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Author : Ron Steinman
Publisher : University of Missouri Press
Page : 284 pages
File Size : 52,6 Mb
Release : 2002
Category : History
ISBN : 0826214193
Steinman describes his experiences as head of the NBC news bureau in Saigon from 1966 to 1968, and he writes of how the war changed the news coverage of battle to a home audience.
Author : Ron Steinman
Publisher : KCM Publishing
Page : 336 pages
File Size : 55,6 Mb
Release : 2013-10-01
Category : History
ISBN : 9781939961037
A Saigon Journal, Inside Television’s First War, recounts Ron Steinman’s tenure as bureau chief for NBC News in Saigon. It is an intimate and deeply personal recounting of many of the Vietnam War’s most difficult and harrowing days. These include the huge American buildup of troops, the famous hill battles in the Central Highlands, heavy fighting along the DMZ, the siege of Khe Sanh, riots against the government in the streets, Buddhist monks burning themselves to death in protest of the government and the Tet Offensive, the centerpiece of the book, when Hanoi attempted to take over South Vietnam but failed. The book also recounts the personal story of Steinman’s romance with Josephine Tu Ngoc Suong, his future wife, and her near fatal accidental shooting. During this period television news learned to cover the war with correspondents and camera crews working alongside the troops, giving people at home an intimate view of what war was really like. Dubbed the living room war, people at home watched it unfold on TV over dinner and in their living rooms, something, until then that had not been possible.
Author : Bruce Cumings
Publisher : Verso
Page : 336 pages
File Size : 55,9 Mb
Release : 1992
Category : History
ISBN : 0860916820
Television has come to play an ever more decisive role in the preparation and planning of war, as well as in its execution. In War and Television Bruce Cumings carefully explores the history of television's relationship to US warmaking since World War II, up to and including its presentation of the carnage in Kuwait and Iraq. Cumings examines Vietnam, long thought to have been the first television war, but finds that characterization more apt for the Gulf conflict which was fought through, packaged by, and sold to the public on television. At the centre of the book is the extraordinary tale of Cumings's own experience as historical consultant to a Thames Television production, Korea: The Unknown War, and his subsequent trials with the Public Broadcasting System when the film was released for North American distribution.
Author : Terry Rowan
Publisher : Lulu.com
Page : 578 pages
File Size : 52,7 Mb
Release : 2006
Category : Motion pictures
ISBN : 9781105586026
Author : Terry Rowan
Publisher : Lulu.com
Page : 301 pages
File Size : 51,6 Mb
Release : 2024-05-20
Category : Electronic
ISBN : 9781105465437
Author : Terry Rowan
Publisher : Lulu.com
Page : 290 pages
File Size : 49,6 Mb
Release : 2024-05-20
Category : Electronic
ISBN : 9781105464898
Author : Karen Latchana Kenney
Publisher : Capstone
Page : 65 pages
File Size : 44,7 Mb
Release : 2018-08
Category : Juvenile Nonfiction
ISBN : 9780756558338
"On-point historical photographs combined with strong narration bring the battles and controversies surrounding the Vietnam War to life. People saw the battles in real time, on the nightly news, changing forever how people viewed war. Readers will see it as well, both in the text and in the accompanying video clips via the free Capstone 4D app, creating an augmented reality experience that brings the printed page to life"--
Author : Douglas Kellner
Publisher : Routledge
Page : 431 pages
File Size : 43,8 Mb
Release : 2019-06-26
Category : Social Science
ISBN : 9781000304329
Douglas Kellner's Persian Gulf TV War attacks the myths, disinformation, and propaganda disseminated during the Gulf war. At once a work of social theory, media criticism, and political history, this book demonstrates how television served as a conduit for George Bush's war policies while silencing anti-war voices and foregoing spirited discussion of the complex issues involved. In so doing, the medium failed to assume its democratic responsibilities of adequately informing the American public and debating issues of common concern. Kellner analyzes the dominant frames through which television presented the war and focuses on the propaganda that sold the war to the public–one of the great media spectacles and public relations campaigns of the post-World War II era. In the spirit of Orwell and Marcuse, Kellner studies the language surrounding the Gulf war and the cynical politics of distortion and disinformation that shaped the mainstream media version of the war, how the Bush administration and Pentagon manipulated the media, and why a majority of the American public accepted the war as just and moral.
Author : Pedro Cravinho
Publisher : Routledge
Page : 222 pages
File Size : 45,9 Mb
Release : 2022-03-29
Category : Music
ISBN : 9781000555660
Encounters with Jazz on Television in Cold War Era Portugal: 1954–1974 explores the relationship between jazz and television by investigating the experiences of performers and producers in one of the last European colonial states (Portugal) during a period of political and social repression and global isolation. This new model of systemic analysis reveals a paradoxical interrelationship between state-controlled television and international media industries, highlighting the space where these two forces collide and locating television jazz production within an important cultural milieu with a lasting impact on Portuguese society. From the days of the first feasibility studies for a proposed public television service in 1954, to the military coup that overthrew the far-right Estado Novo regime in 1974, this book maps the institutionalization of jazz in Portugal as a social and musical practice, one that played a significant role in fostering cultural diversity. It looks at the musicians, repertoires, production processes, broadcasts, policies and strategies that fuelled the launch of Radiotelevisão Portuguesa (RTP) and the rise of television, an indispensable new medium that granted Portuguese people access to the wider world – a world curated by public television producers with individual cultural, political and aesthetic attitudes to influence the dissemination of jazz. In exploring the connections between these national and international jazz scenes, Encounters with Jazz on Television in Cold War Era Portugal: 1954–1974 addresses opportunities for in-depth comparison of the Portuguese experience with that of other countries, situating Cold War era Portuguese television jazz broadcasting as part of a bigger, still unwritten story.
Author : Alan Nadel
Publisher : Unknown
Page : 244 pages
File Size : 47,7 Mb
Release : 2005
Category : History
ISBN : UOM:39015062852325
La couverture indique : "Alan Nadel's new book reminds us that most of the images on early TV were decidedly Caucasian and directed at predominantly white audiences. Television did not invent whiteness for America, but it did reinforce it as the norm - particularly during the Cold War years. Nadel now shows just how instrumental it was in constructing a narrow, conservative, and very white vision of America." "During this era, prime-time TV was dominated by "adult Westerns," with heroes like The Rebel's Johnny Yuma reincarnating Southern values and Bonanza's Cartwright family reinforcing the notion of white patriarchy - programs that, Nadel shows, bristled with Cold War messages even as they spoke to the nation's mythology. America had become visually reconfigured as a vast Ponderosa, crisscrossed by concrete highways designed to carry suburban white drivers beyond the moral challenge of racism, racial poverty, and increasingly vocal civil rights demands."
Author : William A. Hachten
Publisher : Routledge
Page : 213 pages
File Size : 47,6 Mb
Release : 2005-01-15
Category : Language Arts & Disciplines
ISBN : 9781135607906
This book looks at criticisms of the journalism profession and evaluates many of the changes in journalism--both positive and negative. In addition, it suggests what the many changes mean for this nation and indeed for the world at large, as American journalism--its methods and standards--has markedly influenced the way many millions overseas receive news and view their world. Based on author William Hachten's 50-year involvement with newspapers and journalism education, The Troubles of Journalism serves as a realistic examination of the profession, and is appropriate for upper-level undergraduate courses in journalism and media criticism. Since the previous edition of The Troubles of Journalism, many significant challenges have occurred in the media: the events of September 11, the war on terrorism, mergers and consolidation of media ownership, new concerns about press credibility, the expanding and controversial role of cable news channels, the growing impact role of news and comment on the Internet, and continuing globalization and controversy over the role of American media in international communications. To do justice to these recent "troubles" of the news media, important additions and modifications have been made in every chapter of this Third Edition.
Author : Stacy Takacs
Publisher : University Press of Kansas
Page : 344 pages
File Size : 43,8 Mb
Release : 2012-04-30
Category : Social Science
ISBN : 9780700618385
The Fox-TV series 24 might have been in production long before its premier just two months after 9/11, but its storyline—and that of many other television programs—has since become inextricably embedded in the nation's popular consciousness. This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies. Stacy Takacs focuses on the role of entertainment programming in building a national consensus favoring a War on Terror, taking a close look at programs that comment both directly and allegorically on the post-9/11 world. In show after show, she chillingly illustrates how popular television helped organize public feelings of loss, fear, empathy, and self-love into narratives supportive of a controversial and unprecedented war. Takacs examines a spectrum of program genres—talk shows, reality programs, sitcoms, police procedurals, male melodramas, war narratives—to uncover the recurrent cultural themes that helped convince Americans to invade Afghanistan and Iraq and compromise their own civil liberties. Spanning the past decade of the ongoing conflict, she reviews not only key touchstones of post-9/11 popular culture such as 24, Rescue Me, and Sleeper Cell, but also less remarked-upon but relevant series like JAG, Off to War, Six Feet Under, and Jericho. She also considers voices of dissent that have emerged through satirical offerings like The Daily Show and science fiction series such as Lost and Battlestar Galactica. Takacs dissects how the War on Terror has been broadcast into our living rooms in programs that routinely offer simplistic answers to important questions—Who exactly are we fighting? Why do they hate us?—and she examines the climate of fear and paranoia they've created. Unlike cultural analyses that view the government's courting of Hollywood as a conspiracy to manipulate the masses, her book considers how economic and industry considerations complicate state-media relations throughout the era. Terrorism TV offers fresh insight into how American television directly and indirectly reinforced the Bush administration's security agenda and argues for the continued importance of the medium as a tool of collective identity formation. It is an essential guide to the televisual landscape of American consciousness in the first decade of the twenty-first century.
Author : Isobel Harbison
Publisher : MIT Press
Page : 257 pages
File Size : 45,6 Mb
Release : 2019-04-09
Category : Social Science
ISBN : 9780262350808
An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms. Harbison argues that while we produce images, images also produce us—those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices—and a declaration of the value of art in an economy of attention and a crisis of representation.
Author : Anonim
Publisher : Unknown
Page : 460 pages
File Size : 52,8 Mb
Release : 1946
Category : Aeronautics
ISBN : CORNELL:31924058151089
Author : Anonim
Publisher : Unknown
Page : 952 pages
File Size : 44,8 Mb
Release : 1943
Category : Economic history
ISBN : MINN:319510014541176
Vols. 5- include the monthly rotogravure supplement "Uncle Sam's news reel" (issued as section 2 from May 24, 1937, to Dec. 11, 1939) 30-54 cm.