Jazz Noir

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A Companion to Film Noir

Andre Spicer,Helen Hanson
A Companion to Film Noir Book PDF

Author : Andre Spicer,Helen Hanson
Publisher : John Wiley & Sons
Page : 662 pages
File Size : 54,9 Mb
Release : 2013-06-27
Category : Performing Arts
ISBN : 9781118523711

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A Companion to Film Noir by Andre Spicer,Helen Hanson Pdf

An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider ‘noir mediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars

Jazz Noir

David Butler
Jazz Noir Book PDF

Author : David Butler
Publisher : Praeger
Page : 266 pages
File Size : 50,7 Mb
Release : 2002-03-30
Category : Language Arts & Disciplines
ISBN : UOM:39015054454700

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Jazz Noir by David Butler Pdf

Explores the strange and commonly misunderstood relationship between jazz music and the film noir genre.

Jazz and Cocktails

Jans B. Wager
Jazz and Cocktails Book PDF

Author : Jans B. Wager
Publisher : University of Texas Press
Page : 176 pages
File Size : 50,8 Mb
Release : 2017-03-21
Category : Performing Arts
ISBN : 9781477312292

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Jazz and Cocktails by Jans B. Wager Pdf

Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began to compose the scores for and appear in noir films of the 1950s, black musicians found a unique way of asserting their right to participate fully in American life. Jazz and Cocktails explores the use of jazz in film noir, from its early function as a signifier of danger, sexuality, and otherness to the complex role it plays in film scores in which jazz invites the spectator into the narrative while simultaneously transcending the film and reminding viewers of the world outside the movie theater. Jans B. Wager looks at the work of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis as she analyzes films including Sweet Smell of Success, Elevator to the Gallows, Anatomy of a Murder, Odds Against Tomorrow, and considers the neonoir American Hustle. Wager demonstrates how the evolving role of jazz in film noir reflected cultural changes instigated by black social activism during and after World War II and altered Hollywood representations of race and music.

Looking Back at the Jazz Age

Nancy von Rosk
Looking Back at the Jazz Age Book PDF

Author : Nancy von Rosk
Publisher : Cambridge Scholars Publishing
Page : 240 pages
File Size : 47,6 Mb
Release : 2016-09-23
Category : Electronic
ISBN : 9781443813334

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Looking Back at the Jazz Age by Nancy von Rosk Pdf

From Britain’s Downton Abbey and Dancing on the Edge to Woody Allen’s Midnight in Paris and Baz Luhrmann’s The Great Gatsby, the Jazz Age’s presence in recent popular culture has been striking and pervasive. This volume not only deepens the reader’s knowledge of this iconic period, but also provides a better understanding of its persistent presence “in our time.” Situating well-known Jazz Age writers such as Langston Hughes in new contexts while revealing the contributions of lesser-known figures such as Fannie Hurst, Looking Back at the Jazz Age brings together an international and interdisciplinary group of scholars who draw on a wide range of academic fields and critical methods: New Historicism, biography, philosophy, queer theory, psychoanalytical theory, geography, music theory, film studies, and urban studies. The volume includes provocative new readings of the flapper, an intricate examination of the intersections between literature and music, as well as some reflections on the twenty first century’s preoccupation with the Jazz Age. Building on recent scholarship and suggesting avenues for further research, this collection will be of interest to scholars and students in American literature, American history, American studies, cultural studies, and film studies.

Jazz and Postwar French Identity

Elizabeth Vihlen McGregor
Jazz and Postwar French Identity Book PDF

Author : Elizabeth Vihlen McGregor
Publisher : Lexington Books
Page : 291 pages
File Size : 43,8 Mb
Release : 2016-06-23
Category : Music
ISBN : 9781498528771

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Jazz and Postwar French Identity by Elizabeth Vihlen McGregor Pdf

In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France’s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country’s stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music’s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation.

Jazz and Cocktails

Jans B. Wager
Jazz and Cocktails Book PDF

Author : Jans B. Wager
Publisher : University of Texas Press
Page : 176 pages
File Size : 49,9 Mb
Release : 2017-03-21
Category : Performing Arts
ISBN : 9781477312278

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Jazz and Cocktails by Jans B. Wager Pdf

Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began to compose the scores for and appear in noir films of the 1950s, black musicians found a unique way of asserting their right to participate fully in American life. Jazz and Cocktails explores the use of jazz in film noir, from its early function as a signifier of danger, sexuality, and otherness to the complex role it plays in film scores in which jazz invites the spectator into the narrative while simultaneously transcending the film and reminding viewers of the world outside the movie theater. Jans B. Wager looks at the work of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis as she analyzes films including Sweet Smell of Success, Elevator to the Gallows, Anatomy of a Murder, Odds Against Tomorrow, and considers the neonoir American Hustle. Wager demonstrates how the evolving role of jazz in film noir reflected cultural changes instigated by black social activism during and after World War II and altered Hollywood representations of race and music.

Through a Noir Lens

Sheri Chinen Biesen
Through a Noir Lens Book PDF

Author : Sheri Chinen Biesen
Publisher : Columbia University Press
Page : 446 pages
File Size : 53,5 Mb
Release : 2024-06-18
Category : Performing Arts
ISBN : 9780231560894

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Through a Noir Lens by Sheri Chinen Biesen Pdf

Shadows. Smoke. Dark alleys. Rain-slicked city streets. These are iconic elements of film noir visual style. Long after its 1940s heyday, noir hallmarks continue to appear in a variety of new media forms and styles. What has made the noir aesthetic at once enduring and adaptable? Sheri Chinen Biesen explores how the dark cinematic noir style has evolved across eras, from classic Hollywood to present-day streaming services. Examining both aesthetics and material production conditions, she demonstrates how technological and industrial changes have influenced the imagery of film noir. When it emerged in the early 1940s, the visual style’s distinctive shadowy look was in part a product of wartime cinema conditions and technologies, such as blackouts and nitrate film stock. Since the 1950s, technical developments from acetate film stock and new cameras and lenses to lighting, color, and digitization have shaped the changing nature of noir style. Biesen considers the persistence of the noir legacy, discussing how neo-noirs reimagine iconic imagery and why noir style has become a touchstone in the streaming era. Drawing on a wealth of archival research, she provides insightful analyses of a wide range of works, from masterpieces directed by Billy Wilder and Alfred Hitchcock to New Hollywood neo-noirs, the Coen brothers’ revisionist films, and recent HBO and Netflix series. A groundbreaking technological and industrial history of an essential yet slippery visual style, Through a Noir Lens shines a light into the shadows of film noir.

Le Tumulte Noir

Jody Blake
Le Tumulte Noir Book PDF

Author : Jody Blake
Publisher : Penn State Press
Page : 232 pages
File Size : 43,7 Mb
Release : 1999-01-01
Category : Art
ISBN : 0271017538

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Le Tumulte Noir by Jody Blake Pdf

Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.

Le Jazz

Matthew F. Jordan
Le Jazz Book PDF

Author : Matthew F. Jordan
Publisher : University of Illinois Press
Page : 314 pages
File Size : 48,7 Mb
Release : 2022-08-15
Category : Music
ISBN : 9780252053870

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Le Jazz by Matthew F. Jordan Pdf

In Le Jazz, Matthew F. Jordan deftly blends textual analysis, critical theory, and cultural history in a wide-ranging and highly readable account of how jazz progressed from a foreign cultural innovation met with resistance by French traditionalists to a naturalized component of the country's identity. Jordan draws on sources including ephemeral critical writing in the press and twentieth-century French literature to trace the country's reception of jazz, from the Cakewalk dance craze and the music's significance as a harbinger of cultural recovery after World War II to its place within French ethnography and cultural hybridity. Countering the histories of jazz's celebratory reception in France, Jordan delves in to the reluctance of many French citizens to accept jazz with the same enthusiasm as the liberal humanists and cosmopolitan crowds of the 1930s. Jordan argues that some listeners and critics perceived jazz as a threat to traditional French culture, and only as France modernized its identity did jazz become compatible with notions of Frenchness. Le Jazz speaks to the power of enlivened debate about popular culture, art, and expression as the means for constructing a vibrant cultural identity, revealing crucial keys to understanding how the French have come to see themselves in the postwar world.

Music in the Shadows

Sheri Chinen Biesen
Music in the Shadows Book PDF

Author : Sheri Chinen Biesen
Publisher : JHU Press
Page : 225 pages
File Size : 45,9 Mb
Release : 2014-05
Category : Music
ISBN : 9781421408385

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Music in the Shadows by Sheri Chinen Biesen Pdf

Welcome to the world of noir musical films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. This book explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. While noir musical films like A Star Is Born include musical performances, their bleak tone and expressionistic aesthetic more closely resemble the visual style of film noir. Their narratives unfold behind a stark noir lens: distorted, erratic angles and imbalanced hand-held shots allow the audience to experience a tortured, disillusioned perspective. While many musicals glamorize the quest for the spotlight in Hollywood's star factory, brooding noir musical films such as Blues in the Night, Gilda, The Red Shoes, West Side Story, and Round Midnight stretch the boundaries of film noir and the musical as film genres collide. Deep shadows, dim lighting and visual composition evoke moodiness, cynicism, pessimism, and subjective psychological points of view.

Film Noir

William Luhr
Film Noir Book PDF

Author : William Luhr
Publisher : John Wiley & Sons
Page : 247 pages
File Size : 51,8 Mb
Release : 2012-01-04
Category : Performing Arts
ISBN : 9781444355932

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Film Noir by William Luhr Pdf

Film Noir offers new perspectives on this highly popular and influential film genre, providing a useful overview of its historical evolution and the many critical debates over its stylistic elements. Brings together a range of perspectives on a topic that has been much discussed but remains notoriously ill-defined Traces the historical development of the genre, usefully exploring the relations between the films of the 1940s and 1950s that established the "noir" universe and the more recent films in which it has been frequently revived Employs a clear and intelligent writing style that makes this the perfect introduction to the genre Offers a thorough and engaging analysis of this popular area of film studies for students and scholars Presents an in-depth analysis of six key films, each exemplifying important trends of film noir: Murder, My Sweet; Out of the Past; Kiss Me Deadly; The Long Goodbye; Chinatown; and Seven

Siren City

Robert Miklitsch
Siren City Book PDF

Author : Robert Miklitsch
Publisher : Rutgers University Press
Page : 312 pages
File Size : 43,7 Mb
Release : 2011-02-01
Category : Performing Arts
ISBN : 9780813553924

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Siren City by Robert Miklitsch Pdf

Hailed for its dramatic expressionist visuals, film noir is one of the most prominent genres in Hollywood cinema. Yet, despite the "boom" in sound studies, the role of sonic effects and source music in classic American noir has not received the attention it deserves. Siren City engagingly illustrates how sound tracks in 1940s film noir are often just as compelling as the genre's vaunted graphics. Focusing on a wide range of celebrated and less well known films and offering an introductory discussion of film sound, Robert Miklitsch mobilizes the notion of audiovisuality to investigate period sound technologies such as the radio and jukebox, phonograph and Dictaphone, popular American music such as "hot" black jazz, and "big numbers" featuring iconic performers such as Lauren Bacall, Veronica Lake, and Rita Hayworth. Siren City resonates with the sounds and source music of classic American noir-gunshots and sirens, swing riffs and canaries. Along with the proverbial private eye and femme fatale, these audiovisuals are central to the noir aesthetic and one important reason the genre reverberates with audiences around the world.

Watching Jazz

Björn Heile,Peter Elsdon,Jennifer Ruth Doctor
Watching Jazz Book PDF

Author : Björn Heile,Peter Elsdon,Jennifer Ruth Doctor
Publisher : Oxford University Press
Page : 313 pages
File Size : 55,8 Mb
Release : 2016
Category : Music
ISBN : 9780199347667

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Watching Jazz by Björn Heile,Peter Elsdon,Jennifer Ruth Doctor Pdf

'Watching Jazz' is a systematic study of jazz on screen media, covering its role across a plethora of technologies from film and television to recent developments in online media and featuring the music of such legends as Duke Ellington, Miles Davis, John Coltrane, and Pat Metheny.

'Un-American' Hollywood

Peter Stanfield,Frank Krutnik,Brian Neve,Steve Neale
Un American Hollywood Book PDF

Author : Peter Stanfield,Frank Krutnik,Brian Neve,Steve Neale
Publisher : Rutgers University Press
Page : 368 pages
File Size : 47,7 Mb
Release : 2007-12-27
Category : History
ISBN : 9780813543970

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'Un-American' Hollywood by Peter Stanfield,Frank Krutnik,Brian Neve,Steve Neale Pdf

The concept of “un-Americanism,” so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today’s political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated. “Un-American” Hollywood reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry. Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.

Kiss the Blood Off My Hands

Robert Miklitsch
Kiss the Blood Off My Hands Book PDF

Author : Robert Miklitsch
Publisher : University of Illinois Press
Page : 265 pages
File Size : 41,7 Mb
Release : 2014-09-15
Category : Performing Arts
ISBN : 9780252096518

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Kiss the Blood Off My Hands by Robert Miklitsch Pdf

Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, and investigate topics as disparate as Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration shows the impact of race and gender, history and sexuality, technology and transnationality on the genre. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike. Contributors: Krin Gabbard, Philippa Gates, Julie Grossman, Robert Miklitsch, Robert Murphy, Mark Osteen, Vivian Sobchack, Andrew Spicer, J. P. Telotte, and Neil Verma.