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Author : Harriet Elaine Margolis
Publisher : Cambridge University Press
Page : 224 pages
File Size : 41,7 Mb
Release : 2000
Category : Fiction
ISBN : 0521597218
An examination of Jane Campion's The Piano from a variety of critical perspectives.
Author : Jane Campion,Kate Pullinger
Publisher : Miramax Books
Page : 232 pages
File Size : 43,8 Mb
Release : 1994-04-30
Category : Fiction
ISBN : PSU:000053941282
In the award-winning film The Piano, writer/director Jane Campion created a story so original and powerful it fascinated millions of moviegoers. This novel stands independent of the film, exploring the mysteries of Ada's muteness, the secret of her daughter's conception, the reason for her strange marriage and the past lives of Baines and Stewart.
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 50,8 Mb
Release : 1993
Category : Electronic
ISBN : OCLC:795939244
Author : Jane Campion
Publisher : Unknown
Page : 228 pages
File Size : 47,5 Mb
Release : 1994
Category : Historical fiction
ISBN : UOM:39015027496952
Author : Gail Jones
Publisher : Unknown
Page : 85 pages
File Size : 44,5 Mb
Release : 2007
Category : Motion pictures
ISBN : 1921429054
The Piano written and directed by Jane Campion, is one of the most honoured films of the new Australian cinema, and is considered, by many critics, a modern masterpiece. Campion won the Palme D'Or at Cannes in 1993 for the film, making her the first woman ever to win this prestigious award; it also won Best Original Screenplay.
Author : Hilary Radner,Alistair Fox,Irène Bessière
Publisher : Wayne State University Press
Page : 350 pages
File Size : 40,6 Mb
Release : 2009
Category : Art
ISBN : 0814334326
An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.
Author : Deb Verhoeven
Publisher : Routledge
Page : 286 pages
File Size : 48,8 Mb
Release : 2009-01-08
Category : Biography & Autobiography
ISBN : 9781134504046
This first detailed account of Jane Campion's career as a filmmaker introduces students to the key debates surrounding this controversial and experimental director – a great introduction to one of the most important directors of contemporary cinema.
Author : Eleanor Wachtel
Publisher : Knopf Canada
Page : 0 pages
File Size : 41,5 Mb
Release : 1993
Category : Authors
ISBN : 0394227387
Author : Alistair Fox
Publisher : Indiana University Press
Page : 286 pages
File Size : 47,9 Mb
Release : 2011-03-28
Category : Biography & Autobiography
ISBN : 9780253223012
Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship.
Author : Ellen Cheshire
Publisher : Aurora Metro Publications Ltd.
Page : 203 pages
File Size : 40,7 Mb
Release : 2018-05-09
Category : Performing Arts
ISBN : 9780993220739
A comprehensive overview of the director Jane Campion and her work. Campion is one of the few women film-makers working today who has managed to create a unique body of work. A true independent film-maker, she has attracted many ‘A’ List Hollywood actors to appear in her films. Who else but Campion could have convinced a tattooed Harvey Keitel to run buck-naked through the New Zealand landscape in The Piano, or for the multi award-winning Kate Winslet to pee down her legs in the middle of the desert in Holy Smoke? Campion is also an outspoken champion in recent debates about the lack of women in senior creative positions within the film industry. This book covers Jane Campion’s remarkable career from her Palme d’Or winning debut short film Peel to her recent return to television with the Top of the Lake series, reflecting on the influence of her study in anthropology as well as her formative years growing up in New Zealand. Reviews “Ellen Cheshire’s rich and thoughtful study accessibly and incisively gets us to the heart of why Jane Campion’s films connect with viewers around the world. This book is hugely enjoyable and insightful.” -- James Clarke, Writer, Media Labs, what you need to know. "I've been fascinated with Jane Campion's career ever since I saw "The Piano" make its debut at the movie theater. Ellen Cheshire did a very good job in detailing the gifted Campion's "brilliant career..." ****-- Diane H, NetGalley "The strength of the book for me is the critical analysis from early short films to box office successes, ranging from the actors involved and the awards gained. I particularly like the appraisal of mood, colour, camera angles and locations which brings the movies alive again for me. A bit like those special box sets and DVDs that carried extra edited bits and alternative scenes/endings." **** -- Richard L, Net Galley About the author Ellen Cheshire has a BA (Hons) in Film and English and a MA in Gothic Studies and has taught Film at Undergraduate and A Level. She has published books on Bio-Pics, Audrey Hepburn and The Coen Brothers and contributed chapters to books on James Bond, Charlie Chaplin, Global Film-making, Film Form, Fantasy Films and War Movies. For Supernova Books, she has also written In the Scene: Ang Lee, and contributed to Silent Women; pioneers of Cinema eds. Melody Bridges and Cheryl Robson (voted best book on Silent Film 2016) and Counterculture UK; a celebration eds. Rebecca Gillieron and Cheryl Robson.
Author : John Sayles,Jane Campion
Publisher : Univ. Press of Mississippi
Page : 264 pages
File Size : 51,6 Mb
Release : 1999
Category : Motion picture producers and directors
ISBN : 1578060834
Collected interviews with the New Zealand director of The Piano and Portrait of a Lady
Author : Kathleen McHugh
Publisher : University of Illinois Press
Page : 208 pages
File Size : 49,9 Mb
Release : 2007-05
Category : Biography & Autobiography
ISBN : 9780252074479
Publisher description
Author : Karoline Gruber
Publisher : GRIN Verlag
Page : 17 pages
File Size : 49,7 Mb
Release : 2009-06-25
Category : Literary Criticism
ISBN : 9783640358588
Studienarbeit aus dem Jahr 2005 im Fachbereich Englisch - Literatur, Werke, Note: 1,0, Technische Universität Dresden (Institut für Anglistik / Amerikanistik), Veranstaltung: Outstanding Film Directors, Sprache: Deutsch, Abstract: Watching Jane Campion’s The Piano, the spectator is taken on an anthropological excursion to New Zealand in the middle of the 19th century. So the movie is set in a Victorian temporal context, and we become witnesses of the arrival of the first European settlers, mostly from England and Scotland. Ada, the protagonist, is an obviously disturbed woman since she has stopped talking at the age of six and even she herself doesn’t know why. The spectator sees him- or herself fascinated about Ada’s mysterious and unusual character as much as about her extraordinarily strong will. Without her consent, she has been married to Stewart, a colonizer living in New Zealand, and now she has to leave Scotland and travel to the unknown country. The movie begins when she and her daughter Flora arrive at New Zealand’s shore. The Piano features a fair amount of aspects worth to be analyzed. What appears to be the movie’s central role and all-determining, however, is the presentation of gender roles and the wide range of issues that are related to it. Therefore, this paper is going to draw attention to how The Piano demonstrates its characters’ gender identity, sexuality and ways of communicating. For this purpose, it will be important to analyze how the movie reflects the 19th century definition of gender and sexuality and how it has been influenced by the invention of the art of photography, which has often been discussed in psychoanalytic theory. This view on gender roles self-evidently has a substantial effect on Ada’s relationships towards her daughter Flora and towards Stewart and Baines, the men who are both courting her, which will also be examined. What is equally significant for the understanding of sexual identity during that time, however, is the comparison of the European settlers with the Maori people. Throughout the movie, the Maoris serve as a striking antithesis to the colonizers and hence highlight the Europeans’ specific attitudes and behavior. Still, it is not acceptable to simply tolerate the presentation of the Maoris, but it will be an essential part of the paper to profoundly criticize the one-sided view on them.
Author : Gail Jones
Publisher : Currency Press Pty Limited
Page : 104 pages
File Size : 55,9 Mb
Release : 2007
Category : Performing Arts
ISBN : UOM:39015073900451
Critical analysis of Jane Campion's 1993 film 'The piano'.
Author : Dana Polan
Publisher : Bloomsbury Publishing
Page : 202 pages
File Size : 45,5 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838716509
With the phenomenal success of 'The Piano' (1993), Jane Campion became revered by many as the leading female film director of the 1990s. In this book, Dana Polan examines the phenomenon of 'The Piano' and how it develops from the early shorts and first features which evoke an often surreal and critical distanced style of looking at everyday issues. Looking at all of Campion's work before and since, including 'Holy Smoke' (1999), which returned again to the battleground of gender politics, the author concludes his survey of the director's work by offering some hypotheses about the erotic thriller 'The Cut' (2001) whilst asking what variety of approaches to the study of directors might now be fruitful.