Inspirations Unbidden Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Inspirations Unbidden book. This book definitely worth reading, it is an incredibly well-written.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
Author : Julia F. Saville Publisher : University of Virginia Press Page : 264 pages File Size : 41,6 Mb Release : 2000 Category : History ISBN : 0813919401
Others decry his monasticism as the regrettably oppressive regimen from which he was able to escape only occasionally through his sensuous, sometimes overtly homoerotic verse." "Julia F. Saville uses Lacanian theories of sublimation and courtly love to reconfigure this long-standing rift in the field of Hopkins criticism."--BOOK JACKET.
Author : Susan Stewart Publisher : University of Chicago Press Page : 460 pages File Size : 44,8 Mb Release : 2002-01-20 Category : Literary Criticism ISBN : 9780226774145
Poetry and the Fate of the Senses by Susan Stewart Pdf
What is the role of the senses in the creation and reception of poetry? How does poetry carry on the long tradition of making experience and suffering understood by others? With Poetry and the Fate of the Senses, Susan Stewart traces the path of the aesthetic in search of an explanation for the role of poetry in culture. Herself an acclaimed poet, Stewart not only brings the intelligence of a critic to the question of poetry, but the insight of a practitioner as well. Her new study includes close discussions of poems by Stevens, Hopkins, Keats, Hardy, Bishop, and Traherne, of the sense of vertigo in Baroque and Romantic works, and of the rich tradition of nocturnes in visual, musical, and verbal art. Ultimately, she argues that poetry can counter the denigration of the senses in contemporary life and can expand our imagination of the range of human expression. Poetry and the Fate of the Senses won the 2004 Truman Capote Award for Literary Criticism in Memory of Newton Arvin, administered for the Truman Capote Estate by the University of Iowa Writers' Workshop. It also won the Phi Beta Kappa Society's 2002 Christian Gauss Award for Literary Criticism.
The Playfulness of Gerard Manley Hopkins by Joseph J. Feeney Pdf
Renowned Hopkins expert Joseph J. Feeney, SJ, offers a fresh take on Gerard Manley Hopkins which shakes our understanding of his poetry and his life and points towards the next phase in Hopkins studies. While affirming the received view of Hopkins as a major poet of nature, religion, and psychology, Feeney finds a pervasive, rarely noticed playfulness by employing both the theory of play and close reading of his texts. This new Hopkins lived a playful life from childhood till death as a student who loved puns and jokes and wrote parodies, comic verse, and satires; as a Jesuit who played and organized games and had "a gift for mimicry;" and most significantly, as a poet and prose stylist who rewards readers with unexpected displays of whimsy and incongruity, even, strikingly, in "The Wreck of the Deutschland," "The Windhover," and the "Terrible Sonnets." Feeney convincingly argues that Hopkins's distinctive playfulness is inextricably bound to his sense of fun, his creativity, his style, and his competitiveness with other poets. In unexpected images, quirky metaphors, strange perspectives, puns, coinages, twisted syntax, wordmusic, and sprung rhythm, we see his playful streak burst forth to adorn those works critics consider his most brilliant. No one who absorbs this book's radical readings will ever see and hear Hopkins's poetry and prose quite the way they used to.
Author : Richard J. Walker Publisher : Liverpool University Press Page : 348 pages File Size : 52,5 Mb Release : 2008-01-01 Category : Social Science ISBN : 9781835534038
An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. Prominent citizens in nineteenth-century England believed themselves to be living in a time of unstoppable progress. Yet running just beneath Victorian triumphalism were strong undercurrents of chaos and uncertainty. Richard Walker plumbs the depths of those currents in order to present an alternative history of nineteenth-century society. Mining literary and philosophical works of the period, Walker explores the crisis of identity that beset nineteenth-century thinkers and how that crisis revealed itself in portrayals of addiction, split personalities, and religious mania. Victorian England will never look the same.
Inspiration and Technique by John Roe,Michele Stanco Pdf
While Plato extols inspired poetry (as opposed to poetry produced by means of technique), Aristotle conceives of poetry only in terms of technê. Underlying the opposition between inspiration and technique are two different approaches to 'form': inspiration is concerned with the impression of ideas or forms within the poet's psyche (the author's forma mentis), whereas technique deals with the transposition of the artist's idea into the material form of the work (the forma operis). This dual view of form, and of its complex relation to matter, may be said to lie at the basis of a dual approach to aesthetic issues - a psychological and a textual one. Taking their cue from this opposition, the essays gathered here explore some of the most momentous phases in the history of aesthetics, from Graeco-Roman philosophy and oratory to Renaissance poetry and literary criticism, from neoclassical poetics to Romantic and Victorian views on inspired visions, to recent issues in neuroaesthetics, philosophy of art and literary linguistics. In so doing, they collectively point to the irremediable and continuing dualism of a critical tradition that has alternately emphasized the ideal elements of beauty and the material constituents of art.
Poetics of Luxury in the Nineteenth Century by Betsy Winakur Tontiplaphol Pdf
Beginning with John Keats and tracing a line of influence through Alfred Lord Tennyson and Gerard Manley Hopkins, Betsy Tontiplaphol draws on established narratives of the nineteenth century's social and literary developments to describe the relationship between poetics and luxury in an age when imperial trade and domestic consumerism reached a fevered pitch. The "luscious poem," as Tontiplaphol defines it, is a subset of the luxurious, a category that suggests richness in combination with enclosure and intimacy. For Keats, Tontiplaphol suggests, the psychological virtues of luscious experience generated a new poetics, one that combined his Romantic predecessors' sense of the ameliorative power of poetry with his own revaluation of space, both physical and prosodic. Her approach blends cultural context with close attention to the formal and affective qualities of poetry as she describes the efforts of Keats and his equally”though differently”anxious Victorian inheritors to develop textual spaces as luscious as the ones their language describes. For all three poets, that effort entailed rediscovering and reinterpreting the list, or catalogue, and each chapter's textual and formal analyses are offered in counterpoint to careful examination of the century's luscious materialities. Her book is at once a study of influence, a socio-historical critique, and a form-focused assessment of three century-defining voices.
Inspiration in Science and Religion by Michael Fuller Pdf
All sorts of things may be described as ‘inspired’: a mathematical theorem, a work of art, a goal at football, a short-cut home from the shops. What lies behind all these? Where does ‘inspiration’ come from? Does it derive from a source external to the person inspired, or is it the end result of sheer hard work – or is it purely serendipitous? Within the fields of science and religion, the word ‘inspiration’ might be thought to carry very different connotations. But is there a degree of overlap? If scientists and religious thinkers alike may acknowledge the power of inspiration, do we have here an important area of convergence between two important areas of human discourse which are all too often believed to be opposed to one another? These were some of the issues considered at the 2011 conference of the Science and Religion Forum, held at Cumberland Lodge near Windsor. This book presents papers from that conference, including contributions from such major thinkers as Lord Winston, Linda Woodhead and John Hedley Brooke, among other leading scientific and theological practitioners. Their wide-ranging studies – and very diverse conclusions – will be of interest to a wide readership.
Author : Angelika Zirker,Esme Winter-Froemel Publisher : Walter de Gruyter GmbH & Co KG Page : 317 pages File Size : 55,9 Mb Release : 2015-10-16 Category : Language Arts & Disciplines ISBN : 9783110406849
Wordplay and Metalinguistic / Metadiscursive Reflection by Angelika Zirker,Esme Winter-Froemel Pdf
Wordplay can be seen as a genuine interface phenomenon. It can be found both in everyday communication and in literary texts, and it can fulfil a range of functions – it may be entertaining and comical, it may be used to conceal taboo, and it may influence the way in which the speaker’s character is perceived. Moreover, wordplay also reflects on language and communication: it reveals surprising alternative readings, and emphasizes the phonetic similarity of linguistic signs that also points towards relations on the level of content. Wordplay unravels characteristics of literary language in everyday communication and opens up the possibility to analyze literary texts from a linguistic perspective. The first two volumes of the series The Dynamics of Wordplay therefore aim at bringing together contributions from linguistics and literary studies, focusing on theoretical issues such as basic techniques of wordplay, and its relationship to genres and discourse traditions. These issues are complemented by a series of case studies on the use of wordplay in individual authors and specific historical contexts. The contributions offer a fresh look on the multifaceted dynamics of wordplay in different communicative settings.
Identifying sacramentalism as the key to the poetry and spirituality of Gerard Manley Hopkins, this study suggests that Hopkins most dominantly emphasized the sacramental Mystical Body of the Church and that his poems aspire to see past the out-scape of nature and humanity to revelations of spiritual inscape.
Author : David Martin Publisher : BoD – Books on Demand Page : 230 pages File Size : 55,6 Mb Release : 2021-01-01 Category : Social Science ISBN : 9780718895785
David Martin was one of the world’s leading commentators on secularization theory. He was also a committed and lifelong reader of English poetry. Christianity and ‘The World’ develops Martin’s argument against simplistic secularization narratives with reference to the history of poetry, a topic with which few social theorists have been concerned. Martin shows the enduring but ever-changing centrality of Christian thought and practice, in its many different forms, to English poetry. Always mindful that the most important aspects of poetry’s history can be captured only by attending to the minutest particulars of individual poems and poets, Martin’s study sheds unexpected light on a wide range of English poets, from Spenser and Shakespeare to T.S. Eliot and Geoffrey Hill. The result is a study at once informed by an authoritative sociological perspective on secularization and richly coloured by the singular intensity of Martin’s own reading life.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
Gerard Manley Hopkins and His Poetics of Fancy by Kumiko Tanabe Pdf
This book explores the poetics of “fancy” in the works of Gerard Manley Hopkins, a term often paired with imagination in well-known Romantic poetics. It sheds new light on this concept, which is described positively in Hopkins’s poetics and later becomes the essence of his idiosyncratic concept of “inscape”, as shown here. Chapter One discusses the influence of Coleridge and Ruskin on Hopkins’s poetics of fancy, Hopkins’s experiments in the language of inspiration produced by fancy before his conversion to Catholicism, his idea of inscape as revealed by fancy, and the relation between his fancy and the aesthetics of Romantic poets such as Keats and Wordsworth. Chapter Two focuses on the concept of fancy in Hopkins’s predecessors, William Shakespeare and Alfred Lord Tennyson, who, along with Coleridge and Ruskin, had a major influence on the writer, leading him to pen the play “Floris in Italy” and the sonnet series “The Beginning of the End” in order to experiment with the language of inspiration which he argued only fancy could produce. This chapter also discusses Hopkins’s interest in J. E. Millais and the impact of the Pre-Raphaelites in the development of his poetics of fancy, Hopkins’s fancy as metalanguage, the contrast between his fancy and the impressionism of Walter Pater, and the role of fancy in Hopkins’s sonnets. Chapter Three treats Hopkins’s conversion to Catholicism and his views on Catholic art, including his interest in William Butterfield and the Gothic Revival, as well as the abrupt parallelism between Christ and fancy in “The Wreck of the Deutschland”. Hopkins’s poetic diction is a condensed evocation of art and nature with fancy as the source of his inspiration. His metaphors are not ordinary figures expressing the attributes of things, but are autonomous and have their nature within themselves. Hopkins’s poetic idiosyncrasy is generated by the parallelism between distinctive and autonomous images which repeat the surprise and ecstasy of the poet contemplating art and nature. He endeavoured to achieve the poetry of inspiration with his emphasis on fancy as the basis of his poetic diction so as to reinstate it as the source of a “new Realism”. Hopkins’s fancy foregrounds the discontinuous nature of a new poetic diction, which demonstrates unfettered combinations between autonomous images and signs in metalanguage in advance of semiotic literary theories.
This rich and elegant work describes how the unsettled cultural climate provided fertile soil for the flourishing of elegy. John Rosenberg shows how the phenomenon of elegy pervaded the writing of the period, tracing it through the voices of individuals from Carlyle, Tennyson, Darwin and Ruskin, to Swinburne, Pater, Dickens and Hopkins. Finally, he turns from particular elegists to a common experience that touched them all - the displacement of the older idea of the earthly city as a New Jerusalem by the rise of a new image of the Victorian city as an industrial Inferno, a wasteland of sprawling towns and of rivers so polluted they caught on fire.
Gerard Manley Hopkins and Tractarian Poetry by Margaret Johnson Pdf
Gerard Manley Hopkins and Tractarian Poetry for the first time locates Hopkins and his work within the vital aesthetic and religious cultures of his youth. It introduces some of the most powerful cultural influences on his poetry as well as some of the most influential poets, from the well-known fellow convert John Henry Newman to the almost forgotten historian and poet Richard Dixon. From within the context of Hopkins' developing catholic sensibilities it assesses the impact of and his responses to issues of the time which related to his own religious and aesthetic perceptions, and provides a rich and intricate background against which to view both his early, often neglected poetry and the justly famous, idiosyncratic and deeply moving verse of his mature years. By detailing the influences Tractarian poetry had upon Hopkins' early work, and applying these to the productions of his later years, Gerard Manley Hopkins and Tractarian Poetry demonstrates how Hopkins' best known, mature works evolved from his upbringing in the Church of England and remained always indebted to this early culture. It offers readings of his works in light of a new appraisal of the contexts from which Hopkins himself grew, providing a fresh approach to this most challenging and rewarding of poets.