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Author : Jean-Auguste-Dominique Ingres,National Gallery (Great Britain)
Publisher : Metropolitan Museum of Art
Page : 610 pages
File Size : 44,6 Mb
Release : 1999
Category : Drawing, French
ISBN : 9780870998911
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author : Jean-Auguste-Dominique Ingres
Publisher : Courier Corporation
Page : 54 pages
File Size : 54,6 Mb
Release : 1993-01-01
Category : Art
ISBN : 048627621X
Ingres’ portrait drawings rank among the art’s supreme achievements, exhibiting the artist’s brilliant draftsmanship and rare ability to capture character and personal style. This splendid volume presents Ingres portraits of many affluent and distinguished men and women of his age, among them the celebrated French composer Charles Gounod. Sources include the Louvre Museum, the Metropolitan Museum of Art and the Pierpont Morgan Library.
Author : Raya Yotova
Publisher : Unknown
Page : 84 pages
File Size : 45,8 Mb
Release : 2018-06-04
Category : Electronic
ISBN : 1720749779
Jean-Auguste-Dominique Ingres (1780 - 1867) was a French Neoclassical painter. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is Ingres's portraits, both painted and drawn, that are recognized as his greatest legacy.Ingres was profoundly influenced by past artistic traditions, and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style, exemplified by Eugene Delacroix. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists.He was finally recognized at the Salon in 1824, when his Raphaelesque painting of the Vow of Louis XIII was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France. Although the income from commissions for history paintings allowed him to paint fewer portraits, his portrait of Louis-Francois Bertin marked his next popular success in 1833. The following year, his indignation at the harsh criticism of his ambitious composition The Martyrdom of Saint Symphorian caused him to return to Italy, where he assumed directorship of the French Academy in Rome in 1835. He returned to Paris in 1841. In his later years he painted new versions of many of his earlier compositions, a series of designs for stained glass windows, several important portraits of women, and The Turkish Bath, the last of his several Orientalist paintings of the female nude, which he finished at the age of 83.
Author : Maria Peitcheva
Publisher : Unknown
Page : 218 pages
File Size : 50,7 Mb
Release : 2017-09-23
Category : Electronic
ISBN : 1977605087
Ingres's style was formed early in life and changed comparatively little. His earliest drawings, such as the Portrait of a Man (1797) already show a suavity of outline and an extraordinary control of the parallel hatchings which model the forms. From the first, his paintings are characterized by a firmness of outline reflecting his often-quoted conviction that "drawing is the probity of art". He believed color to be no more than an accessory to drawing, explaining: "Drawing is not just reproducing contours, it is not just the line; drawing is also the expression, the inner form, the composition, the modeling. See what is left after that. Drawing is seven eighths of what makes up painting." He abhorred the visible brushstroke and made no recourse to the shifting effects of color and light on which the Romantic school depended; he preferred local colors only faintly modeled in light by half tones. "Whatever you know, you must know it with sword in hand."
Author : James Spero
Publisher : Courier Corporation
Page : 50 pages
File Size : 49,9 Mb
Release : 1990-01-01
Category : Art
ISBN : 9780486263649
Masterpieces of drawing from the great schools and traditions of Italy and northern Europe, spanning four centuries from Filippino Lippi, Andrea del Sarto, and Titian to Rembrandt, Van Dyck, and Ingres. 47 plates.
Author : Jean-Auguste-Dominique Ingres
Publisher : Unknown
Page : 52 pages
File Size : 55,6 Mb
Release : 1906
Category : Painters
ISBN : UCBK:C022884947
Author : Jessica Findley
Publisher : Osmora Incorporated
Page : 105 pages
File Size : 50,5 Mb
Release : 2014-10-10
Category : Art
ISBN : 9782765905127
Ingres's style was formed early in life and changed comparatively little. His earliest drawings, such as the Portrait of a Man (1797) already show a suavity of outline and an extraordinary control of the parallel hatchings which model the forms. His portrait drawings, of which about 450 are extant, are today among his most admired works. While a disproportionate number of them date from his difficult early years in Italy, he continued to produce portrait drawings of his friends until the end of his life. Ingres drew his portrait drawings on wove paper, which provided a smooth surface very different from the ribbed surface of laid paper, which is, nevertheless, sometimes referred to today as "Ingres paper". Drawings made in preparation for paintings, are more varied in size and treatment than are the portrait drawings. He also drew a number of landscape views while in Rome but, with the exception of the small tondo Raphael's Casino, he painted no pure landscapes.
Author : Sarah E. Betzer
Publisher : University of Pennsylvania Press
Page : 332 pages
File Size : 42,6 Mb
Release : 2012
Category : Portrait painting
ISBN : 0271048751
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Author : William Hauptman,Jean-Auguste-Dominique Ingres
Publisher : 5Continents
Page : 116 pages
File Size : 40,9 Mb
Release : 2006
Category : Art
ISBN : UCSD:31822035672831
This monograph on Ingres art includes a broad biographical account of his life and the artistic scene he frequented in Paris and Rome. It places his art within the context of 19th-century art movements, from his youth under the Bonaparte regime to the Third Republic.
Author : Jean-Auguste-Dominique Ingres
Publisher : Delphi Classics
Page : 764 pages
File Size : 41,7 Mb
Release : 2020-10-09
Category : Art
ISBN : 9781913487324
The chief exponent of French Neoclassical painting in the mid-nineteenth century, Jean-Auguste-Dominique Ingres is noted for his cool, meticulously drawn works, representing the stylistic antithesis of the contemporary Romantic school. As a monumental history painter, Ingres sought to perpetuate the classical tradition of Raphael and Poussin, though today it is his portraits that are recognised as his greatest legacy. The extraordinary clarity of expression and microscopic detail of his work, rendered at a consistently, almost unbelievable quality won him many admirers. His expressive distortions of form and space made him an important precursor of modern art, influencing Degas, Picasso and Matisse. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Ingres’ complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Jean-Auguste-Dominique Ingres – over 300 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare and lost works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Ingres’ celebrated works in detail, as featured in traditional art books * Over 600 images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Includes a wide selection of Ingres’ drawings * Features two bonus biographies – discover Ingres’ incredible life Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights The Envoys of Agamemnon (1801) Self Portrait (1804) Portrait of Mademoiselle Caroline Rivière (1805) Napoleon I on His Imperial Throne (1806) The Grande Baigneuse (1808) Oedipus and the Sphinx (1808) La Grande Odalisque (1814) Roger Freeing Angelica (1819) The Vow of Louis XIII (1824) The Apotheosis of Homer (1827) Portrait of Monsieur Bertin (1832) The Martyrdom of Saint Symphorian (1834) Odalisque with Slave (1839) The Illness of Antiochus (1840) Portrait of Comtesse d’Haussonville (1845) Portrait of the Princesse de Broglie (1853) The Source (1856) The Turkish Bath (1863) The Paintings The Complete Paintings Alphabetical List of Paintings The Drawings Selected Drawings The Biographies Jean Auguste Dominique Ingres by Emilia Francis Strong Dilke Ingres by A. J. Finberg Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Author : Pierre Rosenberg
Publisher : Princeton University Press
Page : 376 pages
File Size : 40,6 Mb
Release : 2023-10-17
Category : Art
ISBN : 9780691252919
Unique perspectives from an acclaimed art historian on the relationship between drawing and painting From Drawing to Painting interweaves biographical information about five renowned French artists—Nicolas Poussin, Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres—with a fascinating look at dozens of their drawings and the links that they have to their paintings. This book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas. How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists’ intentions, their creative processes, and to penetrate their worlds? Pierre Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques. From Drawing to Painting Offers an unprecedented view of the artistic process, and makes an important and beautiful addition to any art library. Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author : Christopher Riopelle,Susan L. Siegfried,Emily Talbot
Publisher : National Gallery London
Page : 64 pages
File Size : 41,9 Mb
Release : 2022-05-24
Category : Electronic
ISBN : 1857096827
An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book.
Author : Maria Peitcheva
Publisher : Unknown
Page : 56 pages
File Size : 55,6 Mb
Release : 2015-06-27
Category : Electronic
ISBN : 1514733900
Ingres's style was formed early in life and changed comparatively little. His earliest drawings, such as the Portrait of a Man (1797) already show a suavity of outline and an extraordinary control of the parallel hatchings which model the forms. His portrait drawings, of which about 450 are extant, are today among his most admired works. While a disproportionate number of them date from his difficult early years in Italy, he continued to produce portrait drawings of his friends until the end of his life. Ingres drew his portrait drawings on wove paper, which provided a smooth surface very different from the ribbed surface of laid paper, which is, nevertheless, sometimes referred to today as "Ingres paper". Drawings made in preparation for paintings, are more varied in size and treatment than are the portrait drawings. He also drew a number of landscape views while in Rome but, with the exception of the small tondo Raphael's Casino, he painted no pure landscapes.
Author : Robert Rosenblum
Publisher : Abrams
Page : 136 pages
File Size : 40,5 Mb
Release : 1990-09
Category : Art
ISBN : UCSC:32106016108935
An illustrated study of famed French painter Jean-Auguste Ingres.
Author : Hans Holbein
Publisher : Courier Corporation
Page : 49 pages
File Size : 42,7 Mb
Release : 2012-07-16
Category : Art
ISBN : 9780486139333
Forty-four of Holbein's finest portrait drawings, created while he worked as court painter to Henry VIII, including Sir Thomas More, Jane Seymour, the Prince of Wales, Anne Boleyn, and dozens more.