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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.
Christian-Muslim Relations. A Bibliographical History Volume 8. Northern and Eastern Europe (1600-1700) by Anonim Pdf
Christian-Muslim Relations, a Bibliographical History, volume 8 (CMR 8) is a history of everything that was written on relations in the period 1600-1700 in Northern and Eastern Europe. Its detailed entries contain descriptions, assessments and comprehensive bibliographical details about individual works.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Why was Milton so important to the Romantics? How did 'Milton the Regicide', a man often regarded in his lifetime as a dangerous traitor and heretic, become 'the Sublime Milton'? The late eighteenth century saw a sudden and to date almost undocumented craze for all things Miltonic, the symptoms of which included the violation of his grave and the sale of his hair and bones as relics, the republication of all his works including his political tracts in unprecedented numbers, the appearance of the poet in the works, letters, dreams and visions of all the major British Romantic poets and even frequent reports of hauntings by his ghost. Drawing on the traditions of cultural, intellectual and bibliographic history as well as recent trends in literary scholarship on the romantic period, Joseph Crawford explores the dramatic shift in Milton's cultural status after 1790. He builds on a now significant literature on Milton's legacy to the Romantic poets, uncovering the cultural historical background against which the Romantics and their contemporaries encountered and interacted with Milton's reputation and works.
An edition of Milton's later work rk includes the text of six books of Paradise Lost, The History of Britain and the whole of Samson Agonistes. Through his introduction, commmentary and full annotations, Tony Davies sets the works in their political and cultural contexts, and discusses such themes as the `heroic'; sexuality and gender; and Milton's interrogation of the meaning of history.
Pauline Style and Renaissance Literary Culture by Daniel Knapper Pdf
As a major source of debate on theological topics such as the resurrection of body and soul, justification by faith, and predestination, the New Testament epistles of Saint Paul played a central role in the development of religious thought and practice across Reformation Europe. But in a period when Christian belief and Biblical knowledge permeated every aspect of human life, how did Paul's epistles inform Europe's literary and rhetorical cultures? How did scholars and artists respond, not just to Paul's provocative ideas, but also to his provocative manner of expressing them? Pauline Style and Renaissance Literary Culture is the first critical history of Saint Paul's rhetorical style in the Renaissance, 1500-1700. It explores critical and creative responses to Paul's style across a wide range of mediums and genres, at a time when two powerful and confluent cultural forces—Humanism and Protestantism—profoundly altered conceptions of Biblical writing. Daniel Knapper argues that Paul's style developed into one of the most theoretically productive and artistically provocative styles of the Renaissance primarily because of its controversial reception among European Biblical humanists, who struggled to define and assess its volatile features, qualities, and expressive functions. This theoretical discourse directly impacted literary activity in England, shaping how and why English writers imitated Paul's style in their literary works. From the plays of William Shakespeare, to the devotional poetry of John Donne, to the courtly sermons of Lancelot Andrewes, to the polemical prose and epic poetry of John Milton, English writers imitated Paul's style—or, more precisely, a set of critically and culturally determined aspects of Paul's style—to produce specific aesthetic effects, reflect on pressing theological problems, and engage in heated religious controversies. In tracing the reception of Paul's style in Renaissance literary culture, this groundbreaking study reveals how and why English writers drew on Biblical models to develop their literary practices, even as it reveals how issues of style and rhetoric shaped Biblical interpretation and theological discourse in the contentious religious crucible of Reformation Europe.
Focusing on John Milton’s Paradise Lost , this book investigates the metaphorical identification of nature with a court of law – an old and persistent trope, haunted by ancient aporias, at the intersection of jurisprudence, philosophy and literature. In an enormous variety of texts, from the Greek beginnings of Western literature onward, nature has been described as a courtroom in which an all- encompassing trial takes place and a universal verdict is executed. The first, introductory part of this study sketches an overview of the metaphor’s development in European history, from antiquity to the seventeenth century. In its second, more extensive part, the book concentrates on Milton’s epic Paradise Lost in which the problem of the natural law court finds one of its most fascinating and detailed articulations. Using conceptual tools provided by Hannah Arendt, Walter Benjamin, Hans Blumenberg, Gilles Deleuze, William Empson and Alfred North Whitehead, the study demonstrates that the conflicts in Milton’s epic revolve around the tension between a universal legal procedure inherent in nature and the positive legal decrees of the deity. The divine rule is found to consolidate itself by Nature’s supplementary shadow government; their inconsistencies are not flaws, but rather fundamental rhetorical assets, supporting a law that is inherently "double- formed". In Milton’s world, human beings are thus confronted with a twofold law that entraps them in its endlessly proliferating double binds, whether they obey or not. The analysis of this strange juridical structure can open up new perspectives on Milton’s epic, as well as on the way legal discourse tends to entangle norms with facts and thus to embed itself in human life. This original and intriguing book will appeal not only to those engaged in the study of Milton, but also to anyone interested in the relationship between law, history, literature and philosophy.
How original was Shakespeare and how was Shakespeare original? This lucid, innovative book sets about answering these questions by putting them in historical context and investigating how the dramatist worked with his sources: plays, poems, chronicles and prose romances. Shakespeare's Originality unlocks its topic with rewarding precision and flair, showing through a series of case studies that range across the output—from the mature comedies to the great tragedies, from Richard III to The Tempest—what can be learned about the artistry of the plays by thinking about these sources (including newly identified ones) after several decades of neglect. Discussion is enriched by such matters as Elizabethan ruffs and feathers, actors' footwork, chronicle history, modern theatre productions, debts to classical tragedy, scepticism, magic and science, the agricultural revolution, and ecological catastrophe. This is authoritative, lively work by one of the world's leading Shakespearians, accessible to the general reader as well as indispensable for students.
Resisting the Marriage Plot by Dalene Joy Fisher Pdf
"I cannot suppose any situation more distressing than for a woman of sensibility with an improving mind to be bound to such a man as I have described." Mary Wollstonecraft's response to one of her early critics points to the fact that fiction has long been employed by authors to cast a vision for social change. Less acknowledged, however, has been the role of the Christian faith in such works. In this Studies in Theology and the Arts volume, literary scholar Dalene Joy Fisher explores the work of four beloved female novelists: Jane Austen, Anne Brontë, Elizabeth Gaskell, and Mary Wollstonecraft. Each of these authors, she argues, appealed to the Christian faith through their heroines to challenge cultural expectations regarding women, especially in terms of marriage. Although Christianity has all too often been used to oppress women, Fisher demonstrates that in the hands of these novelists and through the actions of their characters, it could also be a transformative force to liberate women. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
"A resource for the general reader, the student, and the scholar alike that provides easy access to a wealth of information to enhance the experience of reading the works of John Milton"--
Literature in the Public Service by C. Sullivan Pdf
How can one make state administrative systems interesting, embody an abstract public ethos and give heroism to homogeneity? The discipline of literature and bureaucracy dismisses Weber's 'neurocrat'. Milton, Trollope and Hare are case studies on implementing the 'what if' visions literature explored during a period of great change in public service
Taking the reader back to the early modern period, this book addresses the works of Shakespeare, and asks how historical texts might be seen to interplay with identity. Beginning with Stephen Greenblatt's illuminating essay, questions are raised about how we come up with "important" historical texts, how we use educational and cultural institutions to maintain their primacy, and what the costs of this can be. Several of the essays look at ways of defining "the self" in the 16th and 17th centuries, and the working-through of these notions in various writings. Others tell us about how people traveled and the effects of travel on selfhood - how they dressed, how they celebrated special occasions, and how they thought of work and pleasure. The authors reflect on recent methodological concerns and adapt them to new issues in historically-oriented literary and cultural studies. They offer important contributions to new directions in scholarship. The book emerges from a symposium held at the Humanities Research Centre, Australian National University, to celebrate the work of Stephen Greenblatt. Drawing on Greenblatt's methodologies, contributors examine strategies by which we "know" ourselves through our relationships with the past.
John Donne by Albert James Smith,Catherine Phillips Pdf
This presents a record of how, from the nineteenth century onwards, critics viewed Donne, and how he became part of the literary canon. Contains writings on Donne from 1873 to 1923, including Kipling, Yeats, Pound, Eliot and Hardy.