John Coltrane And Black America S Quest For Freedom

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John Coltrane and Black America's Quest for Freedom

Author : Leonard Lewis Brown
Publisher : Oxford University Press
Page : 250 pages
File Size : 42,6 Mb
Release : 2010
Category : Music
ISBN : 9780195328929

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John Coltrane and Black America's Quest for Freedom by Leonard Lewis Brown Pdf

John Coltrane's unique and powerful saxophonic sound is commonly recognized among jazz scholars and fans alike as having a "spiritual" nature, imbued with the perfomer's soul, which deeply touches musicians and listeners worldwide. This revered and respected musician created new standards, linked tradition with innovation, challenged common assumptions, and relentlessly pursued spiritual goals in his music, which he aimed openly to use as a means to help listeners see the beauty of life. More than four decades after Coltrane's death, it is this spiritual nature of the music that has kept his sound alive - and thriving - on the contemporary jazz scene. Edited by prominent jazz musician and scholar Leonard Brown, John Coltrane and Black America's Quest for Freedom is a timely exploration of Coltrane's sound and its spiritual qualities as they relate to Black American music culture and aspirations for freedom. A wide-ranging collection of essays and interviews featuring many of the most eminent figures in jazz studies and performance--Tommy Lee Lott, Anthony Brown, Herman Gray, Emmett G. Price III, Dwight Andrews, Tammy Kernodle, Salim Washington, Eric Jackson, and TJ Anderson (foreword)-- the book examines the full spectrum of Coltrane's legacy. Each essay approaches this theme from a different angle, in both historical and contemporary contexts, focusing on how Coltrane became a quintessential example of the universal and enduring qualities of Black American culture. The contributors address Coltrane as the Black intellectual, the visionary master of musical syntax, the man and the media icon, and ultimately the symbol of the spiritual core of Black American music.

John Coltrane and Black America's Quest for Freedom

Author : Leonard Brown
Publisher : Oxford University Press
Page : 256 pages
File Size : 45,6 Mb
Release : 2010-09-09
Category : Music
ISBN : 9780199716500

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John Coltrane and Black America's Quest for Freedom by Leonard Brown Pdf

Edited by prominent musician and scholar Leonard Brown, John Coltrane and Black America's Quest for Freedom: Spirituality and the Music is a timely exploration of Coltrane's sound and its spiritual qualities that are rooted in Black American music-culture and aspirations for freedom. A wide-ranging collection of essays and interviews featuring many of the most eminent figures in Black American music and jazz studies and performance --Tommy Lee Lott, Anthony Brown, Herman Gray, Emmett G. Price III, Tammy Kernodle, Salim Washington, Eric Jackson, TJ Anderson ,Yusef Lateef, Billy Taylor, Olly Wilson, George Russell, and a never before published interview with Elvin Jones -- the book examines the full spectrum of Coltrane's legacy. Each work approaches this theme from a different angle, in both historical and contemporary contexts, focusing on how Coltrane became a quintessential example of the universal and enduring qualities of Black American culture.

God's Mind in That Music

Author : Jamie Howison
Publisher : Wipf and Stock Publishers
Page : 250 pages
File Size : 46,6 Mb
Release : 2012-10-17
Category : Religion
ISBN : 9781621894698

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God's Mind in That Music by Jamie Howison Pdf

As part of the growing literature on theology and the arts, God's Mind in that Music explores the substantial theological insight expressed in the music of jazz legend John Coltrane. Focusing on eight of Coltrane's pieces, themes under consideration include lament ("Alabama"), improvisation ("My Favorite Things" and "Ascension"), grace ("A Love Supreme"), and the Trinity ("The Father and the Son and the Holy Ghost"). By attending to the traditions of theology and of jazz criticism, and through a series of interviews with musicians, theologians, and jazz writers, Jamie Howison draws the worlds of theology and jazz into an active and vibrant conversation with each other. Built around a focused listening to John Coltrane's music as heard against the background of his life and social context, and interacting with the work of a range of writers including James Baldwin, Dorothee Soelle, Jeremy Begbie, and James Cone, God's Mind in that Music will be of interest not only to those interested in the intersection of music and theology, but also to Coltrane fans, students of jazz studies, and anyone who believes that music matters.

Soundtrack to a Movement

Author : Richard Brent Turner
Publisher : NYU Press
Page : 255 pages
File Size : 40,5 Mb
Release : 2021-04-27
Category : Religion
ISBN : 9781479871032

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Soundtrack to a Movement by Richard Brent Turner Pdf

Explores how jazz helped propel the rise of African American Islam during the era of global Black liberation Amid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X’s emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp’s sentiment, recognizing that Coltrane’s music represented the very passion, rage, rebellion, and love that Malcolm X preached. Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and ’50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared—Black affirmation, freedom, and self-determination—were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic “cool” that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.

Feast of Excess

Author : George Cotkin
Publisher : Oxford University Press
Page : 446 pages
File Size : 47,6 Mb
Release : 2016
Category : Art
ISBN : 9780190218478

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Feast of Excess by George Cotkin Pdf

In 1952, John Cage shocked audiences with 4'33," his composition showcasing the power of silence. From Cage's minimalism to Chris Burden's radical performance art two decades later, the post-war avant-garde sought to liberate the art world by shattering the divide between high and low art.Feast of Excess presents an engaging and accessible portrait of the cultural extremism that emerged in the United States after World War II. This "New Sensibility," as termed by Susan Sontag, was predicated upon excess, pushing and often crossing boundaries whether in the direction of minimalism ormaximalism. Through brief vignette profiles of prominent figures in literature, music, visual art, poetry, theater and journalism, George Cotkin leads readers on a focused journey through the interconnected stories of prominent figures such as Andy Warhol, Anne Sexton, John Cage, John Coltrane, BobDylan, Erica Jong, and Chris Burden, among many others, who broke barriers between artist and audience with their bold, shocking, and headline-grabbing performances.This inventive narrative captures the sentiment of liberation from high and low culture in artistic endeavors spanning from the 1950s to the 1970s and reveals the establishment of excess in American culture as the norm. A detailed emersion in the history of cultural extremism, Feast of Excess leavesreaders to consider the provocative revelation that the essence of excess remains in our culture today, for good and ill.

Beyond A Love Supreme

Author : Tony Whyton
Publisher : OUP USA
Page : 174 pages
File Size : 43,8 Mb
Release : 2013-07-18
Category : Music
ISBN : 9780199733248

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Beyond A Love Supreme by Tony Whyton Pdf

John Coltrane's A Love Supreme is widely considered one of the greatest jazz albums of all time. In Beyond A Love Supreme, author Tony Whyton explores both the musical aspects of A Love Supreme, and the album's seminal importance in jazz history, as well as its broader musical and cultural impact.

Jazz As Critique

Author : Fumi Okiji
Publisher : Stanford University Press
Page : 208 pages
File Size : 47,7 Mb
Release : 2018-09-04
Category : Music
ISBN : 9781503605862

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Jazz As Critique by Fumi Okiji Pdf

This “lucidly argued, historically grounded . . . and timely book” reexamines the relationship between black cultures, jazz music, and critical theory (Alexander G. Weheliye, Northwestern University). A sustained engagement with the work of Theodor Adorno, Jazz As Critique looks to jazz for ways of understanding the inadequacies of contemporary life. While Adorno's writings on jazz are notoriously dismissive, he has faith in the critical potential of some musical traditions. Music, he suggests, can provide insight into the controlling, destructive nature of modern society while offering a glimpse of more empathetic and less violent ways of being together in the world. Taking Adorno down a new path, Okiji calls attention to an alternative sociality made manifest in jazz. In response to writing that tends to portray it as a mirror of American individualism and democracy, she makes the case for jazz as a model of “gathering in difference.” Noting that this mode of subjectivity emerged in response to the distinctive history of black America, she reveals that the music cannot but call the integrity of the world into question.

Spirits Rejoice!

Author : Jason C. Bivins
Publisher : Oxford University Press
Page : 384 pages
File Size : 41,5 Mb
Release : 2015-04-01
Category : Music
ISBN : 9780190230937

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Spirits Rejoice! by Jason C. Bivins Pdf

In Spirits Rejoice! Jason Bivins explores the relationship between American religion and American music, and the places where religion and jazz have overlapped. Much writing about jazz tends toward glorified discographies or impressionistic descriptions of the actual sounds. Rather than providing a history, or series of biographical entries, Spirits Rejoice! takes to heart a central characteristic of jazz itself and improvises, generating a collection of themes, pursuits, reoccurring foci, and interpretations. Bivins riffs on interviews, liner notes, journals, audience reception, and critical commentary, producing a work that argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that jazz opens up new interpretations of American religious history. Bivins examines themes such as musical creativity as related to specific religious traditions, jazz as a form of ritual and healing, and jazz cosmologies and metaphysics. Spirits Rejoice! connects Religious Studies to Jazz Studies through thematic portraits, and a vast number of interviews to propose a new, improvisationally fluid archive for thinking about religion, race, and sound in the United States. Bivins's conclusions explore how the sound of spirits rejoicing challenges not only prevailing understandings of race and music, but also the way we think about religion. Spirits Rejoice! is an essential volume for any student of jazz, American religion, or American culture.

The Musician As Philosopher

Author : Michael Gallope
Publisher : University of Chicago Press
Page : 313 pages
File Size : 52,6 Mb
Release : 2024
Category : Music
ISBN : 9780226831763

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The Musician As Philosopher by Michael Gallope Pdf

"From 1958 to 1978 in New York a series of atmospheric irruptions emerged in the history of music, fraught with dissonance, obscurity, and volume. Beyond expanding musical resources into dissonance and noise with a familiar polemical edge, a group of musicians were thinking with sound: crafting metaphysical portals, aiming one to go somewhere, to get out of oneself. For many artists and thinkers of the postwar period, the self was taken to be ideological, given, normal. Their strange, intense, disorienting music was a way out, beyond, through the other, through the collective, through an ecstatic mystery. Their work had material underpinnings: radios, amplifiers, televisions, multi-track recording studios, and long-playing records. Some of the results were intricate, esoteric, and fractured; some of it oceanic and inconsistent. It was often difficult to tell the difference. In this new project, Michael Gallope discusses the work of several musicians who played key roles in these musical irruptions: David Tudor, Ornette Coleman, the Velvet Underground, Alice Coltrane, and Richard Hell and Patti Smith. Their work involved a larger group of collaborators, some of them among the mid-twentieth century's most celebrated artists and musicians: John Cage, Merce Cunningham, Lou Reed, Andy Warhol, and John Coltrane. This project is a history of the thinking embedded in their collective work, and it is a critical exposition of this period of time. Gallope details how avant-garde musicians of the postwar period in New York explored the philosophical dimensions of music's ineffability. He contends that the musicians at the center of each chapter-all of whom are understudied, and none of whom are traditionally taken to be composers-not only challenged the rules by which music was written and practiced, but also confounded gendered and racialized expectations for what critics took to be legitimate forms of musical sound. From a broad historical perspective, their arresting music electrified a widely recognized social process of the 1960s: a simultaneous affirmation and crisis of the modern self"--

Imagine the Sound

Author : Carter Mathes
Publisher : U of Minnesota Press
Page : 314 pages
File Size : 45,7 Mb
Release : 2015-03-20
Category : Literary Criticism
ISBN : 9781452942926

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Imagine the Sound by Carter Mathes Pdf

The post–Civil Rights era was marked by an explosion of black political thought and aesthetics. Reflecting a shifting horizon of expectations around race relations, the unconventional sounds of free jazz coupled with experimental literary creation nuanced the push toward racial equality and enriched the possibilities for aesthetic innovation within the Black Arts Movement. In Imagine the Sound, Carter Mathes demonstrates how African American writers used sound to further artistic resistance within a rapidly transforming political and racial landscape. While many have noted the oral and musical qualities of African American poetry from the post–Civil Rights period, Mathes points out how the political implications of dissonance, vibration, and resonance produced in essays, short stories, and novels animated the ongoing struggle for equality. Situating literary works by Henry Dumas, Larry Neal, and Toni Cade Bambara in relation to the expansive ideas of sound proposed by free jazz musicians such as Marion Brown and Sun Ra, not only does this book illustrate how the presence of sound can be heard and read as political, but it recuperates critically neglected, yet important, writers and musicians. Ultimately, Mathes details how attempts to capture and render sound through the medium of writing enable writers to envision alternate realities and resistance outside of the linear frameworks offered by the Civil Rights and Black Power movements. In precise and elegant prose, Mathes shows how in conceptualizing sound, African American writers opened up the political imaginations of their readers. By exploring this intellectual convergence of literary artistry, experimental music, and sound theory, Imagine the Sound reveals how taking up radically new forms of expression allows us to speak to the complexities of race and political resistance.

Jazz Griots

Author : Jean-Philippe Marcoux
Publisher : Lexington Books
Page : 244 pages
File Size : 44,5 Mb
Release : 2012-06-27
Category : Social Science
ISBN : 9780739166741

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Jazz Griots by Jean-Philippe Marcoux Pdf

This study is about how four representative African American poets in the 1960s, Langston Hughes, Umbra’s David Henderson, and the Black Arts Movement’s Sonia Sanchez, and Amiri Baraka engage, in the tradition of African griots, in poetic dialogues with aesthetics, music, politics, and Black History, and in so doing narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity –a series of jazz-infused iterations that form a complex pattern of literary, musical, historical, and political moments in constant cross-fertilizing dialogues with one another. This form of poetic call-and-response is essential for it allows the possibility of intergenerational dialogues between poets and musicians as well as dialogical potential between song and politics, between Africa and Black America, within the poems. More importantly, these jazz dialogisms underline the construction of the Black Aesthetic as conceptualized respectively by the griotism of Hughes, of Henderson, and of Sanchez and Baraka.

Louis Armstrong, Duke Ellington, and Miles Davis

Author : Aaron Lefkovitz
Publisher : Rowman & Littlefield
Page : 227 pages
File Size : 55,8 Mb
Release : 2018-06-20
Category : Music
ISBN : 9781498567527

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Louis Armstrong, Duke Ellington, and Miles Davis by Aaron Lefkovitz Pdf

This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.

Free Jazz

Author : Jeff Schwartz
Publisher : Routledge
Page : 465 pages
File Size : 44,8 Mb
Release : 2018-05-23
Category : Music
ISBN : 9781315311753

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Free Jazz by Jeff Schwartz Pdf

Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters’ theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.

The Coltrane Church

Author : Nicholas Louis Baham III
Publisher : McFarland
Page : 277 pages
File Size : 48,8 Mb
Release : 2015-08-11
Category : Music
ISBN : 9780786494965

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The Coltrane Church by Nicholas Louis Baham III Pdf

The John Coltrane Church began in 1965, when Franzo and Marina King attended a performance of the John Coltrane Quartet at San Francisco's Jazz Workshop and saw a vision of the Holy Ghost as Coltrane took the bandstand. Celebrating the spirituality of the late jazz innovator and his music, the storefront church emerged during the demise of black-owned jazz clubs in San Francisco, and at a time of growing disillusionment with counter-culture spirituality following the 1978 Jonestown tragedy. For 50 years, the church has effectively fought redevelopment, environmental racism, police brutality, mortgage foreclosures, religious intolerance, gender disparity and the corporatization of jazz. This critical history is the first book-length treatment of an extraordinary African-American church and community institution.

Popular Music Fandom

Author : Mark Duffett
Publisher : Routledge
Page : 244 pages
File Size : 51,9 Mb
Release : 2013-11-07
Category : Music
ISBN : 9781134467693

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Popular Music Fandom by Mark Duffett Pdf

This book explores popular music fandom from a cultural studies perspective that incorporates popular music studies, audience research, and media fandom. The essays draw together recent work on fandom in popular music studies and begin a dialogue with the wider field of media fan research, raising questions about how popular music fandom can be understood as a cultural phenomenon and how much it has changed in light of recent developments. Exploring the topic in this way broaches questions on how to define, theorize, and empirically research popular music fan culture, and how music fandom relates to other roles, practices, and forms of social identity. Fandom itself has been brought center stage by the rise of the internet and an industrial structure aiming to incorporate, systematize, and legitimate dimensions of it as an emotionally-engaged form of consumerism. Once perceived as the pariah practice of an overly attached audience, media fandom has become a standardized industrial subject-position called upon to sell box sets, concert tickets, new television series, and special editions. Meanwhile, recent scholarship has escaped the legacy of interpretations that framed fans as passive, pathological, or defiantly empowered, taking its object seriously as a complex formation of identities, roles, and practices. While popular music studies has examined some forms of identity and audience practice, such as the way that people use music in daily life and listener participation in subcultures, scenes and, tribes, this volume is the first to examine music fans as a specific object of study.