Irish And African American Cinema Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Irish And African American Cinema book. This book definitely worth reading, it is an incredibly well-written.
Author : Maria Pramaggiore Publisher : State University of New York Press Page : 258 pages File Size : 52,7 Mb Release : 2012-02-01 Category : Social Science ISBN : 9780791480076
This book examines the position of black and mixed-race characters in Irish film culture. Exploring key film and TV productions from the 1990s to the present day, the author interrogates concepts of Irish identity, history and nation, making a significant theoretical contribution to scholarly work on representation and identity in Irish film.
Irish Stereotype in American Cinema by Piotr Szczypa Pdf
From Levi and Cohen, Irish Comedians (1903) to The Irishman (2019), this book is a fascinating journey through the history of representations of the Irish in American cinema.
Screening Irish-America is a major work in Irish-American screen studies. Sourced largely from papers delivered at the conference of the same name at University College Dublin and Boston College in the US in 2007, the book contains contributions by leading scholars in the field. Essays range from early and silent cinema through to recent television shows such as Scrubs. Topics include John Ford, the Irish-American gangster, Irish-American stars and the representation of the Scots-Irish and religion. Drawing on theories of ethnicity, gender, class and diaspora studies, this is the first publication in this academic area.
Author : Tony Tracy Publisher : State University of New York Press Page : 292 pages File Size : 50,6 Mb Release : 2022-07-01 Category : Performing Arts ISBN : 9781438489100
White Cottage, White House examines how Classical Hollywood cinema developed and deployed Irish American masculinities to negotiate, consolidate, and reinforce hegemonic whiteness in midcentury America. Largely confined to discriminatory stereotypes during the silent era, Irish American male characters emerge as a favored identity with the introduction of sound, positioned in a variety of roles as mediators between the marginal and mainstream. The book argues that such characters function to express hegemonic whiteness as ethnicity, a socio-racial framing that kept immigrant origins and normative American values in productive tension. It traces key Irish American male types—the gangster, the priest, the cop, the sports hero, and the returning immigrant—who navigated these tensions in maintenance of an ethnic whiteness that was nonetheless "at home" in America, transforming from James Cagney's "public enemy" to John Wayne's "quiet man" in the process. Whether as figures of Depression-era social disruption, avatars of presidential patriarchy and national manhood, or allegories of postwar white flight and the nuclear family, Irish American masculinities occupied a distinctive and unrivaled visibility and role in popular American film.
The Ballad of Lord Edward and Citizen Small by Neil Jordan Pdf
From Academy Award-winning film director Neil Jordan comes an artful reimagining of an extraordinary friendship spanning the revolutionary tumult of the eighteenth century. South Carolina, 1781: the American Revolution. An enslaved man escaping to his freedom saves the life of Lord Edward Fitzgerald, a British army officer and the younger son of one of Ireland's grandest families. The tale that unfolds is narrated by Tony Small, the formerly enslaved man who becomes Fitzgerald's companion—and best friend. While details of Lord Edward's life are well documented, little is known of Tony Small, who is at the heart of this moving novel. In this gripping narrative, his character considers the ironies of empire, captivity, and freedom, mapping Lord Edward's journey from being a loyal subject of the British Empire to becoming a leader of the disastrous Irish rebellion of 1798. This powerful new work of fiction brings Neil Jordan's inimitable storytelling ability to the revolutions that shaped the eighteenth century—in America, France, and, finally, in Ireland.
'...from time to time a study comes along that truly can be called ‘path breaking,’ ‘seminal,’ ‘essential,’ a ‘must read.’ How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country – a land of opportunity – they found a very different form of social hierarchy, one that was based on the color of a person’s skin. Noel Ignatiev’s 1995 book – the first published work of one of America’s leading and most controversial historians – tells the story of how the oppressed became the oppressors; how the new Irish immigrants achieved acceptance among an initially hostile population only by proving that they could be more brutal in their oppression of African Americans than the nativists. This is the story of How the Irish Became White.
America on Film by Harry M. Benshoff,Sean Griffin Pdf
America on Film: Representing Race, Class, Gender, and Sexuality in the Movies, 2nd Edition is a lively introduction to issues of diversity as represented within the American cinema. Provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality Includes over 100 illustrations, glossary of key terms, questions for discussion, and lists for further reading/viewing Includes new case studies of a number of films, including Crash, Brokeback Mountain, and Quinceañera
Historical Dictionary of Irish Cinema by Roddy Flynn,Tony Tracy Pdf
This second edition of Historical Dictionary of Irish Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on key Irish actors, directors, producers and other personnel from over a century of Irish film history.
This title provides a history of pre-cinema and the Irish in America and features over 100 previously unseen photographs. The book provides an account of the audiences for Irish-themed films as well as a history of the Irish-themed film production in America during the early cinema period.
This book examines The Commitments (Parker, 1991) for the first time as a film, rather than an adaptation of Roddy Doyle’s bestselling novel, and as a significant cultural event in 1990s Ireland. A major hit in Ireland and around the world, the film depicts the short-lived attempts of an ensemble of young working-class Dubliners to achieve success as a soul covers band, playing the hits of Aretha Franklin, Otis Redding, and others, on a mission to ‘bring soul back to Dublin’. Drawing upon interviews with key figures involved in the film and its music, including Roddy Doyle, Angeline Ball, and Bronagh Gallagher, as well as archival research of director Alan Parker’s papers, the book explores questions of authenticity associated with youth, music, class, and culture, and assesses the film’s legacy for the Irish film industry, Irish music scenes, and Irish youth. It also examines the film’s status as a truly transnational production. This concise, yet interdisciplinary case study will be of interest to students and researchers in popular music, cultural studies, and sociology, as well as film and media studies.
Irish Stereotypes in Vaudeville, 1865-1905 by Jennifer Mooney Pdf
Vaudeville is often viewed as the source of some of the crude stereotypes that positioned the Irish immigrant in America as the antithesis of native-born American citizens. Using primary archival material, Mooney argues that the vaudeville stage was an important venue in which an Irish-American identity was constructed, negotiated, and refined.