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Author : Anonim
Publisher : Unknown
Page : 81 pages
File Size : 53,7 Mb
Release : 1929
Category : Indian art
ISBN : UOM:39015063452398
Contains reproductions of paintings by Spencer Asah, Jack Hokeah, Stephen Mopope, Monroe Tsatoke, and Lois Smoky -- members of the Kiowa Five. With introductory text by Oscar Brousse Jacobson.
Author : Monroe Tsatoke,Stephen Mopope,Jack Hokeah,Spencer Asah,Bou-Ge-Tah Smokey
Publisher : Unknown
Page : 29 pages
File Size : 54,8 Mb
Release : 1929
Category : Indian art
ISBN : 0933882009
Author : Anonim
Publisher : Unknown
Page : 0 pages
File Size : 41,9 Mb
Release : 2009
Category : Kiowa painting
ISBN : 0486464415
Created in the early 20th century by renowned artists -- including the "Kiowa Five" -- these 81 full-page images of sacred and secular traditions are reproduced from rare hand-colored originals.
Author : Gunlög Fur
Publisher : University of Oklahoma Press
Page : 369 pages
File Size : 52,5 Mb
Release : 2019-05-23
Category : History
ISBN : 9780806163468
In the late 1920s, a group of young Kiowa artists, pursuing their education at the University of Oklahoma, encountered Swedish-born art professor Oscar Brousse Jacobson (1882–1966). With Jacobson’s instruction and friendship, the Kiowa Six, as they are now known, ignited a spectacular movement in American Indian art. Jacobson, who was himself an accomplished painter, shared a lifelong bond with group member Stephen Mopope (1898–1974), a prolific Kiowa painter, dancer, and musician. Painting Culture, Painting Nature explores the joint creativity of these two visionary figures and reveals how indigenous and immigrant communities of the early twentieth century traversed cultural, social, and racial divides. Painting Culture, Painting Nature is a story of concurrences. For a specific period, immigrants such as Jacobson and disenfranchised indigenous people such as Mopope transformed Oklahoma into the center of exciting new developments in Indian art, which quickly spread to other parts of the United States and to Europe. Jacobson and Mopope came from radically different worlds, and were on unequal footing in terms of power and equality, but they both experienced, according to author Gunlög Fur, forms of diaspora or displacement. Seeking to root themselves anew in Oklahoma, the dispossessed artists fashioned new mediums of compelling and original art. Although their goals were compatible, Jacobson’s and Mopope’s subjects and styles diverged. Jacobson painted landscapes of the West, following a tradition of painting nature uninfluenced by human activity. Mopope, in contrast, strove to capture the cultural traditions of his people. The two artists shared a common nostalgia, however, for a past life that they could only re-create through their art. Whereas other books have emphasized the promotion of Indian art by Euro-Americans, this book is the first to focus on the agency of the Kiowa artists within the context of their collaboration with Jacobson. The volume is further enhanced by full-color reproductions of the artists’ works and rare historical photographs.
Author : Moira F. Harris,Wo-Haw
Publisher : Unknown
Page : 148 pages
File Size : 55,7 Mb
Release : 1989
Category : Art
ISBN : 0961776730
Art historian Moira F. Harris analyzes the known Fort Marion drawings attributed to Wo-Haw, Kiowa warrior and artist (1855-1924), in relationship to then contemporary events.. Her work shows how Kiowa Indian painting developed from its traditional beginnings to the preset day.
Author : Candace S. Greene
Publisher : University of Oklahoma Press
Page : 372 pages
File Size : 44,7 Mb
Release : 2001
Category : History
ISBN : 0806133074
Plains Indians were artists as well as warriors, and Silver Horn (1860-1940), a Kiowa artist from the early reservation period, may well have been the most prolific Plains Indian artist of all time. Known also as Haungooah, his Kiowa name, Silver Horn was a man of remarkable skill and talent. Working in graphite, colored pencil, crayon, pen and ink, and watercolor on hide, muslin, and paper, he produced more than one thousand illustrations between 1870 and 1920. Silver Horn created an unparalleled visual record of Kiowa culture, from traditional images of warfare and coup counting to sensitive depictions of the sun dance, early Peyote religion, and domestic daily life. At the turn of the century, he helped translate nearly the entire corpus of Kiowa shield designs into miniaturized forms on buckskin models for Smithsonian ethnologist James Mooney. Born in 1860 when huge bison herds still roamed the southern plains, Silver Horn grew up in southwestern Oklahoma. Son of a chief and member of an artistically gifted family, he witnessed traumatic changes as his people went from a free-roaming, buffalo-hunting culture to reservation life and, ultimately, to forced assimilation into white society. Although perceived as a troublemaker in midlife because of his staunch resistance to the forces of civilization, Silver Horn became to many a romantic example of the "real old-time Indian." In this presentation of Silver Horn’s work, showcasing 43 color and 116 black-and-white illustrations, Candace S. Greene provides a thorough biographical portrait of the artist and, through his work, assesses the concepts and roles of artists in Kiowa culture.
Author : Richard Pearce
Publisher : University of Arizona Press
Page : 125 pages
File Size : 48,5 Mb
Release : 2013-06-13
Category : Art
ISBN : 9780816521043
Although ledger art has long been considered a male art form, Women and Ledger Art calls attention to the extraordinary achievements of four contemporary female Native artists—Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). The book examines these women's interpretations of their artwork and their thoughts on tribal history and contemporary life.
Author : Gunlög Fur
Publisher : University of Oklahoma Press
Page : 501 pages
File Size : 50,8 Mb
Release : 2019-05-23
Category : History
ISBN : 9780806163451
In the late 1920s, a group of young Kiowa artists, pursuing their education at the University of Oklahoma, encountered Swedish-born art professor Oscar Brousse Jacobson (1882–1966). With Jacobson’s instruction and friendship, the Kiowa Six, as they are now known, ignited a spectacular movement in American Indian art. Jacobson, who was himself an accomplished painter, shared a lifelong bond with group member Stephen Mopope (1898–1974), a prolific Kiowa painter, dancer, and musician. Painting Culture, Painting Nature explores the joint creativity of these two visionary figures and reveals how indigenous and immigrant communities of the early twentieth century traversed cultural, social, and racial divides. Painting Culture, Painting Nature is a story of concurrences. For a specific period, immigrants such as Jacobson and disenfranchised indigenous people such as Mopope transformed Oklahoma into the center of exciting new developments in Indian art, which quickly spread to other parts of the United States and to Europe. Jacobson and Mopope came from radically different worlds, and were on unequal footing in terms of power and equality, but they both experienced, according to author Gunlög Fur, forms of diaspora or displacement. Seeking to root themselves anew in Oklahoma, the dispossessed artists fashioned new mediums of compelling and original art. Although their goals were compatible, Jacobson’s and Mopope’s subjects and styles diverged. Jacobson painted landscapes of the West, following a tradition of painting nature uninfluenced by human activity. Mopope, in contrast, strove to capture the cultural traditions of his people. The two artists shared a common nostalgia, however, for a past life that they could only re-create through their art. Whereas other books have emphasized the promotion of Indian art by Euro-Americans, this book is the first to focus on the agency of the Kiowa artists within the context of their collaboration with Jacobson. The volume is further enhanced by full-color reproductions of the artists’ works and rare historical photographs.
Author : Janet Catherine Berlo,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 130 pages
File Size : 51,8 Mb
Release : 1998
Category : Diker, Charles
ISBN : 9780870998577
This catalogue includes 139 Native North American works of art that represent many peoples and a variety of materials and functions, presented here for their aesthetic value.-- Metropolitan Museum of Art website.
Author : Philbrook Art Center
Publisher : Hudson Hills
Page : 328 pages
File Size : 51,6 Mb
Release : 1986
Category : Indian art
ISBN : 0933920563
Fourteen authorities explore sociology, anthropology, art history of Native American creativity.
Author : Jenny Tone-Pah-Hote
Publisher : UNC Press Books
Page : 163 pages
File Size : 49,7 Mb
Release : 2019-01-10
Category : History
ISBN : 9781469643670
In this in-depth interdisciplinary study, Jenny Tone-Pah-Hote reveals how Kiowa people drew on the tribe's rich history of expressive culture to assert its identity at a time of profound challenge. Examining traditional forms such as beadwork, metalwork, painting, and dance, Tone-Pah-Hote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking. These cultural forms, she argues, were sites of contestation as well as affirmation, as Kiowa people used them to confront external pressures, express national identity, and wrestle with changing gender roles and representations. Combatting a tendency to view Indigenous cultural production primarily in terms of resistance to settler-colonialism, Tone-Pah-Hote expands existing work on Kiowa culture by focusing on acts of creation and material objects that mattered as much for the nation's internal and familial relationships as for relations with those outside the tribe. In the end, she finds that during a time of political struggle and cultural dislocation at the turn of the twentieth century, the community's performative and expressive acts had much to do with the persistence, survival, and adaptation of the Kiowa nation.
Author : Mindy N. Besaw,Candice Hopkins,Manuela Well-Off-Man
Publisher : University of Arkansas Press
Page : 225 pages
File Size : 52,6 Mb
Release : 2018-10-24
Category : Art
ISBN : 9781682260807
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
Author : Delia Sullivan
Publisher : Heritage Capital Corporation
Page : 138 pages
File Size : 54,9 Mb
Release : 2009-08
Category : Antiques & Collectibles
ISBN : 1599673878
Author : Gaylord Torrence,Ned Blackhawk,Sylvia Yount
Publisher : Metropolitan Museum of Art
Page : 233 pages
File Size : 55,8 Mb
Release : 2018-10-01
Category : Art
ISBN : 9781588396624
This landmark publication reevaluates historical Native American art as a crucial but under-examined component of American art history. The Charles and Valerie Diker Collection, a transformative promised gift to The Metropolitan Museum of Art, includes masterworks from more than fifty cultures across North America. The works highlighted in this volume span centuries, from before contact with European settlers to the early twentieth century. In this beautifully illustrated volume, featuring all new photography, the innovative visions of known and unknown makers are presented in a wide variety of forms, from painting, sculpture, and drawing to regalia, ceramics, and baskets. The book provides key insights into the art, culture, and daily life of culturally distinct Indigenous peoples along with critical and popular perceptions over time, revealing that to engage Native art is to reconsider the very meaning of America. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author : Michael H. Logan,Douglas A. Schmittou
Publisher : University of Tennessee Press
Page : 68 pages
File Size : 40,8 Mb
Release : 1995
Category : Indian beadwork
ISBN : IND:30000057589560