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Jazz Guitar Lines Workout by Corey Christiansen Pdf
The exercises and etudes in this book will help students gain the technique needed to execute great jazz lines. A mixture of technique builders and etudes are all designed to give jazz guitarists a daily workout. All of the exercises in this book are written with the plectrum guitarists in mind, but this doesn't mean that fingerstyle guitarists can't benefit from the exercises as well.
In the pursuit of improvisation (jazz or other styles), scales are the "palettes" utilized for creating melodies. Often, scales are only practiced ascending or descending step-wise. "Jazz Scale Workout" by Ken Karsh contains eight measure through-composed continuous eighth note exercises (or "workouts") utilizing "jazz style" melodies based around the Major, Dorian (minor seventh), Mixolydian (Dominant), and Super-Locrian (Altered Dominant) scales—the most common scales in the jazz idiom. Four basic guitar fingerings for each scale are provided for the foundation of these exercises. Since these scales are the basis for improvising over the frequently utilized ii-V-I progression, the final "workouts" found in this publication cover this area. There are two "workouts" provided for each scale form—one with only the scale tones (labeled "Diatonic") and the other with "outside" chromatic tones resolving to the diatonic scale tones (labeled "Chromatic"). the "workouts" can and should be tried with different fingerings and should be played in all keys for maximum benefit. "Jazz Scale Workout" provides an enjoyable "finger and mental fitness program" for guitarists interested in expanding their scale awareness in the jazz idiom.
A step-by-step method teaching correct modern jazz interpretation and phrasing. Great for reading and for learning to "play in the pocket". Companion CD allows the guitarist both to hear how the phrases should be interpreted and to play the jazz etudes with a rhythm section.
Jazz Guitar Chord Workout by COREY CHRISTIANSEN Pdf
This book has been designed to give beginning jazz guitar students a jazz chord "workout." Most of the exercises in this book have been developed around chord progressions found in most jazz standards. Some of the exercises will be short and others long, but each exercise should be played fluidly and by doing so, proper technique will be acquired.
Three-note Voicings and Beyond by Randy Vincent Pdf
This book provides discussion and exercises for the use of three-note voicings in jazz guitar. The book also includes some four and five-note voicings. Includes chapters on shell voicings, walking guitar, triad pairs, quartal and secundal harmony, and more. With an introduction.
The same notes can sound square or swinging, depending on how the music is phrased. This revolutionary book shows how many people misunderstand jazz phrasing and shows how to replace stiff phrasing with fluid lines that have the right jazz feeling. In this book, master pianist Hal Galper also shows how get that feeling of forward motion and also how to use melody guide tones correctly, how to line up the strong beat in a bar with the strongest chord notes, and much more!
An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.” As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
Essential Jazz Lines in the Style of Joe Pass - Guitar Edition by COREY CHRISTIANSEN Pdf
Presents hundreds of improvised melodic lines played by Joe Pass. Each of the melodic lines are grouped in the harmonic situation in which they were originally played (i.e. all minor lines are presented together and all dominant seventh lines are presented together, etc). the companion play along CD has a live rhythm section playing single chord vamps as well as vamps covering all twelve keys for each harmonic situation. an etude over the changes to Satin Doll shows how to apply the various lines and create improvised solos.Also available in Japanese from ATN, Inc.
A three volume series that includes the scales, chords and modes necessary to play bebop music. A great introduction to a style that is most influential in today's music. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. A great introduction to a style that is most influential in today's music.
Jazz Guitar Chord Workout by Corey Christiansen Pdf
This book has been designed to give beginning jazz guitar students a jazz chord 'workout.' Most of the exercises in this book have been developed around chord progressions found in most jazz standards. Some of the exercises will be short and others long, but each exercise should be played fluidly and by doing so, proper technique will be acquired
The Hip Guitar Lines book is a window and a gateway into learning and applying advanced jazz vocabulary on the guitar. It is intended to be a resource that a jazz guitarist of any level can use to take another step. Each line is laid out clearly with its application and TAB fingering. If you have wanted to know the secret lines that the Master musicians know...if you have been looking for a way to grow your ears and musical vocabulary.... if you have wondered how to take a musical leap....this is your moment. The key to rapid and amazing musical growth is in your hands. Now, go to work and have fun. I wrote this book for you. I am here to help.
One of the world's most popular patterns books, many jazz greats have fond memories of practicing from this great resource! It features an exhaustive collection of improvisational jazz patterns in various meters and feels. Comments and suggestions are included by the author---a legendary composer, arranger, conductor, and instrumentalist. This is a very popular book because it helps spell out some of the basic building blocks of the jazz language. It is regarded by many jazz teachers as one of the essential texts for their students.
Guitar Picking Tunes Blues & Jazz Jam Tunes by William Bay Pdf
This is a collection of 48 original jazz tunes in different styles, with fun melodies ideal for jamming. The pieces are in a variety of keys and are presented in standard notation and tablature. Includes access to online audio.