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It is estimated that some three million people died in the Soviet forced-labour camps of Kolyma, in the northeastern area of Siberia. Shalamov himself spent seventeen years there, and in these stories he vividly captures the lives of ordinary people caught up in terrible circumstances, whose hopes and plans extended to further than a few hours This new enlarged edition combines two collections previously published in the United States as Kolyma Tales and Graphite.
Varlam Shalamov's Kolyma Tales by Nathaniel Golden Pdf
This book analyses eleven of Varlam Shalamov's Kolyma Tales from a neo-Formalist perspective. The tales are a testament to Shalamov's seventeen years in Stalin's Gulags, and were written in an attempt to draw attention to this period in Soviet history. Nathaniel Golden has primarily utilised L. M. O'Toole's work Structure, Style and Interpretation in the Russian Short Story as the major basis for analysis, but has incorporated many other Formalist and indeed Structuralist methods. The tales in each chapter are analysed by means of five major Formalist categories: Narrative Structure, Point of View, Fabula and Sujet, Characterisation and Setting. This process highlights many of Shalamov's ideas and motifs in the tales. He frequently uses techniques of estrangement and paradox to augment camp experience, reflecting his belief that there is no moral, emotional or spiritual gain in suffering. He habitually employs a 'focaliser' to tell the tale from a near-death perspective and in consequence distances the author from events. His literary background is prominent within the tales, where he occasionally alludes to earlier Russian authors and their works to indicate the recurring nature of Man's fallibility against the Gulag background. His characters are often simply portrayed yet representative of flawed heroes and the baseness of human beings subjected to an existence in extremis. His settings are minimal, yet form a major part of his message: Man is compared to nature, but nature is powerful and able to regenerate itself, whereas Man's existence is temporary and futile. This book therefore, shows that the Formalist approach is indeed still valid as a literary tool of analysis as well as showing that upon the 50th year of Stalin's death, Varlam Shalamov's time has arrived.
The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II. During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality, depth, and beauty. Eric Karpeles has translated this brilliant and altogether unparalleled feat of the critical imagination into English for the first time, and in a thoughtful introduction he brings out how, in reckoning with Proust’s great meditation on memory, Czapski helped his fellow officers to remember that there was a world apart from the world of the camp. Proust had staked the art of the novelist against the losses of a lifetime and the imminence of death. Recalling that triumphant wager, unfolding, like Sheherazade, the intricacies of Proust’s world night after night, Czapski showed to men at the end of their tether that the past remained present and there was a future in which to hope.
Sofia Petrovna is Lydia Chukovskaya's fictional account of the Great Purge. Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.
Narrated in the first person, this short story is one episode in the life of a Russian labour-camp inmate. Written by Varlam Shalamov after his own experiences at a gulag, it describes the apathy of prisoners as they steadily approach death, the assuredness of betrayal and duplicity, and the constant craving for material satisfaction to lessen the empty, scorched feeling inside. When an old acquaintance lays out an escape plan, that satisfaction is offered in the form of condensed milk: a sweet, delicious extravagance - a small element of joy in the midst of impending death.
The Collected Tales of Nikolai Gogol by Nikolai Gogol Pdf
Using, or rather mimicking, traditional forms of storytelling Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme. Selected from Evenings on a Farm near Dikanka, Mirgorod, and the Petersburg tales and arranged in order of composition, the thirteen stories in The Collected Tales of Nikolai Gogolencompass the breadth of Gogol's literary achievement. From the demon-haunted “St. John's Eve ” to the heartrending humiliations and trials of a titular councilor in “The Overcoat,” Gogol's knack for turning literary conventions on their heads combined with his overt joy in the art of story telling shine through in each of the tales. This translation, by Richard Pevear and Larissa Volokhonsky, is as vigorous and darkly funny as the original Russian. It allows readers to experience anew the unmistakable genius of a writer who paved the way for Dostevsky and Kafka.
From the author of the award-winning White Fever, Kolyma Diaries is an excursion into one of the world's last remaining badlands, a place full of Gulag ghosts and living wrecks. All along the 2000 kilometres of the Kolyma highway, Bader is plied with vodka. He hears mesmerizing, sometimes devastating, tales of the journeys that brought his 'fellow travellers', the people who give him lifts, to this benighted land. This is a book about the descendants of prisoners eking out a living, of conmen and veterans and scrap iron dealers, of corrupt politicians and organised crime. Stories are told of sons given away, husbands who reappear after three decades, scholars who now survive by foraging for mushrooms and berries, sculptors who hoard the heads lopped off statues of Lenin, miners who dig up mass graves while looking for gold, and all the addicts, convicts, fallen heroes and even sportsmen who run away from their troubles and end up in the most remote region in Russia
A masterpiece of 20th-century Russian literature—now in its first complete English translation “One of the greatest Russian writers of short stories” chronicles life in a Soviet gulag, drawing on his own years in a USSR prison camp and laying bare the perils of totalitarianism (Financial Times). Kolyma Stories is a masterpiece of twentieth-century literature, an epic array of short fictional tales reflecting the fifteen years that Varlam Shalamov spent in the Soviet Gulag. This is the first of two volumes (the second to appear in 2019) that together will constitute the first complete English translation of Shalamov’s stories and the only one to be based on the authorized Russian text. Shalamov spent six years as a slave in the gold mines of Kolyma before finding a less intolerable life as a paramedic in the prison camps. He began writing his account of life in Kolyma after Stalin’s death in 1953. His stories are at once the biography of a rare survivor, a historical record of the Gulag, and a literary work of unparalleled creative power, insight, and conviction.
Nearly 3 million people died in the forced-labor camps of Kolyma, the northeastern region of Siberia. Varlam Shalamov, considered by many to be Russia's greatest living writer, spent seventeen years there and set down the Kolyma experience in powerful short stories. This is the second, more extensive collection which presents a somewhat different view of the camps and the lives of ordinary people caught up in terrible circumstances.
Twenty Years in a Siberian Gulag by Leonid Petrovich Bolotov Pdf
Caught up in one of the many purges that swept the Soviet Union during the Great Terror, Leonid Petrovich Bolotov (1906-1987) was one of 86 engineers arrested at Leningrad's Red Triangle Rubber Factory and sent to the Gulag as "enemies of the people." He would be the only one to survive and return to his family after enduring two decades in the infamous Kolyma labor camps. Translated into English and published here for the first time, Bolotov's memoir narrates with growing intensity his arrest, imprisonment and interrogation, his "confession" and trial, his exile to hard labor in Arctic Siberia, and his rehabilitation in 1956 following the official end of Stalin's personality cult.
Author : Nastassja Martin Publisher : New York Review of Books Page : 129 pages File Size : 53,8 Mb Release : 2021-11-16 Category : Social Science ISBN : 9781681375861
After enduring a vicious bear attack in the Russian Far East's Kamchatka Peninsula, a French anthropologist undergoes a physical and spiritual transformation that forces her to confront the tenuous distinction between animal and human. In the Eye of the Wild begins with an account of the French anthropologist Nastassja Martin’s near fatal run-in with a Kamchatka bear in the mountains of Siberia. Martin’s professional interest is animism; she addresses philosophical questions about the relation of humankind to nature, and in her work she seeks to partake as fully as she can in the lives of the indigenous peoples she studies. Her violent encounter with the bear, however, brings her face-to-face with something entirely beyond her ken—the untamed, the nonhuman, the animal, the wild. In the course of that encounter something in the balance of her world shifts. A change takes place that she must somehow reckon with. Left severely mutilated, dazed with pain, Martin undergoes multiple operations in a provincial Russian hospital, while also being grilled by the secret police. Back in France, she finds herself back on the operating table, a source of new trauma. She realizes that the only thing for her to do is to return to Kamchatka. She must discover what it means to have become, as the Even people call it, medka, a person who is half human, half bear. In the Eye of the Wild is a fascinating, mind-altering book about terror, pain, endurance, and self-transformation, comparable in its intensity of perception and originality of style to J. A. Baker’s classic The Peregrine. Here Nastassja Martin takes us to the farthest limits of human being.
A Century of Violence in Soviet Russia by Alexander N. Yakovlev Pdf
He unhesitatingly names those individuals who bear responsibility for these catastrophic deaths, bringing into sharper focus than ever before the facts, the perpetrators, and the events of the Soviet Union's years of terror."--BOOK JACKET.
This is the first English translation of Olga Adamova-Sliozberg’s mesmerizing My Journey, which was not officially published in Russia until 2002. It is among the best known of Gulag memoirs and was one of the first to become widely available in underground samizdat circulation. Alexander Solzhenitsyn relied heavily upon it when writing Gulag Archipelago, and it remains the best account of the daily life of women in the Soviet prison camps. Arrested along with her husband (who, she would much later learn, was shot the next day) in the great purges of the thirties, Adamova-Sliozberg decided to record her Gulag experiences a year after her arrest, and she “wrote them down in her head” (paper and pencils were not available to prisoners) every night for years. When she returned to Moscow after the war in 1946, she composed the memoir on paper for the first time and then buried it in the garden of the family dacha. After her re-arrest and seven more years of banishment to Kazakhstan, she returned to the dacha to dig up the buried memoir, but could not find it. She sat down and wrote it all over again. In her later years she also added a collection of stories about her family. Concluding on a hopeful note—Adamova-Sliozberg’s record is cleared, she re-marries a fellow former-prisoner, and she is reunited with her children—this story is a stunning account of perseverance in the face of injustice and unimaginable hardship. This vital primary source continues to fascinate anyone interesting in the tumultuous history of Russia and the Soviet Union in the twentieth century.
