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Jane Austen and the English Landscape by Mavis Batey Pdf
Jane Austen was deeply inspired by the landscape and rural comforts of southern England. Her family's final move to Chawton, in the depths of the Hampshire countryside and so near the Steventon rectory of her childhood, gave her great satisfaction and led to her most creative period.
Prospect and Refuge in the Landscape of Jane Austen by Barbara Britton Wenner Pdf
How do Austen's heroines find a way to prevail in their environments? How do they make the landscape work for them? In what ways does Austen herself use landscape to convey meaning? These are among the questions Barbara Britton Wenner asks as she explores how Austen uses landscape to extend the range of reflection and activity for her female protagonists. Women, Wenner argues, create private spaces within the landscape that offer them the power of knowledge gained through silent and invisible observation. She traces the construction of these hidden refuges in Austen's six major novels, as well as in her juvenilia and her final, unfinished novel, Sanditon. Her book will be an important resource for Austen specialists and for those interested generally in the importance of landscape in late eighteenth- and early nineteenth-century women's fiction writing.
Jane Austen loved a garden. She took a keen interest in flower gardening and kitchen gardening alike. This book strolls through the sorts of gardens that Jane Austen would have known and visited: the gardens of the great estates, cottage gardens, gardens in town, and public gardens and parks. Some of the gardens she owned or knew exist still in some form today; among the gardens highlighted is the restored garden at Jane Austen’s House Museum in Chawton, England, complete with a sample planting plan of the flowers grown there now. The book also includes touring information for gardens featured in film adaptations of the novels. With lush photos, social history, excerpts from the novels, information on her life, and period drawings, this book brings Georgian and Regency gardens and Jane Austen’s world to life. In the Garden with Jane Austen captures the essence and beauty of the traditional English garden. As the heroine of Mansfield Park Fanny Price observes, “To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.”
Jane Austen and the Reformation by Mr Roger E Moore Pdf
Jane Austen’s England was littered with remnants of medieval religion. From her schooling in the gatehouse of Reading Abbey to her visits to cousins at Stoneleigh Abbey, Austen faced constant reminders of the wrenching religious upheaval that reordered the English landscape just 250 years before her birth. Drawing attention to the medieval churches and abbeys that appear frequently in her novels, Moore argues that Austen’s interest in and representation of these spaces align her with a long tradition of nostalgia for the monasteries that had anchored English life for centuries until the Reformation. Converted monasteries serve as homes for the Tilneys in Northanger Abbey and Mr. Knightley in Emma, and the ruins of the 'Abbeyland' have a prominent place in Sense and Sensibility. However, these and other formerly sacred spaces are not merely picturesque backgrounds, but tangible reminders of the past whose alteration is a source of regret and disappointment. Moore uncovers a pattern of critique and commentary throughout Austen’s works, but he focuses in particular on Northanger Abbey, Mansfield Park, and Sanditon. His juxtaposition of Austen’s novels with sixteenth- and seventeenth-century texts rarely acknowledged as relevant to her fiction enlarges our understanding of Austen as a commentator on historical and religious events and places her firmly in the long national conversation about the meaning and consequences of the Reformation.
Girl in Landscape offers a genre-bending, mind-expanding tale of a new frontier. Jonathan Lethem's novel is a science-fiction Western that evokes both the brooding tragedy of John Ford's The Searchers and the sexual precocity of Nabokov's Lolita. Lethem's heroine is 14-year-old Pella Marsh, whose mother dies just as her family flees a post-apocalyptic Brooklyn for the frontier of a recently discovered planet. Hating her ineffectual father, and troubled by a powerful attraction to the virile but dangerous loner who holds sway over the little colony, Pella embarks on a course of discovery that will have tragic and irrevocable consequences - both for the humans in her community, and also for the mysterious and passive indigenous inhabitants, The Archbuilders.
Bringing Jane Austen's gardens--real and fictional--to life with excerpts from her novels and letters, period songs, poetry, and illustrations, this charming recollection offers tips for creating English gardens alongside Austen. This lavishly illustrated exploration with color photographs of gardens associated with the writer offers a rich experience to admirers of both Austen and gorgeous gardens. Complete with a reference section that includes important dates in Austen's life, locations and dates of her houses, and a map of 1809 England, this delightful book is perfect for the history and garden enthusiast alike.
Author : Suzanne R. Pucci,James Thompson Publisher : State University of New York Press Page : 284 pages File Size : 46,5 Mb Release : 2012-02-01 Category : Social Science ISBN : 9780791487389
Jane Austen and Co. by Suzanne R. Pucci,James Thompson Pdf
Jane Austen and Co. explores the ways in which classical novels—particularly, but not exclusively, those of Jane Austen—have been transformed into artifacts of contemporary popular culture. Examining recent films, television shows, Internet sites, and even historical tours, the book turns from the question of Austen's contemporary appeal to a broader consideration of other late-twentieth-century remakes, including Dangerous Liaisons, Dracula, Lolita, and even Buffy the Vampire Slayer. Taken together, the essays in Jane Austen and Co. offer a wide-ranging model for understanding how all of these texts—visual, literary, touristic, British, American, French—reshape the past in the new fashions, styles, media, and desires of the present. Contributors include Virginia L. Blum, Mike Crang, Madeline Dobie, Denise Fulbrook, Deidre Lynch, Sarah Maza, Ruth Perry, Suzanne R. Pucci, Kristina Straub, James Thompson, Maureen Turim, and Martine Voiret.
Jane Austen and the Reformation by Roger Emerson Moore Pdf
Jane Austen's England was littered with remnants of medieval religion. From her schooling in the gatehouse of Reading Abbey to her visits to cousins at Stoneleigh Abbey, Austen faced constant reminders of the wrenching religious upheaval that reordered the English landscape just 250 years before her birth. Drawing attention to the medieval churches and abbeys that appear frequently in her novels, Moore argues that Austen's interest in and representation of these spaces align her with a long tradition of nostalgia for the monasteries that had anchored English life for centuries until the Reformation. Converted monasteries serve as homes for the Tilneys in Northanger Abbey and Mr. Knightley in Emma, and the ruins of the 'Abbeyland' have a prominent place in Sense and Sensibility. However, these and other formerly sacred spaces are not merely picturesque backgrounds, but tangible reminders of the past whose alteration is a source of regret and disappointment. Moore uncovers a pattern of critique and commentary throughout Austen's works, but he focuses in particular on Northanger Abbey, Mansfield Park, and Sanditon. His juxtaposition of Austen's novels with sixteenth- and seventeenth-century texts rarely acknowledged as relevant to her fiction enlarges our understanding of Austen as a commentator on historical and religious events and places her firmly in the long national conversation about the meaning and consequences of the Reformation.
Jane Austen was the daughter of a clergyman, the sister of two others and the cousin of four more. Her principal acquaintances were clergymen and their families, whose social, intellectual and religious attitudes she shared. Yet while clergymen feature in all her novels, often in major roles, there has been little recognition of their significance. To many readers their status and profession is a mystery, as they appear simply to be a sub-species of gentlemen and never seem to perform any duties. Mr Collins in "Pride and Prejudice" is often regarded as little more than a figure of fun. This work demonstrates the importance of Jane Austen's clerical background in explaining the clergy in her novels, whether Mr Tilney in Northanger Abbey, Mr Elton in Emma, or a less prominent character such as Dr Grant in Mansfield Park. In the book, the author draws on a range of knowledge of the literature and history of the period to describe who the clergy were, both in the novels and in life: how they were educated and appointed; the houses they lived in and the gardens they designed and cultivated; the women they married; their professional and social context; their income, their duties, their moral outlook and their beliefs. The discussion uses the facts of Jane Austen's life and the evidence contained in her letters and novels to give a portrait of the contemporary clergy.
Jane Austen was the daughter of a clergyman, the sister of two others and the cousin of four more. Her principal acquaintances were clergymen and their families, whose social, intellectual and religious attitudes she shared. Yet while clergymen feature in all her novels, often in major roles, there has been little recognition of their significance. To many readers their status and profession is a mystery, as they appear simply to be a sub-species of gentlemen and never seem to perform any duties. Mr Collins in Pride and prejudice is often regarded as little more than a figure of fun. Astonishingly, Jane Austen and the Clergy is the first book to demonstrate the importance of Jane Austen's clerical background and to explain the clergy in her novels, whether Mr Tilney in Northanger Abbey, Mr Elton in Emma, or a less prominent character such as Dr Grant in Mansfield Park. In this exceptionally well-written and enjoyable book, Irene Collins draws on a wide knowledge of the literature and history of the period to describe who the clergy were, both in the novels and in life: how they were educated and appointed the houses they lived in and the gardens they designed and cultivated; the women they married; their professional and social context; their income, their duties, their moral outlook and their beliefs. Jane Austen and the Clergy uses the facts of Jane Austen's life and the evidence contained in her letters and novels to give a vivid and convincing portrait of the contemporary clergy.
When Jane Austen represented the ideal subject for a novel as "three or four families in a country village", rather than encouraging a narrow range of reference she may have meant that a tight focus was the best way of understanding the wider world. The essays in this collection research the historical significance of her many geographical references and suggest how contemporaries may have read them, whether as indications of the rapid development of national travel, or of Britain’s imperial status, or as signifiers of wealth and social class, or as symptomatic of political fears and aspirations. Specifically, the essays consider the representation of colonial mail-order wives and naval activities in the Mediterranean, the worrisome nomadism of contemporary capitalism, the complexity of her understanding of the actual places in which her fictions are set, her awareness of and eschewal of contemporary literary conventions, and the burden of the Austen family’s Kentish origins, the political implications of addresses in London and Northamptonshire. Skilful, detailed, and historically informed, these essays open domains of meaning in Austen’s texts that have often gone unseen by later readers but which were probably available to her coterie readers and clearly merit much closer critical attention.
Jane Austen in Hollywood by Linda Troost,Sayre N. Greenfield Pdf
In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced -- an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millennium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels. From Persuasion to Pride and Prejudice, from the three Emmas (including Clueless ) to Sense and Sensibility, these films succeed because they flatter our intelligence and education. And they have as much to tell us about ourselves as they do about the world of Jane Austen. This second edition includes a new chapter on the recent film version of Mansfield Park.
