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Author : Peter Townsend
Publisher : Univ. Press of Mississippi
Page : 222 pages
File Size : 50,5 Mb
Release : 2000
Category : History
ISBN : 1578063248
A persuasive appreciation of what jazz is and of how it has permeated and enriched the culture of America
Author : Krin Gabbard
Publisher : Farrar, Straus and Giroux
Page : 272 pages
File Size : 55,6 Mb
Release : 2015-12-29
Category : Music
ISBN : 9781466895409
A swinging cultural history of the instrument that in many ways defined a century The twentieth century was barely under way when the grandson of a slave picked up a trumpet and transformed American culture. Before that moment, the trumpet had been a regimental staple in marching bands, a ceremonial accessory for royalty, and an occasional diva at the symphony. Because it could make more noise than just about anything, the trumpet had been much more declarative than musical for most of its history. Around 1900, however, Buddy Bolden made the trumpet declare in brand-new ways. He may even have invented jazz, or something very much like it. And as an African American, he found a vital new way to assert himself as a man. Hotter Than That is a cultural history of the trumpet from its origins in ancient Egypt to its role in royal courts and on battlefields, and ultimately to its stunning appropriation by great jazz artists such as Louis Armstrong, Dizzy Gillespie, Miles Davis, and Wynton Marsalis. The book also looks at how trumpets have been manufactured over the centuries and at the price that artists have paid for devoting their bodies and souls to this most demanding of instruments. In the course of tracing the trumpet's evolution both as an instrument and as the primary vehicle for jazz in America, Krin Gabbard also meditates on its importance for black male sexuality and its continuing reappropriation by white culture.
Author : Jonathan O. Wipplinger
Publisher : University of Michigan Press
Page : 325 pages
File Size : 52,5 Mb
Release : 2017-04-14
Category : History
ISBN : 9780472053407
Reveals the wide-ranging influence of American jazz on German discussions of music, race, and culture in the early twentieth century
Author : Burton W. Peretti
Publisher : Ivan R. Dee
Page : 208 pages
File Size : 53,7 Mb
Release : 1998-02-01
Category : Music
ISBN : 9781461713043
This history of jazz, spanning the twentieth century, is the first to place it within the broad context of American culture. Burton Peretti argues persuasively that this distinctive American music has been a key thread in the tapestry of the nation's culture. The music itself, its players and its audience, and the critical debates it has prompted, tell us much about changes in American life since 1910. Mr. Peretti traces the emergence of jazz out of ragtime during a time of tumultuous growth of cites and industries. In the 1920s jazz flourished and symbolized the cultural struggle between modernists and traditionalists. As American sought reassurance and self-esteem during the Great Depression, jazz reached new levels of sophistication in the Swing Era. World War II encouraged rapid changes in popular tastes, and in the postwar decades jazz became both a voice of a globally dominant America and an avant-garde music reflecting social and political turmoil. Today, Mr. Peretti concludes, jazz symbolizes important cultural trends and enjoys a new prestige in a complex musical scene. Jazz in American Culture tells a peculiarly American story, evaluating the music as well as those who created it, and opening new perspectives on our cultural history.
Author : Burton William Peretti
Publisher : University of Illinois Press
Page : 326 pages
File Size : 51,7 Mb
Release : 1994
Category : Music
ISBN : 0252064216
As musicians, listeners, and scholars have sensed for many years, the story of jazz is more than a history of the music. Burton Peretti presents a fascinating account of how the racial and cultural dynamics of American cities created the music, life, and business that was jazz. From its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans, through its later metamorphoses in the cities of the North, Peretti charts the life of jazz culture to the eve of bebop and World War II. In the course of those fifty years, jazz was the story of players who made the transition from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. And jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. "Blacks fought back by using jazz", states Peretti, "with its unique cultural and intellectual properties, to prove, assess, and evade the "dynamic of minstrelsy". Drawing on newspaper reports of the times and on the firsthand testimony of more than seventy prominent musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz is the first comprehensive analysis of the role of early jazz in American social history.
Author : Robert O'Meally,Robert G. O'Meally,Professor of English and African-American Studies Robert O'Meally
Publisher : Columbia University Press
Page : 692 pages
File Size : 43,9 Mb
Release : 1998
Category : Music
ISBN : 0231104499
Taking to heart Ralph Ellison's remark that much in American life is "jazz-shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to 1970, O'Meally confronts a long era of political and artistic turbulence and change in which American art forms influenced one another in unexpected ways. Organized thematically, these provocative pieces include an essay considering poet and novelist James Weldon Johnson as a cultural critic, an interview with Wynton Marsalis, a speech on the heroic image in jazz, and a newspaper review of a recent melding of jazz music and dance, Bring in 'Da Noise, Bring in 'Da Funk. From Stanley Crouch to August Wilson to Jacqui Malone, the plurality of voices gathered here reflects the variety of expression within jazz. The book's opening section sketches the overall place of jazz in America. Alan P. Merriam and Fradley H. Garner unpack the word jazz and its register, Albert Murray considers improvisation in music and life, Amiri Baraka argues that white critics misunderstand jazz, and Stanley Crouch cogently dissects the intersections of jazz and mainstream American democratic institutions. After this, the book takes an interdisciplinary approach, exploring jazz and the visual arts, dance, sports, history, memory, and literature. Ann Douglas writes on jazz's influence on the design and construction of skyscrapers in the 1920s and '30s, Zora Neale Hurston considers the significance of African-American dance, Michael Eric Dyson looks at the jazz of Michael Jordan's basketball game, and Hazel Carby takes on the sexual politics of Ma Rainey and Bessie Smith's blues. The Jazz Cadence offers a wealth of insight and information for scholars, students, jazz aficionados, and any reader wishing to know more about this music form that has put its stamp on American culture more profoundly than any other in the twentieth century.
Author : Uta G. Poiger
Publisher : Univ of California Press
Page : 354 pages
File Size : 45,8 Mb
Release : 2000-03-03
Category : Art
ISBN : 0520211391
"This significant contribution to German history pioneers a conceptually sophisticated approach to German-German relations. Poiger has much to say about the construction of both gender norms and masculine and feminine identities, and she has valuable insights into the role that notions of race played in defining and reformulating those identities and prescriptive behaviors in the German context. The book will become a 'must read' for German historians."—Heide Fehrenbach, author of Cinema in Democratizing Germany "Poiger breaks new ground in this history of the postwar Germanies. The book will serve as a model for all future studies of comparative German-German history."—Robert G. Moeller, author of Protecting Motherhood "Jazz, Rock, and Rebels exemplifies the exciting work currently emerging out of transnational analyses. [A] well-written and well-argued study."—Priscilla Wald, author of Constituting Americans
Author : Lewis A. Erenberg
Publisher : University of Chicago Press
Page : 345 pages
File Size : 49,8 Mb
Release : 1999-09-08
Category : Music
ISBN : 9780226215181
During the 1930s, swing bands combined jazz and popular music to create large-scale dreams for the Depression generation, capturing the imagination of America's young people, music critics, and the music business. Swingin' the Dream explores that world, looking at the racial mixing-up and musical swinging-out that shook the nation and has kept people dancing ever since. "Swingin' the Dream is an intelligent, provocative study of the big band era, chiefly during its golden hours in the 1930s; not merely does Lewis A. Erenberg give the music its full due, but he places it in a larger context and makes, for the most part, a plausible case for its importance."—Jonathan Yardley, Washington Post Book World "An absorbing read for fans and an insightful view of the impact of an important homegrown art form."—Publishers Weekly "[A] fascinating celebration of the decade or so in which American popular music basked in the sunlight of a seemingly endless high noon."—Tony Russell, Times Literary Supplement
Author : Peter Townsend
Publisher : Unknown
Page : 193 pages
File Size : 42,7 Mb
Release : 2000
Category : Electronic books
ISBN : 1474473296
Jazz in American Culture offers an informed and entertaining introduction to jazz - one of the great musical cultures of the world.
Author : David Ake
Publisher : Univ of California Press
Page : 242 pages
File Size : 52,5 Mb
Release : 2002-01-07
Category : Music
ISBN : 052092696X
From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's vibrant and original book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz Cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
Author : Frank A. Salamone
Publisher : University Press of America
Page : 270 pages
File Size : 48,5 Mb
Release : 2008-10-16
Category : Performing Arts
ISBN : 9780761842071
The Culture of Jazz is a collection of essays that view jazz from an anthropological perspective. It focuses on aspects of jazz culture and the ways in which jazz scrutinizes the American lifestyle. Jazz musicians filter their perspective on culture based on African roots. They have an obligation to tell truth to power and provide views of alternative realities. These essays explore many dimensions of the jazz life and its perspectives on cultural realities. Heavily influenced by the perspectives of Neil Leonard and Alan Merriam, The Culture of Jazz covers a broad range of topics making it an unparalleled compilation.
Author : Eric Porter
Publisher : Univ of California Press
Page : 442 pages
File Size : 54,9 Mb
Release : 2002-01-31
Category : Music
ISBN : 0520928407
Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.
Author : Vaughn A. Booker
Publisher : NYU Press
Page : 340 pages
File Size : 41,7 Mb
Release : 2020-07-21
Category : Social Science
ISBN : 9781479890804
Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.
Author : Jon Seebart Panish
Publisher : Univ. Press of Mississippi
Page : 196 pages
File Size : 50,7 Mb
Release : 1995
Category : History
ISBN : 1604737298
Author : Walter Kalaidjian
Publisher : Cambridge University Press
Page : 360 pages
File Size : 45,5 Mb
Release : 2005-04-28
Category : Literary Criticism
ISBN : 052182995X
Original essays by twelve distinguished international scholars offer critical overviews of the major genres, literary culture, and social contexts that define the current state of scholarship. This Companion also features a chronology of key events and publication dates covering the first half of the twentieth century in the United States. The introductory reference guide concludes with a current bibliography of further reading organized by chapter topics.