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Johann Sebastian Bach's the "St Matthew Passion" stands as a singular expression of religious sensibility. Highlighting the inspiration Bach drew from opera, this book illuminates the hybrid forms that comprise the work, thereby clarifying many of the composer's dramatic strategies.
St. Matthew Passion in Full Score by Johann Sebastian Bach Pdf
Great choral masterpiece long considered the noblest, most inspired musical treatment of the crucifixion of Christ. Reprinted from the definitive Breitkopf & Härtel edition.
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
J.S. Bach's Major Works for Voices and Instruments by Melvin P. Unger Pdf
This book explores the dramatic thrust of each of Bach's four major works for choir and orchestra: Christmas Oratorio, St. John Passion, St. Matthew Passion, and Mass in B Minor. It guides the reader, movement by movement, through each work with an integrated presentation of commentary and text translation that pays particular attention to the interaction of text and music, suggesting reasons for Bach's musical choices.
Johann Sebastian Bach's St John Passion : Genesis, Transmission, and Meaning by Alfred Dürr Pdf
This book (published in German by B--auml--;renreiter in 1988 and now available in English translation for the first time) is a comprehensive guide to the genesis, transmission, structure, meaning, and performance considerations of Bach's St John Passion. The St John Passion is one of Bach's most fascinating works. Its text demonstrates a profound understanding of St John's Gospel. The musical design of the choruses with their numerous interrelationships is quite unique and requires some explanation. The fact that the Passion exists in four different versions leads D--uuml--;rr to ask which changes were intentional and which were the result of practical constraints or of orders issued by church authorities. The introduction to the work is preceded by a detailed account of its genesis and transmission, and the uniquely complicated nature of the sources. The discussion of the Passion itself is based on the assumption that what Bach wanted to say to the Leipzig congregation on Good Friday was designed to be understood in verbal and musical terms. Number symbolism, 'eye music', and encrypted information do not form the essence of what Bach was trying to communicate to us.
Bach's St. Matthew Passion is universally acknowledged to be one of the world's supreme musical masterpieces, yet in the years after Bach's death it was forgotten by all but a small number of his pupils and admirers. The public rediscovered it in 1829, when Felix Mendelssohn conducted the work before a glittering audience of Berlin artists and intellectuals, Prussian royals, and civic notables. The concert soon became the stuff of legend, sparking a revival of interest in and performance of Bach that has continued to this day. Mendelssohn's performance gave rise to the notion that recovering and performing Bach's music was somehow "national work." In 1865 Wagner would claim that Bach embodied "the history of the German spirit's inmost life." That the man most responsible for the revival of a masterwork of German Protestant culture was himself a converted Jew struck contemporaries as less remarkable than it does us today—a statement that embraces both the great achievements and the disasters of 150 years of German history. In this book, Celia Applegate asks why this particular performance crystallized the hitherto inchoate notion that music was central to Germans' collective identity. She begins with a wonderfully readable reconstruction of the performance itself and then moves back in time to pull apart the various cultural strands that would come together that afternoon in the Singakademie. The author investigates the role played by intellectuals, journalists, and amateur musicians (she is one herself) in developing the notion that Germans were "the people of music." Applegate assesses the impact on music's cultural place of the renewal of German Protestantism, historicism, the mania for collecting and restoring, and romanticism. In her conclusion, she looks at the subsequent careers of her protagonists and the lasting reverberations of the 1829 performance itself.
This brilliant memoir is Adam Zagajewski's recollection of 1960s and 1970s communist Poland, where he was a fledgling writer, student of philosophy, and vocal dissident at the university in Krakow, Poland's most beautiful and ancient city.
Daniel Melamed offers a study of Bach's passion settings seeking to familiarise readers with some of the intriguing issues in the study & performance of older music. He explores what it means to listen to this music today.
"This book of biblical scholarship explores the passion story in its four very distinct Gospel versions alongside its musical appropriation by Johann Sebastian Bach's in his oratorio. It probes the founding myth of the Christian West as not merely the sacrifice of a god (by a god), but also the abandonment of a son by a father, due to a creation gone awry that left humanity to fend on its own"--
From acclaimed bestselling author James Runcie, a meditation on grief and music, told through the story of Bach's writing of the St. Matthew Passion. In 1727, Stefan Silbermann is a grief-stricken thirteen-year-old, struggling with the death of his mother and his removal to a school in distant Leipzig. Despite his father's insistence that he try not to think of his mother too much, Stefan is haunted by her absence, and, to make matters worse, he's bullied by his new classmates. But when the school's cantor, Johann Sebastian Bach, takes notice of his new pupil's beautiful singing voice and draws him from the choir to be a soloist, Stefan's life is permanently changed. Over the course of the next several months, and under Bach's careful tutelage, Stefan's musical skill progresses, and he is allowed to work as a copyist for Bach's many musical works. But mainly, drawn into Bach's family life and away from the cruelty in the dorms and the lonely hours of his mourning, Stefan begins to feel at home. When another tragedy strikes, this time in the Bach family, Stefan bears witness to the depths of grief, the horrors of death, the solace of religion, and the beauty that can spring from even the most profound losses. Joyous, revelatory, and deeply moving, The Great Passion is an imaginative tour de force that tells the story of what it was like to sing, play, and hear Bach's music for the very first time.
