Kinesthetic Spectatorship In The Theatre

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Kinesthetic Spectatorship in the Theatre

Stanton B. Garner, Jr.

Author : Stanton B. Garner, Jr.
Publisher : Springer
Page : 277 pages
File Size : 52,9 Mb
Release : 2018-09-21
Category : Performing Arts
ISBN : 9783319917948

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Kinesthetic Spectatorship in the Theatre by Stanton B. Garner, Jr. Pdf

This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.

Theory for Theatre Studies: Movement

Rachel Fensham

Author : Rachel Fensham
Publisher : Bloomsbury Publishing
Page : 144 pages
File Size : 43,5 Mb
Release : 2021-01-28
Category : Performing Arts
ISBN : 9781350026391

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Theory for Theatre Studies: Movement by Rachel Fensham Pdf

How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises.

The Shakespearean International Yearbook

Tom Bishop,Alexa Alice Joubin,Deanne Williams

Author : Tom Bishop,Alexa Alice Joubin,Deanne Williams
Publisher : Taylor & Francis
Page : 237 pages
File Size : 54,9 Mb
Release : 2023-12-14
Category : Literary Criticism
ISBN : 9781000985405

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The Shakespearean International Yearbook by Tom Bishop,Alexa Alice Joubin,Deanne Williams Pdf

This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.

The New Yearbook for Phenomenology and Phenomenological Philosophy

Burt C. Hopkins,Daniele De Santis

Author : Burt C. Hopkins,Daniele De Santis
Publisher : Taylor & Francis
Page : 631 pages
File Size : 47,8 Mb
Release : 2023-10-31
Category : Philosophy
ISBN : 9781000953718

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The New Yearbook for Phenomenology and Phenomenological Philosophy by Burt C. Hopkins,Daniele De Santis Pdf

Volume XXI Special Issue, 2023 Part 1: Phenomenological Perspectives on Aesthetics and Art Part 2: Heidegger and Contemporary French Philosophy Aim and Scope: The New Yearbook for Phenomenology and Phenomenological Philosophy provides an annual international forum for phenomenological research in the spirit of Husserl’s groundbreaking work and the extension of this work by such figures as Reinach, Scheler, Stein, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer. Contributors: Liliana Albertazzi, Dimitris Apostolopoulos, Gabriele Baratelli, Anna Irene Baka, Irene Breuer, John Brough, Peer Bundgaard, Justin Clemens, Richard Colledge, Bryan Cooke, Françoise Dastur, Ivo De Gennaro, Natalie Depraz, Helena De Preester, Daniele De Santis, Madalina Diaconu, Arto Haapala, Robyn Horner, Erik Kuravsky, Donald Landes, Elisa Magri, Michelle Maiese, Regina-Nino Mion, Brian O’Connor, Costas Pagondiotis, Knox Peden, Constantinos Picolas, Hans Reiner Sepp, Jack Reynolds, Jon Roffe, Claude Romano, Maxine Sheets-Johnstone, Michela Summa, Panos Theodorou, Fotini Vassiliou, and Sanem Yazicioglu. Submissions: Manuscripts, prepared for blind review, should be submitted to the Editors (burt-crowell.hopkins@univ-lille3.fr and daniele.desantis@ff.cuni.cz) electronically via e-mail attachments.

Theatre, Technicity, Shakespeare

W. B. Worthen

Author : W. B. Worthen
Publisher : Cambridge University Press
Page : 281 pages
File Size : 47,5 Mb
Release : 2020-04-23
Category : Drama
ISBN : 9781108498135

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Theatre, Technicity, Shakespeare by W. B. Worthen Pdf

Worthen uses contemporary Shakespeare performance to explore the technicity of theatre: its changing work as an intermedial technology.

Postdramatic Theatre and Form

Michael Shane Boyle,Matt Cornish,Brandon Woolf

Author : Michael Shane Boyle,Matt Cornish,Brandon Woolf
Publisher : Bloomsbury Publishing
Page : 281 pages
File Size : 43,8 Mb
Release : 2019-03-21
Category : Performing Arts
ISBN : 9781350043176

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Postdramatic Theatre and Form by Michael Shane Boyle,Matt Cornish,Brandon Woolf Pdf

Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on which they hinge: form. Contributors draw on literary studies, film studies and critical theory to reimagine the formal aspects of theatre, such as space, media and text. The volume expands how scholars think of theatrical form, insisting that formalist analysis can be useful for studying the ways theatre is produced and consumed, and how theatre makers engage with other forms like dance and visual art. Chapters focus on a range of interdisciplinary artists including Tadeusz Kantor, Ann Liv Young and Ryan Trecartin and Lizzie Fitch, as well as theatre's enmeshment within institutional formations like funding agencies, festivals, real estate and healthcare. A timely investigation of the aesthetic structures and material conditions of contemporary performance, this collection refines what we mean, and what we don't, when we speak of postdramatic theatre.

The Routledge Companion to Theatre, Performance and Cognitive Science

Rick Kemp,Bruce McConachie

Author : Rick Kemp,Bruce McConachie
Publisher : Routledge
Page : 364 pages
File Size : 43,6 Mb
Release : 2018-09-05
Category : Performing Arts
ISBN : 9781351690362

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The Routledge Companion to Theatre, Performance and Cognitive Science by Rick Kemp,Bruce McConachie Pdf

The Routledge Companion to Theatre, Performance and Cognitive Science integrates key findings from the cognitive sciences (cognitive psychology, neuroscience, evolutionary studies and relevant social sciences) with insights from theatre and performance studies. This rapidly expanding interdisciplinary field dynamically advances critical and theoretical knowledge, as well as driving innovation in practice. The anthology includes 30 specially commissioned chapters, many written by authors who have been at the cutting-edge of research and practice in the field over the last 15 years. These authors offer many empirical answers to four significant questions: How can performances in theatre, dance and other media achieve more emotional and social impact? How can we become more adept teachers and learners of performance both within and outside of classrooms? What can the cognitive sciences reveal about the nature of drama and human nature in general? How can knowledge transfer, from a synthesis of science and performance, assist professionals such as nurses, care-givers, therapists and emergency workers in their jobs? A wide-ranging and authoritative guide, The Routledge Companion to Theatre, Performance and Cognitive Science is an accessible tool for not only students, but practitioners and researchers in the arts and sciences as well.

Aerial Environments on the Early Modern Stage

CHLOE KATHLEEN. PREEDY

Author : CHLOE KATHLEEN. PREEDY
Publisher : Oxford University Press
Page : 353 pages
File Size : 45,7 Mb
Release : 2022-09-08
Category : Electronic
ISBN : 9780192843326

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Aerial Environments on the Early Modern Stage by CHLOE KATHLEEN. PREEDY Pdf

During the early days of the professional English theatre, dramatists including Dekker, Greene, Heywood, Jonson, Marlowe, Middleton, and Shakespeare wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. The drama written for performance at these open-air venues drew attention to and reflected on its own relationship to the space of the air. At a time when theories of the imagination emphasized dramatic performance's reliance upon and implication in the air from and through which its staged fictions were presented and received, plays written for performance at open-air venues frequently draw attention to the nature and significance of that elemental relationship. Aerial Environments on the Early Modern Stage considers the various ways in which the air is brought into presence within early modern drama, analyzing more than a hundred works that were performed at the London open-air playhouses between 1576 and 1609, with reference to theatrical atmospheres and aerial encounters. It explores how various theatrical effects and staging strategies foregrounded early modern drama's relationship to, and impact on, the actual playhouse air. In considering open-air drama's pervasive and ongoing attention to aerial imagery, actions, and representational strategies, the book suggest that playwrights and their companies developed a dramaturgical awareness that extended from the earth to encompass and make explicit the space of air.

Experiments in Immersive, One-to-One Performance

Natalia Esling

Author : Natalia Esling
Publisher : Taylor & Francis
Page : 174 pages
File Size : 46,6 Mb
Release : 2024-08-01
Category : Performing Arts
ISBN : 9781040097113

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Experiments in Immersive, One-to-One Performance by Natalia Esling Pdf

This book investigates audience experience through the lens of sensory engagement in immersive, one-to-one performance. It presents a distinct, practice-based research (PBR) framework – a performance research ‘laboratory’ – designed to evaluate the effects on diverse audience experiences of two ‘sense-specific manipulations’: eye masks and touch. Through a qualitative analysis of responses from seventy-four individual audience participants, this book offers insight into how these popular ‘immersing’ strategies might be experienced. What do these strategies achieve? How do audience participants make sense of them? Do audience responses align with artistic intentions? And how does the PBR framework designed to address these questions influence the outcomes? Through an analysis of three sets of one-to-one performance experiments generating comparative data about the experience of sense-specific manipulation, this book proposes the utility of merging methodologies in artistic research with empirical audience research in theatre and performance studies. This study offers a new perspective on the value of sensory-focused, immersive, one-to-one experience as a means of resensitizing audience participants through performance.

The Routledge Handbook of Shakespeare and Interface

Clifford Werier,Paul Budra

Author : Clifford Werier,Paul Budra
Publisher : Taylor & Francis
Page : 436 pages
File Size : 44,7 Mb
Release : 2022-08-25
Category : Literary Criticism
ISBN : 9781000606379

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The Routledge Handbook of Shakespeare and Interface by Clifford Werier,Paul Budra Pdf

The Routledge Handbook of Shakespeare and Interface provides a ground-breaking investigation into media-specific spaces where Shakespeare is experienced. While such operations may be largely invisible to the average reader or viewer, the interface properties of books, screens, and stages profoundly mediate our cognitive engagement with Shakespeare. This volume considers contemporary debates and questions including how mobile devices mediate the experience of Shakespeare; the impact of rapidly evolving virtual reality technologies and the interface architectures which condition Shakespearean plays; and how design elements of hypertext, menus, and screen navigation operate within internet Shakespeare spaces. Charting new frontiers, this diverse collection delivers fresh insight into human–computer interaction and user-experience theory, cognitive ecology, and critical approaches such as historical phenomenology. This volume also highlights the application of media and interface design theory to questions related to the medium of the play and its crucial interface with the body and mind.

Death by Laughter

Maggie Hennefeld

Author : Maggie Hennefeld
Publisher : Columbia University Press
Page : 634 pages
File Size : 42,5 Mb
Release : 2024-03-19
Category : Performing Arts
ISBN : 9780231559812

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Death by Laughter by Maggie Hennefeld Pdf

Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy? Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.

The Routledge Companion to Performance and Medicine

Gianna Bouchard,Alex Mermikides

Author : Gianna Bouchard,Alex Mermikides
Publisher : Taylor & Francis
Page : 634 pages
File Size : 46,7 Mb
Release : 2024-04-15
Category : Performing Arts
ISBN : 9781003858331

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The Routledge Companion to Performance and Medicine by Gianna Bouchard,Alex Mermikides Pdf

The Routledge Companion to Performance and Medicine addresses the proliferation of practices that bridge performance and medicine in the contemporary moment. The scope of this book's broad range of chapters includes medicine and illness as the subject of drama and plays; the performativity of illness and the medical encounter; the roles and choreographies of the clinic; the use of theatrical techniques, such as simulation and role-play, in medical training; and modes of performance engaged in public health campaigns, health education projects and health-related activism. The book encompasses some of these diverse practices and discourses that emerge at the interface between medicine and performance, with a particular emphasis on practices of performance. This collection is a vital reference resource for scholars of contemporary performance; medical humanities; and the variety of interdisciplinary fields and debates around performance, medicine, health and their overlapping collaborations. Chapter 18 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution CC-BY 4.0 license.

Text & Presentation, 2021

Amy Muse

Author : Amy Muse
Publisher : McFarland
Page : 245 pages
File Size : 42,7 Mb
Release : 2023-03-03
Category : Performing Arts
ISBN : 9781476682891

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Text & Presentation, 2021 by Amy Muse Pdf

This volume is the seventeenth in a series dedicated to presenting the latest findings in the fields of comparative drama and performance. Featuring eleven essays from the 2021 Comparative Drama Conference in Orlando, it includes new research on contemporary plays by Anne Washburn, Will Arbery, Matthew Lopez, Anna Deveare Smith and Qui Nguyen. Chapters also present new research for classic plays such as Measure for Measure and Cyrano, arguments for teaching science through drama, changing approaches for training actors, and using the insights of neuroscience to lure audiences back to live theatre. This year's volume also features a new interview with playwright Anne Washburn and seven book reviews centered on drama and theatre studies.

Samuel Beckett and Disability Performance

Hannah Simpson

Author : Hannah Simpson
Publisher : Springer Nature
Page : 243 pages
File Size : 40,5 Mb
Release : 2022-08-20
Category : Performing Arts
ISBN : 9783031041334

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Samuel Beckett and Disability Performance by Hannah Simpson Pdf

Beckett’s plays have attracted a striking range of disability performances – that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as ‘disabled’ in the text. Grounded in the history of disability performance of Beckett’s work and a new theorising of Beckett’s treatment of the impaired body, Samuel Beckett and Disability Performance examines four contemporary disability performances of Beckett’s plays, staged in the UK and US, and brings the rich fields of Beckett studies and disability studies into mutually illuminating conversation. Pairing original interviews with the actors and directors involved in these productions alongside critical analysis underpinned by recent disability and performance theory, this book explores how these productions emphasise or rework previously undetected indicators of disability in Beckett’s work. More broadly, it reveals how Beckett’s theatre compulsively interrogates alternative embodiments, unexpected forms of agency, and the extraordinary social interdependency of the human body.

Tandem Dances

Julia M. Ritter

Author : Julia M. Ritter
Publisher : Oxford University Press, USA
Page : 289 pages
File Size : 50,9 Mb
Release : 2020
Category : Art
ISBN : 9780190051303

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Tandem Dances by Julia M. Ritter Pdf

"In October 2017, four internationally influential practitioners of immersive experiences gathered at the Snug Harbor Cultural Center on Staten Island in New York for a panel discussion on the creation of immersive productions. The panel, entitled "All the World is a Stage," was part of the Future of Storytelling Festival 2017 (FoST FEST), advertised as "the world's leading immersive storytelling event." During this discussion, each of the four panelists described examples of their work. Hector Harkness, Associate Director of Punchdrunk International, explained how the company created productions that "rip up the rules for the audience" so they can "go beyond the boundaries of closed environments." Food technologist, experience designer, and multimedia artist Emilie Baltz described inviting audiences to step up to a microphone and use their tongues, teeth, and lips to play musical popsicles in an installation called PopStars. Jon Sands, founder of Poets in Unexpected Places, revealed how his strategic placement of poets on subway cars across New York City turned commutes into impromptu poetry slams for unsuspecting riders, some of whom joined in by improvising their own poetic works. Justin "JB" Bolognino, CEO (Chief Experience Officer) of META, an experience production company, described his commissioning of Jon Morris, artistic director of the Brooklyn-based Windmill Factory, to design a music-festival queue into an experiential artwork. Entitled Right Passage, the work was a "room-scale sound and light performance installation" involving moving walls that guided festival participants efficiently into the concert venue (Windmill Factory 2017). Through their detailed descriptions of how their productions organized the bodies of performers and spectators in space and time, the panelists hinted at the presence of choreography in their productions"--

Kinesthetic Spectatorship In The Theatre

Kinesthetic Spectatorship in the Theatre by Stanton B. Garner, Jr. Pdf

Theory for Theatre Studies: Movement by Rachel Fensham Pdf

The Shakespearean International Yearbook by Tom Bishop,Alexa Alice Joubin,Deanne Williams Pdf

The New Yearbook for Phenomenology and Phenomenological Philosophy by Burt C. Hopkins,Daniele De Santis Pdf

Theatre, Technicity, Shakespeare by W. B. Worthen Pdf

Postdramatic Theatre and Form by Michael Shane Boyle,Matt Cornish,Brandon Woolf Pdf

The Routledge Companion to Theatre, Performance and Cognitive Science by Rick Kemp,Bruce McConachie Pdf

Aerial Environments on the Early Modern Stage by CHLOE KATHLEEN. PREEDY Pdf

Experiments in Immersive, One-to-One Performance by Natalia Esling Pdf

The Routledge Handbook of Shakespeare and Interface by Clifford Werier,Paul Budra Pdf

Death by Laughter by Maggie Hennefeld Pdf

The Routledge Companion to Performance and Medicine by Gianna Bouchard,Alex Mermikides Pdf

Text & Presentation, 2021 by Amy Muse Pdf

Samuel Beckett and Disability Performance by Hannah Simpson Pdf

Tandem Dances by Julia M. Ritter Pdf

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