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Italian Glass, Murano, Milan, 1930-1970 by Helmut Ricke,Eva Schmitt Pdf
"Two introductory essays trace the development of Italian art glass within the context of European glassmaking as a whole and examine the intimate world of glass manufacturing on Murano, with its unique combination of tradition and innovation. The superb color plates reproduce work by all the major designers and manufacturers. Italian art glass is not synonymous with Murano, however, and a notable feature of the book is the marvelous work produced in Milan by Erwin Burger and the firm Fontana Arte."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Poetry. "I am spending my 39th year practicing uncreativity. On Friday, September 1, 2000, I began retyping the day's NEW YORK TIMES word for word, letter for letter, from the upper left hand corner to the lower right hand corner, page by page." With these words, Kenneth Goldsmith embarked upon a project which he termed "uncreative writing", that is: uncreativity as a constraint-based process; uncreativity as a creative practice. By typing page upon page, making no distinction between article, editorial and advertisement, disregarding all typographic and graphical treatments, Goldsmith levels the daily newspaper. DAY is a monument to the ephemeral, comprised of yesterday's news, a fleeting moment concretized, captured, then reframed into the discourse of literature. "When I reach 40, I hope to have cleansed myself of all creativity"-Kenneth Goldsmith.
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
The Grove Encyclopedia of Decorative Arts by Gordon Campbell Pdf
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Art of Glass by Geoffrey Edwards,National Gallery of Victoria Pdf
Jointly published by the National Gallery of Victoria and Macmillan Publishers Australia this book is the first publication to document in depth the nature, extent and history of the National Gallery of Victorias celebrated glass collection. Its author, and expert on the art of glass, Geoffrey Edwards, has selected the most magnificent works from the collection, each reproduced in colour, as the basis for a broader discussion of the history of glassmaking in the worlds leading production centres, from the ancient Mediterranean to the present day. With fine photographs by Garry Sommerfeld, this book provides a most spectacular visual array.
Since the thirteenth century the Venetian island of Murano has been the centre of Italian glass production. Early in the twentieth century Murano re-established its dominance in the world of art glass by mixing traditional craft with the innovative designs of modern artists and sculptors. Anzolo Fuga played a prominent role in its renaissance. A multi-faceted artist from a glass-making dynasty, Fuga created designs for A. V. E M. Arte Vetraria Muranese (Murano Art Glass House) that are, as author Rosa Barovier Mentasti writes 'extraordinarily modern for the time and possess a chromatic and decorative impact that still appear exceptional today. His works speak the language of the 1950s and '60s with such freshness that they do not look out of date in the most contemporary of environments'. Anzolo Fuga is the first monograph on this exceptional designer, whose works are collected worldwide. It is illustrated with over 170 colour photographs of spectacular objects never seen before. Along with a biography of the artist, Anzolo Fuga presents a catalogue of his works for A. V. E. M. Rosa Barovier Mentasti was born in 1948 into one of the oldest Muranese glass working families. She has been the curator or co-curator of many prestigious exhibitions in Italy and abroad since 1977. Aside from writing articles for numerous magazines and material on specialised glass techniques for reference books, Mentasti is the author of two important works: Venetian Glass from the Middle Ages to Today and Venetian Glass 1890-1990. SELLING POINTS: The first book to be published on Anzolo Fuga Includes a complete catalogue of Fuga's designs for the Italian art glass manufacturer A. V E. M. Fuga's works can be found in collections worldwide such as the Kunstmuseum, Düsseldorf, The Corning Museum of Glass and the Fondazione di Venezia as well as numerous private collections 176 colour & 6 b/w illustrations
Venini Glass, 1921-1986 by Anna Venini Diaz de Santillana Pdf
"Venini. Catalogue Raisonne 1921-1986" offers an in-depth account of the involving company history of the glassworks set up by Paolo Venini in 1921 and carried forward by members of the Venini family up until 1986, the year in which the business was sold off. Alongside the comprehensive catalogue containing some 250 descriptions detailing each item produced in over six decades of activity, the book's curator Anna Venini Diaz de Santillana has traced the history of the 'Vetrerie Venini' glasshouse through each successive master craftsman's term as art director: Napoleone Martinuzzi, Carlo Scarpa, Paolo Venini himself, Tomaso Buzzi, Fulvio Bianconi, and Ludovico Diaz de Santillana. The careful analysis underlying each critical essay and the breadth of topics covered make this book an invaluable reference work on the creative enterprise and outstanding achievements of Venini & C., long acknowledged as an international hallmark of quality in the applied arts. With its rich array of illustrations and catalogue of the firm's key production items, and an extensive reference section comprising glossary, bibliography, and list of exhibitions, this book is the most exhaustive directory of the Venini glasshouse's production. In addition to the renowned "Catalogo verde" and "Catalogo rosso," the curator has included the legendary "Catalogo blue," and essential reference source for historians, collectors, dealers, and connoisseurs of art. Anna Venini Diaz de Santillana Daughter of Paolo Venini and Ginette Gignous, Anna acquired extensive experience on the workshop floor, first alongside her father, then beside her husband the architect Ludovico Diaz de Santillana, who took over themanagement of the works in 1959. An expert in the art of glassmaking, Anna has organised exhibitions around the world. Today, her children Laura and Alessandro continue the family's distinguished tradition as independent masters of the glassmaker's art. Rosa Barovier Mentasti One of the world's leading scholars of the history of glassmaking on Murano; has numerous publications to her name, and has curated various collections. Maria Novella Benzoni Graduated in the History of Art, with a specialisation in modern glass at the University of Udine; presently a consultant of the Fondazione Giorgio Cini in Venice. Victoria Milne Writer, exhibition curator, and graphic artist specialising in design and architecture; from 1992 to 1995 she was editor-in-chief of the American periodical "Glass Magazine." Helmut Ricke Eminent specialist in the applied arts, particularly glass and European sculpture; director of the Kunstmuseum in Dusseldorf, which houses one of the most complete collections of glass artefacts in Europe. Valerio Terraroli Lecturer in the History of Art Criticism at the University of Pavia, and analyst of trends in modern style, particular of Art Deco.
Design has an increasingly high profile - figures like Philippe Starck are as venerated and well known as more traditional artists. But where the literature on fine art is vast, design is still conparatively ill-served. This encyclopedia provides an account of the still largely unknown story of design.
Murano owes its worldwide fame to blown glass. The works created by the skillful hands of the island's master glassblowers have been exported East and West for centuries now, providing some of the most exquisite decorations for royal palaces and princely homes, and arousing the wonder and delight of travellers, poets and writers throughout the ages. Attilia Dorigato, Director of the Murano Glass Museum, traces all the key stages in the development of this age-old craft. Running from the Middle Ages to the heart of the contemporary world, her study focuses particular attention on the master glass-makers of the late part of the twentieth century. This up-to-date survey draws on an extraordinary range of photographs, some of them being published for the first time, and constitutes a fundamental work for anyone who wishes to understand the history of glass. Special illustrated appendices are included to reveal the techniques and secrets of this fascinating craft; what tools the master glassblowers use;
