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Through Naqsh, The Author Explores And Documents Exhaustively In Detail The Art Of Wood Carving Of Traditional Architecture Of Gujarat. Traversing From The History Of Wood Carving Of India, The Book Investigates Thoroughly The Tools And Techniques Applied By The Craftsmen Working Within The Trade Guilds. The Main Section Comprises Of The Ornamentations (Symbols, Motifs And Patterns) Witnessed On The Traditional Wooden Houses, Which Are Categorized And Analyzed In Terms Of Its Aesthetics, Its Occurence In Time And Its Physical And Symbolic Relation To The House. The Author Then Establishes Its Links And Connections To The Examples Found In Other Cultures And Explains The Dissemination Of This Art.
Founded in 1411 by Sultan Ahmed Shah on the banks of the river Sabarmati, Ahmedabad is today India's seventh largest city and also one of the subcontinent's few medieval cities which continues to be prosperous and important. Soon after it was established, the royal city of Ahmedabad became the commercial and cultural capital of Gujarat. When the Mughal Empire annexed Gujarat in 1572, Ahmedabad lost its political pre-eminence, but continued to flourish as a great trading centre connecting the silk route with the spice route. Briefly under the Marathas in the eighteenth century, Ahmedabad experienced a dimming of its fortunes, but with the beginning of British control from the early nineteenth century the city reasserted its mercantile ethos, even as it began questioning age-old social hierarchies. The opening of the first textile mill in 1861 was a turning point and by the end of the century Ahmedabad was known as the Manchester of the East. When Gandhi returned to India from South Africa in 1915, looking for a place where he could establish 'an institution for the whole of India', it was Ahmedabad he chose. With the setting up of his Sabarmati Ashram, the great manufacturing centre also became a centre for new awakening. It became the political hub of India, radiating the message of freedom struggle based on truth and non-violence. After Independence, it emerged as one of the fastest-growing cities of India and in the 1960s Ahmedabadis pioneered institutions of higher education and research in new fields such as space sciences, management, design and architecture. Yet, through the centuries, Ahmedabad's prosperity has been punctuated by natural disasters and social discord, from famines and earthquakes to caste and religious violence. Ahmedabadis have tried to respond to these, trying to meld economic progress with a new culture of social harmony. Coinciding with the 600th anniversary of the founding of Ahmedabad, this broad brush history highlights socio-economic patterns that emphasize Indo-Islamic and Indo-European synthesis and continuity, bringing the focus back to the pluralistic heritage of this medieval city. Evocative profiles of Ahmedabadi merchants, industrialists, poets and saints along with descriptions and illustrations of the city's art and architecture bring alive the city and its citizens.
It Is Hard To Imagine Anyone Succeeding More Gracefully In Producing A Balanced Overview Than Abraham Eraly William Dalrymple, Sunday Times, London In The Mughal World Abraham Eraly Continues His Fascinating Chronicle Of The Grand Saga Of The Mughal Empire. In Emperors Of The Peacock Throne He Gave Us The Story Of The Lives And Achievements Of The Great Mughal Emperors; In This Book, He Looks Beyond The Momentous Historical Events To Portray, In Precise And Vivid Detail, The Agony And Ecstasy Of Life In Mughal India. Combining Scholarly Objectivity With Artful Storytelling The Author Presents A Lively Panorama Of The Mughal World Emperors And Nobles At Work And Play; Harem Life; The Profligacy And Extravagance Of The Ruling Class Juxtaposed With The Stark Wretchedness Of The Common People. Meticulously Researched And Lucidly Narrated The Mughal World Offers Rare Insights Into The State Of The Empire S Economy, Religious Policies, The Mughal Army And Its Tactics, And The Glories Of Mughal Art, Architecture, Literature And Music.
Author : Richard M. Eaton Publisher : Univ of California Press Page : 392 pages File Size : 53,6 Mb Release : 1993 Category : History ISBN : 0520205073
The Rise of Islam and the Bengal Frontier, 1204-1760 by Richard M. Eaton Pdf
Eaton ranges over all the important aspects of that community's history, whether political and social, or cultural and religious...This study must rank among the finest contributions to South Asian scholarship to appear for some while.
Delhi, Agra, Fatehpur Sikri: Monuments, Cities and Connected Histories by Shashank Shekhar Sinha Pdf
‘Very impressive ... It will enrich the understanding of those interested in the history not only about these buildings but also more widely about historical monuments and their preservation’ – Rudrangshu Mukherjee, Chancellor and Professor of History at Ashoka University ‘The first real attempt to bring historical sites and buildings of the past within the reach of the masses ... A must-read for all’ – Syed Ali Nadeem Rezavi, author of Fathpur Sikri Revisited ‘Offers an excellent academic–public interface for the study of monuments, the cities in which they are located, and their extended geocultural connections’ – Rana Safvi, author of The Forgotten Cities of Delhi and Shahjahanabad ‘A book to be read several times, in different ways’ – Swapna Liddle, author of Connaught Place and the Making of New Delhi Delhi, Agra, Fatehpur Sikri, historic cities of legend and lore and home to six UNESCO World Heritage Sites, have captured the imagination of Indians and the world at large for centuries. In this ambitious book, Shashank Shekhar Sinha traces the extraordinary pasts of the three imperial capitals, their monuments, settlements and extended geocultural connections, while presenting a graphic account of the iconic heritage sites – from the life and times of rulers who built them, their survival through periods of war, turmoil and conquests, to their present afterlives. Packed with intriguing and little-known stories about the monuments – busting several myths around them along the way – the book takes us on a journey from the pillared galleries of the mosque at the Qutb Minar complex, the majestic double dome of Humayun’s tomb, the bastions of the impenetrable Agra Fort, the picturesque pavilions at Fatehpur Sikri, the tapering minarets of the Taj Mahal, to finally the Mughal court of the Red Fort, giving us the full measure of their dazzling grandeur. ABOUT THE SERIES Combining powerful storytelling with deep, recent scholarship, the Magnificent Heritage series uses multidisciplinary approaches to showcase a fresh perspective on heritage sites and storied cities, locating them in their larger geographical, sociocultural and historical contexts.
History of Mughal Architecture: The transitional phase of colour and design, Jehāngīr, 1605-1627 A.D by R. Nath Pdf
This Volume Of The Author S 5-Vol Series History Of Mughal Architecture Studies Such Aspects Of The Architecture Of Jehangir S Age (1605-27 A.D.) As Public Works (Roads-And-Sarais), Gardens And Garden-Pavilions, Palatial Mansions And Shikargahs, Picture Wall Of Lahore Fort And Tombs, Each In A Separate Chapter. It Covers 43 Monuments, Extending From Kabul To Allahabad, And Kashmir To Burhanpur, And The Scope Of This Volume Is Much Wider Than The Earlier Ones.That Public Works As Roads, Kos-Minars, Bridges, Sarais, Wells, Baolis And Porters Walls Were Built And Maintained At Government Expense Testifies That The; Mughal State Was Fully Alive To The Welfare Of Its Subjects. Four Masonry Bridges Have Been Specifically Studied. Jehangir Was Greatly Interested In Gardens, And Garden-Craft Received A Distinct Form Under His Patronage. Palaces Were Built Amidst Gardens, Mostly On The Riverbank, With Characteristic Idioms Of The Age. A Unique Building Complex, Which Developed Under Him, Was Shikargah (Hunting Lodge) And Four Representative Examples Have Been Studied. The Glazed-Tiled Picture Wall Of The Lahore Fort Is Unique In Respect Of Its Scale, Scheme And Subjects. Originally, It Covered An Immense Mural Area 500 Yards In Length And 16 Yards In Height, By An Ingenious System Of Panelling Which, Besides Stylized Florals, Arabesques And Geometricals, Depicted Beautiful Figurative Compositions. Architect, Potter, Painter And Glazed-Tiler Collaborated On This Grand Project Which Has No Parallel In The World.Domeless Tomb With A Barahdari With Chaukhandi Roof Or A Plain Chabutarah Was Also A Unique Growth Of This Age And The Most Notable Tombs Of This Class, As Those Of Akbar, I Timad-Ud-Daulah And Jehangir, Have Been Studied In Detail. Development Of Such Distinctive Architectural Features As Dado , Gateway And Minar Also Belongs To This Period, During Which Unprecedented Emphasis Was Given On Ornamentation, Which Is Why This Art-Epoch Is Noted For Colour And Design . This Study Has Been Made In The Context Of, And With Reference To, The Cultural Milieu Which Produced It And This Is Not Only A History Of Jehangir S Architecture But Also A History Of Jehangir S Age And History Of Jehangir S India. It Is A History Of Those Tender Feelings, Sublime Thoughts And Subtle Ideas Which Go To Make A Civilization, Not Of Those Political Intrigues And Feuds, And Military Conflicts Which Destroy It.
AKASHVANI by Publications Division (India),New Delhi Pdf
"Akashvani" (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists.It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: Akashvani LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 30/08/1959 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 40 VOLUME NUMBER: Vol. XXIV, No. 35. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 9-46 ARTICLE: 1.The Sowers And The reapere 2.Purse And Patronage AUTHOR: 1.Khushwant Singh 2. Prem Kirpal KEYWORDS : Strange paradox, tvo things, from real life National urges, radical change, citizens to pay Document ID : APE-1959-(J-D)-Vol-II-09 Prasar Bharati Archives has the copyright in all matter published in this and other AIR journals.For reproduction previous permission is essential.
In December 1525, Zahir-Ud-Din Babur, Descended From Chengiz Khan And Timur Lenk, Crossed The Indus River Into The Punjab With A Modest Army And Some Cannon. At Panipat, Five Months Later He Fought The Most Important Battle Of His Life And Routed The Mammoth Army Of Sultan Ibrahim Lodi, The Afghan Ruler Of Hindustan. Mughal Rule In India Had Begun. It Was To Continue For Over Three Centuries, Shaping India For All Time. In This Monumental And Definitive Biography Of The Great Mughals, Abraham Eraly Reclaims The Right To Set Down History As A Chronicle Of Flesh-And-Blood People. Bringing To His Task The Objectivity Of A Master Scholar And The High Imagination Of A Master Story-Teller, He Recreates The Lives Of Babur, The Intrepid Pioneer; The Dreamer Humayun; Akbar, The Greatest And Most Enigmatic Of The Mughal Emperors; Jehangir And Shah Jahan, The Aesthetes; And The Dour And Determined Aurangzeb. Because Of Their Charisma And Leadership The Mughal Empire Survived And Grew Despite The Chaos And Contradictions It Carried Within Itself-The Tumult Of Unending Wars, The Baffling Opulence Of The Ruling Elite And The Desperate Misery Of The Masses, The Brutal Feuds In The Royal Families, As Also The Flowering Of Art And Culture. Without Ever Sacrificing Authenticity And Academic Accuracy, Eraly Has Written A Stirring And Vivid Account Of One Of The World S Greatest Empires That Will Be Savoured By The General Reader And The Serious Scholar Alike For Years To Come.
Red Fort: Remembering the Magnificent Mughals by Debasish Das Pdf
Today, we associate the Red Fort with the view of the Prime Minister proudly unfurling the national flag every year on 15 August on the massive red wall curtain. To children and even most of us, the Red Fort is only this view that is broadcast on television. It is the ubiquitous image often used in marketing as well. Many of us haven’t even bothered to go inside the Fort, and many, including me, satisfied ourselves with our photos taken in front of this wall. This actually is a later addition erected by Shah Jahan’s son Aurangzeb. The Red Fort is much more than this red wall and the platform where the prime minister delivers his speech. In the book, the author attempts to swipe aside the wall and take a deep dive inside the Fort – not just the physical structures but how exactly the planning was done to create a truly complex and artistic palace fortress, to explore the Mughal way of life with their festivals, ceremonies, food and clothing amongst other themes. The beauty of the fort can only be understood and best appreciated from the string of apartments that once lined the river Yamuna on its opposite side. It must have been beautiful indeed to glide down the Yamuna on a boat and appreciate all the buildings that housed the emperor’s private quarters. Now the river has receded afar, but in olden times the various private apartments such as the Rang mahal, Khwabgah (‘abode of dreams’) or the emperor’s bed-chamber as well as the famous Diwan-e-Khas where the Mughal Emperor sat on the Peacock Throne were lined along the river front. There is a reason why the pioneering British historian-explorer James Fergusson termed the Red Fort ‘the most magnificent palace in the East.’ It was a creative venture well integrated to a new city and was truly unrivalled with respect to its design as well as functioning. The book also highlights that, though separated in time by more than three centuries from today, we can still visualize how the unsure footsteps which Babur took in Hindustan took shape in the reign of Shah Jahan, a connoisseur of art and culture. Descending on one side from Genghis Khan and the brutal Tamerlane on the other, Babur gained an irreversible entry to India in the plains of Panipat almost unexpectedly, by defeating a mammoth army of Ibrahim Lodi in 1526. The Mughals, which was the Persian word for ‘Mongols’, set up an incredible empire in Agra and Delhi, to which were born great emperors like Akbar and Shah Jahan. Apart from magnificent monuments they also built a truly syncretic culture of shared values, encouraged free exchange of knowledge and established rituals, customs and festivals that assimilated age-old traditions from east and west. Even the Taj Mahal, described by Rabindranath Tagore as a ‘teardrop on the face of Time’, was built as a symbol of love of a king to his departed queen, like an re-incarnation of Majnun for his Laila, so different from the obvious imagery that a barbaric king may evoke in one’s mind. Similarly, the Red Fort of Delhi was the culmination of Mughal soft power. With profusely laid flower and fruit-bearing char-bagh gardens criss-crossed with streams of water canals, it was layered in symbolism that art historians find interesting even after many centuries to discuss elements that give it a sense of freshness even with the mere empty shell of buildings left behind after 1857. As the author says, “Delhi however lived up to its reputation of slipping through the very fingers of those who attempted to raise a new city here: starting with Prithvi Raj Chauhan’s Lal Kot; Allauddin Khilji’s Siri; the Tughluq trio’s troika of Tughluqabad, Jahanpanah & Kotla Firuz Shah; Humayun’s Dinpanah and later Lutyen’s Delhi of the British; Shah Jahan’s majestic offering to the city of his choice was soon to be destroyed by fate.” The narrative follows the incidents of 1857 till the British Durbars and highlights that the Fort was not the home of the Mughals only in their prime, but also in their decline and till their very extinction. The book seeks to present the lived culture of Mughals in all its multiple facets. The book is divided in four parts. In Part 1 the focus is on the Imperial court and the court etiquette, cultivation of Persian and its enrichment with translations from Sanskrit, patronage of Hindu and Jain scholars. Part 2 contains detailed accounts of the Red Fort and the symbolism of its architecture, the philosophy of jharokha darshan, ceremonies, games and pastimes, the material culture of costumes and jewellery, food, drink and perfumery. The remaining two parts deal with the decline and fall of the Mughal rule and the British Colonial Durbars at the Red Fort. The broadly historical narrative is enlivened by various anecdotes.
Making the 'Woman' by Sutapa Dutta,Shivangini Tandon Pdf
The book examines the representation of women, their agency and subjectivity and gender relations in 18th- and 19th-century India. The chapters in the volume interrogate notions and discourses of ‘women’ and ‘gender’ during the period, historically shaped by multiple and even competing actors, practices and institutions. They highlight the ‘making of the woman’ across a wide spectrum of subject areas, regions and roles and attempt to understand the contradictions and differences in social experiences and identity formations of women. The volume also deals with prevalent notions of masculinity and femininity, normative and non-conformist expressions of gender and sexual identity and epistemological concerns of gender, especially in its intersectional interplay with other axes of caste, class, race, region and empire. Presenting unique understandings of our gendered pasts, this volume will be of great interest to scholars and researchers of history, gender studies and South Asian studies.
The description of the wood carvings of Gujarat can be done in two ways; one,by dividing the subject thematically;two,by dividing it according to the towns where carvings occur.we have preferred the second method because it was felt that each town has its own peculiar characteristics which would have been lost in a thematic approach.Before giving the town-wise description,it is necessary to briefly speak about urban characteristics in general.
EFFECTIVE PUBLIC RELATIONS AND MEDIA STRATEGY, THIRD EDITION by REDDI, C.V. NARASIMHA Pdf
The author with over five decades of professional and academic experience has considerably revised and updated every chapter of the book to present, contemporary diverse public relations and media practices. As a result, the new edition contains the best of previous editions and at the same time replaces all the dated material with new figures and advanced information. Subjects like Mass Communication, Public Relations, Journalism, Advertising, Media Studies, Event Management, PR 2.0 New Model and eight case studies including Mahatma Gandhi World's Greatest Communicator — all in one make this edition truly unique and the only textbook of this type in India. The other key topics that have been given attention in the book include PR as a Strategic Management Function; Communication Models: History of Indian PR; Standards and Ethics in PR; Corporate Communications; PR in Government, Public Sector and NGOs; Global PR; Internet and Social Media; Multimedia PR Campaign and PR into the Future. Learning Tools • Students learning tools such as Chapter Opening Preview, Relevant Case Problems in the Text, End of the Chapter Summary for quick understanding, Review Questions for practice, the Glossary and traits needed for success in PR career are added value to this edition. The text is a must read for every student, faculty and practitioners of Mass Communication, Media Relations, Journalism, PR & Advertising and all management disciplines.
