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Author : Clark Andrew Colahan
Publisher : Unknown
Page : 0 pages
File Size : 52,6 Mb
Release : 2023
Category : Electronic
ISBN : 1032467266
Author : Clark Colahan
Publisher : Taylor & Francis
Page : 243 pages
File Size : 46,7 Mb
Release : 2023-06-22
Category : Literary Criticism
ISBN : 9781000864274
Cervantes’ now mythical character of Don Quixote began as a far different figure than the altruistic righter of wrongs we know today. The transformation from mad highway robber to secular saint took place in the Romantic Era, but how and where it began has just begun to be understood. Germany and England played major roles, but, contrary to earlier literary historians, Pascal, Racine, Rousseau and the Jansenists scooped Henry and Sarah Fielding. Jansenism, a persecuted puritanical and intellectual movement linked to Pascal, identified itself with Don Quixote’s virtues, excused his vices, and wrote a game-changing sequel mediated by the transformative powers of a sorcerer from Commedia dell’Arte. As an early Romantic, Rousseau was attracted to the hero’s fertile imagination and tender love for Dulcinea, foregrounding the would-be knight’s quest in a play and his best-selling novel, Julie. Sarah Fielding reacted similarly, basing her utopian novel David Simple on the Jansenist concept of quixotic trust in others. Colahan here reproduces and explains for the first time the extremely rare original illustrations of the French sequel to Cervantes’ novel, and documents the fortunes in French culture of the magician at the heart of the Romantic Quixote.
Author : William Franke
Publisher : Taylor & Francis
Page : 229 pages
File Size : 51,9 Mb
Release : 2024-07-31
Category : Literary Criticism
ISBN : 9781040089347
This book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection. The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period. Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries. Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All. Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially. Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage.
Author : William Egginton
Publisher : Bloomsbury Publishing USA
Page : 272 pages
File Size : 41,5 Mb
Release : 2016-02-02
Category : Biography & Autobiography
ISBN : 9781620401767
In the early seventeenth century, a crippled, graying, almost toothless veteran of Spain's wars against the Ottoman Empire published a book. It was the story of a poor nobleman, his brain addled from reading too many books of chivalry, who deludes himself that he is a knight errant and sets off on hilarious adventures. That book, Don Quixote, went on to sell more copies than any other book beside the Bible, making its author, Miguel de Cervantes, the single most-read author in human history. Cervantes did more than just publish a bestseller, though. He invented a way of writing. This book is about how Cervantes came to create what we now call fiction, and how fiction changed the world. The Man Who Invented Fiction explores Cervantes's life and the world he lived in, showing how his influences converged in his work, and how his work--especially Don Quixote--radically changed the nature of literature and created a new way of viewing the world. Finally, it explains how that worldview went on to infiltrate art, politics, and science, and how the world today would be unimaginable without it. William Egginton has brought thrilling new meaning to an immortal novel.
Author : Jennifer Yee
Publisher : Oxford University Press
Page : 272 pages
File Size : 45,5 Mb
Release : 2016-09-01
Category : Literary Criticism
ISBN : 9780191081934
Nineteenth-century French Realism focuses on metropolitan France, with Paris as its undisputed heart. Through Jennifer Yee's close reading of the great novelists of the French realist and naturalist canon - Balzac, Flaubert, Zola, Maupassant - The Colonial Comedy reveals that the colonies play a role at a distance even in the most apparently metropolitan texts. In what Edward Said called 'geographical notations' of race and imperialism the presence of the colonies off-stage is apparent as imported objects, colonial merchandise, and individuals whose colonial experience is transformative. Indeed, the realist novel registers the presence of the emerging global world-system through networks of importation, financial speculation, and immigration as well as direct colonial violence and power structures. The literature of the century responds to the last decades of French slavery, and direct colonialism (notably in Algeria), but also economic imperialism and the extension of French influence elsewhere. Far from imperialist triumphalism, in the realist novel exotic objects are portrayed as fake or mass-produced for the growing bourgeois market, while economic imperialism is associated with fraud and manipulation. The deliberate contrast of colonialism and exoticism within the metropolitan novel, and ironic distancing of colonial narratives, reveal the realist mode to be capable of questioning its own epistemological basis. The Colonial Comedy argues for the existence in the nineteenth century of a Critical Orientalism characterized by critique of its own discursive foundations. Using the tools of literary analysis within a materialist approach, The Colonial Comedy opens up the domestic Paris-Provinces axis to signifying chains pointing towards the colonial space.
Author : Louis-Georges Tin
Publisher : MIT Press
Page : 210 pages
File Size : 50,7 Mb
Release : 2012-08-17
Category : History
ISBN : 9780262305013
The rise of heterosexual culture and the resistance it met from feudal lords, church fathers, and the medical profession. Heterosexuality is celebrated—in film and television, in pop songs and opera, in literature and on greeting cards—and at the same time taken for granted. It is the cultural and sexual norm by default. And yet, as Louis-Georges Tin shows in The Invention of Heterosexual Culture, in premodern Europe heterosexuality was perceived as an alternative culture. The practice of heterosexuality may have been standard, but the symbolic primacy of the heterosexual couple was not. Tin maps the emergence of heterosexual culture in Western Europe and the significant resistance to it from feudal lords, church fathers, and the medical profession. Tin writes that before the phenomenon of "courtly love" in the early twelfth century, the man-woman pairing had not been deemed a subject worthy of more than passing interest. As heterosexuality became a recurrent theme in art and literature, the nobility came to view it as a disruption of the feudal chivalric ethos of virility and male bonding. If feudal lords objected to the "hetero" in heterosexuality and what they saw as the associated dangers of weakness and effeminacy, the church took issue with the “sexuality,” which threatened the Christian ethos of renunciation and divine love. Finally, the medical profession cast heterosexuality as pathology, warning of an epidemic of “lovesickness.” Noting that the discourse of heterosexuality does not belong to heterosexuals alone, Tin offers a groundbreaking history that reasserts the cultural identity of heterosexuality.
Author : Velma Bourgeois Richmond
Publisher : McFarland
Page : 271 pages
File Size : 52,5 Mb
Release : 2018-06-04
Category : Literary Criticism
ISBN : 9781476673608
Cervantes is regarded as the author of the first novel and the inventor of fiction. From its publication in 1605, Don Quixote--recently named the world's best book by authors from 54 countries--has been widely translated and imitated. Among its less acknowledged imitations are stories in children's literature. In context of English adaptation and critical response this book explores the noble and "mad" adventures retold for children by distinguished writers and artists in Edwardian books, collections, home libraries, schoolbooks and picture books. More recent adaptations including comics and graphic novels deviate from traditional retellings. All speak to the knight-errant's lasting influence and appeal to children.
Author : Frederick A. de Armas
Publisher : University of Toronto Press
Page : 257 pages
File Size : 55,6 Mb
Release : 2013-06-17
Category : Literary Criticism
ISBN : 9781442696112
The fictional Don Quixote was constantly defeated in his knightly adventures. In writing Quixote's story, however, Miguel Cervantes succeeded in a different kind of quest — the creation of a modern novel that ‘conquers’ and assimilates countless literary genres. /spanDon Quixote among the Saracens considers how Cervantes's work reflects the clash of civilizations and anxieties towards cultural pluralism that permeated Golden Age Spain. Frederick A. de Armas unravels an essential mystery of one of world literature's best known figures: why Quixote sets out to revive knight errantry, and why he comes to feel at home only among the Moorish ‘Saracens,’ a people whom Quixote feared at the beginning of the novel. De Armas also reveals Quixote's inner conflicts as both a Christian who vows to battle the infidel, but also a secret Saracen sympathizer. While delving into genre theory, Don Quixote among the Saracens adds a new dimension to our understandings of Spain's multicultural history.
Author : Roberto González Echevarría
Publisher : Yale University Press
Page : 384 pages
File Size : 54,5 Mb
Release : 2015-01-01
Category : Literary Criticism
ISBN : 9780300198645
The novel Don Quixote, written in the late sixteenth and early seventeenth century by Miguel de Cervantes Saavedra, is widely considered to be one of the greatest fictional works in the entire canon of Western literature. At once farcical and deeply philosophical, Cervantes' novel and its characters have become integrated into the cultures of the Western Hemisphere, influencing language and modern thought while inspiring art and artists such as Richard Strauss and Pablo Picasso. Based on Professor Roberto González Echevarría's popular open course at Yale University, this essential guide to the enduring Spanish classic facilitates a close reading of Don Quixote in the artistic and historical context of renaissance and baroque Spain while exploring why Cervantes' masterwork is still widely read and relevant today. González Echevarría addresses the novel's major themes and demonstrates how the story of an aging, deluded would-be knight-errant embodies that most modern of predicaments: the individual's dissatisfaction with the world in which he lives, and his struggle to make that world mesh with his desires.
Author : Nicholas D. Paige
Publisher : University of Pennsylvania Press
Page : 301 pages
File Size : 42,6 Mb
Release : 2011-08-16
Category : Literary Criticism
ISBN : 9780812205107
Fiction has become nearly synonymous with literature itself, as if Homer and Dante and Pynchon were all engaged in the same basic activity. But one difficulty with this view is simply that a literature trafficking in openly invented characters is a quite recent development. Novelists before the nineteenth century ceaselessly asserted that their novels were true stories, and before that, poets routinely took their basic plots and heroes from the past. We have grown accustomed to thinking of the history of literature and the novel as a progression from the ideal to the real. Yet paradoxically, the modern triumph of realism is also the triumph of a literature that has shed all pretense to literalness. Before Fiction: The Ancien Régime of the Novel offers a new understanding of the early history of the genre in England and France, one in which writers were not slowly discovering a type of fictionality we now take for granted but rather following a distinct set of practices and rationales. Nicholas D. Paige reinterprets Lafayette's La Princesse de Clèves, Rousseau's Julie, ou la Nouvelle Héloïse, Diderot's La Religieuse, and other French texts of the seventeenth and eighteenth centuries in light of the period's preoccupation with literal truth. Paige argues that novels like these occupied a place before fiction, a pseudofactual realm that in no way leads to modern realism. The book provides an alternate way of looking at a familiar history, and in its very idiom and methodology charts a new course for how we should study the novel and think about the evolution of cultural forms.
Author : Luca Vercelloni
Publisher : Routledge
Page : 219 pages
File Size : 41,5 Mb
Release : 2020-06-03
Category : Social Science
ISBN : 9781000183573
The Invention of Taste provides a detailed overview of the development of taste, from ancient times to the present. At the heart of the book is an intriguing question: why did the sensory attribute of human taste become a social metaphor and aesthetic value for judging cultural qualities of art, fashion, cuisine and other social constructions? Unique amongst the senses, taste is at once a biologically derived sense, private, personal and individual, yet also a sensibility which can be acquired, shared, and communicated. Exploring the many factors that defined the evolution of taste – from medieval morals and medicine to social and cultural philosophy, the rise of aesthetics, birth of fashion, branding trends, and luxury worship in the age of mass consumption – Luca Vercelloni’s ambitious text provides readers with an outstanding introduction to the subject, making it the cultural history of taste.Now available for the first time in English, Taste features a new final chapter and a preface by series editor David Howes. Rich in detail and examples, this interdisciplinary work is an important read for students and researchers in sensory studies, philosophy, sociology and cultural studies, as well as gastronomy, fashion, design, and branding.
Author : Edmund Gordon
Publisher : Oxford University Press
Page : 561 pages
File Size : 45,9 Mb
Release : 2017
Category : BIOGRAPHY & AUTOBIOGRAPHY
ISBN : 9780190626846
"With unprecedented access to its subject's personal records and informed by fresh, unvarnished anecdotes from family, friends, and colleagues, Edmund Gordon's biography provides the first full account of Angela Carter's amazing life and enduring work"--
Author : Anonim
Publisher : Unknown
Page : 824 pages
File Size : 45,7 Mb
Release : 1802
Category : Encyclopedias and dictionaries
ISBN : BL:A0023564396
Author : David P. Grzan
Publisher : Author House
Page : 167 pages
File Size : 52,9 Mb
Release : 2011-12-22
Category : Fiction
ISBN : 9781467037006
The adventures of Don Quixote, the famous knight errant, and his lady-love, Dulcinea del Toboso that Miguel de Cervantes portrays in his epic novel, The Ingenious Hidalgo Don Quixote of La Mancha; and made more famous by countless adaptations featured in movies and theatrical musical productions of that singular masterpiece reflective of the human condition has captured the imagination of generations throughout the world. Don Quixotes Impossible Dream: To Everyman His Dulcinea, by David P. Grzan, has elevated the notion of chivalric love, in the fairest terms, which Don Quixote advanced to the honor and esteem of Dulcinea, his true love, the quest of his impossible dream. Love, the most powerful force in the universe, has been the primary inspiration that has propelled all the Don Quixotes, known and unknown that have ever lived, in their attempt to accomplish great deeds in the name of their particular Dulcinea. This epic poem immortalizes the triumphs, tragedies, obstacles, struggles and courage that can accompany and at other times can thwart the greatest of all prizes, love, in the context of the infinite profoundness and complexity of the human dynamic, which is sublimely represented and exemplified by the relationship between Don Quixote and Dulcinea.
Author : Ralf Schneider,Marcus Hartner
Publisher : Walter de Gruyter
Page : 376 pages
File Size : 41,6 Mb
Release : 2012-10-30
Category : Literary Criticism
ISBN : 9783110291230
The theory of Blending, or Conceptual Integration, proposed by Gilles Fauconnier and Marc Turner, is one of most promising cognitive theories of meaning production. It has been successfully applied to the analysis of poetic discourse and micro-textual elements, such as metaphor. Prose narrative has so far received significantly less attention. The present volume aims to remedy this situation. Following an introductory discussion of the connections between narrative and the processes of blending, the contributions demonstrate the range of applications of the theory to the study of narrative. They cover issues such as time and space, literary character and perspective, genre, story levels, and fictional minds; some chapters show how such phenomena as metalepsis, counterfactual narration, intermediality, extended metaphors, and suspense can be fruitfully studied from the vantage point of Conceptual Integration. Working within a theoretical framework situated at the intersection of narratology and the cognitive sciences, the book provides both fresh readings for individual literary and film narratives and new impulses for post-classical narratology.
