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Author : Georgia Christgau
Publisher : Feedback Press
Page : 19 pages
File Size : 52,6 Mb
Release : 2012-03-24
Category : Music
ISBN : 9781938410130
Author : Ellen Willis
Publisher : U of Minnesota Press
Page : 264 pages
File Size : 42,6 Mb
Release : 2011
Category : Music
ISBN : 9780816672820
Collects Ellen Willis' writings on popular music from her career at the New Yorker and other publications.
Author : Ellen Willis
Publisher : Unknown
Page : 0 pages
File Size : 52,7 Mb
Release : 2014
Category : MUSIC
ISBN : 0816681201
"Offering a compelling and cohesive narrative of Willis's liberationist "transcendence politics," the essays--among them previously unpublished and uncollected pieces--are organized by decade from the 1960s to the 2000s.... [It]concludes with excerpts from Willis's unfinished book about politics and the cultural unconscious, introduced by her longtime partner, Stanley Aronowitz. An invaluable reckoning of American society since the 1960s, this volume is a testament to an iconoclastic and fiercely original voice. "--
Author : Ellen Willis
Publisher : U of Minnesota Press
Page : 306 pages
File Size : 55,5 Mb
Release : 2012
Category : Art
ISBN : 9780816680795
Originally published: Hanover: Published by University Press of New England [for] Wesleyan University Press, c1992.
Author : Alex Ross
Publisher : Farrar, Straus and Giroux
Page : 640 pages
File Size : 42,7 Mb
Release : 2007-10-16
Category : Music
ISBN : 9781429932882
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author : Ellen Willis
Publisher : Knopf Books for Young Readers
Page : 360 pages
File Size : 54,5 Mb
Release : 1981
Category : Literary Collections
ISBN : UVA:X000167912
Author : Jessica Hopper
Publisher : Featherproof Books
Page : 209 pages
File Size : 52,7 Mb
Release : 2015-05-12
Category : Music
ISBN : 9780983186366
Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.
Author : Ellen Willis
Publisher : U of Minnesota Press
Page : 858 pages
File Size : 54,8 Mb
Release : 2014-04-23
Category : Social Science
ISBN : 9781452941486
Out of the Vinyl Deeps, published in 2011, introduced a new generation to the incisive, witty, and merciless voice of Ellen Willis through her pioneering rock music criticism. In the years that followed, Willis’s daring insights went beyond popular music, taking on such issues as pornography, religion, feminism, war, and drugs. The Essential Ellen Willis gathers writings that span forty years and are both deeply engaged with the times in which they were first published and yet remain fresh and relevant amid today’s seemingly intractable political and cultural battles. Whether addressing the women’s movement, sex and abortion, race and class, or war and terrorism, Willis brought to each a distinctive attitude—passionate yet ironic, clear-sighted yet hopeful. Offering a compelling and cohesive narrative of Willis’s liberationist “transcendence politics,” the essays—among them previously unpublished and uncollected pieces—are organized by decade from the 1960s to the 2000s, with each section introduced by young writers who share Willis’s intellectual bravery, curiosity, and lucidity: Irin Carmon, Spencer Ackerman, Cord Jefferson, Ann Friedman, and Sara Marcus. The Essential Ellen Willis concludes with excerpts from Willis’s unfinished book about politics and the cultural unconscious, introduced by her longtime partner, Stanley Aronowitz. An invaluable reckoning of American society since the 1960s, this volume is a testament to an iconoclastic and fiercely original voice.
Author : Ellen Willis
Publisher : Unknown
Page : 545 pages
File Size : 52,5 Mb
Release : 2014-05-10
Category : Literary Collections
ISBN : 1452941475
Out of the Vinyl Deeps, published in 2011, introduced a new generation to the incisive, witty, and merciless voice of Ellen Willis through her pioneering rock music criticism. In the years that followed, WillisOCOs daring insights went beyond popular music, taking on such issues as pornography, religion, feminism, war, and drugs. The Essential Ellen Willis gathers writings that span forty years and are both deeply engaged with the times in which they were first published and yet remain fresh and relevant amid todayOCOs seemingly intractable political and cultural battles. Whether addressing the womenOCOs movement, sex and abortion, race and class, or war and terrorism, Willis brought to each a distinctive attitudeOCopassionate yet ironic, clear-sighted yet hopeful. Offering a compelling and cohesive narrative of WillisOCOs liberationist OC transcendence politics, OCO the essaysOCoamong them previously unpublished and uncollected piecesOCoare organized by decade from the 1960s to the 2000s, with each section introduced by young writers who share WillisOCOs intellectual bravery, curiosity, and lucidity: Irin Carmon, Spencer Ackerman, Cord Jefferson, Ann Friedman, and Sara Marcus. The Essential Ellen Willis concludes with excerpts from WillisOCOs unfinished book about politics and the cultural unconscious, introduced by her longtime partner, Stanley Aronowitz. An invaluable reckoning of American society since the 1960s, this volume is a testament to an iconoclastic and fiercely original voice."
Author : Ellen Willis
Publisher : U of Minnesota Press
Page : 362 pages
File Size : 48,6 Mb
Release : 2012-07-01
Category : Social Science
ISBN : 9780816680788
Originally published: New York: Knopf, 1981.
Author : Robert Christgau
Publisher : Dey Street Books
Page : 0 pages
File Size : 53,5 Mb
Release : 2016-02-16
Category : Biography & Autobiography
ISBN : 0062238809
One of our great essayists and journalists—the Dean of American Rock Critics, Robert Christgau—takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock ‘n’ roll before Elvis, settled east of Manhattan’s Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago ’68, and the first abortion speak-out. He’s caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin’s A Walker in the City, E. B. White’s Here Is New York, Joseph Mitchell’s Up in the Old Hotel, and Patti Smith’s Just Kids, it is a loving portrait of a lost New York. It’s an homage to the city of Christgau’s youth from Queens to the Lower East Side—a city that exists mostly in memory today. And it’s a love story about the Greenwich Village girl who roamed this realm of possibility with him.
Author : Hannah Ewens
Publisher : University of Texas Press
Page : 252 pages
File Size : 42,6 Mb
Release : 2020-08-18
Category : Music
ISBN : 9781477322093
"To be a fan is to scream alone together." This is the discovery Hannah Ewens makes in Fangirls: how music fandom is at once a journey of self-definition and a conduit for connection and camaraderie; how it is both complicated and empowering; and how now, more than ever, fandoms composed of girls and young queer people create cultures that shape and change an entire industry. This book is about what it means to be a fangirl. Speaking to hundreds of fans from the UK, US, Europe, and Japan, Ewens tells the story of music fandom using its own voices, recounting previously untold or glossed-over scenes from modern pop and rock music history. In doing so, she uncovers the importance of fan devotion: how Ariana Grande represents both tragedy and resilience to her followers, or what it means to meet an artist like Lady Gaga in person. From One Directioners, to members of the Beyhive, to the author's own fandom experiences, this book reclaims the "fangirl" label for its young members, celebrating their purpose, their power, and, most of all, their passion for the music they love.
Author : Nona Willis Aronowitz,Emma Bee Bernstein
Publisher : Hachette UK
Page : 320 pages
File Size : 48,7 Mb
Release : 2009-07-24
Category : Social Science
ISBN : 9780786750450
What do young women care about? What are their hopes, worries, and ambitions? Have they heard of feminism, and do they relate to it? These are just a few of the questions journalist Nona Willis Aronowitz and photographer Emma Bee Bernstein set out to answer in Girldrive. In October 2007, Aronowitz and Bernstein took a cross-country road trip to meet with the 127 women profiled in this book, ranging from well-known feminists like Kathleen Hanna, Laura Kipnis, Erica Jong, and Michele Wallace, to women who don’t relate to feminism at all. The result of these interviews, Girldrive is a regional chronicle of the struggles, concerns, successes, and insights of young women who are grappling—just as hard as their mothers and grandmothers did—to find, define, and fight for gender equity.
Author : Kevin Avery
Publisher : Fantagraphics Books
Page : 512 pages
File Size : 46,8 Mb
Release : 2011-11-21
Category : Biography & Autobiography
ISBN : 9781606994757
What happened to Paul Nelson? In the '60s, he pioneered rock & roll criticism with a first-person style of writing that would later be popularized by the likes of Tom Wolfe and Norman Mailer as “New Journalism.” As co-founding editor of The Little Sandy Review and managing editor of Sing Out!, he’d already established himself, to use his friend Bob Dylan’s words, as “a folk-music scholar”; but when Dylan went electric in 1965, Nelson went with him. During a five-year detour at Mercury Records in the early 1970s, Nelson signed the New York Dolls to their first recording contract, then settled back down to writing criticism at Rolling Stone as the last in a great tradition of record-review editors that included Jon Landau, Dave Marsh, and Greil Marcus. Famously championing the early careers of artists like Bruce Springsteen, Jackson Browne, Rod Stewart, Neil Young, and Warren Zevon, Nelson not only wrote about them but often befriended them. Never one to be pigeonholed, he was also one of punk rock’s first stateside mainstream proponents, embracing the Sex Pistols and the Ramones. But in 1982, he walked away from it all — Rolling Stone, his friends, and rock & roll. By the time he died in his New York City apartment in 2006 at the age of seventy — a week passing before anybody discovered his body — almost everything he’d written had been relegated to back issues of old music magazines. How could a man whose writing had been so highly regarded have fallen so quickly from our collective memory? With Paul Nelson’s posthumous blessing, Kevin Avery spent four years researching and writing Everything Is an Afterthought: The Life and Writing of Paul Nelson. This unique anthology-biography compiles Nelson’s best works (some of it previously unpublished) while also providing a vivid account of his private and public lives. Avery interviewed almost 100 of Paul Nelson’s friends, family, and colleagues, including several of the artists about whom he’d written.
Author : Daphne A. Brooks
Publisher : Harvard University Press
Page : 609 pages
File Size : 44,5 Mb
Release : 2021-02-23
Category : Social Science
ISBN : 9780674052819
An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae’s liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals.