Interpreting Films

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Interpreting Films

Janet Staiger
Interpreting Films Book PDF

Author : Janet Staiger
Publisher : Princeton University Press
Page : 291 pages
File Size : 54,5 Mb
Release : 2020-07-21
Category : Performing Arts
ISBN : 9780691216065

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Interpreting Films by Janet Staiger Pdf

Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. After proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators.

Interpreting Films

Janet Staiger
Interpreting Films Book PDF

Author : Janet Staiger
Publisher : Princeton University Press
Page : 296 pages
File Size : 55,5 Mb
Release : 1992-03-23
Category : Performing Arts
ISBN : 0691006164

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Interpreting Films by Janet Staiger Pdf

Political, and economic conditions as well as the viewers' constructed images of themselves. Alter proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. Her analysis reflects recent.

Interpreting Films

Janet Staiger,Reviewer Janet Staiger
Interpreting Films Book PDF

Author : Janet Staiger,Reviewer Janet Staiger
Publisher : Unknown
Page : 274 pages
File Size : 41,9 Mb
Release : 1992
Category : Performing Arts
ISBN : 0691047979

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Interpreting Films by Janet Staiger,Reviewer Janet Staiger Pdf

Political, and economic conditions as well as the viewers' constructed images of themselves. Alter proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. Her analysis reflects recent.

Viewing and Interpreting Films Otherwise

Ahmadou Siendou Konaté
Viewing and Interpreting Films Otherwise Book PDF

Author : Ahmadou Siendou Konaté
Publisher : Boucliers Publications
Page : 127 pages
File Size : 50,8 Mb
Release : 2019-01-01
Category : Art
ISBN : 9782491557454

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Viewing and Interpreting Films Otherwise by Ahmadou Siendou Konaté Pdf

This book presents things to the reader in ways that are untraditional and different. Look is taken at the political import of the filmic productions at hand. Guiding questions will be, but are not limited to the following: why was such a film produced by a person like the producer? Does the film attain the political goal the politicalized viewer sees in it? These are the questions the author seeks to answer in the book.

Making Meaning

David BORDWELL,David Bordwell
Making Meaning Book PDF

Author : David BORDWELL,David Bordwell
Publisher : Harvard University Press
Page : 353 pages
File Size : 52,6 Mb
Release : 2009-06-30
Category : Philosophy
ISBN : 9780674028531

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Making Meaning by David BORDWELL,David Bordwell Pdf

David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

Identifying and Interpreting Incongruent Film Music

David Ireland
Identifying and Interpreting Incongruent Film Music Book PDF

Author : David Ireland
Publisher : Springer
Page : 248 pages
File Size : 51,9 Mb
Release : 2018-11-04
Category : Performing Arts
ISBN : 9783030005061

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Identifying and Interpreting Incongruent Film Music by David Ireland Pdf

This book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film’s images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between a film and its music and considers the active role that it can play in the construction of a film’s meaning and influencing audience response. Synthesising findings from research in the psychology of music in multimedia, as well as from ideas sourced in semiotics, film music, and poststructuralist theory, this interdisciplinary book provides a holistic perspective that reflects the complexity of moments of film-music incongruence. With case studies including well-known films such as Gladiator and The Shawshank Redemption, this book combines scene analysis and empirical audience reception tests to emphasise the subjectivity, context-dependency, and multi-dimensionality inherent in identifying and interpreting incongruent film music.

Interpretation and Film Studies

Phillip Novak
Interpretation and Film Studies Book PDF

Author : Phillip Novak
Publisher : Springer Nature
Page : 256 pages
File Size : 55,9 Mb
Release : 2020-07-31
Category : Performing Arts
ISBN : 9783030447397

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Interpretation and Film Studies by Phillip Novak Pdf

This book argues that the sustained interpretation of individual movies has, contrary to conventional wisdom, never been a major preoccupation of film studies—that, indeed, the field is marked by a dearth of effective, engaging, and enlightening critical analyses of single films. The book makes this case by surveying what has been written about four historically important and well-known movies (D. W. Griffith’s Way Down East, Marcel Carné’s Port of Shadows, Mike Nichols’s The Graduate, and Michelangelo Antonioni’s Red Desert), none of which has been the focus of sustained critical attention, and by exhaustively examining the kinds of work published in four influential film journals (Cinema Journal, Screen, Wide Angle, and Movie). The book goes on to argue for the value of the work of interpretation, illustrating this value through extended analyses of Roman Polanski’s Chinatown and Christopher Nolan’s Memento, both of which thematize interpretation. Novak demonstrates the causes and consequences of reading poorly and the importance of reading well.

Reframing the Past

Mia E. M. Treacey
Reframing the Past Book PDF

Author : Mia E. M. Treacey
Publisher : Routledge
Page : 180 pages
File Size : 45,8 Mb
Release : 2016-02-26
Category : History
ISBN : 9781317273202

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Reframing the Past by Mia E. M. Treacey Pdf

Reframing the Past traces what historians have written about film and television from 1898 until the early 2000s. Mia Treacey argues that historical engagement with film and television should be reconceptualised as Screened History: an interdisciplinary, international field of research to incorporate and replace what has been known as ‘History and Film’. It draws from the fields of Film, Television and Cultural Studies to critically analyse key works and connect past scholarship with contemporary research. Reconsidered as Screened History, the works of Pierre Sorlin, Marc Ferro, John O’Connor, Robert Rosenstone and Robert Toplin are explored alongside lesser known but equally important contributions. This book identifies a number of common themes and ideas that have been explored by historians for decades: the use of history on film and television as a way to teach the past; the challenge of filmic and televisual history to more traditional historiography; and an ongoing battle to find an ‘appropriate’ historical way to engage with Film Studies and Theory. Screened History offers an approach to exploring History, Film and Television that allows room for future developments, while connecting them to a rich and diverse body of past scholarship. Combining a narrative of historical research on film and television over the past century with a reconceptualisation of the field as Screened History, Reframing the Past is essential reading both for established scholars of History and Film, Film History and other related disciplines, and to students new to the field.

Philosophy of the Film

Ian Jarvie
Philosophy of the Film Book PDF

Author : Ian Jarvie
Publisher : Routledge
Page : 345 pages
File Size : 49,5 Mb
Release : 2003-09-02
Category : Social Science
ISBN : 9781135794651

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Philosophy of the Film by Ian Jarvie Pdf

Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.

Romanticism and Film

Will Kitchen
Romanticism and Film Book PDF

Author : Will Kitchen
Publisher : Bloomsbury Publishing USA
Page : 261 pages
File Size : 42,9 Mb
Release : 2020-11-26
Category : Music
ISBN : 9781501361357

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Romanticism and Film by Will Kitchen Pdf

The relationship between Romanticism and film remains one of the most neglected topics in film theory and history, with analysis often focusing on the proto-cinematic significance of Richard Wagner's music-dramas. One new and interesting way of examining this relationship is by looking beyond Wagner, and developing a concept of audio-visual explanation rooted in Romantic philosophical aesthetics, and employing it in the analysis of film discourse and representation. Using this concept of audio-visual explanation, the cultural image of the Hungarian pianist and composer Franz Liszt, a contemporary of Wagner and another significant practitioner of Romantic audio-visual aesthetics, is examined in reference to specific case studies, including the rarely-explored films Song Without End (1960) and Lisztomania (1975). This multifaceted study of film discourse and representation employs Liszt as a guiding-thread, structuring a general exploration of the concept of Romanticism and its relationship with film more generally. This exploration is supported by new theories of representation based on schematic cognition, the philosophy of explanation, and the recently-developed film theory of Jacques Rancière. Individual chapters address the historical background of audio-visual explanation in Romantic philosophical aesthetics, Liszt's role in the historical discourses of film and film music, and various filmic representations of Liszt and his compositions. Throughout these investigations, Will Kitchen explores the various ways that films explain, or 'make sense' of things, through a 'Romantic' aesthetic combination of sound and vision.

Feminist Film Studies

Karen Hollinger
Feminist Film Studies Book PDF

Author : Karen Hollinger
Publisher : Routledge
Page : 310 pages
File Size : 54,7 Mb
Release : 2012-08-21
Category : Performing Arts
ISBN : 9781136509209

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Feminist Film Studies by Karen Hollinger Pdf

Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema. Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period. This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.

Cinema Off Screen

Chenshu Zhou
Cinema Off Screen Book PDF

Author : Chenshu Zhou
Publisher : Univ of California Press
Page : 281 pages
File Size : 40,5 Mb
Release : 2021-07-06
Category : Social Science
ISBN : 9780520974777

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Cinema Off Screen by Chenshu Zhou Pdf

At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.

Horror, The Film Reader

Mark Jancovich
Horror The Film Reader Book PDF

Author : Mark Jancovich
Publisher : Routledge
Page : 208 pages
File Size : 41,5 Mb
Release : 2002-01-10
Category : Performing Arts
ISBN : 9781134563753

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Horror, The Film Reader by Mark Jancovich Pdf

Horror, The Film Reader brings together key articles to provide a comprehensive resource for students of horror cinema. Mark Jancovich's introduction traces the development of horror film from The Cabinet of Dr. Caligari to The Blair Witch Project, and outlines the main critical debates. Combining classic and recent articles, each section explores a central issue of horror film, and features an editor's introduction outlining the context of debates.

The Bloomsbury Companion to Aesthetics

Anna Christina Ribeiro
The Bloomsbury Companion to Aesthetics Book PDF

Author : Anna Christina Ribeiro
Publisher : Bloomsbury Publishing
Page : 369 pages
File Size : 53,6 Mb
Release : 2015-05-21
Category : Philosophy
ISBN : 9781474236386

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The Bloomsbury Companion to Aesthetics by Anna Christina Ribeiro Pdf

The Bloomsbury Companion to Aesthetics presents a practical study guide to emerging topics and art forms in aesthetics and the philosophy of art. Placing contemporary discussion in its historical context, this companion begins with an introduction to the history of aesthetics. Surveying the central topics, terms and figures and noting the changes in the roles the arts played over the centuries, it also tackles methodological issues asking what the proper object of study in aesthetics is, and how we should go about studying it. Written by leading analytic philosophers in the field, chapters on Core Issues and Art Forms cover four major topics; - the definition of art and the ontology of art work - aesthetic experience, aesthetic properties, and aesthetic and artistic value - specific art forms including music, dance, theatre, the visual arts as a whole, and the various forms of popular art - new areas in aesthetics and the philosophy of art, such as environmental aesthetics and global standpoint aesthetics, as well as other new directions the field is taking towards everyday aesthetics Featuring a list of research resources and an extensive chronology of works in aesthetics and the philosophy of art dating from the fifth century BC to the 21st century, The Bloomsbury Companion to Aesthetics provides an engaging introduction to contemporary aesthetics.

Perverse Spectators

Janet Staiger
Perverse Spectators Book PDF

Author : Janet Staiger
Publisher : NYU Press
Page : 248 pages
File Size : 40,7 Mb
Release : 2000-07-01
Category : Social Science
ISBN : 9780814724095

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Perverse Spectators by Janet Staiger Pdf

Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires. In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information. Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies. Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium.