Inspector Alleyn 3 Book Collection 10 Last Ditch Black As He S Painted Grave Mistake
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A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times
Author : Janet G. Husband,Jonathan F. Husband Publisher : American Library Association Page : 793 pages File Size : 49,7 Mb Release : 2009-07-30 Category : Language Arts & Disciplines ISBN : 9780838909676
The murder of a famous opera soprano finds Inspector Alleyn crawling around backstage in her life, interviewing agents, past lovers, servants, and others hoping to learn who dispatched La Sommita with her own stiletto.
From the Mystery Writers of America Grand Master, this tale of death at the Dolphin Theatre has “wit, charm, and oodles of atmosphere” (Kirkus Reviews). Among theater folk, “the Scottish play” is considered unlucky, so much so that tradition requires anyone who utters its proper name backstage to leave the building, spin around, spit, curse, and then request permission to re-enter. As director Peregrine Jay directs a production of Shakespeare’s great work at the Dolphin Theater, misfortune does indeed abound, including some ugly practical jokes—and a grisly death for the leading man. It’s up to Roderick Alleyn to find out who has blood on their hands . . . “No playwright could devise a better curtain.” —Los Angeles Times “As always she writes most elegantly.” —Daily Telegraph “The doyenne of traditional mystery writers.” —The New York Times
When DNA evidence links a present-day murder to the disappearance of a young boy four years earlier, detectives Anderson & Costello are plunged into a baffling mystery. It’s been four years since four-year-old Johnny Clearwater disappeared without trace one hot summer afternoon. Now, a new TV documentary series is revisiting the case, dredging up memories perhaps best left forgotten. On the night the TV show is broadcast, detectives Anderson and Costello are called out to investigate the murder of a female police officer. On arriving at the scene, they discover that nothing about this death is as straightforward as it would appear. What was the victim doing in the garden of the exclusive gated residence where she was found? How did she die? Why is the key witness so reluctant to speak to them? Even the off-duty police officer who was first on the scene isn’t telling them everything. The pressure intensifies when a link is discovered between the dead woman and the disappearance of Johnny Clearwater four years earlier. What secrets are lurking behind the closed doors of this small, exclusive community . . . and what really happened to little Johnny Clearwater?
A Bath antiques dealer has disappeared, and detective Peter Diamond has been saddled with the "help" of a hardboiled Philip Marlowe wannabe private investigator in cracking the case. MWA Grand Master Peter Lovesey's 20th installment in the award-winning series will have readers laughing from the first page. If there's one thing detective Bath Peter Diamond has no patience for, it's a dumb git trying to get involved in one of his investigations—for example, a Philip Marlowe-wannabee private investigator like the self-styled Johnny Getz (his card claims he Getz results). But fate has saddled Diamond with this trial. A Bath antiques dealer, Septimus "Seppy" Hubbard, has disappeared without a trace, and his daughter, Ruby, has hired Johnny Getz to find him. When a dead body is discovered in Seppy's locked-up store, the missing persons case becomes a murder investigation, and now Diamond has to collaborate with the insufferable private eye.
Last Call at the Nightingale by Katharine Schellman Pdf
First in a captivating Jazz age mystery series from author Katharine Schellman, Last Call at the Nightingale beckons readers into a darkly glamorous speakeasy where music, liquor, and secrets flow. "Schellman is at the top of her craft and delivers a murder mystery with clever twists and turns and memorable personalities."—Denny S. Bryce, Bestselling Author of Wild Women and the Blues New York, 1924. Vivian Kelly's days are filled with drudgery, from the tenement lodging she shares with her sister to the dress shop where she sews for hours every day. But at night, she escapes to The Nightingale, an underground dance hall where illegal liquor flows and the band plays the Charleston with reckless excitement. With a bartender willing to slip her a free glass of champagne and friends who know the owner, Vivian can lose herself in the music. No one asks where she came from or how much money she has. No one bats an eye if she flirts with men or women as long as she can keep up on the dance floor. At The Nightingale, Vivian forgets the dangers of Prohibition-era New York and finds a place that feels like home. But then she discovers a body behind the club, and those dangers come knocking. Caught in a police raid at the Nightingale, Vivian discovers that the dead man wasn't the nameless bootlegger he first appeared. With too many people assuming she knows more about the crime than she does, Vivian finds herself caught between the dangers of the New York's underground and the world of the city's wealthy and careless, where money can hide any sin and the lives of the poor are considered disposable...including Vivian's own.
"It's a funny old house. They have this ceremony every summer . . . There's an old chapel, in the grounds of the house. It's half-derelict. The Hunters keep bees in there. Every year, on the same day, the family processes to the chapel. They open the combs, taste the honey. Take it back to the house. Half for them -" my father winced, as though he had bitten down on a sore tooth. "And half for us." Catherine, a successful barrister, vanishes from a train station on the eve of her anniversary. Is it because she saw a figure - someone she believed long dead? Or was it a shadow cast by her troubled, fractured mind? The answer lies buried in the past. It lies in the events of the hot, seismic summer of 1989, at Vanes - a mysterious West Country manor house - where a young girl, Jane Lestrange, arrives to stay with the gilded, grand Hunter family, and where a devastating tragedy will unfold. Over the summer, as an ancient family ritual looms closer, Janey falls for each member of the family in turn. She and Kitty, the eldest daughter of the house, will forge a bond that decades later, is still shaping the present . . . 'We need the bees to survive, and they need us to survive. Once you understand that, you understand the history of Vanes, you understand our family.'