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Javanese Literature in Surakarta Manuscripts: Introduction and manuscripts of the Karaton Surakarta by Nancy K. Florida Pdf
The first volume of the annotated bibliography of Javanese manuscripts housed in the Reksa Pustaka library in Surakarta, the first institutionalized library in the Indies founded and administered by native Javanese.
Javanese Literature in Surakarta Manuscripts by Nancy K. Florida Pdf
This book completes a series of three volumes cataloguing the Javanese-language manuscripts housed in four repositories in the Central Javanese city of Surakarta that were preserved in microfilm under the auspices of the Cornell University's Surakarta Manuscript Project. The present volume describes the manuscripts of the Radya Pustaka Museum and the private library of the late Panembahan Hardjonagoro, a body of materials that date from the early eighteenth to the early twentieth century. Detailing the contents of the 1,204 texts inscribed in these 478 manuscripts, Nancy K. Florida's fully-indexed catalogue guides the reader through a wide range of materials. The manuscripts catalogued include autobiographical writings; gamelan notation; works of calendrical divination; annotated translations of the Qur’an; compendia of colonial laws and regulations; Sufi poetry; royal genealogies; handbooks on horsemanship; histories of legendary heroes; and scripts for wayang performances. Each entry includes information of titles, authors, dates and places of composition, dates and places of inscription, identities of scribes and patrons, and concise descriptions of the contents. Each title is also provided with a subject categorization, along with notes on the physical size and condition of the original manuscript, descriptions of scripts and scribal styles, papers, and watermarks. It is an essential resource for researchers of Javanese history and culture.
Javanese Literature in Surakarta Manuscripts by Nancy K. Florida Pdf
The second volume of the annotated bibliography of Javanese manuscripts housed in the Reksa Pustaka library in Surakarta, the first institutionalized library in the Indies founded and administered by native Javanese.
Javanese Literature in Surakarta Manuscripts by Nancy K. Florida Pdf
Detailing the contents of the 1,204 texts inscribed in these 478 manuscripts, Nancy K. Florida's fully-indexed catalogue of Javanese-language manuscripts guides the reader through a wide range of materials.
Writing the Past, Inscribing the Future by Nancy K. Florida Pdf
Located at the juncture of literature, history, and anthropology, Writing the Past, Inscribing the Future charts a strategy of how one might read a traditional text of non-Western historical literature in order to generate, with it, an opening for the future. This book does so by taking seriously a haunting work of historical prophecy inscribed in the nineteenth century by a royal Javanese exile--working through this writing of a colonized past to suggest the reconfiguration of the postcolonial future that this history itself apparently intends. After introducing the colonial and postcolonial orientalist projects that would fix the meaning of traditional writing in Java, Nancy K. Florida provides a nuanced translation of this particular traditional history, a history composed in poetry as the dream of a mysterious exile. She then undertakes a richly textured reading of the poem that discloses how it manages to escape the fixing of "tradition." Adopting a dialogic strategy of reading, Florida writes to extend--as the work's Javanese author demands--this history's prophetic potential into a more global register. Babad Jaka Tingkir, the historical prophecy that Writing the Past, Inscribing the Future translates and reads, is uniquely suited for such a study. Composing an engaging history of the emergence of Islamic power in central Java around the turn of the sixteenth century, Babad Jaka Tingkir was written from the vantage of colonial exile to contest the more dominant dynastic historical traditions of nineteenth-century court literature. Florida reveals how this history's episodic form and focus on characters at the margins of the social order work to disrupt the genealogical claims of conventional royal historiography--thus prophetically to open the possibility of an alternative future.
Traces of the Ramayana and Mahabharata in Javanese and Malay Literature by Ding Choo Ming,Willem van der Molen Pdf
Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.
Synopsis of Javanese Literature 900–1900 A.D. by Theodore G.Th. Pigeaud Pdf
The present "Literature Qf Java, Catalogue Raisonne Qf Javanese Manuscripts" is a publicatiQn of the Library Qf the University Qf Leiden. It is no. IX Qf the series "CQdices Manuscripti" published by this Library, and it is made available tOo the public by the RQyal Institute Qf Linguistics and AnthropQoIDgy. Originally the wQrk was Qnly meant to be a sequel tOo Dr H.H. Juynboll's "Supplement Dp "den CatalQgus van de J avaansche en Madoereesche Handschriften der Leidsche "Universiteits-BibliQtheek" in two volumes. The second volume appeared in 1911. It soon became clear, hQwever, that this was the Dpportunity tOo publish an English Catalogue which could be used as an introductiDn to the study Qf Javanese literature mOore easily than the previQus Dutch catalQgues eQuId. It is a matter Qf fact that Dr Juynboll and his predecessors wrQte their catalogues with the intentiDn of prQviding infDrmatiDn on Javanese literature in general, and fDr several decades their books did render excellent services tOo students Qf Javanese civilizatiQn. The differences in structure between the older catalogues and the present bDOk will be explained in the introduction to the second vQlume. In two vDlumes the contents of the previDus catalQgues, increased by an equal quantity Qof new material, has been rearranged according tOo a new system. The third volume, cDntaining illustrations, facsimiles Df manuscripts, maps and a general index Df names and subjects, is entirely new.
Historical Dictionary of Indonesia by Audrey Kahin Pdf
This third edition of Historical Dictionary of Indonesia contains a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 900 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Indonesia.
Tall Tree, Nest of the Wind: The Javanese Shadow-play Dewa Ruci Performed by Ki Anom Soeroto by Bernard Arps Pdf
Javanese shadow puppetry is a sophisticated dramatic form, often felt to be at the heart of Javanese culture, drawing on classic texts but with important contemporary resonance in fields like religion and politics. How to make sense of the shadow-play as a form of world-making? In Tall Tree, Nest of the Wind, Bernard Arps explores this question by considering an all-night performance of Dewa Ruci, a key play in the repertoire. Thrilling and profound, Dewa Ruci describes the mighty Bratasena’s quest for the ultimate mystical insight. The book presents Dewa Ruci as rendered by the distinguished master puppeteer Ki Anom Soeroto in Amsterdam in 1987. The book’s unusual design presents the performance texts together with descriptions of the sounds and images that would remain obscure in conventional formats of presentation. Copious annotations probe beneath the surface and provide an understanding of the performance's cultural complexity. These annotations explain the meanings of puppet action, music, and shifts in language; how the puppeteer wove together into the drama the circumstances of the performance in Amsterdam, Islamic and other religious ideas, and references to contemporary Indonesian political ideology. Also revealed is the performance’s historical multilayering and the picture it paints of the Javanese past. Tall Tree, Nest of the Wind not only presents an unrivalled insight into the artistic depth of wayang kulit, it exemplifies a new field of study, the philology of performance.
Shadows of Empire explores Javanese shadow theater as a staging area for negotiations between colonial power and indigenous traditions. Charting the shifting boundaries between myth and history in Javanese Mahabharata and Ramayana tales, Laurie J. Sears reveals what happens when these stories move from village performances and palace manuscripts into colonial texts and nationalist journals and, most recently, comic books and novels. Historical, anthropological, and literary in its method and insight, this work offers a dramatic reassessment of both Javanese literary/theatrical production and Dutch scholarship on Southeast Asia. Though Javanese shadow theater (wayang) has existed for hundreds of years, our knowledge of its history, performance practice, and role in Javanese society only begins with Dutch documentation and interpretation in the nineteenth century. Analyzing the Mahabharata and Ramayana tales in relation to court poetry, Islamic faith, Dutch scholarship, and nationalist journals, Sears shows how the shadow theater as we know it today must be understood as a hybrid of Javanese and Dutch ideas and interests, inseparable from a particular colonial moment. In doing so, she contributes to a re-envisioning of European histories that acknowledges the influence of Asian, African, and New World cultures on European thought--and to a rewriting of colonial and postcolonial Javanese histories that questions the boundaries and content of history and story, myth and allegory, colonialism and culture. Shadows of Empire will appeal not only to specialists in Javanese culture and historians of Indonesia, but also to a wide range of scholars in the areas of performance and literature, anthropology, Southeast Asian studies, and postcolonial studies.
