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The Complete Graphic Work of Jack Levine by Jack Levine,Emma-Stina Prescott,Kenneth Wade Prescott Pdf
This volume features the never-before-published prints of corrupt politicians, gangsters, Hebrew sages, fascist generals, mythological figures, and much more by the major American artist and social commentator, Jack Levine. Plate-by-plate commentaries. Introduction. Biographical Outline. 84 black-and-white illustrations.
Three witty noir classics featuring a Jewish PI in 1940s Hollywood—from one of the writers behind Blazing Saddles: “Bergman has a flip, easy style” (The New York Times). Stocky, sweaty, and bald, LeVine is a Jewish private detective who makes a living by being polite. But underneath his smile lies a bulldog. In The Big Kiss-off of 1944, fledgling actress Kerry Lane comes to Jack LeVine when a blackmailer demands a payoff to keep a series of stag films from her past out of the public eye. Lured by long legs and a roll of crisp twenties, LeVine takes Kerry’s case. But before he can speak to the blackmailer, the crook turns up dead. As LeVine hunts for Kerry’s old films, he finds that the heart of this case is even uglier than greed, lust, or murder. It’s politics. In Hollywood and LeVine, screenwriter Walter Adrian seeks the advice of high school buddy Jack LeVine. Studio execs suspect that Adrian is a Communist, and they’re lowballing his salary as a result. Though he insists he isn’t a Red, Adrian has no way of proving it. LeVine is broke, and has no sympathy for his wealthy friend, but he agrees to fly west to investigate his old classmate’s trouble. When he arrives, Adrian hangs dead from the gallows at the Western set on the Warners’ backlot. Behind his friend’s death, LeVine finds a shadowy Cold War conspiracy, and a city far darker than anything Hollywood puts on screen. In Tender Is LeVine, Jack LeVine is just emerging from a vicious funk after the 1948 death of his father. His first client is a German violinist, who visits LeVine out of concern for his maestro, Toscanini, the famous conductor of the NBC Symphony Orchestra. The maestro’s memory is slipping, his conducting style has changed, and his eyesight is suddenly vastly improved. The violinist suspects that the conductor has disappeared and been replaced by a double. It’s an outlandish suspicion, but LeVine takes the case. After all, somebody has to pay for his new office. Soon enough, LeVine finds out that organized crime is playing the tune . . .
"'I still believe that I have some mission in my life to say what I think about the world,' says American master Jack Levine. 'And let the avant-garde go hang.' A street-smart sage from the Boston slums with a formidable command of art history, this fascinating painter has always cut against the grain. In an age dominated by abstraction, Jack Levine has been one of the most powerful exponents of Social Realism and has remained committed to the great tradition of figurative art. Now, in a comprehensive monograph that contains splendid reproductions of almost all of Levine's paintings to date as well as drawings and studies, the artist himself examines his art and discusses his influences, from such old masters as Titian, Rembrandt, and Rubens to early modernists Rouault, Soutine, and Grosz. The result is a rare and revealing look at the creative process of a versatile and iconoclastic artist--and informative, yet informal, anecdotal tour through the work of six decades conducted by a witty and erudite guide, complied and edited by Stephen Robert Frankel. Since he first came to prominence in the 1930s with his brilliant and scathing painting The Feast of Pure Reason, Levine has consolidated his position as a powerful social commentator whose celebrated satirical narratives invite comparison with Goya and Daumier. But the acerbic painter of Gangster Funeral is also renowned for his dazzling portraits of the kings and sages of Israel, his sensuous nudes, and his vigorous reprises of classical themes. An illuminating critical appreciation by Milton W. Brown introduces the book, whose nearly 200 illustrations, including 60 plates in full color, admirably convey the full range of Jack Levine's artistry." -- Provided by publisher
United States. Congress. Senate. Select Committee on Improper Activities in the Labor or Management Field
Author : United States. Congress. Senate. Select Committee on Improper Activities in the Labor or Management Field Publisher : Unknown Page : 1740 pages File Size : 53,6 Mb Release : 1957 Category : Electronic ISBN : UOM:39015013153450
For over six decades, Jack Levine (born 1915), one of the foremost social realist artists of his generation, has been a major proponent of representational form and moral content in American art. He embodies a living link to the traditions of the European "Old Masters."
This work provides an exceptional case study, shedding light onto the functioning of an actual corporate board of directors. It presents analysis of a series of corporate management meetings shown in the 1974 documentary film, Corporation: After Mr. Sam. The film chronicles the discussion and communication processes as a company considers how to replace its president, and it serves as a unique opportunity for analysis of real-world organizational discourse. With an impressive list of prominent contributors, Interacting and Organizing: Analyses of a Management Meeting employs the dual perspectives of organizational communication and language and social interaction (LSI) to examine the film. It is arranged around specific topics, analyzed separately by organizational communication and LSI scholars. Editor François Cooren provides an introduction for each topic, and a comparison and synthesis conclude each part. Readers will appreciate the information presented, as it is an arena typically off-limits to outside eyes. The transcript of the film is included as an appendix to the volume. This volume is appropriate for use in advanced courses and seminars in organizational communication, LSI, management, and organizational behavior. With its distinctive approach to studying the film's content, it will be invaluable to scholars, researchers, and graduate students in organizational communication, LSI, and management.
This is the first comprehensive scholarly bibliography/research guide/sourcebook on the major French Fauve painters (Henri Matisse and Georges Braque are treated in separate Greenwood bio-bibliographies). It includes information on 3,120 books and articles as well as chronologies, biographical sketches, and exhibition lists. Each artist receives a primary and secondary bibliography with many annotated entries. Secondary bibliographies include details about each artists' life and career, relationships with other artists, work in various media, iconography, and more. Designed for art historians, art students, museum and gallery curators, and art lovers alike, this volume organizes the vast literature surrounding this fascinating, revolutionary, 20th-century art group. Genuinely new art is always challenging, sometimes even shocking to those unprepared for it. In 1905, the paintings of Matisse, Derain, Vlaminck and their friends shocked conservative museum-goers; hence, the eventual popularity of art critic Louis Vauxcelles's tag les fauves, or wild beasts by which these artists became known. Although it lasted only three or four years, Fauvism is recognized as the first artistic revolution of international consequence in the 20th century. It was based on the glorification of pure saturated colors and the free expression of primitivism. It was a dynamic sensualism; an equilibrium of passion and order, fire and austerity that could not last. By the end of 1908, Fauvism collapsed in the face of Cubism, which, moreover, several Fauve artists helped to form.
Supplement to Cumulative Index to Publications of the Committee on Un-American Activities, 1955 Through 1968 by United States. Congress. House. Committee on Un-American Activities Pdf
Historical Dictionary of Contemporary Art by Ann Lee Morgan Pdf
The Historical Dictionary of Contemporary Art illuminates important artists, styles, and movements of the past 70 years. Beginning with the immediate post-World War II period, it encompasses earlier 20th century masters, including Pablo Picasso, Henri Matisse, Henry Moore, Alberto Giacometti, Joan Miró, Jean Dubuffet, Stuart Davis, Georgia O’Keeffe, and other well-known figures, who remained creatively productive, while also inspiring younger generations. The book covers subsequent developments, including abstract expressionism, happenings, pop art, minimalism, conceptual art, arte povera, feminist art, photorealism, neo-expressionism, and postmodernism, as well as the contributions of such artists as Jackson Pollock, Willem de Kooning, Mark Rothko, Helen Frankenthaler, Joan Mitchell, Robert Rauschenberg, David Hockney, Ellsworth Kelly, Francis Bacon, Louise Bourgeois, Lucio Fontana, Andy Warhol, Richard Serra, Donald Judd, Joseph Beuys, Christo, Anselm Kiefer, Judy Chicago, Ai Weiwei, and Jeff Koons. Historical Dictionary of Contemporary Art contains a chronology, an introduction, and an extensive bibliography, including more than 900 cross-referenced entries on important artists, styles, terms, and movements.This book is an excellent resource for students, researchers, and anyone wanting to know more about contemporary art.
United States. Congress. House. Committee on Energy and Commerce. Subcommittee on Oversight and Investigations
Author : United States. Congress. House. Committee on Energy and Commerce. Subcommittee on Oversight and Investigations Publisher : Unknown Page : 400 pages File Size : 50,6 Mb Release : 1982 Category : Corporations ISBN : UOM:39015082327225
Securities Laws and Corporate Disclosure Regulations by United States. Congress. House. Committee on Energy and Commerce. Subcommittee on Oversight and Investigations Pdf
