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Author : Warren Roberts
Publisher : SUNY Press
Page : 396 pages
File Size : 50,6 Mb
Release : 2000-01-01
Category : History
ISBN : 0791442888
A comparative study of the French Revolution's most famous artist and a little-known illustrator.
Author : Warren E. Roberts,Warren Roberts
Publisher : Unknown
Page : 336 pages
File Size : 47,7 Mb
Release : 1989
Category : France
ISBN : UCAL:B4251470
Roberts (history, U. of Albany) examines the connection between the artistic and political careers of French painter David (1748-1825), from his success in the ancien regime through his depiction of revolutionary themes, his organization of spectacles for the republican government, and his position as Napoleon's official painter, to his exile in Brussels. Includes 88 bandw reproductions. Annotation copyrighted by Book News, Inc., Portland, OR
Author : Warren Roberts
Publisher : UNC Press Books
Page : 254 pages
File Size : 44,5 Mb
Release : 1992
Category : Art
ISBN : 0807843504
Jacques-Louis David, Revolutionary Artist: Art, Politics, and the French Revolution
Author : Ewa Lajer-Burcharth,Jacques Louis David
Publisher : Yale University Press
Page : 400 pages
File Size : 53,8 Mb
Release : 1999-01-01
Category : Art
ISBN : 0300074212
This book examines the crucial period in the painter's career as he struggled to save his neck and recast his identity in the aftermath of the Reign of Terror. Burcharth assesses his works in the context of the larger cultural and social formations emerging in France concluding with an interpretation of the unfinished portrait of Juliette Recamier.
Author : Philippe Bordes
Publisher : Yale University Press
Page : 406 pages
File Size : 49,9 Mb
Release : 2007-01-01
Category : Art
ISBN : 0300123469
A landmark publication that sheds new light on the work of Jaques-Louis David, the most celebrated artist of his time
Author : Anita Brookner
Publisher : Random House (UK)
Page : 332 pages
File Size : 47,6 Mb
Release : 1980
Category : Art
ISBN : UOM:39015014404191
Leven en werk van de Franse schilder Jacques Louis David (1748-18225).
Author : Annie Smart
Publisher : University of Delaware
Page : 273 pages
File Size : 45,8 Mb
Release : 2011-12-23
Category : History
ISBN : 9781611493559
Did women have a civic identity in eighteenth-century France? In Citoyennes: Women and the Ideal of Citizenship in Eighteenth-Century France, Annie Smart contends that they did. While previous scholarship has emphasized the ideal of domestic motherhood or the image of the republican mother, Smart argues persuasively that many pre-revolutionary and revolutionary texts created another ideal for women – the ideal of civic motherhood. Smart asserts that women were portrayed as possessing civic virtue, and as promoting the values and ideals of the public sphere. Contemporary critics have theorized that the eighteenth-century ideal of the Republic intentionally excluded women from the public sphere. According to this perspective, a discourse of “Rousseauean” domestic motherhood stripped women of an active civic identity, and limited their role to breastfeeding and childcare. Eighteenth-century France marked thus the division between a male public sphere of political action and a female private sphere of the home. Citoyennes challenges this position and offers an alternative model of female identity. This interdisciplinary study brings together a variety of genres to demonstrate convincingly that women were portrayed as civic individuals. Using foundational texts such as Jean-Jacques Rousseau’s Emile, or on Education (1762), revolutionary gouaches of Lesueur, and vaudeville plays of Year II of the Republic (1793/1794), this study brilliantly shows that in text and image, women were represented as devoted to both the public good and their families. In addition, Citoyennes offers an innovative interpretation of the home. Through re-examining sphere theory, this study challenges the tendency to equate the home with private concerns, and shows that the home can function as a site for both private life and civic identity. Citoyennes breaks new ground, for it both rectifies the ideal of domestic Rousseauean motherhood, and brings a fuller understanding to how female civic identity operated in important French texts and images.
Author : Maria Tsaneva
Publisher : Unknown
Page : 134 pages
File Size : 40,8 Mb
Release : 2015-01-28
Category : Electronic
ISBN : 1507765576
Jacques-Louis David was an influential French painter in the Neoclassical style, considered to be the greatest painter of the era. In the 1780s his rational brand of history painting marked a change in taste away from Rococo frivolity toward a classical strictness, heightened feeling chiming with the moral climate of the final years of the Ancien Régime. He later became an supporter of the French Revolution and friend of Robespierre, and was effectively a dictator of the arts under the French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release, that of Napoleon I. It was at this time that he developed his Empire style, notable for its use of warm Venetian colors. After Napoleon's fall from power and the Bourbon revival, David exiled himself to Brussels where he remained until his death. David had a huge number of pupils, making him the strongest influence in French art of the early 19th century.
Author : Jayne Wrightsman
Publisher : Metropolitan Museum of Art
Page : 454 pages
File Size : 50,8 Mb
Release : 2005
Category : Art
ISBN : 9781588391445
This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.
Author : Anonim
Publisher : Unknown
Page : 2542 pages
File Size : 51,8 Mb
Release : 2002
Category : Bibliography
ISBN : UOM:39015078261933
Author : Anonim
Publisher : Unknown
Page : 156 pages
File Size : 40,6 Mb
Release : 2002
Category : History
ISBN : WISC:89088310073
Author : Petra ten-Doesschate Chu
Publisher : Prentice Hall Art History
Page : 562 pages
File Size : 55,5 Mb
Release : 2006
Category : Art
ISBN : UOM:39015073873880
This survey explores the history of nineteenth-century European art and visual culture. Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History.
Author : William Vaughan,Helen Weston
Publisher : Unknown
Page : 192 pages
File Size : 44,8 Mb
Release : 2000
Category : Art
ISBN : 0521565243
An examination of Jacques-Louis David's 'Marat' from a variety of methodologies, including feminist and psychoanalytic approaches.
Author : Narim Bender
Publisher : Unknown
Page : 88 pages
File Size : 55,6 Mb
Release : 2015-04-05
Category : Electronic
ISBN : 1511602031
Jacques-Louis David (1748 - 1825) was an influential French painter in the Neoclassical style, considered to be the pre-eminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward a classical austerity and severity, heightened feeling chiming with the moral climate of the final years of the Ancien Régime. He later became an active supporter of the French Revolution and friend of Maximilien Robespierre, and was effectively a dictator of the arts under the French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release, that of Napoleon I. It was at this time that he developed his Empire style, notable for its use of warm Venetian colours. After Napoleon's fall from power and the Bourbon revival, David exiled himself to Brussels in the then-United Kingdom of the Netherlands where he remained until his death. David had a huge number of pupils, making him the strongest influence in French art of the early 19th century, especially academic Salon painting.
Author : Jane Nardin
Publisher : SUNY Press
Page : 194 pages
File Size : 50,8 Mb
Release : 1973-01-01
Category : Literary Criticism
ISBN : 0873952367
Analyzes the way in which Austen blends ironic criticism with moral affirmation through her complex and little-understood management of the narrative point of view.
