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"John Caspar Wild, painter and lithographer, produced some of the earliest known depictions of urban America in the nineteenth century. This heavily illustrated book presents artist Wild's paintings and prints, and a catalogue raisonné identifies all of his known works"--Provided by publisher.
"A collection of essays examining the history of nineteenth-century commercial lithography in Philadelphia. Analyzes the social, economic, and technological changes in the local trade from 1828 to 1878"--Provided by publisher.
Author : Library Company of Philadelphia Publisher : The Library Company of Phil Page : 124 pages File Size : 41,8 Mb Release : 1973 Category : Art ISBN : 0914076523
St. Louis' story stands for the story of all those cities whose ambitions and civic self-image, forged from the growth of the mercantile and industrial eras, have been dramatically altered over time. More dramatically, perhaps, than most but in a manner shared by all St. Louis' changing economic base, shifting population, and altered landscape have forced scholars, policymakers, and residents alike to acknowledge the transiency of what once seemed inexorable metropolitan trends: concentration, growth, accumulated wealth, and generally improved well-being. In this book, Eric Sandweiss scrutinizes the everyday landscape streets, houses, neighborhoods, and public buildings as it evolved in a classic American city.Bringing to life the spaces that most of us pass without noticing, he reveals how the processes of dividing, trading, improving, and dwelling upon land are acts that reflect and shape social relations. From its origins as a French colonial settlement in the eighteenth century to the present day, "St Louis" offers a story not just about how our past is diagramed in brick and asphalt, but also about the American city's continuing viability as a place where the balance of individual rights and collective responsibilities can be debated, demonstrated, and adjusted for generations to come. -- Amazon.com.
The Great Heart of the Republic by Adam Arenson Pdf
In the battles to determine the destiny of the United States in the middle decades of the nineteenth century, St. Louis, then at the hinge between North, South, and West, was ideally placed to bring these sections together. At least, this was the hope of a coterie of influential St. Louisans. But their visions of re-orienting the nation's politics with Westerners at the top and St. Louis as a cultural, commercial, and national capital crashed as the country was tom apart by convulsions over slavery, emancipation, and Manifest Destiny. While standard accounts frame the coming of the Civil War as strictly a conflict between the North and the South who were competing to expand their way of life, Arenson shifts the focus to the distinctive culture and politics of the American West, recovering the region’s importance for understanding the Civil War and examining the vision of western advocates themselves, and the importance of their distinct agenda for shaping the political, economic, and cultural future of the nation.
"A long-overdue study of the depiction of slavery in nineteenth-century American art and visual culture, Hidden in Plain Sight investigates the relationship between proslavery politics and the visual record. By examining a vast array of Civil War-era artworks that champion the institution of enslavement and connecting them with the abolitionist materials to which they respond, Rachel Stephens traces themes of concealment and silence through paintings, photographs, and ephemera and explores how the visual canon of high art was used to cover up, control, and reshape the discourse surrounding the United States' most odious institution"--
The Valley of the Mississippi Illustrated in a Series of Views by John Caspar Wild Pdf
Showing pictures of the principal cities and towns, public buildings and remarkable and picturesque scenery, on the Ohio and Mississippi Rivers this illustrated series features St. Louis, a province that now is the State of Missouri.
Speculative Landscapes offers the first comprehensive account of American artists’ financial involvements in and creative responses to the nineteenth-century real estate economy. Examining the dealings of five painters who participated actively in this economy—Daniel Huntington, John Quidor, Eastman Johnson, Martin Johnson Heade, and Winslow Homer—Ross Barrett argues that the experience of property investment exposed artists to new ways of seeing and representing land, inspiring them to develop innovative figural, landscape, and marine paintings that radically reworked visual conventions. This approach moved beyond just aesthetics, however, and the book traces how artists creatively interrogated the economic, environmental, and cultural dynamics of American real estate capitalism. In doing so, Speculative Landscapes reveals how the provocative experience of land investment spurred painters to produce uniquely insightful critiques of the emerging real estate economy, critiques that uncovered its fiscal perils and social costs and imagined spaces outside the regime of private property.
The New Republic, 1783-1830 by Rebecca Stefoff Pdf
Presents the history of the New Republic of America in the eighteenth and nineteenth centuries through excerpts from documents, letters, journals, and newspaper articles.
By examining the life and career of William Clark, this book explores how the North American West entered the American imagination. Clark was among the most important western officials of his generation, and he worked to represent the West during a period of tremendous uncertainty and change. Without ever calling himself a writer or an artist, Clark nonetheless drew maps, helped to produce books, drafted lengthy reports, surveyed the landscape, and wrote numerous journals that made sense of the West and its future for Americans who were fascinated by the region's potential but also fearful of its dangers. William Clark's World situates the descriptive words and pictures created by Clark and his contemporaries at the center of a discussion of western history and cultural development. The book casts new light on the familiar narrative of manifest destiny and on the nation's view of the West in the early nineteenth century. --Book Jacket.
Placing class rather than race or gender at the center of this comparative study of North and South, Kilbride exposes the close connections that united privileged southerners and Philadelphians in the years leading to the Civil War. He finds that the bonds between these similarly educated and socialized groups to be so durable that they resisted sectional warfare. Kilbride notes that southern planters were drawn particularly to Philadelphia because of its proximity to the South and perception of the city as being untainted by northern radicalism. In addition, Philadelphia possessed well-regarded schools, prestigious intellectual societies, historical landmarks, and fashionable shopping districts. In the city's parlors, ballrooms, and classrooms, privileged northerners and southerners forged a republican aristocracy that ignored the Mason-Dixon line.
