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Linbury goes green, and Jennings and Darbishire offer to do their bit distributing leaflets. Darbishire's shoelace refuses to stay tied and Jennings removes the rubber band holding the leaflets. All seems fine until a gust of wind hurls them over Marina Gardens. It's poor Mr Wilkins who's going to get the blame. 'Addle-pated eyewash!'
The boys at Linbury Court Prep are eager to speed up space travel. Jennings' task is to find a suitable helmet. But is it really a good idea to take a dome-shaped glass-case, which housed a stuffed woodpecker? Petrified paintpots! Jennings and Darbishire's luck is in when they attempt to apprehend a suspected burglar? Bat-witted clodpoll!
'Right! Stand by for orders. I'm going to take charge. This is one of my foolproof plans. It can't possibly go wrong!' Term is over and Jennings is to stay with his aunt. There, Emma needs to hide her collection of stray animals. Jennings comes up with a flawless plan, but with Jennings things can go disastrously wrong! 'Fossilised fish-hooks!'
Jennings is suffering from beginning-of-term-itis, but things soon return to total mayhem when his new diary is made public property! Alarmed at his private thoughts being made public, he decides to invent a secret language. When the precious diary goes missing, however, Jennings finds himself on the wrong side of the law! Relggowsnroh emoseurg!
When Jennings and Darbishire discover a hibernating hedgehog they are intrigued and decide to rescue it. But things rarely go to plan, and after a series of mishaps involving Miss Thorpe's puppy and a bottle of Ants. Then, Anti-Escaping Fluid, and Jennings is left wondering whether Old Sleepy will make it through the winter. 'Clueless clodpoll!'
'You can't compete in famous outer space tournaments wearing heavy great clodhoppers like diver's boots. You've got to be on your toes, darting about like a streak of lightning'. Who would have thought that a Ping-Pong Championship of Outer Space could have caused so much trouble? Determined to play the monumental tournament, Jennings and Darbishire end up getting themselves in more of a mess than they could have imagined. Then, when Mr Wilkins' attempts to clear out the school lost property cupboard go strangely awry, he does not have to look far to guess who the culprit is; Jennings, of course! 'Good wheeze!'
'Ah, yes! Jennings - as usual - it always is' Jennings accidentally sets his rubber on fire. 'The High Fidelity Telephonic Communication' (or two tins and a piece of string); the 'Affair of the Assistant Masterpiece' and Jennings as a musical prodigy. Old Wilkie is definitely not going to get the peace and quiet he was hoping for. 'Mouldy chizz!'
Jennings and Darbishire discover a mysterious stranger, and believe he is a spy. Armed with a lemonade bottle and some chalk dust, their attempts to turn detective go astray. Then, there is the abominable snow-cat and the incident with Mr Wilkin's vases. It's going to be difficult to stay out of trouble this term. - Fantabulous!
Climbing onto the school roof to recover a ball, Jennings and Darbishire find themselves stuck and break into an attic. Then Jennings wins a pig at a parish fete, and unable to find a more suitable owner, he decides to hide it in the school potting-shed. 'Jumbo-jet of a hoo-hah'
Jennings decides to build huts out of reeds and branches. He and Darbishire are thrilled with them. They include a patented ventilating shaft, a special drainage canal and a pontoon suspension bridge! Things go horribly wrong when he is put in charge of Elmer, the treasured goldfish, and even worse when the Head visits. Gruesome hornswoggler!
When Jennings is inspired to take up a career as a detective, with faithful Darbishire as his assistant, trouble is bound to be just around the corner. Their first mission - to recover a 'stolen' sports cup, is the first bungled attempt to imitate super sleuth Sherlock Holmes. Frightful bish! Crystallised cheesecakes!
Elizabeth Jennings was one of the most popular, prolific, and widely anthologized lyric poets in the second half of the twentieth century. This first biography, based on extensive archival research and interviews with Jennings's contemporaries, integrates her life and work and explores the 'inward war' the poet experienced as a result of her gender, religion, and mental fragility. Originally associated with the Movement, Jennings was sui generis, believing poetry was 'communication' and 'communion.' She wrote of nature, friendship, childhood, religion, love, and art, endearing her to a wide audience. Yet lifelong depression, unbearable loneliness, unrelenting fears, poverty, and physical illness plagued her. These were exacerbated by her gender in a male-dominated literary world and an inherited Catholic worldview which initially inculcated guilt and shame. However, a tenacious drive to be a poet made her, 'the most unconditionally loved writer of her generation.' Although her claim was that the poem is not the poet, her life is tracked in her voluminous published and unpublished poetry and prose. The themes of mental illness, the importance of place, the problems associated with being an unmarried woman artist, her relationship with literary mentors and younger poets, her non-feminist feminism, and her marginality and sympathy for the outcast are all explored. It was poetry which saved her; it helped her push back darkness and discover order in the midst of chaos. Poetry was her raison d'etre. It was her life.
Dissenters and Mavericks reinvigorates the interdisciplinary study of literature, history, and politics through an approach to reading that allows the voices heard in writing a chance to talk back, to exert pressure on the presuppositions and preferences of a wide range of readers. Offering fresh and provocative interpretations of both well-known and unfamiliar texts--from colonial writers such as Horace Walpole and Edmund Burke to twentieth-century Indian writers such as Nirad Chaudhuri, V.S. Naipaul, and Pankaj Mishra--the book proposes a controversial challenge to prevailing academic methodology in the field of postcolonial studies.
