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What did Jesus look like? Pop some popcorn and invite friends as America’s beloved faith-and-film writer Edward McNulty leads us through a dozen big-screen stories inspired by Jesus’s life. McNulty provides everything you need to spark spirited discussion from the best film clips to show your group—to dozens of questions you could ask. You’ll explore hits like The Passion of the Christ and Jesus Christ Superstar. And some surprises, too! Can you find Gospel themes in Cool Hand Luke and Broadway Danny Rose?
The life of Jesus Christ has challenged and inspired filmmakers from the pioneering works of the late 1890s through today's digital cinema. No other life story has been the subject of so many films, with so many wildly different interpretations. The big screen Jesus has traveled through multimillion dollar epics and microbudget underground films, recreating the miracles of the Gospels while also advocating for modern political issues. Moviegoers have seen Jesus walk on water and conquer death, and also break into show tunes and play straight man to a zany Bette Midler. Films about Jesus have inspired a diverse range of controversies, ranging from a groundbreaking copyright infringement lawsuit brought by Thomas Edison to an intellectual scandal that rocked the 1964/65 New York World's Fair to accusations of anti-Semitism against Mel Gibson's distinctive interpretation of the New Testament. Phil Hall, author of the critically acclaimed books The History of Independent Cinema and In Search of Lost Films and host of the award-winning podcast The Online Movie Show, takes the reader on the most extraordinary odyssey in cinematic studies by tracing how filmmakers from across the years and around the world have sought to fill theaters with the story of Jesus. Beloved classics and bizarre curios are part of this memorable journey as the "light of the world" brings illumination through the lens of a movie projector.
Religion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs. Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa. This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies.
An in-depth look at the powerful story and symbolism behind God's unique design of our universe. Thousands of words have been written about the first ten words in the Bible: "In the beginning, God created the heavens and the earth," a simple and profound statement that has ignited a firestorm of debate and controversy. People often only focus on the "how" and "when" of creation, but Story in the Stars explores the "why." Why did God create such a vast universe? Why did He choose the sun and moon to light our paths? Why did He design images with stars in the night sky? The Bible is very clear when it states that God created, named, and positioned all of the stars of the universe in their place in a very specific way-a way that tells us the greatest story ever to be told. In Luke 21:25 Jesus says, "There will be signs in the sun, moon and stars." Signs are meant to point us towards something: Jesus. Story in the Stars takes an in-depth look at the Bible and all the signs God mapped out through constellations, planets, and even the way the Earth is tilted. We are uniquely designed by God, and He loves us so much that He ensured a way for all inhabitants of the earth, through all of time, to see the messages of salvation and redemption that He painted in the stars.
Savior on the Silver Screen by Richard C. Stern,Clayton N. Jefford,Guerric DeBona Pdf
Savior on the Silver Screen examines nine movies about the life of Jesus - ranging from the traditional to the provocativeand explores how the image of Jesus in each reflects the time and culture in which the film was produced. The selections encompass silent, foreign, epic, and musical films. Both entertaining and insightful, Savior on the Silver Screen is structured for easy use in classroom, small group, and individual settings and includes rental information and practical tips for using the book. For each film there is an introduction, pre-viewing and post-viewing questions, and a discussion of its major features. -- Provided by publisher.
"An exhaustively-researched viewers guide to movies about Jesus. Barnes Tatum guides the reader film-by-film from Sidney Olcott's silent classic From the Manager to the Cross through Mel Gibson's The Passion of the Christ. With his experience as author, biblical scholar, and teacher on religion and film, he presents a unique look at Jesus films in all dimensions: as cinematic art, as literature, as biblical history and as theology."--BOOK JACKET.
Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come. Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality. Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.
Since the dawn of film in the 1890s, religious themes and biblical subjects have been a staple of cinema. One of the earliest focuses of screen presentations was the Bible, especially the New Testament and the Gospels. In Screen Jesus: Portrayals of Christ in Television and Film, Peter Malone takes a close look at films in which Jesus is depicted. From silent renditions of The Passion Play to 21st-century blockbusters like The Passion of the Christ, Malone examines how the history of Jesus films reflects the changes in artistic styles and experiments in cinematic forms for more than a century. In addition to providing a historical overview of the Jesus films, this book also reveals the changes in piety and in theological understandings of the humanity and divinity of Jesus over the decades. While most of the Jesus films come from the United States and the west, an increasing number of Jesus films come from other cultures, which are also included in this study. Fans and scholars interested in the history of religious cinema will find this an interesting read, as will students and teachers in cinema and religious studies, church pastors, parish groups, and youth ministry.
Films depicting Christ or Christ-figures are often a combination of controversial, award-winning and good box office but modern audiences tend to be more au fait with cinema than the Bible. Author William R. Telford aims to redress that balance in this introduction to approaches to Jesus and the New Testament in film. Telford offers descriptions of developments in the field in recent years, accounts of the critical methods and approaches now being employed, reviews of significant films and analyses of cinematic treatments of Jesus, and the characters and traditions associated with him in the Gospels, including Peter, Judas and Mary Magdalene.
Imagination and the Journey of Faith by Sandra M. Levy Pdf
"What makes us open to mystery, to glimpses of the Transcendent in our daily lives? The power of the imagination, according to Sandra Levy - a power that has been seriously depleted in today's postmodern culture. To address and redress this deficit, Levy explores how the imagination expresses itself - through ritual, music, poetry, art, story - and focuses on specific practices that can exercise and enrich our spiritual capacity, thus opening us up to divine encounter. Imagination and the Journey of Faith will speak to all readers, whether religious believers or not, who wish to strengthen and deepen the imaginative power of their spiritual lives."--BOOK JACKET.
You’ll be doing all the work. You’ll be picking apart plots, analyzing characters, exploring the setting of biblical narratives, and engaging with narrative levels and reader response theory. And you’ll be doing all the work. This is a book about you, the reader. Drawing on narrative theory, this book places readers in the way of the story, reading biblical narrative through fresh eyes. Using entertaining explanations of literary theory, it liberates readers to read their own chosen Bible stories with a fresh understanding of how narratives work. Practical activities will inspire the reader to develop their own understanding of stories and, in doing so, this book tackles hallowed and authoritarian interpretations that can sometimes get in the way of the story. This is a book of clear explanation and practical application.
Jesus and Mel Gibson's The Passion of the Christ by Kathleen E. Corley,Robert L. Webb Pdf
An exciting and engaging book that will appeal not only to academics but to the film-viewing public, educated lay-persons and students. Not only will the book aid this audience in a greater appreciation of the film 'The Passion of the Christ' but perhaps more importantly it will enable the reader to distinguish between both the contents of the film and the contents of the Gospels and between the contents of the film and what may be historically reconstructed about Jesus. Furthermore the book will aid the reader to appreciate the contributions that the study of the Gospels and the historical study of Jesus can make to the discussion of the film 'The Passion of the Christ'. Jesus and Mel Gibson's The Passion of the Christ is edited by Kathleen E. Corley, Oshkosh Northwestern Distinguished Professor and Professor of New Testament at the University of Wisconsin-Oshkosh, Wisconsin, and Robert L. Webb, an independent scholar living near Toronto, Ontario, Canada. The other contributors are: Dr. John Dominic Crossan, Professor Emeritus of religious Studies at DePaul University, Illinois. Dr. Helen K. Bond, Lecturer in New Testament Language, Literature and Theology at New College, University of Edinburgh, UK; Dr. Craig A. Evans, Payzant Distinguished Professor of New Testament at Acadia Divinity College, Nova Scotia, Canada; Dr Mark Goodacre, Senior Lecturer in New Testament at the Department of Theology, University of Birmingham, UK; Dr. Glenna S. Jackson, Associate Professor in the Department of Religion and Philosophy at Otterbein College, Westerville, Ohio; Dr. Scot McKnight, Karl A. Olsson Professor in Religious Studies at North Park University, Chicago, Illinois; Dr. Mark Allan Powell, Professor of New Testament at Trinity Lutheran Seminary in Columbus, Ohio; Alan F. Segal, Professor of Religion and Ingeborg Rennert Professor of Jewish Studies at Barnard College, Columbia University, New York; Dr. W. Barnes Tatum, Professor of Religion and Philosophy at Greensboro College, North Carolina; David J. Goa, Curator Emeritus at the Provincial Museum of Alberta and a Fellow of the M.V. Dimic Institute for the Study of Culture at the University of Alberta.
