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Author : George E. Arbaugh,George B. Arbaugh Publisher : Taylor & Francis Page : 344 pages File Size : 50,5 Mb Release : 2024-01-15 Category : Philosophy ISBN : 9781003835905
Kierkegaard's Authorship by George E. Arbaugh,George B. Arbaugh Pdf
First published in English in 1968, Kierkegaard's Authorship begins with a brief account of the life and meaning of Kierkegaard and concludes with the brief treatment of his relation to multifaceted existentialism. By reviewing the total authorship and by making available much of the fruit of widespread research, this work throws into relief Kierkegaard’s central purposes and makes it possible to avoid some of the dubious interpretations which have grown out of more narrowly selective study. This critical introduction and guide is especially important because Kierkegaard’s style was deliberately indirect and distorted and even more because half of the works are actually antagonistic to Kierkegaard’s own views. By the pseudonymous works he intended to lead into truth through a process of frustration, provoking the reader into existence. In another sense, the body of the book is also a biography for, in a degree perhaps without parallel in world history, the library which he created was his deed and life. This is an important read for scholars and researchers of Philosophy specially existentialism.
Authorship and Authority in Kierkegaard's Writings by Joseph Westfall Pdf
Authorship is a complicated subject in Kierkegaard's work, which he surely recognized, given his late attempts to explain himself in On My Work as an Author. From the use of multiple pseudonyms and antonyms, to contributions across a spectrum of media and genres, issues of authorship abound. Why did Kierkegaard write in the ways he did? Before we assess Kierkegaard's famous thoughts on faith or love, or the relationship between 'the aesthetic,' 'the ethical,' and 'the religious,' we must approach how he expressed them. Given the multi-authored nature of his works, can we find a view or voice that is definitively Kierkegaard's own? Can entries in his unpublished journals and notebooks tell us what Kierkegaard himself thought? How should contemporary readers understand inconsistencies or contradictions between differently named authors? We cannot make definitive claims about Kierkegaard's work as a thinker without understanding Kierkegaard's work as an author. This collection, by leading contemporary Kierkegaard scholars, is the first to systematically examine the divisive question and practice of authorship in Kierkegaard from philosophical, literary and theological perspectives.
Kierkegaard's Pseudonymous Authorship by Mark C. Taylor Pdf
This book deals with a central problem in the writings of Soren Kierkegaard, the themes of time and the self as developed in the pseudonymous writings. Arguing that a most effective way to grasp the unity of Kierkegaard's dialectic of the stages of existence is to focus on the dramatic presentation of time and the self that appears at each stage, Mark C. Taylor pursues these themes from the viewpoints of theology, philosophy, psychology, and related areas of study. The author works from the original texts and makes much use of untranslated primary and secondary material. His concluding evaluation offerse a critical perspective from which to view Kierkegaard's interpretation of time and selfhood and indicates the importance of Kierkegaard's work for our time. Mark C. Taylor teaches religion at Williams College. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This study engages in a detailed examination of Kierkegaard’s works of literary and dramatic criticism, including those works directed at interpreting Kierkegaard’s own authorship, with a specific concern for both what Kierkegaard and Kierkegaard’s anonyms and pseudonyms write about the nature and practice of authorship, as well as how the Kierkegaardian authors practice authorship themselves. Moving through five chapters, each devoted to one or more works of Kierkegaard’s criticism, the study develops a new approach to reading Kierkegaard – a new Kierkegaardian hermeneutic – that begins always with the character of the author. This new approach avoids the challenges of critics of biographical criticism, such as Roland Barthes, Michel Foucault, and Jacques Derrida, by positing the author always as a work of fiction him- or herself, the creation of an unknown and ever anonymous “author of the author”.
Kierkegaard's Writings, XXII, Volume 22 by Søren Kierkegaard Pdf
As a spiritual autobiography, Kierkegaard's The Point of View for My Work as an Author stands among such great works as Augustine's Confessions and Newman's Apologia pro Vita Sua. Yet Point of View is neither a confession nor a defense; it is an author's story of a lifetime of writing, his understanding of the maze of greatly varied works that make up his oeuvre. Upon the imminent publication of the second edition of Either/Or, Kierkegaard again intended to cease writing. Now was the time for a direct "report to history" on the authorship as a whole. In addition to Point of View, which was published posthumously, the present volume also contains On My Work as an Author, a contemporary substitute, and the companion piece Armed Neutrality.
Authority and Authorship in Kierkegaard's Writings by Joseph Westfall Pdf
"Authorship is a complicated subject in Kierkegaard's work, which he surely recognized, given his late attempts to explain himself in On My Work as an Author. From the use of multiple pseudonyms and antonyms, to contributions across a spectrum of media and genres, issues of authorship abound. Why did Kierkegaard write in the ways he did? Before we assess Kierkegaard's famous thoughts on faith or love, or the relationship between 'the aesthetic, ' 'the ethical, ' and 'the religious, ' we must approach how he expressed them. Given the multi-authored nature of his works, can we find a view or voice that is definitively Kierkegaard's own? Can entries in his unpublished journals and notebooks tell us what Kierkegaard himself thought? How should contemporary readers understand inconsistencies or contradictions between differently named authors? We cannot make definitive claims about Kierkegaard's work as a thinker without understanding Kierkegaard's work as an author. This collection, by leading contemporary Kierkegaard scholars, is the first to systematically examine the divisive question and practice of authorship in Kierkegaard from philosophical, literary and theological perspectives."--Bloomsbury Publishing.
The Hidden Authorship of Søren Kierkegaard by Jacob Sawyer Pdf
In this book, Jacob H. Sawyer explores the concept of hiddenness as a means to unlock the intriguing, and oft misunderstood, authorship of Soren Kierkegaard. By understanding the melancholy man as first and foremost a Christian thinker, this work gives special attention to how the form of Kierkegaard's authorial task complements its content, giving particular attention to his use of pseudonyms. The first part of the book addresses the explicit content of the authorship, the second addresses the implicit form in which it was communicated to Kierkegaard's reader, and the third addresses how these can help us understand Kierkegaard's own "hidden inwardness." Through this investigation, Soren Kierkegaard is recognized as an example par excellence of a communicator. He is seen to have attempted to only speak what his own life could uphold, striving to be one who was in Christ the truth.
Shows that epistemological concerns were central to Kierkegaard's thought and serves as an introduction to both his epistemology and the historical reception of it.
Kierkegaard, Communication, and Virtue by Mark A. Tietjen Pdf
“Tietjen offers the kind of approach that encourages us to put the emphasis where it rightly belongs: on Kierkegaard’s philosophical ideas.” —Notre Dame Philosophical Reviews In contrast to recent postmodern and deconstructionist readings, Mark A. Tietjen believes that the purpose behind Kierkegaard’s writings is the moral and religious improvement of the reader. Tietjen defends Kierkegaard against claims that certain features of his works, such as pseudonymity, indirect communication, irony, and satire are self-deceived or deceitful. Kierkegaard, Communication, and Virtue reveals how they are directly related to the virtues or moral issues being discussed. In fact, Tietjen argues, the manner of presentation is a critical element of the philosophical message being conveyed. Reading broadly in Kierkegaard’s writings, he develops a hermeneutics of trust that fully illustrates Kierkegaard’s aim to evoke faith in his reader. “Tietjen’s critique of deconstructionist readings of Kierkegaard along with an emphasis on employing a hermeneutic of trust clearly distinguishes his work from other treatments of Kierkegaard as a virtue ethicist and edifying writer.” —Sylvia Walsh, Stetson University
The Ethics of Authorship by Daniel Berthold-Bond Pdf
"An original and stimulating account of both Kierkegaard and Hegel that succeeds by focusing on the philosophy of language espoused by each thinker. Berthold brings a rich tapestry of thinkers into play and provides unexpected entry into the lives of both writers."--David Macgregor, University of Western Ontario.
This is a book about the ethics of authorship. Most directly, it explores different conceptualizations of the responsibilities of the author to the reader. But it also engages the question of what styles of authorship allow these responsibilities to be met. Style itself is an ethical issue, since the relation between the writing subject and the reader--and the dynamics of authority and influence, of gift giving and friendship in this relation--have as much to do with how one writes as what one says. The two writers who serve as the main subjects for this work, the German idealist philosopher G. W. F. Hegel and the Danish Christian existentialist Søren Kierkegaard, invite us to confront particularly challenging questions about the ethics of authorship. Each in his own way explores styles of authorship that employ a variety of strategies of seduction in order to entice the reader into his narratives, strategies that at least on the surface appear to be fundamentally manipulative and unethical. Further, both seek to enact their own deaths as authors, effectively disappearing as reliable guides for the reader. That might also seem to be ethically irresponsible, an abandonment of the reader, who has been seduced only to be deserted. This is the first work to undertake a sustained questioning of Kierkegaard's central distinction between his own "indirect" style of communication and the (purportedly) "direct" style of Hegel's philosophy. Hegel was in fact a much more subtle practitioner of style than Kierkegaard represents him as being, indeed, a practitioner whose style is in the service of an ambitious reconceptualization of the ethics of authorship. As for Kierkegaard, his own indirect style raises a whole series of ethical questions about how the reader is imagined in relation to the author. There is finally an either/or between Hegel and Kierkegaard, just not the one Kierkegaard proposes as between an author devoid of ethics and one who makes possible a true ethics of authorship. Rather, the either/or is between two competing practices of authorship, one daunting with the cadences of a highly technical style, the other delightful for its elegance and playfulness--but both powerful experiments in the ethics of style.
Søren Kierkegaard's Journals and Papers, Volume 1 by Søren Kierkegaard,Gregor Malantschuk Pdf
" 'I can be understood only after my death,' Kierkegaard noted prophetically: the fulfillment of this expectation for the English-speaking world a century and a quarter later is signified by the English translation in authoritative editions of all his works by the indefatigable Howard and Edna Hong. . . . The importance of [the Papirer] was emphasized by Kierkegaard himself. . . . The essentially religious interpretation he gave to his mission in life and his personal relationships is now documented clearly and exhaustively. . . . Obviously, these editions are essential for academic and large general collections." —Library Journal "From this point on, anyone interested in tracking down a Kierkegaardian theme will have to consult the Hong presentation as well as the books of Kierkegaard." —Annual Review of Philosophy "The translations are entirely excellent. One envies the Hongs their capacity in language, the breadth of their reading in Kierkegaard and his sources, and the dedication they brought to this Herculean task. The assistance of Gregor Malantschuk has contributed materially to the notes which serve as trenchant summaries of Kierkegaard's thought on the topics. . . . This is indeed a monumental work." —Review of Metaphysics " . . . [an] astonishing labor of editing and translating . . . " —International Studies in Philosophy "Howard and Edna Hong have brought to the task solid scholarship, linguistic competence, an imaginative and useful arrangement of the material, and a scrupulous self-effacement before the work. No one could ask for more." —Citation of the Judges at the National Book Awards "We must be grateful to the Hongs for their enormous labor. . . . Kierkegaard's Journals and Papers are worth having for angry days, or 'inward' days; especially when they have been translated in as lively and sensitive a manner as are the texts in this first volume." —Nation The incidental writings of Søren Kierkegaard, published in the twenty-volume Danish edition of the Papirer, provide direct access to the thought of the many-faceted nineteenth-century philosopher who exerted so profound an influence on Protestant theology and modern existentialism. This important material, which Danish scholars regard as the "key to the scriptures" of Kierkegaard's other work, spans his entire productive life, the last entry of the Papirer being dated only a few days before his death. These writings have been previously inaccessible in English except for a few fragmentary selections; the most significant writings are now being made available in this definitive seven-volume edition under the editorship of two expert scholars and translators. Kierkegaard's scattered writings fall into three main subject groupings: journal entries of varied content, notes and early versions of his published material, and personal reactions to his reading and study. In length and degree of polish they range from brief and cryptic notes to extensive lecture material, finished travel sketches, and extended philosophical speculation. The translators provide annotations, copious notes, and a collation of entries with the Danish Papirer. The editors group the selections in Volumes I through IV by theme, with all entries on a given subject under the same heading. Within subject headings, entries are arranged chronologically, making it feasible to trace the evolution of Kierkegaard's thought on a specific topic. Volumes V and VI are devoted to autobiographical material. Volume VII contains an extensive index with topical crossreferences.
As a spiritual autobiography, Kierkegaard's The Point of View for My Work as an Author stands with such great works as Augustine's Confessions and Newman's Apologia pro vita sua--but with a difference. It is neither a confessional autobiography nor a defense. It is an author's story of a lifetime of writing, his understanding of the common aim and comprehensive coherence of the maze of his greatly varied pseudonymous and signed works. In an earlier work, Concluding Unscientific Postscript, Kierkegaard acknowledged his authorship of the series of pseudonymous works that began with Either/Or. With the imminent publication of the second edition of Either/Or, the pseudonymous series would come full circle, and Kierkegaard again intended to cease writing. Now was the time for a direct "report to history" on the authorship as a whole. In addition to the resulting Point of View, which was published posthumously, the present volume also contains the companion pieces Armed Neutrality and On My Work as an Author, a contemporary substitute for the postponed Point of View. Supplementary entries taken from Kierkegaard's Journals and Papers document the context and the development of the writings on the authorship as a whole. In addition, they disclose Kierkegaard's considerations as he wrestled with decisions about publishing the three works and other works that were the "fruit of the year 1848 ... the year of my richest productivity."
