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Joyce and Jung offers a provocatively original chapter-by-chapter analysis of Stephen Dedalus' psychosexual growth in A Portrait of the Artist as a Young Man. The author frames this within the Jungian soul-portrait gallery known as the «four stages of eroticism» in which Eve, Helen, Mary, and Sophia are the soul-portraits of Western civilization, drawing the collective eros into the psychic field to be witnessed as universal spectacle. In James Joyce's twentieth-century classic, Stephen's soul-portraits are the mother, the prostitute, the Virgin Mary, and the Bird-Girl.
«Hiromi Yoshida's innovative approach to 'A Portrait of the Artist as a Young Man' demonstrates how Joyce's Stephen Dedalus reaches a heightened state of creativity through his gradual integration of feminine elements into his psyche. This illuminating and stunning analysis presents a valuable contribution to psychoanalytic feminist theory as well as to Joyce studies.» (Nancy Bombaci, Assistant Professor of Writing and Literature, Mitchell College, New London, Connecticut).
The result of this confrontation, Kimball argues as a central tenet in her unique reading of Ulysses, is the gradual development of a relationship between the two protagonists that parallels C. G.
"Whatever spark or gift I possess has been transmitted to Lucia and it has kindled a fire in her brain." —James Joyce, 1934 Most accounts of James Joyce's family portray Lucia Joyce as the mad daughter of a man of genius, a difficult burden. But in this important new book, Carol Loeb Shloss reveals a different, more dramatic truth: her father loved Lucia, and they shared a deep creative bond. Lucia was born in a pauper's hospital and educated haphazardly across Europe as her penniless father pursued his art. She wanted to strike out on her own and in her twenties emerged, to Joyce's amazement, as a harbinger of expressive modern dance in Paris. He described her then as a wild, beautiful, "fantastic being" whose mind was "as clear and as unsparing as the lightning." The family's only reader of Joyce, she was a child of the imaginative realms her father created, and even after emotional turmoil wrought havoc with her and she was hospitalized in the 1930s, he saw in her a life lived in tandem with his own. Though most of the documents about Lucia have been destroyed, Shloss painstakingly reconstructs the poignant complexities of her life—and with them a vital episode in the early history of psychiatry, for in Joyce's efforts to help her he sought the help of Europe's most advanced doctors, including Jung. In Lucia's world Shloss has also uncovered important material that deepens our understanding of Finnegans Wake, the book that redefined modern literature.
Letters of Note, the book based on the beloved website of the same name, became an instant classic on publication in 2013, selling hundreds of thousands of copies. This new edition sees the collection of the world's most entertaining, inspiring and unusual letters updated with fourteen riveting new missives and a new introduction from curator Shaun Usher. From Virginia Woolf's heart-breaking suicide letter to Queen Elizabeth II's recipe for drop scones sent to President Eisenhower; from the first recorded use of the expression 'OMG' in a letter to Winston Churchill, to Gandhi's appeal for calm to Hitler; and from Iggy Pop's beautiful letter of advice to a troubled young fan, to Leonardo da Vinci's remarkable job application letter, Letters of Note is a celebration of the power of written correspondence which captures the humour, seriousness, sadness and brilliance that make up all of our lives.
In May 1956, in his eighty-second year, Jung first discussed with Gerhard Adler the question of the publication of his letters. Over many years, Jung had often used the medium of letters to communicate his ideas to others and to clarify the interpretation of his work, quite apart from answering people who approached him with genuine problems of their own and simply corresponding with friends and colleagues. Many of his letters thus contain new creative ideas and provide a running commentary on his work. From some 1,600 letters written by Jung between the years 1906-1961, the editors have selected over 1,000. Volume 1, published in 1973, contains those letters written between 1906 and 1950.
"Outstanding, even spectacular. . . . Kimball shows beyond any doubt that Joyce had by 1922 read key texts by Freud, Jung, Rank, and other analysts, and that his immersion in these then comparatively obscure writings informed his artistic vision in Ulysses. She provides an indispensable roadmap to Joyce's encounter with psychoanalysis."--Peter L. Rudnytsky, Institute for Psychological Study of the Arts, University of Florida, and editor, American Imago "Expands our sense of how influence can work, and it is rich with fresh insights into Joyce."--Sheldon Brivic, Temple University Joyce and the Early Freudians explores Joyce's interaction with psychoanalytic literature available to him before the publication of Ulysses in 1922. It is not a psychoanalytic reading of Joyce but rather a book that draws parallels between these works and Joyce's own writing and examines how Joyce was affected by the Zeitgeist of the psychoanalytic movement. Jean Kimball begins with a close but expansive discussion of the three psychoanalytic texts that Joyce purchased in Trieste before he moved to Zurich in 1915: Freud's psychobiography of Leonardo da Vinci, Jung's intensely Freudian essay on the father's significance in a person's life, and a German translation of Ernest Jones's original Hamlet and Oedipus essay. She follows with a discussion of the remarkable collection of psychoanalytic literature available at the Zentralbibliothek during Joyce's residence in Zurich, including an analysis of previously untranslated journal articles especially relevant to the Blooms and their marriage--articles that, because they relate to perversions, suggest a psychoanalytic base for Bloom's sexual oddities. Through close reading, the study traces textual parallels and verbal echoes from the psychoanalytic writings in A Portrait of the Artist and, to a much greater extent, in Ulysses. Kimball also gives close attention to the unique way in which Joyce makes use of allusions, often combining psychoanalytic traces with classical ones to add density to his work, thus strengthening her case for a textual connection between Joyce and Freud, two towering figures of the 20th century. Drawing from early psychoanalytic texts in a manner uniquely his own, Joyce has set up echoes in Ulysses that touch all the major characters of the novel. Jean Kimball is an adjunct associate professor of English at the University of Northern Iowa.
“Abbs has found a gripping and little-known story at the heart of one of the 20th century’s most astonishing creative moments, researched it deeply, and brought the extraordinary Joyce family and their circle in 1920s Paris to richly-imagined life.”—Emma Darwin, bestselling author of A Secret Alchemy and The Mathematics of Love For readers who adored novels like The Paris Wife, Z, and Loving Frank, comes Annabel Abbs highly praised debut novel, where she spins the story of James Joyce’s fascinating, and tragic, daughter, Lucia. “When she reaches her full capacity for rhythmic dancing, James Joyce may yet be known as his daughter’s father . . .” The review in the Paris Times in November 1928 is rapturous in its praise of Lucia Joyce’s skill and artistry as a dancer. The family has made theirhome in Paris—where the latest ideas in art, music, and literature converge. Acolytes regularly visit the Joyce apartment to pay homage to Ireland’s exiled literary genius. Among them is a tall, thin young man named Samuel Beckett—a fellow Irish expat who idolizes Joyce and with whom Lucia becomes romantically involved. Lucia is both gifted and motivated, training tirelessly with some of the finest teachers in the world. Though her father delights in his daughter’s talent, she clashes with her mother, Nora. And as her relationship with Beckett sours, Lucia’s dreams unravel, as does her hope of a life beyond her father’s shadow. With Lucia’s behavior growing increasingly erratic, James Joyce sends her to pioneering psychoanalyst Carl Jung. Here, at last, she will tell her own story—a fascinating, heartbreaking account of thwarted ambition, passionate creativity, and the power of love to both inspire and destroy. The Joyce Girl creates a compelling and moving account of the real-life Joyce Girl, of unrealized dreams and rejection, and of the destructive love of a father.
In this revised edition of Natural Spirituality: A Handbook for Jungian Inner Work in Spiritual Community, Joyce Rockwood Hudson moves Jungian dream work from the professional world of the analyst’s office into the everyday world of spiritual seekers in local community, both inside and outside the institutions of traditional religion. For those willing to meet the divine in the natural flow of life, this book offers an opportunity to embark upon the spiritual path of individuation, whether traveling alone or with the support of a group. With clarity and simplicity Joyce Hudson puts into her reader’s hands the tools for inner work that Carl Jung offered to spiritual seekers everywhere. JOYCE ROCKWOOD HUDSON Joyce Rockwood Hudson has taught the principles of Jungian inner work to church and community dream groups for almost three decades. Since its original publication, her book Natural Spirituality has been a handbook for dream groups across the U.S. and abroad. She is on the faculty of the Haden Institute, where she teaches in the Dream Leader Training Program and helps oversee the annual Summer Dream and Spirituality Conference. The author of seven books, her literary prizes include Holland’s prestigious Silver Pencil award, an American Library Association Notable Book award, and Georgia Writer of the Year in Fiction.
A translation of an essay from Jung's Wirklichkeit der Seele, which was originally published in English in Nimbus, Volume 2, No. 1, June-August 1953. The text reprinted here is from the Nimbus edition.
ULYSSES (Modern Classics Series) by James Joyce Pdf
This carefully crafted ebook: "ULYSSES (Modern Classics Series)" is formatted for your eReader with a functional and detailed table of contents. Ulysses is a modernist novel by Irish writer James Joyce. It is considered to be one of the most important works of modernist literature, and has been called "a demonstration and summation of the entire movement". Ulysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem Odyssey, and the novel establishes a series of parallels between its characters and events and those of the poem (the correspondence of Leopold Bloom to Odysseus, Molly Bloom to Penelope, and Stephen Dedalus to Telemachus). Joyce divided Ulysses into 18 chapters or "episodes". At first glance much of the book may appear unstructured and chaotic; Joyce once said that he had "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant", which would earn the novel "immortality". James Joyce (1882-1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. Joyce is best known for Ulysses, the short-story collection Dubliners, and the novels A Portrait of the Artist as a Young Man and Finnegans Wake.
Here comes Percy Joyce. From one of Canada’s most acclaimed, beloved storytellers: The Son of a Certain Woman is Wayne Johnston’s funniest, sexiest novel yet, controversial in its issues, wise, generous and then some in its depiction of humanity. Percy Joyce, born in St. John’s, Newfoundland, in the fifties is an outsider from childhood, set apart by a congenital disfigurement. Taunted and bullied, he is also isolated by his intelligence and wit, and his unique circumstances: an unbaptized boy raised by a single mother in a fiercely Catholic society. Soon on the cusp of teenagehood, Percy is filled with yearning, wild with hormones, and longing for what he can’t have—wanting to be let in...and let out. At the top of his wish list is his disturbingly alluring mother, Penelope, whose sex appeal fairly leaps off the page. Everyone in St. John’s lusts after her—including her sister-in-law, Medina; their paying boarder, the local chemistry teacher, Pops MacDougal; and...Percy. Percy, Penelope, and Pops live in the Mount, home of the city’s Catholic schools and most of its clerics, none of whom are overly fond of the scandalous Joyces despite the seemingly benign protection of the Archbishop of Newfoundland himself, whose chief goal is to bring “little Percy Joyce” into the bosom of the Church by whatever means necessary. In pursuit of that goal, Brother McHugh, head of Percy’s school, sets out to uncover the truth behind what he senses to be the complicated relationships of the Joyce household. And indeed there are dark secrets to be kept hidden: Pops is in love with Penelope, but Penelope and Medina are also in love—an illegal relationship: if caught, they will be sent to the Mental, and Percy, already an outcast of society, will be left without a family. The Son of a Certain Woman brilliantly mixes sorrow and laughter as it builds toward an unforgettable ending. Will Pops marry Penelope? Will Penelope and Medina be found out? Will Percy be lured into the Church? It is a reminder of the pain of being an outsider; of the sustaining power of love and the destructive power of hate; and of the human will to triumph.
James Joyce's World (Routledge Revivals) by Patricia Hutchins Pdf
First published in 1957, this book explores what remained of Joyce’s background, not only in Ireland but in those cities abroad where his books were written. With the co-operation of those who knew the author, including his brother, much new material was brought together to shed new light on Joyce’s life, character and methods of writing. The author traces Joyce, and his writings, from his beginnings in Ireland, through Zürich, London and Paris, to his difficult final year at Vichy in 1940. Previously unpublished letters illustrate his relationships with important figures of the period like Ezra Pound, T.S. Eliot and H.G. Wells. This title will be of interest to student of literature.
