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Woman Sitting at the Machine, Thinking by Karen Brodine Pdf
Karen Brodine's award-winning feminist poetry explores themes of work, activism, sexual identity, family, language, and the author's fight against breast cancer. Published in 1990, WOMAN SITTING AT THE MACHINE, THINKING is the posthumously published, fourth collection of poems by a breakthrough writer on feminist, lesbian and workingclass themes. Brodine's work is widely published in anthologies. This collection includes a bibliography of Brodine's writing, a preface by the renowned feminist and radical poet Meridel LeSueur, and an introduction by Asian American lesbian poet Merle Woo.
Through its comprehensive history of post-war queer writing in Boston and San Francisco from the 1940s through the 21st century, Never By Itself Alone provides a new view of queer history. Grundy intertwines analysis of lesbian, gay, and queer literature of the time, centering voices which have not yet before been explored in existing criticism. The book elevates the underrepresented work of writers of color and those with gender-nonconforming identities, underscores the link between activism and literature, and insists upon the vital importance of radical accounts of race, class and gender in any queer studies worthy of the name
In an elegant affirmation of human capacity and creativity, Patricia Carini counters high-stakes testing, the pathologizing of children, and the unrelenting critique of the public schools with a persuasive account of how children, all children, actively make sense of the world and their experience through the making of works such as drawings, constructions, and writings. This engaging and vivid account of the day-to-day possibilities of learning and teaching, and ultimately the remaking of the schools, is indispensable reading for anyone called to teach or committed to a liberating education for all children. “This is a beautifully written book. I am inspired with each page.” —Vito Perrone, Harvard University "In this precious book by one of our most powerful thinkers, Pat Carini takes us deep, deep into the lives of children, into classrooms and schools, into the human heart of education at its best.” —William Ayers, University of Illinois at Chicago “A thoughtful book that challenges us to embrace an expansive vision of education. Throughout this powerful collection of essays, Pat Carini reminds us to place the value of each individual at the center of all we do in schools." —Judy Buchanan, National Writing Project “In this book, Carini draws on children’s and teachers’ stories, poetry, and philosophy as she attends to making visible for the reader the humanness of education." —Ofelia García, Dean, School of Education, Long Island University
An encyclopedic yet personal exploration of the meaning of socialist feminism, the power of Marxist theory and working-class feminism, and the highs and lows of an activist life. Through columns, essays and speeches spanning 40 years, Clara Fraser addresses diverse topics including women's leadership, the interconnections of racism and sexism, homophobia in the military, electoral politics, and her own and others' battles for job rights and free speech. Meet a woman revolutionary for all times!
A new approach to writing culture has arrived: multispecies ethnography. Plants, animals, fungi, and microbes appear alongside humans in this singular book about natural and cultural history. Anthropologists have collaborated with artists and biological scientists to illuminate how diverse organisms are entangled in political, economic, and cultural systems. Contributions from influential writers and scholars, such as Dorion Sagan, Karen Barad, Donna Haraway, and Anna Lowenhaupt Tsing, are featured along with essays by emergent artists and cultural anthropologists. Delectable mushrooms flourishing in the aftermath of ecological disaster, microbial cultures enlivening the politics and value of food, and nascent life forms running wild in the age of biotechnology all figure in this curated collection of essays and artifacts. Recipes provide instructions on how to cook acorn mush, make cheese out of human milk, and enliven forests after they have been clear-cut. The Multispecies Salon investigates messianic dreams, environmental nightmares, and modest sites of biocultural hope. For additional materials see the companion website: www.multispecies-salon.org/ Contributors. Karen Barad, Caitlin Berrigan, Karin Bolender, Maria Brodine, Brandon Costelloe-Kuehn, David S. Edmunds, Christine Hamilton, Donna J. Haraway, Stefan Helmreich, Angela James, Lindsay Kelley, Eben Kirksey, Linda Noel, Heather Paxson, Nathan Rich, Anna Rodriguez, Dorion Sagan, Craig Schuetze, Nicholas Shapiro, Miriam Simun, Kim TallBear, Anna Lowenhaupt Tsing
Professional Care and Vocation by Timothy W. Wineberg Pdf
This book integrates the traditional understanding of a profession—a calling to selfless service for the public good, through the pursuit of a learned art—with that of vocation—work that offers a deep sense of personal fulfilment, meaning, and identity.
Even though Asian American literature is enjoying an impressive critical popularity, attention has focused primarily on longer narrative forms such as the novel. And despite the proliferation of a large number of poets of Asian descent in the 20th century, Asian American poetry remains a neglected area of study. Poetry as an elite genre has not reached the level of popularity of the novel or short story, partly due to the difficulties of reading and interpreting poetic texts. The lack of criticism on Asian American poetry speaks to the urgent need for scholarship in this area, since perhaps more than any other genre, poetry most forcefully captures the intense feelings and emotions that Asian Americans have experienced about themselves and their world. This reference book overviews the tremendous cultural contributions of Asian American poets. Included are alphabetically arranged entries on 48 American poets of Asian descent, most of whom have been active during the latter half of the 20th century. Each entry begins with a short biography, which sometimes includes information drawn from personal interviews. The entries then discuss the poet's major works and themes, including such concerns as family, racism, sexism, identity, language, and politics. A survey of the poet's critical reception follows. In many cases the existing criticism is scant, and the entries offer new readings of neglected works. The entries conclude with bibliographies of primary and secondary texts, and the volume closes with a selected, general bibliography.
A compelling revision of the history of experimental writing from Pound and Stein to Language poetry, disclosing its uses and its limits. In this bold new study of twentieth-century American writing and poetics, Natalia Cecire argues that experimental writing should be understood as a historical phenomenon before it is understood as a set of formal phenomena. This seems counterintuitive because, at its most basic level, experimental writing can be thought of as writing which breaks from established forms. Touching on figures who are not typically considered experimental, such as Stephen Crane, Jacob Riis, Busby Berkeley, Ursula K. Le Guin, and Gottlob Frege, Experimental offers a fresh look at authors who are often treated as constituting a center or an origin point of an experimental literary tradition in the United States, including Gertrude Stein, Ezra Pound, William Carlos Williams, and Marianne Moore. In responding to a crisis of legitimization in the production of knowledge, this tradition borrows and transforms the language of the sciences. Drawing upon terminology from the history of science, Cecire invokes the epistemic virtue, which tethers ethical values to the production of knowledge in order to organize diverse turn-of-the-century knowledge practices feeding into "experimental writing." Using these epistemic virtues as a structuring concept for the book's argument, Cecire demonstrates that experimental writing as we now understand it does not do experiments (as in follow a method) but rather performs epistemic virtues. Experimental texts embody the epistemic virtues of flash, objectivity, precision, and contact, associated respectively with population sciences, neuroanatomy, natural history and toolmaking, and anthropology. Yet which virtues take precedence may vary widely, as may the literary forms through which they manifest. Bringing it up to the 1980s, Cecire reveals the American experimental literary tradition as a concerted and largely successful rewriting of twentieth-century literary history. She shows how the Language poets, a group of primarily white experimental writers, restored to the canon what they saw as modernism's true legacy, whose stakes were simultaneously political and epistemological: it produced a poet who was an intellectual and a text that was experimental.
Explores the role of gender in poetic production, the tensions between poetry and contemporary literary theory, and the fluid boundaries between theoretical and literary writing.
Socialist Feminism: The First Decade, 1966-76 by Gloria Martin Pdf
Records the forging of the first Marxist feminist party in history -- the Freedom Socialist Party. Set in the tumultuous upsurges of the 1960s and '70s, Gloria Martin vividly describes the eruption of the women's liberation movement amidst the antiwar and civil rights struggles. Martin documents early lesbian and gay coalitions, the fight to legalize abortion in Washington State, radical labor organizing, community mobilizations against police brutality and poverty, campus upsurges, and the growth of the FSP's sister organization, Radical Women. She scathingly critiques the role of the Socialist Workers Party and other Left groups typified by sexism and opportunism. To them, she contrasts the Freedom Socialist Party's multi-issue focus on reaching those most oppressed as workingclass people of color, women, and sexual minorities. From the on-the-ground perspective of a seasoned organizer, Martin probes with a sharp scalpel the internal conflicts in the movements for social change. This is a story of years of intense work by radical women and men. It is a chronicle, a reference, an analysis, a judgment, and a guidebook. Its central message is inescapable: socialist feminism as a theme and strategy has never been more urgently needed than it is today.
In this companion volume to their anthology Working Classics, Nicholas Coles and Peter Oresick present poems written in the 1980s and 1990s that address the nature and culture of nonindustrial work---white collar, domestic, clerical, technical, managerial, or professional. They cross lines of status, class, and gender and range from mopping floors to television news reporting, Wall Street brokerage, and raising children.
Poetry and Work offers a timely and much-needed re-examination of the relationship between work and poetry. The volume questions how lines are drawn between work and non-work, how social, political, and technological upheavals transform the nature of work, how work appears or hides within poetry, and asks if poetry is work, or play, or something else completely. The book interrogates whether poetry and avant-garde and experimental writing can provide models for work that is less alienated and more free. In this major new collection, sixteen scholars and poets draw on a lively array of theory and philosophy, archival research, fresh readings, and personal reflection in order to consider work and poetry: the work in poetry and the work of poetry. Individual chapters address issues such as the many professions, occupations, and tasks of poets beyond and around writing; poetry’s special relationship with ‘craft’; work's relationship with gender, class, race, disability, and sexuality; how work gets recognised or rendered invisible in aesthetic production and beyond; the work of poetry and the work of political activism and organising; and the notion of poetry itself as a space where work and play can blur, and where postwork imaginaries can be nurtured and explored.
