Irish Late Iron Age Equestrian Equipment In Its Insular And Continental Context
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Irish Late Iron Age Equestrian Equipment in its Insular and Continental Context by Rena Maguire Pdf
This is the first practical archaeological study of Irish Iron Age lorinery. The horse and associated equipment were very much at the heart of the social changes set in motion by contact with the Roman Empire; the examination of the snaffles and bosals allows us to bring the people of the Late Iron Age in Ireland into focus.
Echoing Hooves: Studies on Horses and Their Effects on Medieval Societies by Anonim Pdf
The horse was the essential animal for the medieval world: means of transport, a vehicle of social status and a cherished companion. This volume explores the ways in which horses shaped medieval societies.
The Liminal Horse by Rena Maguire,Anastasija Ropa Pdf
The historical horse is at once material and abstract, as is the notion of the border. Borders and frontiers are not only markers delineating geographical spaces but also mental constructs: there are borders between order and disorder, between what is permitted and what is prohibited. Boundaries and liminal spaces also exist in the material, economic, political, moral, legal and religious spheres. In this volume, the contributing authors explore the theme of the liminality of the horse in all of these historical arenas, asking how does one reconcile the very different roles played by the horse in human history?
Excavations at Tlachtga, Hill of Ward, Co. Meath, Ireland by Stephen Davis,Caitríona Moore Pdf
Initial remote sensing survey at Tlachtga, Co. Meath in 2011–12 highlighted the presence of multiple, partially overlapping phases of enclosure at the site. Three subsequent seasons of excavation provided critical interpretive evidence, with over 15,000 fragments of animal bone, human remains, charred plant material, evidence of metalworking, and a hoard of Anglo-Saxon silver coins dating to the late 10th century AD. The main activity at the site spans four broad periods and two main phases of monumental construction: a late Bronze Age to early Iron Age ‘Hillfort Phase’ (1100–400 BC) and a late Iron Age to early medieval (AD 400–600) ringfort phase associated with a smaller foundation enclosure – the ‘Southern Enclosure’. This ringfort phase was remodeled later in the early medieval period (9th–10th century AD) and augmented by a phase of mound construction in the mid-10th century AD. This is contemporary with the deposition of the coin hoard east of the main complex in an apparent craft-working area. The final phase of the central mound indicates the construction of a timber stockade, most likely in the 12th century, again with significant craft activity. This volume represents the excavation of at least four loci within the broader monumental landscape of Tlachtga, charting its progression from Bronze Age hillfort to pre-Anglo Norman power display mound. The excavations at the Hill of Ward and this publication were made possible through funding by the National Monuments Service via the Royal Irish Academy archaeological research excavation grants, and by Meath County Council, with additional support by the Office of Public Works and the Heritage Council.
More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.
Early Celtic art' - typified by the iconic shields, swords, torcs and chariot gear we can see in places such as the British Museum - has been studied in isolation from the rest of the evidence from the Iron Age. This book reintegrates the art with the archaeology, placing the finds in the context of our latest ideas about Iron Age and Romano-British society. The contributions move beyond the traditional concerns with artistic styles and continental links, to consider the material nature of objects, their social effects and their role in practices such as exchange and burial. The aesthetic impact of decorated metalwork, metal composition and manufacturing, dating and regional differences within Britain all receive coverage. The book gives us a new understanding of some of the most ornate and complex objects ever found in Britain, artefacts that condense and embody many histories.
Ritual in Late Bronze Age Ireland by Katherine Leonard Pdf
This text develops a new perspective on Late Bronze Age (LBA) Ireland by identifying and analysing patterns of ritual practice in the archaeological record. The bookends of this study are the introduction of the bronze slashing sword to Ireland at around 1200 BC and the introduction and proliferation of iron technology beginning around 600 BC.
The Archaeology of Early Medieval Ireland by Nancy Edwards Pdf
The early middle ages in Ireland, a country nearly converted to Christianity, have often been considered a golden age in the development of literature, learning and art. Beginning with an appraisal of the Iron Age legacy, followed by an examination of Roman influence, Dr Edwards discusses the themes of settlement, economy and technology, the church and art. She concludes with a discussion of the impact of the Vikings and with an epilogue on the coming of the Normans.
More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.
Key Concepts in Public Archaeology by Gabriel Moshenska Pdf
This book provides a broad overview of the key concepts in public archaeology, a research field that examines the relationship between archaeology and the public, in both theoretical and practical terms. While based on the long-standing programme of undergraduate and graduate teaching in public archaeology at UCL’s renowned Institute of Archaeology, the book also takes into account the growth of scholarship from around the world and seeks to clarify what exactly ‘public archaeology’ is by promoting an inclusive, socially and politically engaged vision of the discipline. Written for students and practitioners, the individual chapters provide textbook-level introductions to the themes, theories and controversies that connect archaeology to wider society, from the trade in illicit antiquities to the use of digital media in public engagement, and point readers to the most relevant case studies and learning resources to aid their further study. This book was produced as part of JISC's Institution as e-Textbook Publisher project. Find out more at https://www.jisc.ac.uk/rd/projects/institution-as-e-textbook-publisher Praise for Key Concepts in Archaeology 'Littered throughout with concise and well-chosen case studies, Key Concepts in Public Archaeology could become essential reading for undergraduates and is a welcome reminder of where archaeology sits in UK society today.' British Archaeology
A unique volume that brings together contributors from all over the world to provide the first truly global perspective on archaeological theory, and tackle the crucial questions facing archaeology in the 1990s. Can one practice without theory?
This work was one of the most famous political writings that described Wyndham Lewis' hatred of the post-World War II Labour Government under Clement Attlee. It consists of a series of short episodes where Lewis appears as himself, but the other characters are mostly fictitious. A must-read collection of stories that illustrate the main theme brilliantly.
