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Author : Martan Mann
Publisher : Unknown
Page : 221 pages
File Size : 40,6 Mb
Release : 1988-01-01
Category : Improvisation (Music)
ISBN : 0962076201
Author : Dominic Alldis
Publisher : Hal Leonard Corporation
Page : 168 pages
File Size : 54,9 Mb
Release : 2003-09-01
Category : Music
ISBN : 9781476840697
(Keyboard Instruction). This keyboard instruction book is designed for the person who was trained classically but wants to expand into the very exciting yet very different world of jazz improvisation. Author Dominic Alldis provides clear explanations and musical examples of: pentatonic improvisation; the blues; rock piano; rhythmic placement; scale theory; major, minor and pentatonic scale theory applications; melodic syntax; the language of bebop; left-hand accompaniment; walking bass lines; thematic development; performance tips; and more.
Author : Brian Chung,Dennis Thurmond
Publisher : Alfred Music Publishing
Page : 236 pages
File Size : 44,9 Mb
Release : 2007
Category : Music
ISBN : 0739043781
This unique text uses a step-by-step approach to guide the reader from fundamental concepts to advanced topics in improvisation. Each subject is broken into easy to understand segments, gradually becoming more complex as improvisational tools are acquired. Designed for the classically trained pianist with little or no experience in improvisation, it uses the reader's previous knowledge of basic theory and technique to help accelerate the learning process. Included are more than 450 music examples and illustrations to reinforce the concepts discussed. These concepts are useful in all improvisational settings and can be applied to any musical style. For pianists interested in jazz, there are three chapters dedicated to introducing jazz improvisation, which can be used as the basis for further study in this idiom. Teachers using this text can go online to www.improvisationatthepiano.com to download lesson plans, ask specific questions about improvisation, and view answers to the most frequently asked questions about this book. 232 pages.
Author : Martan Mann
Publisher : Music Sales Corporation
Page : 48 pages
File Size : 53,7 Mb
Release : 1994-11
Category : Improvisation (Music)
ISBN : 0825612861
Author : Carl Humphries
Publisher : Hal Leonard Corporation
Page : 492 pages
File Size : 46,8 Mb
Release : 2009
Category : Music
ISBN : 0879309776
"The Piano Improvisation Handbook" offers a comprehensive overview of the practical skills and theoretical issues involved in mastering all forms of piano improvisation. It explores a wide range of styles, including classical, jazz, rock and blues. Whereas other books on improvisation typically offer little more than models for imitation and exercises for practising, this one adopts an approach specifically designed to encourage and enable independent creative exploration. The book contains a series of graded tutorial sections with musical examples on CD, as well as an extensive introductory section detailing the history of keyboard and piano improvisation, an appendix listing useful scales, chords, voicings and progressions across all keys, a bibliography and a discography. In addition to sections outlining how melody, harmony, rhythm, texture and form work in improvised piano music, there are sections devoted to explaining how ideas can be developed into continuous music and to exploring the process of finding a personal style. A key feature is the distinctive stress the author puts on the interconnectedness of jazz and classical music where improvisation is concerned. This book is best suited to those with at least some prior experience of learning the piano. However, the rudiments of both music theory and piano technique are covered in such a way that it can also serve as an effective basis for a self-sufficient course in creative piano playing.
Author : Robert Kaye
Publisher : AuthorHouse
Page : 259 pages
File Size : 53,6 Mb
Release : 2005
Category : Music
ISBN : 9781420803112
After 20 years of playing professionally in all the musical genres, Robert Kaye presents a compilation of his notes in his new book, The Classical Method: Structure and the art of Piano Classical Improvisation Compositional Theory and Poetic Harmony, revealing the secrets of the great composers throughout history. Kaye's instrument of choice is the piano. The Classical Method is attuned to myriad styles and instruments which determine his method, but his basis and the foundation of his method rests in the piano. His method focuses on target and sight, revolutionizing the way that musicians play and composers create music. Developed from years of experience as a career pianist, Kaye takes the reader behind the closed doors of the creative process and unveils the methodology behind great, profound music: " How coincidental the peak of the Classical era was 1776. It became clear that my deprivation, frustration and lack of education not only was overwhelmed with too much information. But it was only going to become real and rewarding by sheer experience of playing the piano and with quick results. Using your mind in conjunction with geometry and the very Freedom that the founding fathers intended for us to have. I think I found the many secrets to it, especially by targeting. And it has given me an enormous relief. I am now enriched with more music than one lifetime can accomplish. I live in contentedness by the proof of the freedom of the mind. Can understand and accept it spiritually as well as scientifically and have an array of pages accumulating everyday in composition. Never frustrated what to play, improvise, compose, display or demonstrate "The Classical Method." The Classical Method: is user-friendly and helps to unlock the mysteries behind musical genius, giving advanced musicians the keys to a promising methodology for improvisation and original composition. Current issue is - 12th. Edition Completed - 9/12/12
Author : Misha V. Stefanuk
Publisher : Mel Bay Publications
Page : 145 pages
File Size : 44,6 Mb
Release : 2011-08-19
Category : Music
ISBN : 9781610657969
This book teaches the improvisation of classical piano music through a step-by-step method including the use of chord tone approaches, scales, arpeggios, non-chord tones, motivic development, ornamentation, modulation, stylistic variation, and more. By practicing simple tasks the pianist escapes the mental pressure of performing on the spot and develops the ease and freedom of improvising in classical styles. This book also includes 7 variations on a theme by Beethoven illustrating the improvisational concept and technique. Includes CD.
Author : Janeen J. Larsen
Publisher : Xlibris Us
Page : 0 pages
File Size : 51,7 Mb
Release : 2007-06
Category : Piano
ISBN : 1425754287
This unique book is especially designed for traditionally trained classical pianists who are interested in learning the rudiments of jazz piano. It uses a systematic, a step-by-step approach to learning to read jazz lead sheets, and provides simple techniques for beginning jazz and blues improvisation. The book is based on many years of successfully teaching classical pianists and piano teachers to overcome their notation dependency and conquer their fear of improvisation. A special feature is the inclusion of complete lead sheets for several popular jazz tunes (Satin Doll, Lover Man, Summertime, Autumn Leaves, Birth of the Blues).
Author : Dan Haerle
Publisher : Alfred Music
Page : 116 pages
File Size : 51,5 Mb
Release : 1993-12-17
Category : Music
ISBN : 145749387X
Jazz Improvisation for Keyboard Players is a straightforward, no-nonsense improvisation series. It deals with creating melodies, using the left hand, pianistic approaches to soloing, scale choices for improvisation and much more.
Author : DICK WEISSMAN
Publisher : Mel Bay Publications
Page : 132 pages
File Size : 41,8 Mb
Release : 2010-12-29
Category : Music
ISBN : 9781610652414
This book will appeal to pianists who want to learn to improvise in many of the styles current today including blues, rock, Latin-American, country, New Age, World Music, etc.The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds.The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including:BluesCountryAmerican folkLatin-AmericanWorld music including South American, Eastern European and AsianOdd meters (playing in a variety of time signaturesNew AgeClassicalFolk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz.
Author : John J. Mortensen
Publisher : Oxford University Press, USA
Page : 223 pages
File Size : 43,5 Mb
Release : 2020
Category : Music
ISBN : 9780190920395
"This book is for pianists who wish to improvise. Many will be experienced performers - perhaps even veteran concert artists - who are nevertheless beginners at improvisation. This contradiction is a reflection of our educational system. Those who attend collegiate music schools spend nearly all time and effort on learning, perfecting, and reciting masterpieces from the standard repertoire. As far as I can remember, no one ever taught or advocated for improvisation during my decade as a student in music schools. Certainly no one ever improvised anything substantial in a concert (except for the jazz musicians, who were, I regret to say, a separate division and generally viewed with complete indifference by the classical community). Nor did any history professor mention that, long ago, improvisation was commonplace and indeed an indispensable skill for much of the daily activity of a working musician. I continue to dedicate a portion of my career to "perfecting and reciting" masterpieces of the repertoire, and teaching my students to do the same. That tradition is dear to me. Still, if I have one regret about my traditional education, it's that it wasn't traditional enough. We have forgotten that in the eighteenth century - those hundred years that form the bedrock of classical music - improvisation was a foundation of music training. Oddly, our discipline has discarded a practice that helped bring it into being. Perhaps it is time to retrieve it from the junk heap of history and give it a good dusting off. I love the legends of the improvisational powers of the masters: Bach creating elaborate fugues on the spot, or Beethoven humiliating Daniel Steibelt by riffing upon and thereby exposing the weakness of the latter's inferior tunes. The stories implied that these abilities were instances of inexplicable genius which we could admire in slack-jawed wonder but never emulate. But that isn't right. Bach could improvise fugues not because he was unique but because almost any properly-trained keyboard player in his day could. Even mediocre talents could improvise mediocre fugues. Bach was exceptionally good at something which pretty much everyone could do at a passable level. They could all do it because it was built into their musical thinking from the very beginning of their training"--
Author : John Mehegan
Publisher : Unknown
Page : 184 pages
File Size : 46,6 Mb
Release : 1959
Category : Improvisation (Music)
ISBN : UOM:39015031789459
Author : Dick Weissman
Publisher : Unknown
Page : 116 pages
File Size : 42,5 Mb
Release : 2015-10-01
Category : Fiddle tunes
ISBN : 0786692340
This book will appeal to pianists who want to learn to improvise in many of the styles current today including blues, rock, Latin-American, country, New Age, World Music, etc.The non-jazz improvisation series is a concept that germinated in DickWeissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including:* Blues* Country* American folk* Latin- American* World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures* New Age* Classical * Folk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz. Includes access to online audio
Author : Noah Baerman
Publisher : Alfred Music Publishing
Page : 148 pages
File Size : 50,5 Mb
Release : 2003
Category : Music
ISBN : 0739031716
National Keyboard Workshop book, approved curriculum.
Author : Brian McGravey
Publisher : Unknown
Page : 152 pages
File Size : 45,6 Mb
Release : 2018-04-17
Category : Electronic
ISBN : 1987589041
This book is intended for an intermediate/advanced pianist who would like to learn more about the art of improvisation. Some of the topics discussed in this book are:how to improvise over a chord progression,how to improvise in various genres including: classical, jazz, blues, funk and rock,how to emulate your favorite players,how to create your own musical ideas and develop your own sound, how to improvise based on a mood/feeling,how to use chords, scales and arpeggios and much more!It has never been easier to learn this art form. Never has there been a book that guides you along every step of the way from pressing the first note all the way to playing a full-length unique improvisation!If you would like to become a great improviser with your own unique sound and have hundreds of new ideas on how to approach this art form, this is the book for you!