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Katherine Mansfield and Elizabeth von Arnim by Gerri Kimber Pdf
By bringing the work of Mansfield and von Arnim together - including on matters of artistry, on mourning, on gardens, on female resistance - this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period.
Elizabeth of the German Garden – A Literary Journey by Jennifer Walker Pdf
The name Elizabeth von Arnim reveals and conceals so much of this often-forgotten author, writing at the beginning of the twentieth century. Married early to the German Count, Henning von Arnim, she became Elizabeth as she escaped to her German garden and found beauty amidst an oppressive existence.
Elizabeth and her German Garden by Elizabeth von Arnim Pdf
Elizabeth von Arnim’s novel "Elizabeth and Her German Garden" was first published in 1898. It was instantly popular and has gone through numerous reprints ever since. This story is the main character Elizabeth’s diary, where she relates stories from her life, as she learns to tend to her garden. Whilst the novel has a strongly autobiographical tone, it is also very humorous and satirical, due to Elizabeth’s frequent mistakes and her idiosyncratic outlook on life. She comments on the beauty of nature and shares her view on society, looking down on the frivolous fashions of her time and writing "I believe all needlework and dressmaking is of the devil, designed to keep women from study." The book is the first in a series about the same character. Elizabeth von Arnim (1866–1941), née Mary Annette Beauchamp, was a British novelist. Born in Australia, her family returned to England when she was three years old; and she was Katherine Mansfield’s cousin. She was first married to a Prussian aristocrat, the Graf von Arnim-Schlagenthin, and later to the philosopher Bertrand Russel’s older brother, Frank, whom she left a year later. She then had an affair with the publisher Alexander Reeves, a man thirty years her junior, and with H.G. Wells. Von Arnim moved a lot, living alternatively in the United Kingdom, Switzerland, Germany, Poland, before dying of influenza in South Carolina during the Second War. Elizabeth von Arnim was an active member of the European literary scene, and entertained many of her contemporaries in her Chalet Soleil in Switzerland. She even hired E. M. Forster and Hugh Walpole as tutors for her five children. She is famous for her half-autobiographical, satirical novel "Elizabeth and her German Garden" (1898), as well as for "Vera" (1921), and "The Enchanted April" (1922).
Originally published in 1922, Elizabeth Von Arnim's The Enchanted April is a charming and light-hearted novel about unlikely female friendships and the power of a blissful escape. Complete & Unabridged. Part of the Macmillan Collector’s Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Four mismatched women respond to an advert in The Times offering a beautiful medieval castle to rent on the Italian Riviera. Bashful Mrs Wilkins, cheerless Mrs Arbuthnot, widowed Mrs Fisher and socialite Lady Caroline Dester are each enchanted by the promise of ‘wisteria and sunshine’, and they arrive on the tranquil Mediterranean shores full of hope for a heavenly escape. Tensions mount between the group at first, but, as the idyllic spring days tick by, each is slowly transformed by the warm sunshine and unexpected company.
In the first book-length treatment of Elizabeth von Arnim's fiction, Isobel Maddison examines her work in its historical and intellectual contexts, demonstrating that von Arnim's fine comic writing and complex and compelling narrative style reward close analysis. Organised chronologically and thematically, Maddison's book is informed by unpublished material from the British and Huntington Libraries, including correspondence between von Arnim, her publishers and prominent contemporaries such as H.G. Wells, Bertrand Russell and her cousin Katherine Mansfield -- whose early modernist prose is seen as indebted to von Arnim's earlier literary influence. Maddison's exploration of the novelist's critical reception is situated within recent discussions of the ’middlebrow’ and establishes von Arnim as a serious author among her intellectual milieu, countering the misinformed belief that the author of such novels as Elizabeth and Her German Garden, The Caravaners, The Pastor's Wife and Vera wrote light-hearted fiction removed from gritty reality. On the contrary, various strands of socialist thought and von Arnim's wider political beliefs establish her as a significant author of British anti-invasion literature while weighty social issues underpin much of her later writing.
THE STORY: When two frustrated London housewives decide to rent a villa in Italy for a holiday away from their bleak marriages, they recruit two very different English women to share the cost and the experience. There, among the wisteria blossoms a
"The Solitary Summer' by Elizabeth Von Arnim is a witty and heartwarming account of a summer full of relaxation and rejuvenation. Written in the form of diary entries, the book follows the narrator, written as a version of Elizabeth, as she lives her life surrounded by nature and her three children. Heartaches, days of reading, and a summer full of needed solitude have made this book strike a chord with countless audiences to this day.
The Adventures of Elizabeth in Rugen by Von Arnim Elizabeth Pdf
The delightful book "The Adventures of Elizabeth in Rugen" by using Elizabeth von Arnim follows the main character, Elizabeth, as she sets out on a ride to the stunning German island of Rugen. The tale is advised thru a set of letters that Elizabeth wrote, which provide a delightful and private account of her adventures and meetings even as she become away. The major a part of the story is Elizabeth's discovery of Rugen, which includes her interactions with different humans and the stunning surroundings at the island. The book shows how lovely the island is and how Elizabeth sees, thinks about, and interacts with the people who live there. People who study her messages can see her humorous observations, romantic feelings, and the adventures that form her time on Rugen. Von Arnim expertly weaves a story that mixes travelogue elements with Elizabeth's private mind and insights, making for a delightful mix of romance, humor, and social remark. The tale is thrilling and makes you need to go on Elizabeth's adventures. It indicates her trip via the beautiful and magical landscapes of Rugen in a manner that is each brilliant and endearing.
She was Australian born, an international bestselling author and a member of the glamorous literary, intellectual and society salons of late nineteenth and early twentieth century London and Europe She was 'amused, cynical, ironic, loving, gay, ferocious, cold, ardent but never gentle'. She was a whirlwind. She created around her the atmosphere of a Court at which her friends were either in disgrace or favour, a butt or a blessing. Elizabeth von Arnim may have been born on the shores of Sydney Harbour, but it was in Victorian London that she discovered society and society discovered her. She made her Court debut before Queen Victoria at Buckingham Palace, was pursued by a Prussian count and married into the formal world of the European aristocracy. It was the novels she wrote about that life that turned her into a literary sensation on both sides of the Atlantic and had her likened to Jane Austen. Her marriage to the count produced five children but little happiness. Her second marriage to Bertrand Russell's brother was a disaster. But by then she had captivated the great literary and intellectual circles of London and Europe. She brought into her orbit the likes of Nancy Astor, Lady Maud Cunard, her cousin Katherine Mansfield and other writers such as E.M. Forster, Somerset Maugham and H.G. Wells, with whom it was said she had a tempestuous affair. Elizabeth von Arnim was an extraordinary woman who lived during glamorous, exciting and changing times that spanned the innocence of Victorian Sydney and finished with the march of Hitler through Europe. Joyce Morgan brings her to vivid and spellbinding life.
Katie Roiphe’s stimulating work has made her one of the most talked about cultural critics of her generation. Now this bracing young writer delves deeply into one of the most layered of subjects: marriage. Drawn in part from the private memoirs, personal correspondence, and long-forgotten journals of the British literary community from 1910 to the Second World War, here are seven “marriages à la mode”—each rising to the challenge of intimate relations in more or less creative ways. Jane Wells, the wife of H.G., remained his rock, despite his decade-long relationship with Rebecca West (among others). Katherine Mansfield had an irresponsible, childlike romance with her husband, John Middleton Murry, that collapsed under the strain of real-life problems. Vera Brittain and George Gordon Catlin spent years in a “semidetached” marriage (he in America, she in England). Vanessa Bell maintained a complicated harmony with the painter Duncan Grant, whom she loved, and her husband, Clive. And her sister Virginia Woolf, herself no stranger to marital particularities, sustained a brilliant running commentary on the most intimate details of those around her. Every chapter revolves around a crisis that occurred in each of these marriages—as serious as life-threatening illness or as seemingly innocuous as a slightly tipsy dinner table conversation—and how it was resolved…or not resolved. In these portraits, Roiphe brilliantly evokes what are, as she says, “the fluctuations and shifts in attraction, the mysteries of lasting affection, the endurance and changes in love, and the role of friendship in marriage.” The deeper mysteries at stake in all relationships.
Femininity and Authorship in the Novels of Elizabeth von Arnim by Juliane Römhild Pdf
When Elizabeth von Arnim anonymously published her debut Elizabeth and Her German Garden (1898), she became a literary star overnight. The mystery surrounding the identity of this witty aristocratic diarist in her romantic garden kept readers guessing: Who was Elizabeth? A Prussian Princess? The daughter of Queen Victoria? Throughout her long and successful career as one of England’s best satirical novelists, von Arnim never officially revealed her identity. Instead, to her readers and friends she simply became known as “Elizabeth.” From her first book to her capricious autobiography All the Dogs of My Life (1936), throughout her career von Arnim would explore questions of identity and self-representation. And in spite of von Arnim’s love of masquerades and guises, her books include funny and surprisingly personal meditations on the challenges of being a woman writer wrestling with a masculine literary tradition, of taking pride in one’s commercial success while moving in Modernist circles, and of being both a hard-working professional and an elegant hostess. In tracing the conflict between femininity and authorship in von Arnim’s works, this book engages with key literary issues of the time. Von Arnim’s early books offer a witty critique of New Woman fiction. Von Arnim’s self-positioning on the literary market and her relationships with writers like Katherine Mansfield, Henry James, and Virginia Woolf shed light on the relationship between middlebrow and modernist literature. Von Arnim’s complex autobiography, finally, gives a tentative answer to the all-important question: can a writing woman be a lady?