Italian Cinema Audiences

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Italian Cinema Audiences

Author : Daniela Treveri Gennari,Catherine O'Rawe,Danielle Hipkins,Silvia Dibeltulo,Sarah Culhane
Publisher : Bloomsbury Publishing USA
Page : 237 pages
File Size : 54,7 Mb
Release : 2020-10-01
Category : Performing Arts
ISBN : 9781501347702

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Italian Cinema Audiences by Daniela Treveri Gennari,Catherine O'Rawe,Danielle Hipkins,Silvia Dibeltulo,Sarah Culhane Pdf

We know a lot about the directors and stars of Italian cinema's heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project 'Italian Cinema Audiences 1945-60', Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema's role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.

Cinema, Audiences and Modernity

Author : Daniel Biltereyst,Richard Maltby,Philippe Meers
Publisher : Routledge
Page : 226 pages
File Size : 44,9 Mb
Release : 2013-03
Category : History
ISBN : 9781136642005

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Cinema, Audiences and Modernity by Daniel Biltereyst,Richard Maltby,Philippe Meers Pdf

This book confronts theoretical models on cinema as both a product and a catalyst of European modernity with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition.

Rural Cinema Exhibition and Audiences in a Global Context

Author : Daniela Treveri Gennari,Danielle Hipkins,Catherine O'Rawe
Publisher : Springer
Page : 368 pages
File Size : 50,9 Mb
Release : 2018-10-19
Category : Performing Arts
ISBN : 9783319663449

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Rural Cinema Exhibition and Audiences in a Global Context by Daniela Treveri Gennari,Danielle Hipkins,Catherine O'Rawe Pdf

Although it has only been in the last decade that the planet’s population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going. Rural Cinema Exhibition and Audiences in A Global Context is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop some of its key questions. It brings together eighteen international scholars or teams, all representatives of a dynamic, new field. Moving beyond a Western focus is essential for thinking through questions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ruralities into dialogue with contributions on Kenya, Brazil, China, Thailand, South Africa and Australia.

Italian Cinema

Author : M. Günsberg
Publisher : Springer
Page : 243 pages
File Size : 54,8 Mb
Release : 2004-11-23
Category : Performing Arts
ISBN : 9780230510463

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Italian Cinema by M. Günsberg Pdf

Maggie Günsberg examines popular genre cinema in Italy during the 1950s and 1960s, focussing on melodrama, commedia all'italiana , peplum, horror and the spaghetti western. These genres are explored from a gender standpoint which takes into account the historical and socio-economic context of cinematic production and consumption. An interdisciplinary feminist approach informed by current film theory and other perspectives (psychoanalytic, materialist, deconstructive), leads to the analysis of genre-specific representations of femininity and masculinity as constructed by the formal properties of film.

Italian Cinema from the Silent Screen to the Digital Image

Author : Joseph Luzzi
Publisher : Bloomsbury Publishing USA
Page : 441 pages
File Size : 51,5 Mb
Release : 2020-02-20
Category : Performing Arts
ISBN : 9781441147561

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Italian Cinema from the Silent Screen to the Digital Image by Joseph Luzzi Pdf

In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.

The Rise and Fall of the Italian Film Industry

Author : Marina Nicoli
Publisher : Taylor & Francis
Page : 236 pages
File Size : 54,5 Mb
Release : 2016-12-08
Category : Business & Economics
ISBN : 9781317654377

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The Rise and Fall of the Italian Film Industry by Marina Nicoli Pdf

Italian cinema triumphed globally in the 1960, with directors such as Rossellini, Fellini, and Leone, and actors like Sophia Loren and Marcello Mastroianni known to audiences around the world. But by the end of the 1980s, the Italian film industry was all but dead. The Rise and Fall of the Italian Film Industry traces the rise of the industry from its origins in the 19th century to its worldwide success in the 1960s, and its rapid decline in the subsequent decades. It does so by looking at cinema as an institution – subject to the interplay between the spheres of art, business, and politics at the national and international level. By examining the roles of a wide range of stakeholders (including film directors, producers, exhibitors, the public, and the critics) as well as the system of funding and the influence of governments, author Marina Nicoli demonstrates that the Italian film industry succeeded when all three spheres were aligned, but suffered and ultimately failed when they each pursued contradictory objectives. This in-depth case study makes an important contribution to the long-standing debate about promoting and protecting domestic cultures, particularly in the face of culturally dominant and politically- and economically-powerful creative industries from the United States. The Rise and Fall of the Italian Film Industry will be of particular interest to business and economic historians, cinema historians, media specialists, and cultural economists.

The Italian Cinema Book

Author : Peter Bondanella
Publisher : Bloomsbury Publishing
Page : 392 pages
File Size : 52,6 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781839020254

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The Italian Cinema Book by Peter Bondanella Pdf

THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.

Recent Italian Cinema

Author : Tiziana Ferrero Regis
Publisher : Troubador Publishing Ltd
Page : 329 pages
File Size : 52,5 Mb
Release : 2009
Category : Performing Arts
ISBN : 9781848760851

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Recent Italian Cinema by Tiziana Ferrero Regis Pdf

In Recent Italian Cinema, two fundamental questions are asked: the first concerns whether Italian cinema, as national cinema, is in reality reduced to a niche market in its own territory. The second relates to what Italian audiences do with domestic films.For nearly two decades, most Italian films have been produced outside box office returns, through a practice of subsidy and co-financing between many institutional and private entities. Thus Italian cinema has had to define its mode of production and use-value of films in a different way. It is clear that it is no longer possible to separate national cinemas from the grip that the American film industry has on world markets, in terms of imagination and modes of production, distribution and exhibition. It is thus only by examining the multiple layers of description and analysis, which take into account the presence of Hollywood, that we can come to an understanding of what recent Italian cinema actually is.

Popular Italian Cinema

Author : L. Bayman,S. Rigoletto
Publisher : Springer
Page : 255 pages
File Size : 46,6 Mb
Release : 2013-01-17
Category : Performing Arts
ISBN : 9781137305657

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Popular Italian Cinema by L. Bayman,S. Rigoletto Pdf

Exciting new critical perspectives on popular Italian cinema including melodrama, poliziesco, the mondo film, the sex comedy, missionary cinema and the musical. The book interrogates the very meaning of popular cinema in Italy to give a sense of its complexity and specificity in Italian cinema, from early to contemporary cinema.

Cinema and Fascism

Author : Steven Ricci
Publisher : Univ of California Press
Page : 248 pages
File Size : 46,6 Mb
Release : 2008-02-01
Category : Performing Arts
ISBN : 9780520941281

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Cinema and Fascism by Steven Ricci Pdf

This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history.

Cinema, Audiences and Modernity

Author : Daniel Biltereyst,Richard Maltby,Philippe Meers
Publisher : Routledge
Page : 275 pages
File Size : 52,5 Mb
Release : 2013-03-01
Category : Social Science
ISBN : 9781136641992

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Cinema, Audiences and Modernity by Daniel Biltereyst,Richard Maltby,Philippe Meers Pdf

This book sheds new light on the cinema and modernity debate by confronting established theories on the role of the modern cinematic experience with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition. The book provides a wide range of research methodologies and perspectives on these matters, including: the use of oral history methods questionnaires diaries audience letters as well as industrial, sociological and other accounts on historical film audiences. The collection’s case studies thus provide a "how to" compendium of current methodologies for researchers and students working on film and media audiences, film and media experiences, and historical reception. The volume is part of a ‘new cinema history’ effort within film and screen studies to look at film history not only as a history of production, textual relations or movies-as-artefacts, but rather to concentrate more on the receiving end, the social experience of cinema, and the engagement of film/cinema (history) ‘from below’. The contributions to the volume reflect upon the very different ways in which cinema has been accepted, rejected or disciplined as an agent of modernity in neighbouring parts of Europe, and how cinema-going has been promoted and regulated as a popular social practice at different times in twentieth-century European history.

The History of Italian Cinema

Author : Gian Piero Brunetta
Publisher : Princeton University Press
Page : 412 pages
File Size : 43,6 Mb
Release : 2009
Category : Art
ISBN : 0691119880

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The History of Italian Cinema by Gian Piero Brunetta Pdf

Discusses renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. The author examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. He illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, the author recreates the world of Italian cinema.

Towards a Comparative Economic History of Cinema, 1930–1970

Author : John Sedgwick
Publisher : Springer Nature
Page : 366 pages
File Size : 40,8 Mb
Release : 2022-09-09
Category : Business & Economics
ISBN : 9783031057700

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Towards a Comparative Economic History of Cinema, 1930–1970 by John Sedgwick Pdf

This book examines the economic circumstances in which films were produced, distributed, exhibited, and consumed during the spoken era of film production until 1970. The periodisation covers the years between the onset of sound and the demise of the phased distribution of films. Films are generally appreciated for their aesthetic qualities. But they are also commodities. This work of economic history presents a new approach, considering consumption behaviour as significant as supply-side decision-making. Audiences’ tastes are considered central, with box-office an indicator of what they liked. The POPSTAT Index of Film Popularity is used as a proxy where box office knowledge is missing. Comparative analysis is conducted through the tool RelPOP. The book comprises original case studies covering film consumption in Great Britain, the Netherlands, Sweden, and the United States during the 1930s; Australia and occupied Belgium during the Second World War; and Italy, the United States, Poland and Czechoslovakia during the Post-war. An overriding theme is how the classical American business model, which emerged during the 1910s linking production to distribution and exhibition, adapted to local circumstances, including the two countries behind the Iron Curtain during the years of ‘High Stalinism’.

The Routledge Companion to New Cinema History

Author : Daniel Biltereyst,Richard Maltby,Philippe Meers
Publisher : Routledge
Page : 410 pages
File Size : 50,5 Mb
Release : 2019-02-05
Category : Social Science
ISBN : 9781317353959

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The Routledge Companion to New Cinema History by Daniel Biltereyst,Richard Maltby,Philippe Meers Pdf

The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and traveling exhibitions to the multiplexes of today. Exploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation and consumption of cinema, the political and legal structures that underpinned its activities, the place that it occupied in the lives of its audiences and the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, and memory studies, this approach has brought about an undisputable change in how we study cinema, and the questions we ask about its history. This companion examines the place, space, and practices of film exhibition and programming; the questions of gender and ethnicity within the cinematic experience; and the ways in which audiences gave meaning to cinemagoing practices, specific films, stars, and venues, and its operation as a site of social and cultural exchange from Detroit and Laredo to Bandung and Chennai. Contributors demonstrate how the digitization of source materials and the use of digital research tools have enabled them to map previously unexplored aspects of cinema’s business and social history and undertake comparative analysis of the diversity of the social experience of cinema across regional, national, and continental boundaries. With contributions from leading scholars in the field, The Routledge Companion to New Cinema History enlarges and refines our understanding of cinema’s place in the social history of the twentieth century.

The Non-Professional Actor

Author : Catherine O'Rawe
Publisher : Bloomsbury Publishing USA
Page : 332 pages
File Size : 52,6 Mb
Release : 2023-11-16
Category : Performing Arts
ISBN : 9781501394362

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The Non-Professional Actor by Catherine O'Rawe Pdf

Provides the first critical overview of acting, stardom, and performance in post-war Italian film (1945-54), with special attention to the figure of the non-professional actor, who looms large in neorealist filmmaking. Italian post-war cinema has been widely celebrated by critics and scholars: films such as Bicycle Thieves (De Sica, 1948) and Paisan (Rossellini, 1946) remain globally influential, particularly for their use of non-professional actors. This period of regeneration of Italian cinema initiated the boom in cinemagoing that made cinema an important vector of national and gender identity for audiences. The book addresses the casting, performance, and labour of non-professional actors, particularly children, their cultural and economic value to cinema, and how their use brought ideas of the ordinary into the discourse of stars as extraordinary. Relatedly, O'Rawe discusses critical and press discourses around acting, performance, and stardom, often focused on the 'crisis' of acting connected to the rise of non-professionals and the girls (like Sophia Loren) who found sudden cinematic fame via beauty contests.