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A decade ago, the very first issue of Kinfolk made its way into print. To celebrate this milestone—our tenth anniversary—we’ve refreshed the design of the magazine and aptly turned our gaze toward one of life’s deepest and most searching subjects: the future.
New York Times bestseller When The Kinfolk Table was published in 2013, it transformed the way readers across the globe thought about small gatherings. In this much-anticipated follow-up, Kinfolk founder Nathan Williams showcases how embracing that same ethos—of slowing down, simplifying your life, and cultivating community—allows you to create a more considered, beautiful, and intimate living space. The Kinfolk Home takes readers inside 35 homes around the world, from the United States, Scandinavia, Japan, and beyond. Some have constructed modern urban homes from blueprints, while others nurture their home’s long history. What all of these spaces have in common is that they’ve been put together carefully, slowly, and with great intention. Featuring inviting photographs and insightful profiles, interviews, and essays, each home tour is guaranteed to inspire.
From the author of the widely popular Kinfolk Table and Kinfolk Home, this inspiring compilation offers a window into the rituals, wisdom, and motivations of 35 creative entrepreneurs from around the world.
Kinfolk magazine—launched to great acclaim and instant buzz in 2011—is a quarterly journal about understated, unfussy entertaining. The journal has captured the imagination of readers nationwide, with content and an aesthetic that reflect a desire to go back to simpler times; to take a break from our busy lives; to build a community around a shared sensibility; and to foster the endless and energizing magic that results from sharing a meal with good friends. Now there’s The Kinfolk Table, a cookbook from the creators of the magazine, with profiles of 45 tastemakers who are cooking and entertaining in a way that is beautiful, uncomplicated, and inexpensive. Each of these home cooks—artisans, bloggers, chefs, writers, bakers, crafters—has provided one to three of the recipes they most love to share with others, whether they be simple breakfasts for two, one-pot dinners for six, or a perfectly composed sandwich for a solo picnic.
They’re often behind the scenes, letting their work take center stage. But now Nathan Williams, founder and creative director of Kinfolk magazine and author of The Kinfolk Table, The Kinfolk Home, and The Kinfolk Entrepreneur—with over 250,000 copies in print combined—brings more than 90 of the most iconic and influential creative directors into the spotlight. In The Eye, we meet fashion designers like Claire Waight Keller and Thom Browne. Editorial directors like Fabien Baron and Marie-Amélie Sauvé. Tastemakers like Grace Coddington and Linda Rodin. We learn about the books they read, the mentors who guided them, their individual techniques for achieving success. We learn how they developed their eye—and how they’ve used it to communicate visual ideas that have captured generations and will shape the future. As an entrepreneur whose own work is defined by its specific and instantly recognizable aesthetic, Nathan Williams has a unique vision of contemporary culture that will make this an invaluable book for art directors, designers, photographers, stylists, and any creative professionals seeking inspiration and advice.
Explore the art of mindful travel with Kinfolk, the pioneers in “slow living,” their philosophy of simplicity, authenticity, intentionality and community. With nearly 450,000 copies in print, the Kinfolk series has applied this philosophy to entertaining (The Kinfolk Table), interior design (The Kinfolk Home), and living with nature (The Kinfolk Garden). Now they have turned their attention to “slow travel,” offering readers a road map for planning trips that foster meaningful connections with local people and authentic experiences of local culture. Go museum hopping in Tasmania, or birdwatching in London. Explore the burgeoning fashion community in Dakar. Take a bicycle tour through Idaho, or a train trip from Oslo to Bergen. Drawing on the magazine’s global community of writers and photographers, Kinfolk Travel takes readers to over 20 location across five continents, with travel tips from locals, stunning images, and thoughtful essays.
Cultural History of Early Modern European Streets by Riitta Laitinen,Thomas Thomas Vance Cohen Pdf
In urban life, streets are elemental, but urban history seldom places them centre stage. It tends to view them as mere backdrops for events or social relations, or to study them as material constructions, the fruit of urban planning, but largely vacant of inhabitants. Examining people and streets in tandem, the contributors to this volume strive towards more integrated urban history. They discuss the social and political processes of early modern street life, and the discursive play in which streets figured. Six chapters, based in Sweden-Finland, England, Portugal, Italy, and Transylvania, discuss the subtle interplay of the material and immaterial, public and private, planned order and versatility, spontaneous invention, control and resistance a " all matters central to how streets worked. Contributors are Emese BAlint, Maria Helena Barreiros, Elizabeth S. Cohen, Thomas V. Cohen, Alexander Cowan, Anu Korhonen, Riitta Laitinen, and Dag LindstrAm.
Lest I Climb Too High is a collection of Morris Breakstone's poetry and aphorisms written over five decades. His work is characterized by dry humor, romanticism and sense of social and moral justice. The early poems are elegant and in the classical sonnet style; later, Breakstone experimented with the simplicity of the haiku - a simplicity that challenged him when expressing universal themes. Haiku, did you tie Seventeen knots in my rope Lest I climb too high? Breakstone's poetry is a journey through his life experiences. We hear the psychologist in... Pairs of windows form Quotation marks for their screams - Night at the madhouse ...while the ugliness of war is remembered in: Between us we lugged The thought of peace like a corpse Boot-tagged for the morgue Breakstone was also a master of the aphorism. Just as with his poetry, we see the range of his intellect from the ironic - You can insult two people at the same time by telling them they look alike - to wisdom and tenderness - Loved faces never fade from memory, lending heart, to faces we have yet to love. Everyone should find something to relate to in Lest I Climb Too High - the struggle between good and evil, love, friendship, family and death.
Nordic Sagas as Children's Literature by Velma Bourgeois Richmond Pdf
This book examines translations of Icelandic sagas and the Victorian and Edwardian children's literature they inspired, some of which are canonical while others are forgotten. It covers authors like William Morris, Henry Wadsworth Longfellow, Thomas Gray, Walter Scott, H. Rider Haggard, W.H. Auden, John Greenleef Whittier and more. In lavish volumes and modest schoolbooks, British and American writers claimed Nordic heritage and explored Nordic traditions. The sagas offered a rich and wide-ranging source for these authors: Volsunga saga's Sigurd the dragon slayer; King Olaf's saga of opposing Nordic Gods and Christianity; Frithiof's model of headstrong youth beset with unfair opposition and lost love. Grettir and Njal tell of men who accepted fate and met conflict and enemies unflinchingly; Aslaug, Gudrida, Hallberga and Hervar exerted remarkable influence; and Eric the Red and Leif the Lucky provided Americans with a Nordic heritage of discovery.
Kindling is the new magazine for people with children from the team who make Kinfolk. Packed with thought-provoking features, fun activities and playful photography and illustrations, it’s a place to explore the fresh perspectives that come with raising a child. For the Body Issue, we’ve teamed up with Wow in the World to answer children’s most curious questions about their bodies, from “What is a vaccine?” to “Why do my teeth fall out?” We also hear from the Swedish social worker who successfully campaigned for the “snippa”—a neutral word to replace the many euphemisms used for female genitals, and report on the important role of parents and caregivers in making children feel good about their bodies. Kindling is made to be read by adults and shared with children. In our fashion shoots, we’re making DIY hi-vis outfits and customizing crutches, wheelchairs and casts. PRAISE FOR KINDLING “A fresh approach to parenthood and a genuinely exciting new launch.”—MagCulture “Clever design and insightful articles... Having fun while making a magazine.”—Monocle “Graphic shapes, quirky illustrations, and the superb photography that Kinfolk is famous for.”—Print Mag “Kindling is a reminder that childrearing can be treated as a lens through which people can view the rest of their lives rather than the defining characteristic.”—Eye on Design
For the last forty years the label "black voter” has been virtually synonymous with "Democrat” but a new generation of voters is changing that. In her provocative new book Party Crashing, political commentator Keli Goff introduces America’s newest swing voter. Like soccer moms and Nascar dads before them, young, black voters born after the Civil Rights Movement are becoming increasingly up for grabs, politically speaking. While the politics of their parents and grandparents were shaped by the Civil Rights Movement, Goff notes that the politics of her peers, members of the post-Civil Rights generation, have been shaped by a number of cultural influencers that transcend race; from "The Cosby Show,” to icons such as Oprah Winfrey, and the tragedy of 9/11. Civil rights has long been the defining political issue for black Americans but for this emerging generation of black voters, civil rights is now one issue among many that define their politics. As a result, they are challenging the idea that one’s skin color should color one’s political identity, and they are also challenging the idea that they should be Democrats. Since the support of black Americans has been crucial to the success of democratic candidates-from Presidents Kennedy to Clinton-this shift could be one of the most important developments in modern politics, arguably as important as the Civil Rights movement itself. Along with the political shift occurring, Goff also examines the cultural shift that is taking place on a wide range of issues including: gay marriage, hip-hop, and the emergence of what Goff calls "Generation Obama.” Through in-depth interviews with young, black voters, groundbreaking survey research, and conversations with a range of high profile Americans-from Colin Powell to Russell Simmons-Party Crashing explores the issues and people who have helped shape the politics of the post-Civil Rights Generation, and how this generation is reshaping America.
“In this gorgeous, aspirational work, Burns, editor-in-chief of Kinfolk magazine, collects ‘stories about nature as nourishment’ along with photographs from homes across the globe to inspire people to bring more nature into their own abodes. . . . Expertly evoking a mood of understated luxury, this stunning spread will have design junkies drooling.” —Publishers Weekly A gardener with a secret oasis on a Parisian rooftop. An artist making faux flowers to brighten Manhattan apartments. A family of ranchers rewilding the American outback. Anchored around the idea of nature as nourishment, The Kinfolk Garden explores lush gardens and plantfilled homes around the world and introduces the inspiring people who coax them into bloom. Through visits to friends old and new, the Kinfolk team learns the secrets to a good garden, and what good a garden can do for our self-care, creativity and communities. Though many of the people we meet along the way champion the idea of following natural instincts rather than a set of prescriptive garden rules, there are practical tips throughout the book that offer advice on everything from growing your own produce to foraging for artful arrangements to simply keeping your houseplants alive a little longer than usual. The Kinfolk Garden is an invitation to engage with nature—to care for it, create with its beauty and cultivate new relationships around it—and offers inspiration and guidance to anyone looking to bring a little more greenery into their life.
There’s no way to predict when we’ll suddenly be confronted with a new pathway in life. For every positive gain attributed to the idea of change, such as self-improvement, bold adventuring or collective hope, there often follows the very human instinct to feel quite the opposite: fear, self-doubt and loss. The latest issue of Kinfolk explores how best to navigate the conflicting forces of change and stability.
Intimacy is what distinguishes those who are dear to us from those who are simply near. This issue of Kinfolk explores the balance between our contradictory cravings for both secure and stable relationships and the freedom to follow our hearts, our sexual desires, and our need to be whole without the help of another. We take psychotherapist Esther Perel as our lodestar. It’s a role she’s played for the clients at her New York practice and for millions of others through her books and the podcast Where Should We Begin, which offers the chance to listen in on anonymous couples during therapy sessions. Perel’s approach has always been to challenge the fundamental contradictions in how we think about romantic intimacy: Is it really feasible to expect one person to fulfill our every need—for the rest of our life? In Issue Thirty-Four, we experience the thrill of people and places spilling their secrets. Amaryllis Fox—an ex-CIA spy who spent her 20s negotiating in some of the world’s most dangerous conflict zones—cracks open the mysteries of the Clandestine Service, and what they’ve taught her about peace. We also present the result of our own months-long international operation: To gain access to an art deco royal palace in Gujurat, India. As the nights close in, our contributors look beyond this world and into other more mysterious ones: They mull over the popularity of horoscopes and what to eat at funerals. Elsewhere, a photo essay by Gustav Almestål explores the solitary indulgence of comfort foods, so tied to our most intimate of spaces—our homes—and so appealing during break ups.