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Bread and Beauty: The Cultural Politics of José Carlos Mariátegui by Juan E. De Castro Pdf
Bread and Beauty is a study of the works and life of José Carlos Mariátegui (1894-1930), the autodidact Peruvian scholar and revolutionary activist frequently considered the most important Latin American Marxist.
José Carlos Mariátegui (1894-1930) is widely recognized across Latin America as one of the most important and innovative Marxist thinkers of the twentieth century. Yet his life and work are largely unknown to the English-speaking world. In this gripping political biography—the first written in English—Mike Gonzalez introduces readers to the inspiring life and thought of the Peruvian socialist.
Author : José Carlos Mariátegui Publisher : University of Texas Press Page : 339 pages File Size : 46,6 Mb Release : 2014-03-19 Category : History ISBN : 9780292762664
Seven Interpretive Essays on Peruvian Reality by José Carlos Mariátegui Pdf
"Once again I repeat that I am not an impartial; objective critic. My judgments are nourished by my ideals, my sentiments, my passions. I have an avowed and resolute ambition: to assist in the creation of Peruvian socialism. I am far removed from the academic techniques of the university."—From the Author's Note Jose Carlos Mariátegui was one of the leading South American social philosophers of the early twentieth century. He identified the future of Peru with the welfare of the Indian at a time when similar ideas were beginning to develop in Middle America and the Andean region. Generations of Peruvian and other Latin American social thinkers have been profoundly influenced by his writings. Seven Interpretive Essays on Peruvian Reality (Siete ensayos de interpretación de la realidad peruana), first published in 1928, is Mariátegui's major statement of his position and has gone into many editions, not only in Peru but also in other Latin American countries. The topics discussed in the essays—economic evolution, the problem of the Indian, the land problem, public education, the religious factor, regionalism and centralism, and the literary process—are in many respects as relevant today as when the book was written. Mariátegui's thinking was strongly tinged with Marxism. Because contemporary sociology, anthropology, and economics have been influenced by Marxism much more in Latin America than in North America, it is important that North Americans become more aware of Mariátegui's position and accord it its proper historical significance. Jorge Basadre, the distinguished Peruvian historian, in an introduction written especially for this translation, provides an account of Mariátegui's life and describes the political and intellectual climate in which these essays were written.
José Carlos Mariátegui: An Anthology by Harry E. E. Vanden Vanden,Marc Becker Becker Pdf
José Carlos Mariátegui is one of Latin America’s most profound but overlooked thinkers. A self-taught journalist, social scientist, and activist from Peru, he was the first to emphasize that those fighting for the revolutionary transformation of society must adapt classical Marxist theory to the particular conditions of Latin American. He also stressed that indigenous peoples must take an active, if not leading, role in any revolutionary struggle. Today Latin America is the scene of great social upheaval. More progressive governments are in power than ever before, and grassroots movements of indigenous peoples, workers, and peasants are increasingly shaping the political landscape. The time is perfect for a rediscovery of Mariátegui, who is considered an intellectual precursor of today’s struggles in Latin America but virtually unknown in the English-speaking world. This volume collects his essential writings, including many that have never been translated and some that have never been published. The scope of this collection, masterful translation, and thoughtful commentary make it an essential book for scholars of Latin America and all of those fighting for a new world, waiting to be born.
José Carlos Mariátegui’s Unfinished Revolution by Melisa Moore Pdf
The years 1909–1930, the eleven-year presidency of the businessman-turned-politician Augusto B. Leguía, mark a formative period of Peruvian modernity, witnessing the continuity of a process of reconstruction and the founding of an intellectual and cultural tradition after a humbling defeat during the War of the Pacific (1879–1883). But these years were also fraught with conflict generated by long-standing divisions and new rivalries. A postwar generation of intellectuals and artists, led by José Carlos Mariátegui and galvanized by left-wing thinking and an avant-garde aesthetic, sought representation in the fields of politics and the arts, and participation in the process of reconstruction initiated by a Positivist oligarchy. New political and artistic conceptions raised their awareness of the fractured sense of nationhood in Peru and the need for a new project of nation-formation centered on a common political and cultural consciousness. They also gave rise to divergent political and artistic practices and projects. Amongst these, Mariátegui’s Indigenist-Marxist politics and Modernist-inspired poetics were pivotal in revitalizing, conciliating and channeling those of his cohorts and challengers. Comprising six full-length chapters, a comprehensive Introduction and Conclusion, this monograph is extensive in scale and scope. It provides fresh readings of key writings of Mariátegui, one of Latin America’s most important and revolutionary political, cultural and aesthetic theorists, through the lens of his poetics, emphasizing the value of this approach for a fuller understanding of his work’s political meaning and impact. It does so through detailed analysis of the poetic, expressive language employed in seminal political essays, aimed at forging a new Marxist position in 1920s Peru. Furthermore, it offers powerful and original critiques of understudied intellectuals of this time, especially aprista-Futurist, Socialist and Indigenist female writers and artists, such as Magda Portal and Ángela Ramos, whose work he championed. These readings are fully contextualized in terms of detailed critical study of complex sociopolitical conditions and positions, and bio-bibliographical, intellectual backgrounds of Mariátegui and his contemporaries. The monograph examines and underscores the fundamental importance of Mariátegui’s, and their, politico-poetic practices and projects for forging a national-cum-cosmopolitan, shared, yet also heterogeneous, political culture and cultural tradition in 1920s Peru.
Author : William W. Stein Publisher : University Press of America Page : 310 pages File Size : 44,6 Mb Release : 1997 Category : History ISBN : 0761807381
This is a biographical study of Jose Carlos Mariategui, one of Latin America's greatest literary figures, which is organized around the Lima scandal of 1917. At the time he was a young journalist of 23, an autodidact intellectual with an insurrectionary character. The scandal erupted when he led a small group to the General Cemetery where a dancer gave her interpretation of Chopin's Funeral March. Although the participants wished to have an artistic experience, the reaction of the Lima elite was negative: the performance was viewed in terms of "lewdness" and "desecration," the participants were arrested, placed in prison, their case was forwarded for criminal prosecution, and the daily newspapers made the most out of the incident. This study focuses on the scandal in the context of Peruvian society in 1917. It examines the roots of Mariategui's rebellion by exploring his manner of dealing with lameness and physical mutilation, the desertion of his family by his father and Mariategui's search for a father figure, his humble Andean roots on his mother's side, and his ambivalence--half yearning, half hostility--toward his father's elite social sector. Throughout the work Mariategui's writings are quoted as illustrations and supplements to points made in the text. The object is to answer the questions: Why a dance? Why a cemetery? And why a dance in a cemetery?--by looking at patterns of repetition in Mariategui's life. The study becomes a psychobiography as well as a literary one.
Selected Works of José Carlos Mariátegui by Christian Noakes Pdf
José Carlos Mariátegui was born in Moquegua, Peru, to a poor mestizo family on July 14, 1894. Considered by many to be the father of Latin American Communism, he is celebrated for being the first person to utilize Marxist methods of analysis in order to better understand concrete reality in Peru and for carving a path to revolution based off of these particular historical conditions. As such, he was one of the first Latin American socialists to acknowledge the revolutionary potential of the peasantry and Indigenous peoples. Rather than take a paternalistic or humanitarian position, Mariátegui believed that these overlapping groups needed to be the architects of their own liberation and to do so using their own cultural knowledge, experience, and language.
A Companion to Modern and Contemporary Latin American and Latina/o Art by Alejandro Anreus,Robin Adèle Greeley,Megan A. Sullivan Pdf
In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.
Delimitations of Latin American Philosophy by Omar Rivera Pdf
A distinctive focus of 19th- and 20th-century Latin American philosophy is the convergence of identity formation and political liberation in ethnically and racially diverse postcolonial contexts. From this perspective, Omar Rivera interprets how a "we" is articulated and deployed in central political texts of this robust philosophical tradition. In particular, by turning to the work of Peruvian political theorist José Carlos Mariátegui among others, Rivera critiques philosophies of liberation that are invested in the redemption of oppressed identities as conditions for bringing about radical social and political change, foregrounding Latin America's complex histories and socialities to illustrate the power and shortcomings of these projects. Building on this critical approach, Rivera studies interrelated epistemological, transcultural, and aesthetic delimitations of Latin American philosophy in order to explore the possibility of social and political liberation "beyond redemption."
Mariátegui and Latin American Marxist Theory by Marc Becker Pdf
José Carlos Mariátegui, the Peruvian political theorist of the 1920s, was instrumental in developing an indigenous Latin American revolutionary Marxist theory. He rejected a rigid, orthodox interpretation of Marxism and applied his own creative elements, which he believed could move a society to revolutionary action without the society having to depend upon more traditional economic factors. His interpretation of Peruvian history had a profound effect upon subsequent social movements throughout Latin America. This volume reviews the essential elements of Mariátegui's thought and important influences on his intellectual development. It demonstrates the role he played in defining a Latin american identity, the nature of his intellectual contribution to the development of indigenous revolutionary movements in Latin America, and the inflluence he had on successful revolutionary movements in Cuba and Nicaragua. An understanding of Mariátegui's thought is fundamental to understanding the nature of revolutionary changes in Latin America.
In Punk and Revolution Shane Greene radically uproots punk from its iconic place in First World urban culture, Anglo popular music, and the Euro-American avant-garde, situating it instead as a crucial element in Peru's culture of subversive militancy and political violence. Inspired by José Carlos Mariátegui's Seven Interpretive Essays on Peruvian Reality, Greene explores punk's political aspirations and subcultural possibilities while complicating the dominant narratives of the war between the Shining Path and the Peruvian state. In these seven essays, Greene experiments with style and content, bends the ethnographic genre, and juxtaposes the textual and visual. He theorizes punk in Lima as a mode of aesthetic and material underproduction, rants at canonical cultural studies for its failure to acknowledge punk's potential for generating revolutionary politics, and uncovers the intersections of gender, ethnicity, class, and authenticity in the Lima punk scene. Following the theoretical interventions of Debord, Benjamin, and Bakhtin, Greene fundamentally redefines how we might think about the creative contours of punk subculture and the politics of anarchist praxis.
Most Scandalous Woman by Myrna Ivonne Wallace Fuentes Pdf
In 1926 a young Peruvian woman picked up a gun, wrested her infant daughter from her husband, and liberated herself from the constraints of a patriarchal society. Magda Portal, a poet and journalist, would become one of Latin America’s most successful and controversial politicians. In this richly nuanced portrayal of Portal, historian Myrna Ivonne Wallace Fuentes chronicles the dramatic rise and fall of this prominent twentieth-century revolutionary within the broader history of leftist movements, gender politics, and literary modernism in Latin America. An early member of bohemian circles in Lima, La Paz, and Mexico City, Portal distinguished herself as the sole female founder of the American Popular Revolutionary Alliance (APRA). A leftist but non-Communist movement, APRA would dominate Peru’s politics for five decades. Through close analysis of primary sources, including Portal’s own poetry, correspondence, and other writings, Most Scandalous Woman illuminates Portal’s pivotal work in creating and leading APRA during its first twenty years, as well as her efforts to mobilize women as active participants in political and social change. Despite her successes, Portal broke with APRA in 1950 under bitter circumstances. Wallace Fuentes analyzes how sexism in politics interfered with Portal’s political ambitions, explores her relationships with family members and male peers, and discusses the ramifications of her scandalous love life. In charting the complex trajectory of Portal’s life and career, Most Scandalous Woman reveals what moves people to become revolutionaries, and the gendered limitations of their revolutionary alliances, in an engrossing narrative that brings to life Latin American revolutionary politics.
"Brilliant and beautiful. Now this book exists, it’s hard to know how we did without it." –China Miéville, author of October A cultural and intellectual balance-sheet of the twentieth century's age of revolutions This book reinterprets the history of nineteenth and twentieth-century revolutions by composing a constellation of "dialectical images": Marx's "locomotives of history," Alexandra Kollontai's sexually liberated bodies, Lenin's mummified body, Auguste Blanqui's barricades and red flags, the Paris Commune's demolition of the Vendome Column, among several others. It connects theories with the existential trajectories of the thinkers who elaborated them, by sketching the diverse profiles of revolutionary intellectuals--from Marx and Bakunin to Luxemburg and the Bolsheviks, from Mao and Ho Chi Minh to José Carlos Mariátegui, C.L.R. James, and other rebellious spirits from the South--as outcasts and pariahs. And finally, it analyzes the entanglement between revolution and communism that so deeply shaped the history of the twentieth century. This book thus merges ideas and representations by devoting an equal importance to theoretical and iconographic sources, offering for our troubled present a new intellectual history of the revolutionary past.
"Examines the life and poetry of Magda Portal, a major figure in Latin American revolutionary politics. Includes a selection of poems available for the first time in English translation"--Provided by publisher.