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These writers established the anti-Burke paradigms that continue to reverberate in Anglo-American criticism and the Revolution's historiography. To understand the significance of what they contend is being revealed is to begin to see what is being obscured - striking resemblances between themselves and the enemy they denounce.
Ambiguities of War: A Narratological Commentary on Silius Italicus’ Battle of Ticinus (Sil. 4.1-479) by Elisabeth Schedel Pdf
The book lays bare the narrative form of Silius’ text. It focuses on the phenomenon of ambiguity due to the epic’s constant oscillation between fact and fiction, highlighting Roman triumph in defeat and defeat through triumph.
A major new interpretation of Vergil's epic poem as a struggle between two incompatible versions of the Homeric hero This compelling book offers an entirely new way of understanding the Aeneid. Many scholars regard Vergil's poem as an attempt to combine Homer’s Iliad and Odyssey into a single epic. Joseph Farrell challenges this view, revealing how the Aeneid stages an epic contest to determine which kind of story it will tell—and what kind of hero Aeneas will be. Farrell shows how this contest is provoked by the transgressive goddess Juno, who challenges Vergil for the soul of his hero and poem. Her goal is to transform the poem into an Iliad of continuous Trojan persecution instead of an Odyssey of successful homecoming. Farrell discusses how ancient critics considered the flexible Odysseus the model of a good leader but censured the hero of the Iliad, the intransigent Achilles, as a bad one. He describes how the battle over which kind of leader Aeneas will prove to be continues throughout the poem, and explores how this struggle reflects in very different ways on the ethical legitimacy of Rome’s emperor, Caesar Augustus. By reframing the Aeneid in this way, Farrell demonstrates how the purpose of the poem is to confront the reader with an urgent decision between incompatible possibilities and provoke uncertainty about whether the poem is a celebration of Augustus or a melancholy reflection on the discontents of a troubled age.
International/intertextual Relations by James Der Derian,Michael J. Shapiro Pdf
Drawing on the philosophies and intellectual approaches of numerous contemporary social critics (Nietzche, Foucault, Barthes, among others), this collection sheds light on the relationship between international theory and political power. Using such disciplines as geneaology, deconstruction, semiotics, feminist psychoanalytical theory, and intertextualism, these readings address such diverse topics as: sovereignty, terrorism, the psychology of war, nuclear criticism, strategic culture. Annotation c. Book News, Inc., Portland, OR (booknews.com)
Intertextuality in Flavian Epic Poetry by Neil Coffee,Chris Forstall,Lavinia Galli Milić,Damien Nelis Pdf
This collection of essays reaffirms the central importance of adopting an intertextual approach to the study of Flavian epic poetry and shows, despite all that has been achieved, just how much still remains to be done on the topic. Most of the contributions are written by scholars who have already made major contributions to the field, and taken together they offer a set of state of the art contributions on individual topics, a general survey of trends in recent scholarship, and a vision of at least some of the paths work is likely to follow in the years ahead. In addition, there is a particular focus on recent developments in digital search techniques and the influence they are likely to have on all future work in the study of the fundamentally intertextual nature of Latin poetry and on the writing of literary history more generally.
Intertextuality in Music by Violetta Kostka,Paulo F. de Castro,William A. Everett Pdf
The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music.
Author : Jeremy Corley,Geoffrey David Miller Publisher : Walter de Gruyter GmbH & Co KG Page : 384 pages File Size : 43,6 Mb Release : 2019-05-06 Category : Religion ISBN : 9783110416930
Intertextual Explorations in Deuterocanonical and Cognate Literature by Jeremy Corley,Geoffrey David Miller Pdf
This volume explores the fundamentals of intertextual methodology and summarizes recent scholarship on studies of intertextuality in the deuterocanonical books. The essays engage in comparison and analysis of text groups and motifs between canonical, deuterocanonical and non-biblical texts. Moreover, the book pays close attention to non-literary relationships between different traditions, a new feature of research in intertextuality.
Narratives in Silius Italicus’ Punica by Pieter Van Den Broek Pdf
This study investigates the role of embedded narratives in Silius Italicus’ Punica, an epic from the late first century AD on the Second Punic War (218–202 BC). At first sight, these narratives seem to be loosely ‘embedded’ in the epic, having their own plot and being situated in a different time or place than the main narrative. A closer look reveals, however, that they foreshadow or recall elements that are found elsewhere in the epic. In this way, they serve as ‘mirrors’ of the main narrative. The larger part of this book consists of four detailed case studies.
In February 1793, in the wake of the War of American Independence and one year after British prime minister William Pitt the Younger had predicted fifteen years of peace, the National Convention of Revolutionary France declared war on Great Britain and the Netherlands. France thus initiated nearly a quarter century of armed conflict with Britain. During this fraught and still-contested period, historian Nathaniel Jarrett suggests, Pitt and his ministers forged a diplomatic policy and military strategy that envisioned an international system anticipating the Vienna settlement of 1815. Examining Pitt’s foreign policy from 1783 to 1797—the years before and during the War of the First Coalition against Revolutionary France—Jarrett considers a question that has long vexed historians: Did Pitt adhere to the “blue water” school, imagining a globe-trotting navy, or did he favor engagement nearer to shore and on the European Continent? And was this approach grounded in precedent, or was it something new? While acknowledging the complexities within this dichotomy, The Lion at Dawn argues that the prime minister consistently subordinated colonial to continental concerns and pursued a new vision rather than merely honoring past glories. Deliberately, not simply in reaction to the French Revolution, Pitt developed and pursued a grand strategy that sought British security through a novel collective European system—one ultimately realized by his successors in 1815. The Lion at Dawn opens a critical new perspective on the emergence of modern Britain and its empire and on its early effort to create a stable and peaceful international system, an ideal debated to this day.
The War on Terror Narrative provides a longitudinal and holistic study of the formation, circulation, and contestation of the Bush administration's narrative about the "war on terror."
American Media and the Memory of World War II by Debra Ramsay Pdf
For three generations of Americans, World War II has been a touchstone for the understanding of conflict and of America’s role in global affairs. But if World War II helped shape the perception of war for Americans, American media in turn shape the understanding and memory of World War II. Concentrating on key popular films, television series, and digital games from the last two decades, this book explores the critical influence World War II continues to exert on a generation of Americans born over thirty years after the conflict ended. It explains how the war was configured in the media of the wartime generation and how it came to be repurposed by their progeny, the Baby Boomers. In doing so, it identifies the framework underpinning the mediation of World War II memory in the current generation’s media and develops a model that provides insight into the strategies of representation that shape the American perspective of war in general.
This book deals with the study of style in language, how styles can be recognized, and their features. It examines how style is used in literary and non-literary texts, and how familiarity with style is a matter of socialization. The author also discusses the relationship between text and discourse, the production and reception of meaning as a dynamic contextualized interaction, the question of perspective and the variable representation of reality, and how stylistics can complement literary criticism. The final chapter deals with social reading and ideological positioning, including some thoughts on feminist stylistics and critical discourse analysis.
The French Revolution Debate and the British Novel, 1790-1814 by Morgan Rooney Pdf
This study examines how debates about history during the French Revolution informed and changed the nature of the British novel between 1790 and 1814. During these years, intersections between history, political ideology, and fiction, as well as the various meanings of the term "history" itself, were multiple and far reaching. Morgan Rooney elucidates these subtleties clearly and convincingly. While political writers of the 1790s--Burke, Price, Mackintosh, Paine, Godwin, Wollstonecraft, and others--debate the historical meaning of the Glorious Revolution as a prelude to broader ideological arguments about the significance of the past for the present and future, novelists engage with this discourse by representing moments of the past or otherwise vying to enlist the authority of history to further a reformist or loyalist agenda. Anti-Jacobin novelists such as Charles Walker, Robert Bisset, and Jane West draw on Burkean historical discourse to characterize the reform movement as ignorant of the complex operations of historical accretion. For their part, reform-minded novelists such as Charlotte Smith, William Godwin, and Maria Edgeworth travesty Burke's tropes and arguments so as to undermine and then redefine the category of history. As the Revolution crisis recedes, new novel forms such as Edgeworth's regional novel, Lady Morgan's national tale, and Jane Porter's early historical fiction emerge, but historical representation--largely the legacy of the 1790s' novel--remains an increasingly pronounced feature of the genre. Whereas the representation of history in the novel, Rooney argues, is initially used strategically by novelists involved in the Revolution debate, it is appropriated in the early nineteenth century by authors such as Edgeworth, Morgan, and Porter for other, often related ideological purposes before ultimately developing into a stable, nonpartisan, aestheticized feature of the form as practiced by Walter Scott. The French Revolution Debate and the British Novel, 1790-1814 demonstrates that the transformation of the novel at this fascinating juncture of British political and literary history contributes to the emergence of the historical novel as it was first realized in Scott's Waverley (1814).