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Author : Tim Bywater
Publisher : Pearson Education India
Page : 260 pages
File Size : 55,6 Mb
Release : 2009-09
Category : Film criticism
ISBN : 8131727483
Author : W. John Hill,Pamela Church Gibson
Publisher : Unknown
Page : 260 pages
File Size : 41,7 Mb
Release : 2000
Category : Performing Arts
ISBN : STANFORD:36105028619398
The most up-to-date critical guide available, Film Studies: Critical Approaches covers all the significant theories, debates, and approaches to the subject. A team of international experts provides a clear and comprehensive overview of all the major theoretical and critical approaches involved in film analysis, including detailed coverage of established critical traditions--such as semiotics, feminism, and psychoanalysis--as well as important new areas of study such as film audiences and reception, queer theory, and identity politics. Chapter summaries and further reading lists help students to assimilate the material. Ideal for courses in film criticism and textual analysis, Film Studies: Critical Approaches guides students through the maze of theory to the heart of the subject.
Author : Frank Manchel
Publisher : Fairleigh Dickinson Univ Press
Page : 988 pages
File Size : 47,7 Mb
Release : 1990
Category : Motion pictures
ISBN : 083863186X
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Author : Arthur Asa Berger
Publisher : SAGE
Page : 196 pages
File Size : 55,9 Mb
Release : 1992-05-12
Category : Social Science
ISBN : 0803947267
No (spy story), War of the Worlds (science fiction), and Frankenstein (horror). Viewing these works in the context of their respective genres is not only instructive but fascinating reading as well.
Author : John Gibbs,Douglas Pye
Publisher : Springer
Page : 263 pages
File Size : 46,9 Mb
Release : 2017-10-27
Category : Performing Arts
ISBN : 9781137585738
This is the first book in English exclusively devoted to the long take, one of the key elements of film style. Increasingly visible in contemporary international media, the long take currently attracts a good deal of attention in criticism and commentary. There are also significant strands of film theory in which duration has become a recurrent concern. In keeping with the approach of Palgrave Close Readings in Film and Television, this collection is devoted to the detailed critical analysis of specific long takes, explored in terms of how they function within their contexts, how they shape the visual field, the meanings they generate and the effects they create. The Long Take: Critical Approaches brings together essays by established and emerging scholars (all but one essay commissioned for this volume) in an exciting collection that analyses works from a range of filmmaking traditions, from the 1930s to the present day, selected to represent varied long take practices and to explore associated debates.
Author : John E. Moscowitz
Publisher : Pearson
Page : 236 pages
File Size : 51,7 Mb
Release : 2000
Category : Language Arts & Disciplines
ISBN : UVA:X004802677
This book explains how to prepare for and write various types of critical pieces on film. It distinguishes the four main critical formats of writing about film--the review, the critique, the comparative analysis and the documented research paper--from each other (why, when, and how to use each and the different aspects within each). The book provides theory, discussion, component examples and full samples of all formats discussed. The book also provides exercises and strategies to prepare the critic to watch the film and write a first draft. B> preparation for and the process of film criticism, style and structure in film criticism, the review, the analytical critique, the comparative analysis, the documented research paper, primary and secondary sources of works guidelines and an index of names and titles. For anyone interested in critiquing films for personal interest or professional writing.
Author : W. John Hill,Pamela Church Gibson,Richard Dyer,E. Ann Kaplan,Paul Willemen
Publisher : Unknown
Page : 252 pages
File Size : 53,7 Mb
Release : 2000
Category : Film criticism
ISBN : 9780198742821
Ranging from pre-1930s Europe to contemporary "Bollywood" musicals, this extensive guide to international film covers areas as diverse as New German, Australian, Indian, and South American cinema. A team of international contributors explains the key arguments and debates involved in the study of world cinema and also provides an overview of the avant-garde, the documentary, and recent technological developments. Featuring illustrations throughout, further reading recommendations, and chapter summaries, World Cinema: Critical Approaches serves as an exceptional text for courses in film and media studies.
Author : Michael Ryan
Publisher : John Wiley & Sons
Page : 226 pages
File Size : 43,7 Mb
Release : 2012-02-13
Category : Literary Criticism
ISBN : 9781405182829
An accessible and thorough introduction to literary theory and contemporary critical practice, this book is an essential resource for beginning students of literary criticism. Covers traditional approaches such as formalism and structuralism, as well as more recent developments in criticism such as evolutionary theory, cognitive studies, ethical criticism, and ecocriticism Offers explanations of key works and major ideas in literary criticism and suggests key elements to look for in a literary text Also applies critical approaches to various examples from film studies Helps students to build a critical framework and write analytically
Author : Michael Ryan,Melissa Lenos
Publisher : Bloomsbury Publishing USA
Page : 288 pages
File Size : 48,9 Mb
Release : 2020-04-16
Category : Performing Arts
ISBN : 9781501318566
An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through: -the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way. The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory. New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
Author : Nikos Metallinos
Publisher : Routledge
Page : 317 pages
File Size : 44,7 Mb
Release : 2013-11-05
Category : Social Science
ISBN : 9781136686153
USE FIRST TWO PARAGRAPHS ONLY FOR GENERAL CATALOGS... This volume offers a response to three ongoing needs: * to develop the main composition principles pertinent to the visual commmunication medium of television; * to establish the field of television aesthetics as an extension of the broader field of visual literacy; and * to promote television aesthetics to both students and consumers of television. Based on effective empirical research from three axes -- perception, cognition, and composition -- the aesthetic principles of television images presented are drawn from converging research in academic disciplines such as psychology (perceptual, cognitive, and experimental), neurophysiology, and the fine arts (painting, photography, film, theater, music, and more). Although the aesthetics of the fine arts were traditionally built on contextual theories that relied heavily on subjective evaluation, on critical analyses, and on descriptive research methods, the aesthetics of today's visual communication media consider equally valuable empirical methodologies found in all sciences. Investigations in these different academic disciplines have provided the constructs and strengthened the foundations of the theory of television aesthetics offered in this book. Special features include: * a great variety of pictures supporting the topics discussed; * a thorough, up-to-date, and specifically related bibliography for each of the major parts of the book; * computer drawings illustrating the concepts examined in the text; * scientific data -- tables and charts -- documenting the research findings cited; * simplified explanations of the processes of visual, auditory, and motion perceptions of images, enhanced by specific diagrams; * detailed analyses of the threefold process of stimulation, perception, and recognition of televised images; and * workable, easy-to-understand and use rules of picture composition, visual image evaluations, and television program appreciation.
Author : R. J. Cardullo
Publisher : Springer
Page : 460 pages
File Size : 46,6 Mb
Release : 2016-10-26
Category : Education
ISBN : 9789463007269
Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film.
Author : Rashmi Luthra
Publisher : EOLSS Publications
Page : 388 pages
File Size : 49,8 Mb
Release : 2009-05-12
Category : Electronic
ISBN : 9781905839711
Journalism and Mass Communication is the component of Encyclopedia of Social Sciences and Humanities in the global Encyclopedia of Life Support Systems (EOLSS), which is an integrated compendium of twenty one Encyclopedias. The Theme on Journalism and Mass Communication deals, in two volumes and cover five main topics, with a myriad of issues of great relevance to our world such as: Evolution of Journalism and Mass Communication; Evolution of Mass Communication: Mass Communication and Sustainable Futures; The Internet as a Mass Communication Medium; Management and Future of Mass Communications and Media; Communication Strategies for Sustainable Societies, which are then expanded into multiple subtopics, each as a chapter. These two volumes are aimed at the following five major target audiences: University and College Students Educators, Professional Practitioners, Research Personnel and Policy Analysts, Managers, and Decision Makers, NGOs and GOs.
Author : Jill Nelmes
Publisher : Psychology Press
Page : 532 pages
File Size : 44,7 Mb
Release : 2003
Category : Performing Arts
ISBN : 0415262690
An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film.Features of the third edition include:*full coverage of all the key topics at undergraduate level*comprehensive and up-to-date information and new case studies on recent films such as Gladiator , Spiderman , The Blair Witch Project, Fight Club , Shrek and The Matrix*annotated key readings, further viewing, website resources, study questions, a comprehensive bibliography and indexes, and a glossary of key terms will help lecturers prepare tutorials and encourage students to undertake independent study.Individual chapters include:*Film form and narrative*Spectator, audience and response*Critical approaches to Hollywood cinema: authorship, genre and stars*Animation: forms and meaning*Gender and film*Lesbian and gay cinema*British cinema*Soviet montage Cinema*French New Wave*Indian Cinema
Author : W. John Hill,Pamela Church Gibson
Publisher : Oxford University Press on Demand
Page : 160 pages
File Size : 54,7 Mb
Release : 2000
Category : Performing Arts
ISBN : 0198742819
'The contributors supply skilful overviews of the major critical approaches' Sight and Sound May 1998 Top international contributors Emphasis throughout on critical concepts, methods and debates Learning aids include chapter summaries, critiques of individual films and further reading This text is perfectly tailored to meet the needs of students taking a course in Hollywood cinema as part of a degree in film, media studies, or cultural studies.
Author : Lucy Fischer,Patrice Petro
Publisher : Modern Language Association
Page : 413 pages
File Size : 47,9 Mb
Release : 2012-07-27
Category : Language Arts & Disciplines
ISBN : 9781603291330
Film studies has been a part of higher education curricula in the United States almost since the development of the medium. Although the study of film is dispersed across a range of academic departments, programs, and scholarly organizations, film studies has come to be recognized as a field in its own right. In an era when teaching and scholarship are increasingly interdisciplinary, film studies continues to expand and thrive, attracting new scholars and fresh ideas, direction, and research. Given the dynamism of the field, experienced and beginning instructors alike need resources for bringing the study of film into the classroom. This volume will help instructors conceptualize contemporary film studies in pedagogical terms. The first part of the volume features essays on theory and on representation, including gender, race, and sexuality. Contributors then examine the geographies of cinema and offer practical suggestions for structuring courses on national, regional, and transnational film. Several essays focus on interdisciplinary approaches, while others describe courses designed around genre (film noir, the musical), mode (animation, documentary, avant-garde film), or the formal elements of film, such as sound, music, and mise-en-scene. The volume closes with a section on film and media in the digital age, in which contributors discuss the opportunities and challenges presented by access to resources, media convergence, and technological developments in the field.