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King of the Sunset Strip by Steve Stevens,Craig Lockwood Pdf
Who would have thought that an acting career that began as a teenage star on "The Mickey Mouse Club" would lead to the role of assistant to Southern California crime-boss Mickey Cohen? King of the Sunset Strip takes readers through the author's dramatic Hollywood story to the curtain call that eventually led him out of the life of crime.
In a time of social media and fake news, we took to our keyboards to spread disdain.While some of us picked up a book and used words for our power.Inside are my words. Enjoy.
King of the Sunset Strip Volume One by John Davies Pdf
A definitive collection of both poetry, prose and song lyrics, very much influenced by the beatnik era and the 1970's disco scene. This is a sometimes dark, brutal read that goes to the very abyss of the soul, but there is always hope and a little bit of light at the end of the tunnel.
Author : Mark Ribowsky Publisher : W. W. Norton & Company Page : 336 pages File Size : 41,5 Mb Release : 2015-06-01 Category : Music ISBN : 9780871408747
Dreams to Remember: Otis Redding, Stax Records, and the Transformation of Southern Soul by Mark Ribowsky Pdf
“Evokes the fire of Redding. . . . Ribowsky tells the story with nonstop energy, while always probing for the larger social and musical pictures.” —New York Times Book Review When he died in one of rock's string of tragic plane crashes, Otis Redding was only twenty-six, yet already the avatar of a new kind of soul music. The beating heart of Memphis-based Stax Records, he had risen to fame belting out gospel-flecked blues in stage performances that seemed to ignite not only a room but an entire generation. If Berry Gordy's black-owned kingdom in Motown showed the way in soul music, Redding made his own way, going where not even his two role models who had preceded him out of Macon, Georgia—Little Richard and James Brown—had gone. Now, in this transformative work, New York Times Notable Book author Mark Ribowsky contextualizes his subject's short career within the larger cultural and social movements of the era, tracing the crooner's rise from preacher's son to a preacher of three-minute soul sermons. And what a quick rise it was. At the tender age of twenty-one, Redding needed only a single unscheduled performance to earn a record deal, his voice so "utterly unique" (Atlantic) that it catapulted him on a path to stardom and turned a Memphis theater-turned-studio into a music mecca. Soon he was playing at sold-out venues across the world, from Finsbury Park in London to his ultimate conquest, the 1967 Monterrey Pop Festival in California, where he finally won over the flower-power crowd. Still, Redding was not always the affable, big-hearted man's man the PR material painted him to be. Based on numerous new interviews and prodigious research, Dreams to Remember reintroduces an incredibly talented yet impulsive man, one who once even risked his career by shooting a man in the leg. But that temperament masked a deep vulnerability that was only exacerbated by an industry that refused him a Grammy until he was in his grave—even as he shaped the other Stax soul men around him, like Wilson Pickett, Sam and Dave, and Booker T. and The MG's. As a result, this requiem is one of great conquest but also grand tragedy: a soul king of truth, a mortal man with an immortal voice and a pain in his heart. Now he, and the forces that shaped his incomparable sound, are reclaimed, giving us a panoramic of an American original who would come to define an entire era, yet only wanted what all men deserve—a modicum of respect and a place to watch the ships roll in and away again.
This is the follow up to my debut book King of the Sunset Strip. Same raw, passionate and brutal poetry, viewing life in it's entirety. Influences of John Fante, Charles Bukowski and Jim Morrison, this is a hard knock life look at the world as we know it, through poetic verse. There is hope along the way, and a beauty that catches the eye.
King of the Sunset Strip Volume Three (Updated) by John Davies Pdf
Book number 6 from Surrey poet John Davies takes the viewer through a journey of the good, the bad and the very ugly avenues that life has made available to us. It is how we deal with it that makes us stronger. Poetry from a dark place but with a glimmer of hope along the way. Think Morrison, Ginsberg & Bukowski.
2019 National Jewish Book Award Finalist for Biography. Ben Hecht had seen his share of death-row psychopaths, crooked ward bosses, and Capone gun thugs by the time he had come of age as a crime reporter in gangland Chicago. His grim experience with what he called “the soul of man” gave him a kind of uncanny foresight a decade later, when a loose cannon named Adolf Hitler began to rise to power in central Europe. In 1932, Hecht solidified his legend as "the Shakespeare of Hollywood" with his thriller Scarface, the Howard Hughes epic considered the gangster movie to end all gangster movies. But Hecht rebelled against his Jewish bosses at the movie studios when they refused to make films about the Nazi menace. Leveraging his talents and celebrity connections to orchestrate a spectacular one-man publicity campaign, he mobilized pressure on the Roosevelt administration for an Allied plan to rescue Europe’s Jews. Then after the war, Hecht became notorious, embracing the labels “gangster” and “terrorist” in partnering with the mobster Mickey Cohen to smuggle weapons to Palestine in the fight for a Jewish state. The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist is a biography of a great twentieth-century writer that treats his activism during the 1940s as the central drama of his life. It details the story of how Hecht earned admiration as a humanitarian and vilification as an extremist at this pivotal moment in history, about the origins of his beliefs in his varied experiences in American media, and about the consequences. Who else but Hecht could have drawn the admiration of Ezra Pound, clowned around with Harpo Marx, written Notorious and Spellbound with Alfred Hitchcock, launched Marlon Brando’s career, ghosted Marilyn Monroe’s memoirs, hosted Jack Kerouac and Salvador Dalí on his television talk show, and plotted revolt with Menachem Begin? Any lover of modern history who follows this journey through the worlds of gangsters, reporters, Jazz Age artists, Hollywood stars, movie moguls, political radicals, and guerrilla fighters will never look at the twentieth century in the same way again.
Rock 'n' Roll Billboards of the Sunset Strip by Robert Landau Pdf
The Sunset Strip, circa 1967. What was happening then is now absolutely clear. Rock 'n' roll and the kids who lived it were coming of age - right there on The Strip. And, as if to define the era, a few independent minds in the music industry posted giant, temporary monuments that said it all. Billboards. Bigger than life. Hand-painted homages to rock. In Rock 'n' Roll Billboards of the Sunset Strip, Robert Landau showcases these signs of the time, a time when rock was the most important music ever recorded, when youth, politics, and art merged to turn counterculture into mainstream culture.
The long-awaited, definitive biography of The King of Soul, timed to coincide with the 50th anniversary of Redding's iconic performance at the 1967 Monterey Pop Festival. Otis Redding remains an immortal presence in the canon of American music on the strength of such classic hits as “(Sittin’ on) The Dock of the Bay,” “I’ve Been Loving You Too Long,” “Try a Little Tenderness,” and “Respect,” a song he wrote and recorded before Aretha Franklin made it her own. As the architect of the distinctly southern, gospel-inflected style of rhythm & blues associated with Stax Records in Memphis, Redding made music that has long served as the gold standard of 1960s soul. Yet an aura of myth and mystery has always surrounded his life, which was tragically cut short at the height of his career by a plane crash in December 1967. In Otis Redding: An Unfinished Life, Jonathan Gould finally does justice to Redding’s incomparable musical artistry, drawing on exhaustive research, the cooperation of the Redding family, and previously unavailable sources of information to present the first comprehensive portrait of the singer’s background, his upbringing, and his professional career. In chronicling the story of Redding’s life and music, Gould also presents a social history of the time and place from which they emerged. His book never lets us forget that the boundaries between black and white in popular music were becoming porous during the years when racial tensions were reaching a height throughout the United States. His indelible portrait of Redding and the mass acceptance of soul music in the 1960s is both a revealing look at a brilliant artist and a provocative exploration of the tangled history of race and music in America that resonates strongly with the present day.
The crime scene was like something out of a horror movie. Billboard tycoon Oliver Mercer has been brutally slain in his home in the Pasadena hills, joined in death by his long-legged trophy girlfriend–both of their bodies displayed in a chilling tableau. The murder scene reawakens terrible memories for homicide detective Nan Vining, who survived her own harrowing attack a year earlier. While tracking the taunting gameplayer her daughter Emily dubbed T. B. Mann–The Bad Man–she is now working the Mercer case alongside her ex-flame Jim Kissick, stirring up conflicted feelings in her. From the ritzy estates of L.A.’s Lamborghini-driving set to a rocky desert outpost where rattlesnakes whisper murder, Nan will risk both her badge and her heart on a case that cuts close to the bone.
'I did a double take when I saw fourteen-year-old Drew Barrymore at the bar, drinking with the Bukowski crowd. She was adorable, spoke with a potty mouth and carried on as if she was in her twenties. I was straining to approach her but backed off. I’d been in enough trouble. The next time I looked she was gone. A couple nights later she reappeared and in the same spot at the middle of the bar, entertaining the bartender. I pulled the trigger this time, and whatever I had to say she bought.' "I'm eating your book! It's delicious!" Lia Mack - Portland, Oregon "Fervent shades of Jack Kerouac.” Terry Wells - Brigg, England “Lords of the Sunset Strip” is the brutally honest and hilarious memoir of actor and writer Blackie Dammett—AKA John Kiedis—who happens to be the father of Red Hot Chili Peppers frontman Anthony Kiedis. Set mostly in Hollywood but with multiple national and worldwide excursions for film shoots, love affairs and drug deals, this tell-all provides an unexpectedly candid look at an actor’s transition from a wild man with a dream to a sensitive if unconventional parent with a dream. And of course, there were the women. New girls were always replenishing the scene. Dammett towed his young Red Hot Chili Pepper with him through a torrent of sex-fueled parties, auditions and business deals in Hollywood, New York and London. It’s an exhilarating, exhausting and romantic journey. It had a profound and ineffable influence on Rock & Roll Hall of Famer Anthony. “Lords of the Sunset Strip” will no doubt have a similar influence on its readers as well. It’s simply the biggest, baddest, boldest tale of Hollywood and Rock & Roll ever written.
Faces of Sunset Boulevard by Patrick Ecclesine Pdf
Faces of Sunset Boulevard: A Portrait of Los Angeles is a collection of photographs of the people who live, work, and play in Los Angeles. Some are making fortunes along the route; others are just trying to survive to see another day. Patrick Ecclesine captures the city's dreams, dreamers, and, at times, nightmares using the most famous boulevard in the world as the setting for his photographs. The individuals featured range from the famous (Governor Schwarzenegger, Larry King, Fernando Valenzuela) to the unknown (a street vendor, an undocumented worker, a bus driver) to the unwanted (a homeless man, a single mother on welfare, a drug addict). Other archetypal Angeleno figures--from a television weather-girl sensation to a Beverly Hills plastic surgeon to surfers in Pacific Palisades to the eccentric and outlandish denizens of the Sunset Strip--stand side by side in these pages, capturing the eclectic nature of the City of Angels and its most colorful thoroughfare, Sunset Boulevard.
The first full and authoritative biography of an American—indeed a world-wide—musical and cultural legend “No one worked harder than B.B. No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues.”—President Barack Obama “He is without a doubt the most important artist the blues has ever produced.”—Eric Clapton Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago’s Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King’s inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”
Heavy Metal: The Story in Pictures is a colorful guide to this complex but enormously popular subject, including a look at festivals, fans, and the heavy metal lifestyle. Over 350 photographs feature heavy metal's cutting-edge bands on stage—with some candid behind-the-scenes shots, too. Each chapter starts with a detailed chronological timeline of major events—band formations and fold-ups; seminal album releases; important tours and gigs—followed by a photographic coverage of the decade. Heavy metal developed in the late 1960s and early 1970s in the United Kingdom and the United States. With roots in blues, progressive, and psychedelic rock, heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. It did not take long before the first heavy metal bands—the blues-based Led Zeppelin, Black Sabbath, and Deep Purple being the leaders—attracted large audiences and significant album sales. Often critically and publicly reviled—something that is true to this day—few of these hard rock pioneers would continue on into the heavy metal genre. By the mid-1970s, Judas Priest helped spur the genre’s evolution by discarding much of its blues influence. Motörhead introduced a punk-rock sensibility and an increasing emphasis on speed. Bands such as Iron Maiden, Def Leppard, and Saxon followed in a similar vein. Before the end of the 1970s, heavy metal had attracted a huge following of headbanging fans. Behind the music ran a vein of anti-authoritarianism and—more insinuated than real—Satanism and black magic that really got the pundits talking, as did the aggression and violence implied by so many band names and song titles. Heavy Metal: The Story in Pictureslooks carefully at the ancient history—the 1960s through to the start of the 1980s—but the bulk of the book concentrates on the last 30 years that saw the splintering of the genre into a myriad forms: from the great thrash metal bands—Exodus, Metallica, Anthrax, Megadeath, Slayer and then Kreator, Sodom, and Destruction, and Brazil’s Sepultura—to metalcore, that combines various elements of extreme metal and hardcore punk, by way of death metal, black metal, power metal, doom metal, gothic metal, glam metal, alternative metal, nu metal, folk metal, Viking metal, drone metal, sludge metal, extreme metal, and even retro-metal. From Donington to Ozzfest, Hard Rock Hell to Sonisphere, festival-going has become a rite of passage in the metal world. With Heavy Metal: The Story in Pictures, get an up-close look at Hellfest, FortaRock, Zwergenaufstand Open Air, Eisenwahn, Wacken, and Jalometalli and take a stunning visual tour through the evolution of heavy metal.
Jan & Dean were among the most successful artists of the late 1950s through the mid-1960s, with hits including "Baby Talk," "Surf City," "Dead Man's Curve" and "The Little Old Lady (From Pasadena)." Slapstick humor and offbeat personas were a big part of their shtick, but Jan Berry was serious when it came to the studio. This book chronicles Jan's career as a songwriter and arranger--and his tenure as producer for Jan & Dean and other acts--with day-by-day entries detailing recording sessions, single and album releases, concerts and appearances, film and television projects, behind-the-scenes business and legal matters, chart positions and more. Extensive commentary from Berry's family, friends and colleagues is included. Studio invoices, contract details, tape box notes, copyright information and other particulars shed light on how music was made in the Hollywood studio system of the 1960s.
