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Journal Of The University Film Producers Association Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Journal Of The University Film Producers Association book. This book definitely worth reading, it is an incredibly well-written.
Author : Anonim
Publisher : Unknown
Page : 336 pages
File Size : 42,6 Mb
Release : 1959
Category : Motion picture plays
ISBN : NYPL:33433089823706
Author : University Film Association
Publisher : Unknown
Page : 560 pages
File Size : 41,7 Mb
Release : 1981
Category : Documentary films
ISBN : UOM:39015048960143
Author : University Film Association
Publisher : Unknown
Page : 544 pages
File Size : 51,7 Mb
Release : 1979
Category : Documentary films
ISBN : UOM:39015016323555
Author : Elaine M. Bapis
Publisher : McFarland
Page : 266 pages
File Size : 47,6 Mb
Release : 2014-01-10
Category : Performing Arts
ISBN : 9780786451234
This study examines the changes in the American film industry, audiences, and feature films between 1965 and 1975. With transformations in production codes, adjustments in national narratives, a rise in independent filmmaking, and a new generation of directors and producers addressing controversial issues on the mainstream screen, film was a major influence on the social changes that defined these years. After a contextual history of film during this era, several key films are discussed, including The Graduate, Alice's Restaurant, Easy Rider, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, Little Big Man, and The Godfather series. The author describes how these films represented a generation, constructed and deconstructed American culture, and made important contributions during ten years of great change in America. Instructors considering this book for use in a course may request an examination copy here.
Author : Anthony Slide
Publisher : Greenwood
Page : 456 pages
File Size : 53,7 Mb
Release : 1985-07-24
Category : Performing Arts
ISBN : UOM:39015038085208
Product information not available.
Author : United States. Office of Education
Publisher : Unknown
Page : 136 pages
File Size : 53,5 Mb
Release : 1964
Category : Education
ISBN : MINN:31951D03000459I
Author : Anonim
Publisher : Unknown
Page : 776 pages
File Size : 53,5 Mb
Release : 1962
Category : Education
ISBN : UIUC:30112100060158
Author : United States. Office of Education
Publisher : Unknown
Page : 1066 pages
File Size : 52,5 Mb
Release : 1962
Category : Agricultural colleges
ISBN : UOM:39015039523694
Author : United States. Office of Education
Publisher : Unknown
Page : 696 pages
File Size : 42,7 Mb
Release : 1963
Category : Education
ISBN : CORNELL:31924061145946
Author : Jonathan Rhodes Lee
Publisher : Routledge
Page : 1096 pages
File Size : 55,9 Mb
Release : 2020-03-10
Category : Music
ISBN : 9781000091281
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Author : Powers
Publisher : Oxford University Press
Page : 297 pages
File Size : 52,7 Mb
Release : 2023
Category : Performing Arts
ISBN : 9780197683385
The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. Technology and the Making of Experimental Film Culture examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture. By reasserting the physicality of the body in making time-lapse and kinesthetic sequences with the Bolex, filmmakers conversed with other art forms and integrated broader spheres of humanistic and scientific inquiry into their artistic process. Drawing from the photographic qualities of stocks such as Tri-X and Kodachrome, they discovered pliant metaphors that allowed them to connect their artistic practice to metaphysics, spiritualism, and Hollywood excess. By framing film labs as mystical or adversarial, they cultivated an oppositionality that valorized control over the artistic process. And by using the optical printer as a tool for excavating latent meaning out of found footage, they posited the reworking of images as fundamental to the exploration of personal and cultural identity. Providing a wealth of new detail about the making of canonized avant-garde classics by such luminaries as Carolee Schneemann, Jack Smith, and Stan Brakhage, as well as rediscovering works from overlooked artists such as Chick Strand, Amy Halpern, and Gunvor Nelson, Technology and the Making of Experimental Film Culture uses technology as a lens for examining the process of making: where ideas come from, how they are put into practice, and how arguments about those ideas foster cultural and artistic commitments and communities.
Author : Lee Grieveson,Haidee Wasson
Publisher : Duke University Press
Page : 481 pages
File Size : 52,5 Mb
Release : 2008-11-24
Category : Performing Arts
ISBN : 9780822388678
Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd
Author : Library of Congress. Copyright Office
Publisher : Unknown
Page : 586 pages
File Size : 41,8 Mb
Release : 1961
Category : Copyright
ISBN : STANFORD:36105006281005
Author : Library of Congress. Copyright Office
Publisher : Unknown
Page : 758 pages
File Size : 47,9 Mb
Release : 1953
Category : American drama
ISBN : UOM:39015085477019
Author : Laura Stephenson
Publisher : Bloomsbury Publishing USA
Page : 233 pages
File Size : 49,8 Mb
Release : 2023-12-14
Category : Psychology
ISBN : 9798765105634
Cinema, Suffering and Psychoanalysis explores psychological disorder as common to the human condition using a unique three-angled approach: psychoanalysis recognises the inherent suffering encountered by each subject due to developmental phases; psychology applies specific categorisation to how this suffering manifests; cinema depicts suffering through a combination of video and aural elements. Functioning as a culturally reflexive medium, the six feature films analysed, including Black Swan (2010) and The Machinist (2004), represent some of the most common psychological disorders and lived experiences of the contemporary era. This book enters unchartered terrain in cinema scholarship by combining clinical psychology's Diagnostic and Statistical Manual Five (DSM-V) to organise and diagnose each character, and psychoanalysis to track the origin, mechanism and affect of the psychological disorder within the narrative trajectory of each film. Lacan's theories on the infantile mirror phase, the Imaginary, and the Symbolic, Žižek's theories on the Real, the big Other and the Event, and Kristeva's theories on abjection and melancholia work in combination with the DSM's classification of symptoms to interpret six contemporary pieces of cinema. By taking into consideration that origin, mechanism, affect and symptomatology are part of an interconnected group, this book explores psychological disorder as part of the human condition, something which contributes to and informs personal identity. More specifically, this research refutes the notion that psychological disorder and psychological health exist as a binary, instead recognising that what has traditionally been pathologised, may instead be viewed as variations on human identity.
