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Author : Michael Stephen Silk,Michael S. Silk
Publisher : Cambridge University Press
Page : 284 pages
File Size : 54,9 Mb
Release : 2006-03-16
Category : Foreign Language Study
ISBN : 0521024609
This book should be of interest to classicists and to specialists in literary theory in departments of English, Linguistics and Comparative Literature.
Author : Michael S. Silk
Publisher : Unknown
Page : 128 pages
File Size : 48,6 Mb
Release : 1974
Category : Electronic
ISBN : OCLC:164650699
Author : Michael S. Silk
Publisher : Unknown
Page : 128 pages
File Size : 40,9 Mb
Release : 1974
Category : Electronic
ISBN : OCLC:164650699
Author : Julie A. Jacko
Publisher : Springer Science & Business Media
Page : 633 pages
File Size : 46,6 Mb
Release : 2011-06-24
Category : Computers
ISBN : 9783642216152
This four-volume set LNCS 6761-6764 constitutes the refereed proceedings of the 14th International Conference on Human-Computer Interaction, HCII 2011, held in Orlando, FL, USA in July 2011, jointly with 8 other thematically similar conferences. The revised papers presented were carefully reviewed and selected from numerous submissions. The papers accepted for presentation thoroughly cover the entire field of Human-Computer Interaction, addressing major advances in knowledge and effective use of computers in a variety of application areas. The papers of this volume are organized in topical sections on mobile interaction, interaction in intelligent environments, orientation and navigation, in-vehicle interaction, social and environmental issues in HCI, and emotions in HCI.
Author : Jeremy Black
Publisher : A&C Black
Page : 236 pages
File Size : 49,5 Mb
Release : 1998-01-01
Category : History
ISBN : 048593003X
An analysis of the oldest form of poetry. Sumer, in the southern part of Iraq, created the first literary culture in history, as early as 2500BC. The account is structured around a complete English translation of the fragmentary Lugalbanda poems, narrating the adventures of the eponymous hero. The study reveals a work of a rich and sophisticated poetic imagination and technique, which, far from being in any sense 'primitive', are so complex as to resist much modern literary analysis.>
Author : Andrew Laird
Publisher : Oxford University Press on Demand
Page : 504 pages
File Size : 50,7 Mb
Release : 2006-05-04
Category : Literary Criticism
ISBN : 9780199258659
The insights of Greek and Roman critics continue to influence contemporary thought and literary theory. These insights are also central to a proper understanding of the cultural history of classical antiquity.
Author : Anonim
Publisher : BRILL
Page : 251 pages
File Size : 55,9 Mb
Release : 2017-07-20
Category : Literary Criticism
ISBN : 9789004345010
Plato and the Power of Images addresses ways Plato has used images and the ways to understand their status as images, particularly how an image resembles what it represents and how to avoid mistaking that image for what it represents.
Author : Ron Burnett
Publisher : MIT Press
Page : 284 pages
File Size : 52,6 Mb
Release : 2005
Category : Art
ISBN : 0262524414
The transformation of images in the age of new mediaand the digital revolution.
Author : Jules van Lieshout
Publisher : BRILL
Page : 217 pages
File Size : 45,7 Mb
Release : 2022-05-20
Category : Literary Criticism
ISBN : 9789004489004
William Blake's literary works are characterized by a ceaseless dynamics constituted in the fierce interactions of the language, thought, and narrative of his myth. Highlighting the critical problems facing the linear approach that the study of Blake has adopted from the traditional methodology of Newtonian science, Jules van Lieshout argues that nonlinearity is the key to understanding Blake's prophecies. Throughout his discussions, Van Lieshout focuses on the relation of Blake's Generation and Eternity, which he identifies as Bakhtinian 'world views'. In Generation, existence is finalized as a hierarchy of geometric 'dark globes', each assuming the character of universal whole to the exclusion of all others. Eternity, on the other hand, is Blake's fractal 'human form' of existence that is continuously organized and reorganized in the dynamic interaction of whole and parts. Blake represents these world views as interinvolved. Their dynamic interaction reflects and refracts his conceptual thought, mythological narrative, and poetic language. Hence, his visionary epic self-organizes into a self-similar complex system whose patterns of behaviour are not merely remarkably like those that modern applications of nonlinear dynamics are revealing in the physical world, but are indeed inherent in the processes of writing and reading his individual works.
Author : Barbara Folkart
Publisher : University of Ottawa Press
Page : 588 pages
File Size : 41,5 Mb
Release : 2007-09-06
Category : Language Arts & Disciplines
ISBN : 9780776617664
The translation of poetry has always fascinated the theorists, as the chances of "replicating" in another language the one-off resonance of music, imagery, and truth values of a poem are vanishingly small. Translation is often envisaged as a matter of mapping over into the target language the surface features or semiotic structures of the source poem. Little wonder, then, that the vast majority of translations fail to be poetry in their own right. These essays focus on the poetically viable translation - the derived poem that, while resonating with the original, really is a poem. They proceed from a writerly perspective, eschewing both the theoretical overkill that spawns mice out of mountains and the ideological misappropriation that uses poetry as a way to push agendas. The emphasis throughout is on process and the poem-to-come.to move forward in theory and practice and opens new paths in land policy research.
Author : Mae J. Smethurst
Publisher : Princeton University Press
Page : 356 pages
File Size : 46,8 Mb
Release : 2014-07-14
Category : Drama
ISBN : 9781400860050
By means of a cross-cultural analysis of selected examples of early Japanese and early Greek drama, Mae Smethurst enhances our appreciation of each form. While using the methods of a classicist to increase our understanding of no as literary texts, she also demonstrates that the fifteenth-century treatises of Zeami--an important playwright, actor, critic, and teacher of no--offer fresh insight into Aeschylus' use of actors, language, and various elements of stage presentation. Relatively little documentation apart from the texts of the plays is available for the Greek theater of the fifth century B.C., but Smethurst uses documentation on no, and evidence from no performances today, to suggest how presentations of the Persians could have been so successful despite the play's lack of dramatic confrontation. Aeschylean theater resembles that of Zeami in creating its powerful emotional and aesthetic effect through a coherent organization of structural elements. Both playwrights used such methods as the gradual intensification of rhythmic and musical effects, an increase in the number and complexity of the actors' movements, and a progressive focusing of attention on the main actors and on costumes, masks, and props during the course of the play. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author : Max Nänny,Peter Jan de Voogd,Hans A. Lüthy
Publisher : Unknown
Page : 280 pages
File Size : 42,6 Mb
Release : 1993
Category : Art and literature
ISBN : STANFORD:36105005104158
Author : Anisur Rahman
Publisher : Abhinav Publications
Page : 108 pages
File Size : 52,7 Mb
Release : 1981
Category : Literary Criticism
ISBN : 8210379456XXX
Study on the poetry of Nissim Ezekiel, b. 1924.
Author : David B Honey
Publisher : The Chinese University of Hong Kong Press
Page : 200 pages
File Size : 54,8 Mb
Release : 2013-03-06
Category : Poetry
ISBN : 9789629964672
What has traditionally been the main matter explored by Cantonese literati? From the earliest poets—oceanic elements and riparian scenes contrasted with stunning rock formations; a love for the exotic, especially local plants, products, and lore; Daoist transcendentalism; and, finally, a concern for pointing up local loyalty to the distant throne and a fierce pride in being culturally authentically Chinese. The Southern Garden Poetry Society in Guangzhou was the only major literary club in Chinese history to be periodically reconvened over the Ming, Qing, and Republican eras. Beginning with an examination of its five founding members during the Yuan / Ming transition period, in particular Sun Fen (1335–1393), David Honey traces the various elements of this Southern Muse that became embodied in later Cantonese poetry, and pursues the issue of social memory by focusing on later reconvenings of the society.
Author : Lisa H. Cooper,Andrea Denny-Brown
Publisher : Routledge
Page : 308 pages
File Size : 46,5 Mb
Release : 2016-12-05
Category : History
ISBN : 9781351894616
The Arma Christi, the cluster of objects associated with Christ’s Passion, was one of the most familiar iconographic devices of European medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architectural ornament. This collection displays the fascinating range of intellectual possibilities generated by representations of these medieval ’objects,’ and through the interdisciplinary collaboration of its contributors produces a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages and Renaissance. It also includes a new and authoritative critical edition of the Middle English Arma Christi poem known as ’O Vernicle’ that takes account of all twenty surviving manuscripts. The book opens with a substantial introduction that surveys previous scholarship and situates the Arma in their historical and aesthetic contexts. The ten essays that follow explore representative examples of the instruments of the Passion across a broad swath of history, from some of their earliest formulations in late antiquity to their reformulations in early modern Europe. Together, they offer the first large-scale attempt to understand the arma Christi as a unique cultural phenomenon of its own, one that resonated across centuries in multiple languages, genres, and media. The collection directs particular attention to this array of implements as an example of the potency afforded material objects in medieval and early modern culture, from the glittering nails of the Old English poem Elene to the coins of the Middle English poem ’Sir Penny,’ from garments and dice on Irish tomb sculptures to lanterns and ladders in Hieronymus Bosch’s panel painting of St. Christopher, and from the altar of the Sistine Chapel to the printed prayer books of the Reformation.