Introduction To Computer Music

Author : Nick Collins
Publisher : John Wiley & Sons
Page : 396 pages
File Size : 48,9 Mb
Release : 2010-02-01
Category : Music
ISBN : 9780470714553

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Introduction to Computer Music by Nick Collins Pdf

A must-have introduction that bridges the gap between music and computing The rise in number of composer-programmers has given cause for an essential resource that addresses the gap between music and computing and looks at the many different software packages that deal with music technology. This up-to-date book fulfills that demand and deals with both the practical use of technology in music as well as the principles behind the discipline. Aimed at musicians exploring computers and technologists engaged with music, this unique guide merges the two worlds so that both musicians and computer scientists can benefit. Defines computer music and offers a solid introduction to representing music on a computer Examines computer music software, the musical instrument digital interface, virtual studios, file formats, and more Shares recording tips and tricks as well as exercises at the end of each section to enhance your learning experience Reviews sound analysis, processing, synthesis, networks, composition, and modeling Assuming little to no prior experience in computer programming, this engaging book is an ideal starting point for discovering the beauty that can be created when technology and music unite.

Author : Wayne Bateman
Publisher : John Wiley & Sons
Page : 342 pages
File Size : 47,9 Mb
Release : 1980
Category : Computers
ISBN : UOM:39015009599625

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Introduction to Computer Music by Wayne Bateman Pdf

Author : Anonim
Publisher : Unknown
Page : 88 pages
File Size : 44,5 Mb
Release : 2005
Category : Style, Musical
ISBN : 1930190956

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Music and Computers by Anonim Pdf

Author : Curtis Roads
Publisher : MIT Press
Page : 1287 pages
File Size : 47,9 Mb
Release : 2023-06-06
Category : Computers
ISBN : 9780262361545

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The Computer Music Tutorial, second edition by Curtis Roads Pdf

Expanded, updated, and fully revised—the definitive introduction to electronic music is ready for new generations of students. Essential and state-of-the-art, The Computer Music Tutorial, second edition is a singular text that introduces computer and electronic music, explains its motivations, and puts topics into context. Curtis Roads’s step-by-step presentation orients musicians, engineers, scientists, and anyone else new to computer and electronic music. The new edition continues to be the definitive tutorial on all aspects of computer music, including digital audio, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, and psychoacoustics, but the second edition also reflects the enormous growth of the field since the book’s original publication in 1996. New chapters cover up-to-date topics like virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, and instrument and patch editors. Exhaustively referenced and cross-referenced, the second edition adds hundreds of new figures and references to the original charts, diagrams, screen images, and photographs in order to explain basic concepts and terms. Features New chapters: virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, instrument and patch editors, and an appendix on machine learning Two thousand references support the book’s descriptions and point readers to further study Mathematical notation and program code examples used only when necessary Twenty-five years of classroom, seminar, and workshop use inform the pace and level of the material

Author : Dan Hosken
Publisher : Routledge
Page : 382 pages
File Size : 52,5 Mb
Release : 2014-08-01
Category : Music
ISBN : 9781135966829

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An Introduction to Music Technology by Dan Hosken Pdf

An Introduction to Music Technology, Second Edition provides a clear overview of the essential elements of music technology for today’s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, MIDI, Computer Notation, and Computer- Assisted Instruction. Appendices cover necessary computer hardware and software concepts. Written for both music technology majors and non-majors, this textbook introduces fundamental principles and practices so students can learn to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis. Features: Thorough explanations of key topics in music technology Content applicable to all software and hardware, not linked to just one piece of software or gear In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects Coverage of synthesis and sampling in software instruments Pedagogical features, including: Further Reading sections that allow the student to delve deeper into topics of interest Suggested Activities that can be carried out with a variety of different programs Key Terms at the end of each chapter What Do I Need? Chapters covering the types of hardware and software needed in order to put together Audio and MIDI systems A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. The new edition has been fully updated to cover new technologies that have emerged since the first edition, including iOS and mobile platforms, online notation software, alternate controllers, and Open Sound Control (OSC).

Author : F. Richard Moore
Publisher : Unknown
Page : 130 pages
File Size : 43,7 Mb
Release : 1977
Category : Computer composition (Music)
ISBN : STANFORD:36105008678109

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Real Time Interactive Computer Music Synthesis by F. Richard Moore Pdf

Author : Joseph Rothstein
Publisher : A-R Editions, Inc.
Page : 290 pages
File Size : 52,6 Mb
Release : 1995-01-01
Category : Music
ISBN : 9780895793096

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MIDI by Joseph Rothstein Pdf

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Author : Bill Manaris,Andrew R. Brown
Publisher : CRC Press
Page : 502 pages
File Size : 54,9 Mb
Release : 2014-05-19
Category : Computers
ISBN : 9781482222210

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Making Music with Computers by Bill Manaris,Andrew R. Brown Pdf

Teach Your Students How to Use Computing to Explore Powerful and Creative Ideas In the twenty-first century, computers have become indispensable in music making, distribution, performance, and consumption. Making Music with Computers: Creative Programming in Python introduces important concepts and skills necessary to generate music with computers. It interweaves computing pedagogy with musical concepts and creative activities, showing students how to integrate the creativity and design of the arts with the mathematical rigor and formality of computer science. The book provides an introduction to creative software development in the Python programming language. It uses innovative music-creation activities to illustrate introductory computer programming concepts, including data types, algorithms, operators, iteration, lists, functions, and classes. The authors also cover GUIs, event-driven programming, big data, sonification, MIDI programming, client–server programming, recursion, fractals, and complex system dynamics. Requiring minimal musical or programming experience, the text is designed for courses in introductory computer science and computing in the arts. It helps students learn computer programming in a creative context and understand how to build computer music applications. Also suitable for self-study, the book shows musicians and digital music enthusiasts how to write music software and create algorithmic music compositions. Web Resource A supplementary website (http://jythonMusic.org) provides a music library and other software resources used in the text. The music library is an extension of the jMusic library and incorporates other cross-platform programming tools. The website also offers example course and associated media resources.

Author : Charles Dodge,Thomas A. Jerse
Publisher : MacMillan Publishing Company
Page : 408 pages
File Size : 45,7 Mb
Release : 1985
Category : Music
ISBN : UOM:39015009713788

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Computer Music by Charles Dodge,Thomas A. Jerse Pdf

This text reflects the current state of computer technology and music composition. The authors offer clear, practical overviews of program languages, real-time synthesizers, digital filtering, artificial intelligence, and much more.

Author : Perry R. Cook
Publisher : MIT Press
Page : 398 pages
File Size : 55,7 Mb
Release : 2001-01-26
Category : Computers
ISBN : 0262531909

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Music, Cognition, and Computerized Sound by Perry R. Cook Pdf

The first book to provide comprehensive introductory coverage of the multiple topics encompassed under psychoacoustics. How hearing works and how the brain processes sounds entering the ear to provide the listener with useful information are of great interest to psychologists, cognitive scientists, and musicians. However, while a number of books have concentrated on individual aspects of this field, known as psychoacoustics, there has been no comprehensive introductory coverage of the multiple topics encompassed under the term. Music, Cognition, and Computerized Sound is the first book to provide that coverage, and it does so via a unique and useful approach. The book begins with introductory chapters on the basic physiology and functions of the ear and auditory sections of the brain, then proceeds to discuss numerous topics associated with the study of psychoacoustics, including cognitive psychology and the physics of sound. The book has a particular emphasis on music and computerized sound. An accompanying download includes many sound examples to help explicate the text and is available with the code included in the book at http://mitpress.mit.edu/mccs. To download sound samples, you can obtain a unique access code by emailing [email protected] or calling 617-253-2889 or 800-207-8354 (toll-free in the U.S. and Canada).The contributing authors include John Chowning, Perry R. Cook, Brent Gillespie, Daniel J. Levitin, Max Mathews, John Pierce, and Roger Shepard.

Author : Michael S. Horn,Melanie West,Cameron Roberts
Publisher : CRC Press
Page : 290 pages
File Size : 55,6 Mb
Release : 2022-02-14
Category : Technology & Engineering
ISBN : 9781000533415

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Introduction to Digital Music with Python Programming by Michael S. Horn,Melanie West,Cameron Roberts Pdf

Introduction to Digital Music with Python Programming provides a foundation in music and code for the beginner. It shows how coding empowers new forms of creative expression while simplifying and automating many of the tedious aspects of production and composition. With the help of online, interactive examples, this book covers the fundamentals of rhythm, chord structure, and melodic composition alongside the basics of digital production. Each new concept is anchored in a real-world musical example that will have you making beats in a matter of minutes. Music is also a great way to learn core programming concepts such as loops, variables, lists, and functions, Introduction to Digital Music with Python Programming is designed for beginners of all backgrounds, including high school students, undergraduates, and aspiring professionals, and requires no previous experience with music or code.

Author : Miller Puckette
Publisher : World Scientific
Page : 346 pages
File Size : 53,9 Mb
Release : 2007
Category : Music
ISBN : 9789812700773

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The Theory and Technique of Electronic Music by Miller Puckette Pdf

Develops both the theory and the practice of synthesizing musical sounds using computers. This work contains chapters that starts with a theoretical description of one technique or problem area and ends with a series of working examples, covering a range of applications. It is also suitable for computer music researchers.

Author : Heinrich Taube
Publisher : Routledge
Page : 354 pages
File Size : 41,8 Mb
Release : 2013-10-23
Category : Music
ISBN : 9781134381388

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Notes from the Metalevel by Heinrich Taube Pdf

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Author : Eduardo R. Miranda,John Al Biles
Publisher : Springer Science & Business Media
Page : 273 pages
File Size : 49,6 Mb
Release : 2007-10-12
Category : Computers
ISBN : 9781846286001

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Evolutionary Computer Music by Eduardo R. Miranda,John Al Biles Pdf

This book discusses the applications of evolutionary computation to music and the tools needed to create and study such systems. These tools can be combined to create surrogate artificial worlds populated by interacting simulated organisms in which complex musical experiments can be performed. The book demonstrates that evolutionary systems can be used to create and to study musical compositions and cultures in ways that have never before been achieved.

Author : Andrew J. Nelson
Publisher : MIT Press
Page : 250 pages
File Size : 52,8 Mb
Release : 2015-03-06
Category : Education
ISBN : 9780262028769

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The Sound of Innovation by Andrew J. Nelson Pdf

How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music. In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.