Category : Performing Arts
ISBN : 9781842433843

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Horror Films by Colin Odell,Michelle LeBlanc Pdf

Horror is one of cinema's most disreputable genres. Frequently dismissed or reviled by critics, the horror film nevertheless provides a way of confronting our fears in a safe environment. Often subject to more cuts at the hands of the censor than a serial killer's razor, the horror film is also a benchmark, a sign of what's considered acceptable for the public to view and what the state will allow its citizens to see. But for the most part horror films are about entertainment, consistently profitable, eminently enjoyable. So what makes this genre so detested and why do people pay to be scared? The Kamera Book of Horror Films will take you on a journey into the realm of fear. From horror cinema's beginnings in the late 19th century to the latest splatter films, from the chills of the ghost film to the terror of the living dead there's more than enough to keep you awake at night. There's a whole world of terror to explore -- Spanish werewolves, Chinese vampires, Italian zombies, demons from Britain, killers in America, evil spirits in Japan. This book offers a guide to key films, directors and movements. Amongst the many discussed are the popular Dracula, Frankenstein, Scream, Halloween, The Sixth Sense, Ringu and Evil Dead, and the more unusual The Living Dead Girl, Rouge, Les Yeux sans Visage, Nang Nak and Black Cat. So join us on a gruesome and terrifying journey into the world of horror but don't dawdle, the last in line is always the first to get picked off...

Fear Without Frontiers

Author : Steven Jay Schneider
Publisher : FAB Press
Page : 324 pages
File Size : 41,6 Mb
Release : 2003
Category : Performing Arts
ISBN : STANFORD:36105113098615

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Fear Without Frontiers by Steven Jay Schneider Pdf

Horror movies have always found receptive audiences in their home countries. Finally, the genre's most colourful and least familiar directors and stars are given their due in this wide-ranging collection of articles and interviews from a fine assembly of renowned world horror experts. sDiscover such hidden treasures of world cinematic horror as Singapore's pontianak cycle, 1930s Mexican vampire movies, Austrian serial killer flicks, Germany's Edgar Wallace krimis, Bollywood ghost stories, Indonesia's penanggalan tales, the Chinese take on Phantom of the Opera, and the Turkish versions of Dracula and The Exorcist. s24 pulse-pounding chapters with selected filmographies and scores of images from the movies under discussion, including a stunning 16-page full-colour section! Book jacket.

Seeing Things

Author : Kartik Nair
Publisher : Univ of California Press
Page : 300 pages
File Size : 43,9 Mb
Release : 2024
Category : Artists' materials
ISBN : 9780520392274

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Seeing Things by Kartik Nair Pdf

"In 1980s India, the Ramsay Brothers and other filmmakers produced a wave of horror movies about soul-sucking witches, knife-wielding psychopaths, and dark-caped vampires. Seeing Things is about the sudden cuts, botched prosthetic effects, continuity errors, and celluloid damage in these movies. Such moments may very well be "failures" of various kinds, but in this book Kartik Nair reads them as clues to the conditions in which the films were once made, censored, and seen, offering a view from below of the world's largest film culture. Combining extensive archival research and original interviews with close readings of landmark films including Purana Mandir, Veerana, and Jaani Dushman, this book tracks the material coordinates of horror cinema's spectral images. In the process, Seeing Things discovers a spectral materiality-one that informs Bombay horror's haunted houses, grotesque bodies, and graphic violence and gives visceral force to our experience of the genre's globally familiar conventions"--

Contemporary Gothic and Horror Film

Author : Keith McDonald,Wayne Johnson
Publisher : Anthem Press
Page : 180 pages
File Size : 55,7 Mb
Release : 2021-06-15
Category : Art
ISBN : 9781785277740

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Contemporary Gothic and Horror Film by Keith McDonald,Wayne Johnson Pdf

This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears, by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself. It also facilitated studies to focus on notions of hybridity where terms were not fixed but were constantly shifting and mobile. The central idea of the book is that after horror/Gothic film was dragged into disrepute by the rise of torture porn and endless North American remakes, a set of international filmmakers are seeking to emphasize the aesthetic, artistic and philosophical potential of the Gothic. Such filmmakers include Guillermo del Toro (Crimson Peak), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Park Chan-wook (The Handmaiden, Stoker), Tomas Alfredson (Let the Right One In), Wim Wenders (Only Lovers Left Alive), Ben Wheatley (A Field in England), Jane Campion (Top of the Lake), and Carol Morley (The Falling). Although written in an accessible manner, the book incorporates theory and engages extensively into research to tap into key developments in Gothic studies – transnationalism, fandom and genre fiction, and transmedia exchanges – bringing these together along with popular culture and associated phenomena.

Fear and Learning

Author : Aalya Ahmad,Sean Moreland
Publisher : McFarland
Page : 283 pages
File Size : 46,7 Mb
Release : 2013-04-08
Category : Performing Arts
ISBN : 9780786468201

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Fear and Learning by Aalya Ahmad,Sean Moreland Pdf

This groundbreaking collection of new essays presents critical reflections on teaching horror film and fiction in many different ways and in a variety of academic settings--from cultural theory to film studies; from women's and gender studies to postcolonialism; from critical thinking seminars on the paranormal to the timeless classics of English horror literature. Together, the essays show readers how the pedagogy of horror can galvanize, unsettle and transform classrooms, giving us powerful tools with which to consider interwoven issues of identity, culture, monstrosity, the relationship between the real and the fictional, normativity and adaptation. Includes a foreword by celebrated horror writer Glen Hirshberg.

Philosophical Issues in Indian Cinema

Author : MK Raghavendra
Publisher : Taylor & Francis
Page : 264 pages
File Size : 53,8 Mb
Release : 2020-12-13
Category : Art
ISBN : 9781000296341

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Philosophical Issues in Indian Cinema by MK Raghavendra Pdf

This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions from which it derives its influences. It re-examines terms and concepts used in film criticism and contextualizes them within the aesthetics, poetics and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism, romance and melodrama in the context of India appear in a culturally singular way and how the aggregation of constituent elements – like songs, action, comedy – in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterized popular film and drama in India which present all aspects of life for a diverse nation. The author explores concepts like ‘fantasy’, ‘family’ and ‘patriotism’ by using various examples from films in India and outside, as well as practices in the other arts. He identifies the fundamental logic behind the choices made by film-makers in India and discusses concepts which allow for a fresh theorizing on Indian cinema’s characteristics. This book will be of great interest to students and researchers of film studies, media studies, cultural studies, literature, cultural history and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema, its forms, origins and influences.