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Author : Wolfgang Birtel,Joseph Dorfman,Christoph-Hellmut Mahling
Publisher : Unknown
Page : 454 pages
File Size : 48,8 Mb
Release : 2006
Category : Jewish musicians
ISBN : STANFORD:36105122429330
Author : Jascha Nemtsov
Publisher : Otto Harrassowitz Verlag
Page : 256 pages
File Size : 52,6 Mb
Release : 2006
Category : Jews
ISBN : 3447052937
Der Sammelband prasentiert Beitrage des internationalen Kongresses Die Neue Judische Schule, der im Mai 2004 an der Universitat Potsdam stattfand und an dem renommierte Wissenschaftler aus Deutschland, Israel, den USA, Russland, Grossbritannien und Schweden teilnahmen. Ihre Arbeiten beruhren verschiedenste Aspekte der Forschung uber dieses Thema. Besonders wichtig war die Klarung der Quellenlage: Die Dokumente der Neuen Judischen Schule sind durch politische Umstande und bewegte Schicksale der Komponisten in der ganzen Welt zerstreut. Bis vor einigen Jahren waren sie aus verschiedenen Grunden oft gar nicht zuganglich, manchmal war nicht einmal der Verbleib der Nachlasse bekannt. Zum Kongress waren Vertreter von vier wichtigen Archiven eingeladen, ihre Vortrage bilden den ersten Teil des Bandes. Die Beitrage des zweiten Teils belegen eindrucksvoll, dass die Neue Judische Schule keineswegs auf Russland beschrankt war, und dass ihr unmittelbarer Einfluss weit in die Nachkriegszeit hinein reichte. Im Mittelpunkt des dritten Teils stehen herausragende Protagonisten der Neuen Judischen Schule. Fur judische Kunstmusik war die osteuropaische judische Musiktradition die wichtigste Inspirationsquelle. Diesem Thema ist der vierte Teil gewidmet. Der letzte, funfte Teil befasst sich mit den aktuellen Entwicklungen auf dem Gebiet judischer Kunstmusik im Zusammenhang mit der Geschichte der Neuen Judischen Schule und ihren Traditionen.
Author : Joshua S. Walden
Publisher : Oxford University Press
Page : 319 pages
File Size : 53,9 Mb
Release : 2014
Category : History
ISBN : 9780199334667
Sounding Authentic considers the intersecting influences of nationalism, modernism, and technological innovation on representations of ethnic and national identities in twentieth-century art music. Author Joshua S. Walden discusses these forces through the prism of what he terms the "rural miniature": short violin and piano pieces based on folk song and dance styles. This genre, mostly inspired by the folk music of Hungary, the Jewish diaspora, and Spain, was featured frequently on recordings and performance programs in the early twentieth century. Furthermore, Sounding Authentic shows how the music of urban Romany ensembles developed into nineteenth-century repertoire of virtuosic works in the style hongrois before ultimately influencing composers of rural miniatures. Walden persuasively demonstrates how rural miniatures represented folk and rural cultures in a manner that was perceived as authentic, even while they involved significant modification of the original sources. He also links them to the impulse toward realism in developing technologies of photography, film, and sound recording. Sounding Authentic examines the complex ways the rural miniature was used by makers of nationalist agendas, who sought folkloric authenticity as a basis for the construction of ethnic and national identities. The book also considers the genre's reception in European diaspora communities in America where it evoked and transformed memories of life before immigration, and traces how many rural miniatures were assimilated to the styles of American popular song and swing. Scholars interested in musicology, ethnography, the history of violin performance, twentieth-century European art music, the culture of the Jewish Diaspora and more will find Sounding Authentic an essential addition to their library.
Author : Tina Frühauf
Publisher : Oxford University Press
Page : 753 pages
File Size : 53,5 Mb
Release : 2023-10-29
Category : Music
ISBN : 9780197528624
The Oxford Handbook of Jewish Music Studies is the most comprehensive and expansive critical handbook of Jewish music published to date. It is the first endeavor to address the diverse range of sounds, texts, archives, traditions, histories, geographic and political contexts, and critical discourses in the field. The thirty-one experts from thirteen countries who prepared the thirty original and groundbreaking chapters in this handbook are leaders in the disciplines of musicology and Jewish studies as well as adjacent fields. Chapters in the handbook provide a broad coverage of the subject area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections -- Land, City, Ghetto, Stage, Sacred and Ritual Spaces, Destruction / Remembrance, and Spirit -- the range and scope of The Oxford Handbook of Jewish Music Studies most significantly suggests a new framework for the study of Jewish music centered on spatiality and taking into consideration temporality and collectivity. Within each chapter, authors have selected what they consider to be the most important material relevant to their topic and, drawing on the most authoritative insights from historical and ethnomusicology, Jewish studies, history, anthropology, philology, religious studies, and the visual arts, have taken a genuinely inter- or transdisciplinary approach. Integrated chapter bibliographies provide material for further reading. Together the chapters form a first truly global look at Jewish music, incorporating studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world. Together they span world history, from antiquity until the present day. As such, the Handbook provides a resource that researchers, scholars, and educators will use as the most important and authoritative overview of work within music and Jewish studies.
Author : Magdalena Waligorska
Publisher : Oxford University Press
Page : 336 pages
File Size : 44,7 Mb
Release : 2013-09-03
Category : Music
ISBN : 9780199995806
Klezmer in Europe has been a controversial topic ever since this traditional Jewish wedding music made it to the concert halls and discos of Berlin, Warsaw, Budapest and Prague. Played mostly by non-Jews and for non-Jews, it was hailed as "fakelore," "Jewish Disneyland" and even "cultural necrophilia." Klezmer's Afterlife is the first book to investigate this fascinating music scene in Central Europe, giving voice to the musicians, producers and consumers of the resuscitated klezmer. Contesting common hypotheses about the klezmer revival in Germany and Poland stemming merely from feelings of guilt which emerged in the years following the Holocaust, author Magdalena Waligorska investigates the consequences of the klezmer boom on the people who staged it and places where it occurred. Offering not only a documentation of the klezmer revival in two of its European headquarters (Kraków and Berlin), but also an analysis of the Jewish / non-Jewish encounter it generates, Waligorska demonstrates how the klezmer revival replicates and reinvents the image of the Jew in Polish and German popular culture, how it becomes a soundtrack to Holocaust commemoration and how it is used as a shining example of successful cultural policy by local officials. Drawing on a variety of fields including musicology, ethnomusicology, history, sociology, and cultural studies, Klezmer's Afterlife will appeal to a wide range scholars and students studying Jewish culture, and cultural relations in post-Holocaust central Europe, as well as general readers interested in klezmer music and music revivals more generally.
Author : Tina Frühauf,Lily Hirsch
Publisher : Oxford University Press
Page : 304 pages
File Size : 49,9 Mb
Release : 2014-09-11
Category : Music
ISBN : 9780199367498
Winner of the 2015 Ruth A. Solie Award from the American Musicological Society The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music-a highly debated topic-encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even "German (Jewish) memory," which is not necessarily physically bound to Germany. In the context of these perspectives, the volume makes powerful arguments about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition. In doing so, the essays in Dislocated Memories cover a wide spectrum of topics from the immediate postwar period with music in the Displaced Persons camps to the later twentieth century with compositions conceived in response to the Holocaust and the klezmer revival at the turn of this century. Dislocated Memories builds on a wide range of recent and critical scholarship in Cold War studies, cultural history, German studies, Holocaust studies, Jewish studies, and memory studies. What binds these distinct fields tightly together are the contributors' specific theoretical inquiries that reflect separate yet interrelated themes such as displacement and memory. While these concepts link the multi-faceted essays on a micro-level, they are also largely connected in their conceptual query by focus, on the macro-level, on the presence and the absence of Jewish music in Germany after 1945. Filled with original research by scholars at the forefront of music, history, and Jewish studies, Dislocated Memories will prove an essential text for scholars and students alike.
Author : Walter Zev Feldman
Publisher : Oxford University Press
Page : 480 pages
File Size : 40,7 Mb
Release : 2016-10-03
Category : Music
ISBN : 9780190636418
Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major written sources--principally in Russian, Yiddish, Hebrew, and Romanian--from the 16th to the 20th centuries. He draws upon the foundational notated collections of the late Tsarist and early Soviet periods, as well as rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. He has conducted interviews with authoritative European-born klezmorim over a period of more than thirty years, in America, Europe, and Israel. Thus, his analysis reveals both the musical and cultural systems underlying the klezmer music of Eastern Europe.
Author : Phil Alexander
Publisher : Oxford University Press
Page : 304 pages
File Size : 47,9 Mb
Release : 2021-02-12
Category : Music
ISBN : 9780190064440
How can a traditional music with little apparent historical connection to Berlin become a way of hearing and making sense of the bustling German capital in the twenty-first century? In Sounding Jewish in Berlin, author Phil Alexander explores the dialogue between the city's contemporary klezmer scene and the street-level creativity that has become a hallmark of Berlin's decidedly modern urbanity and cosmopolitanism. By tracing how klezmer music engages with the spaces and symbolic meanings of the city, Alexander sheds light on how this Eastern European Jewish folk music has become not just a product but also a producer of Berlin. This engaging study of Berlin's dynamic Yiddish music scene brings together ethnomusicology, cultural studies, and urban geography to evoke the sounds, atmospheres, and performance spaces through which klezmer musicians have built a lively set of musical networks in the city. Transcending a restrictive framework that considers this music solely in the context of troubled German-Jewish history and notions of guilt and absence, Alexander shows how Berlin's current klezmer communitya diverse group of Jewish and non-Jewish performersimaginatively blend the genre's traditional musical language with characteristically local tones to forge an adaptable and distinctively twenty-first-century version of klezmer. Ultimately, the music's vital presence in Berlin is powerful evidence that if traditional music is to remain audible amid the noise of the urban, it must become a meaningful part of that noise.
Author : Joel E. Rubin
Publisher : Boydell & Brewer
Page : 485 pages
File Size : 52,5 Mb
Release : 2020
Category : Jews
ISBN : 9781580465984
The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre.
Author : Stephen Luttmann
Publisher : Routledge
Page : 578 pages
File Size : 53,7 Mb
Release : 2013-01-11
Category : Music
ISBN : 9781135848415
Paul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides electronic resources.
Author : Andreas Baumgartner,Isabella Girstmair,Verena Kaselitz
Publisher : Unknown
Page : 390 pages
File Size : 51,7 Mb
Release : 2007
Category : Concentration camp inmates
ISBN : UOM:39015082654974
Author : Rebekka Denz,Grażyna Jurewicz,Dorothea M. Salzer
Publisher : Universitätsverlag Potsdam
Page : 244 pages
File Size : 49,8 Mb
Release : 2012
Category : Religion
ISBN : 9783869561776
Keine Angaben
Author : Jascha Nemtsov
Publisher : Otto Harrassowitz Verlag
Page : 276 pages
File Size : 40,6 Mb
Release : 2004
Category : Jews
ISBN : 3447050349
1908 wurde in St. Petersburg eine Gesellschaft für jüdische Volksmusik gegründet. Die jungen Komponisten, die sich ihr anschlossen, entwickelten bald, zum ersten Mal in der Musikgeschichte, einen nationalen jüdischen Stil in der Kunstmusik, der Elemente jiddischer Folklore und synagogaler Musik integrierte. Diese Neue Jüdische Schule war damals eng mit der jüdischen Renaissance-Bewegung auf allen Kulturgebieten verknüpft und wurde auch von zionistischen Ideen geprägt. Während sich jedoch die gleichzeitig entstehende russische, tschechische, spanische oder ungarische Nationalmusik frei entfalten und im kulturellen Bewusstsein etablieren konnte, wurde der Erfolg der Neuen Jüdischen Schule durch die stalinistische und nationalsozialistische Kulturpolitik bereits nach drei Jahrzehnten gewaltsam abgebrochen. Jascha Nemtsov behandelt erstmalig systematisch die Geschichte der Neuen Jüdischen Schule und ihrer wichtigsten Institutionen, wie die Gesellschaft für jüdische Volksmusik in St. Petersburg (1908¿1919), die Gesellschaft für jüdische Musik in Moskau (1923¿1931), der Verein zur Förderung jüdischer Musik in Wien (1928¿1938), die Musikverlage Jibneh (1922¿1943) und Juwal (1923¿1927) u.a. Im Mittelpunkt stehen außerdem die ästhetischen Maximen sowie der historische, ideologische und kulturelle Kontext. Die Grundlage dieser Arbeit bilden Hunderte neu entdeckter Dokumente aus russischen, amerikanischen, israelischen, schweizerischen, österreichischen und holländischen Archiven.
Author : Karl-Erich Grözinger
Publisher : Otto Harrassowitz Verlag
Page : 252 pages
File Size : 43,9 Mb
Release : 2004
Category : Folk songs, Yiddish
ISBN : 3447050314
Der Band eroffnet die neue Reihe Judische Musik. Studien und Quellen zur judischen Musikkultur, die einem in Deutschland bislang vernachlassigten Forschungsgegenstand ein Podium gibt. Die meisten der hier versammelten Beitrage entstanden fur die 1. Potsdamer Tage Judischer Musik, die im Oktober 2002 an der Universitat in Potsdam durchgefuhrt wurden. Zusammen mit der Dokumentation der in Potsdam gezeigten Ausstellung mit Werken zur judischen Volksmusik entsteht so ein Spiegel der im beginnenden 20. Jahrhundert von St. Petersburg ausgehenden, uber viele Stadte Osteuropas, Palastinas/Israels und den USA ausgebreiteten ethnomusikologischen sowie Musik-Kultur schaffenden Aktivitaten. Die Beitrage schildern u.a. judisches Musikerleben im Europa des 17. und 18. Jahrhunderts, den durch die Aktivitaten der russischjudischen Musiko-Ethnologen bewirkten Neuaufbruch und die Schaffung eines daraus resultierenden neuen judischen Stils in der Kunstmusik zu Beginn des 20. Jahrhunderts. Sie beleuchten die Pionierarbeiten der ersten Sammler judischer Volksmusik und deren Feldforschungen mit dem Phonographen. Sie versuchen die Besonderheiten von Rhythmus, Melos und Harmonik einer "judischen" Musik zu definieren. Sie betrachten das in jiddischen Liedern und Erzahlungen sichtbar werdende Leben der Ostjuden sowie deren Auffassung von Musik. Schliesslich werden die Bemuhungen vorgestellt, die verlorene und zerstorte Musiktradition des osteuropaischen Judentums zu bewahren und zu rekonstruieren.
Author : Philip Bohlman
Publisher : Oxford University Press, USA
Page : 316 pages
File Size : 52,9 Mb
Release : 2012
Category : History
ISBN : 9780199946846
Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.