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Pandhu crowned king - Wayang in Javanese society - The repertoire of stories and the structure of the performance - What might Wayang mean? - An ancient art form in the modern world.
Author : Mimi Herbert,Nur S. Rahardjo Publisher : University of Hawaii Press Page : 262 pages File Size : 40,9 Mb Release : 2002 Category : Drama ISBN : UOM:39015055174406
Voices of the Puppet Masters by Mimi Herbert,Nur S. Rahardjo Pdf
"Indonesia's wayang golek puppet theater is among the world's oldest and richest puppetry traditions, contemporary with Japanese Noh drama and the mystery plays of Europe. The puppet masters, many of whom trace their skills back through seven or eight generations, are extraordinary artists. Some are shamans, and many are charismatic performers. The master carvers who create these three-dimensional wooden puppets boast similarly impressive genealogies, and their work draws equally on ancient mystical practices. As the puppet master Tizar Purbaya once explained, "The wayang puppet is not a doll. It follows the dalang [puppet master], but the dalang must also follow it. He gives it soul and it, in return, gives life to him."" "Voices of the Puppet Masters is based on five years of intensive research in Indonesia, including hundreds of hours of discussions and interviews with puppet masters and craftsmen. The author and her Indonesian collaborator visited the artists in their homes, in villages scattered across the length and breadth of Java, attending performances, and even participating in an exorcism ceremony. These performances typically last for many hours, sometimes through the night - theatrical extravaganzas blending religious mysticism with all of the frailties and strengths of the human condition, accompanied by song and a gamelan orchestra"--Publisher's description.
Pandhu crowned king - Wayang in Javanese society - The repertoire of stories and the structure of the performance - What might Wayang mean? - An ancient art form in the modern world.
Javanese Shadow Plays, Javanese Selves by Ward Keeler Pdf
As with many performing arts in Asia, neither the highly stylized images of the Javanese shadow play nor its musical complexity detracts from its wide popularity. By a context-sensitive analysis of shadow-play performances, Ward Keeler shows that they fascinate so many people in Java because they dramatize consistent Javanese concerns about potency, status, and speech. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Phenomenology of a Puppet Theatre by Jan Mrázek Pdf
No previous work on wayang has treated in depth what is the focus of this book: the power of the theatrical medium, the actuality of the performance as a physical, emotional, and social experience and event, and the sensations and feelings involved in performing and watching an all-night wayang performance. A single puppeteer moves puppets, delicately carved and painted according to a complex iconography, in dance-like patterns integrated with continuous music, which he also directs; he speaks the voices of all characters; and he represents beings and a mythological world that reflect (on) the human world, including the specific occasion and the people present. Paying attention to the wholeness of the 'multimedia' performance as an event, as well as to the sensations, subtle movements, and particular intonations of the performance, the author of this book bases his 'thick description' on years of learning to perform wayang, attending and participating in performances, interviews and discussions with people involved with wayang, supplemented by study of texts, from old manuscripts and performance manuals to newspaper articles and reports on performances. He shows the need not to be limited to any single discipline: in wayang, the relationships and interaction, for example, between visual movements and music, or between actions on the screen and actions among the audience-participants, are no less significant than, for example, the relationships within music. The book includes the most extensive discussion of recent changes in wayang theatre, its interaction with various traditional and modern entertainments, and the ways it is affected by politics and economy. A postscript focuses on the post-Soeharto era. The book is a contribution to the study of Indonesian performing arts and culture, but it is also intended for anyone interested in theatre and performing arts generally. Book jacket.
Based on ethnographic fieldwork spanning twenty years, Power Plays is the first scholarly book in English on wayang golek, the Sundanese rod-puppet theater of West Java. It is a detailed and lively account of the ways in which performers of this major Asian theatrical form have engaged with political discourses in Indonesia. Wayang golek has shaped, as well, the technological and commercial conditions of art and performance in a modernizing society. Using interviews with performers, musical transcriptions, translations of narrative and song texts, and archival materials, author Andrew N. Weintraub analyzes the shifting and flexible nature of a set of performance practices called Padalangan, the art of the puppeteer. He focuses on "superstar" performers and the musical troupes that dominated wayang golek during the New Order political regime of former president Suharto (1966-98) and the ensuing three years of the post-Suharto period. Studies of actual performances illuminate stylistic and formal elements and situate wayang golek as a social process in Sundanese culture and society. Power Plays includes an interactive multimedia CD-ROM of wayang golek. Power Plays shows how meanings about identity, citizenship, and community are produced through theater, music, language, and discourse. While based in ethnographic theory and methods, this book is at the center of a new synthesis emerging among ethnomusicology, anthropology, and cultural studies. Its cross-disciplinary approach will inspire researchers studying similar struggles over cultural authority and popular representation in culture and the performing arts.
Since the early nineteenth century, foreigners have been fascinated by Javanese puppet theatre or wayang. This book is concerned with one form of wayang found exclusively in West Java or Sunda. Wayang golek is performed with three-dimensional wooden rod-puppets, and its repertoire ofstories is taken from the great Indian epics, the Mahabharata and the Ramayana.
Puppeteers have enthralled audiences for millennia with their unique charm, not just telling stories but enacting history, sharing knowledge, and preserving culture. In this dazzling and immersive volume based on the 2019 exhibition Shadows, Strings and Other Things (UBC Museum of Anthropology), puppets from all corners of the globe are resplendent in striking photographs that illustrate texts from ten scholars and puppeteers. Bodies of Enchantment highlights still-vital traditional puppetry practices, as well as examples of modern adaptations of the form: translucent leather shadow puppets depict ancient Indian epics in modern-day Indonesia; Taiwan's long-running Pili glove puppetry show thrives in the digital era; and Indigenous filmmaker Amanda Strong uses stop-motion animation to create entrancing new realms. Bodies of Enchantment: Puppets from Asia, Europe, Africa and the Americas features over 150 full-color images, and chapters by nine additional contributors: Anthony Alan Shelton revels at the alluring uncanniness of puppets; Annie Katsura Rollins explores Chinese shadow puppetry; Sutrisno Setya Hartana introduces us to Indonesian wayang; Jo Ann Cavallo unpacks the archetypes of Sicilian opera dei pupi; Mary Jo Arnoldi encounters the Sogobò masquerade in Malí; Izabela Brochado shows the continued vibrancy of mamulengo in Brazil; Kathy Foley and Catherine Ries uncover the significance of clothing in Javanese wayang golak cepak; and Jill Baird shares the history of puppetry at the Museum of Anthropology.
Author : Jan Mrázek Publisher : U of M Center for South East Asian Studi Page : 396 pages File Size : 45,9 Mb Release : 2002 Category : Puppet theater ISBN : UCSC:32106016558345