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Author : Georges Bizet
Publisher : Unknown
Page : 56 pages
File Size : 40,8 Mb
Release : 1895
Category : Incidental music
ISBN : STANFORD:36105042061262
Author : Alphonse Daudet
Publisher : Unknown
Page : 202 pages
File Size : 43,6 Mb
Release : 1894
Category : Electronic
ISBN : CHI:087613428
Author : Georges Bizet
Publisher : Alfred Music
Page : 68 pages
File Size : 50,6 Mb
Release : 1996-02-01
Category : Music
ISBN : 1457487136
Titles: * Suite 1: No. 1, Prelude * No. 2, Minuetto * No. 3, Adagietto * No. 4, Carillon * No. 5. Suite 2: No. 1, Prelude * No. 2, Intermezzo * No. 3, Menuet * No. 4, Farandole
Author : Georges Bizet
Publisher : Alfred Music
Page : 64 pages
File Size : 53,7 Mb
Release : 2024-07-02
Category : Music
ISBN : 1457488612
Georges Bizet composed the incidental music for Alphonse Daudet's play L'Arlésienne, which was performed beginning in October, 1872. Bizet wrote several folk-like themes for the music but also incorporated three existing tunes from a folk-music collection published by Vidal of Aix. This version is for solo piano. The first Suite includes: * Prelude * Minuetto * Adagietto * Carillon The second Suite includes: * Pastorale * Intermezzo * Menuet * Farandole
Author : Georges Bizet
Publisher : Unknown
Page : 58 pages
File Size : 50,7 Mb
Release : 1895
Category : Orchestral music, Arranged
ISBN : UCR:31210009073204
Author : Hilde Heynen
Publisher : MIT Press
Page : 284 pages
File Size : 43,8 Mb
Release : 2000-02-28
Category : Architecture
ISBN : 0262581892
Bridges the gap between the history and theory of twentieth-century architecture and cultural theories of modernity. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge the gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other, she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. Besides presenting a theoretical discussion of the relation between architecture, modernity, and dwelling, the book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently for this purpose.
Author : Morris Goldenberg,Anthony J. Cirone
Publisher : Alfred Music
Page : 188 pages
File Size : 48,6 Mb
Release : 2002-09-19
Category : Music
ISBN : 1457404745
The "Goldenberg Book" has been used by generations of orchestral snare drum players to develop their skills. As well as studies and etudes, this book includes excerpts of major orchestral repertoire for snare drum and all of the instruments of the percussion family. This edition, edited by Tony Cirone, includes phrasings and stickings along with re-engraved etudes. This book is the primary source for percussionists to learn proper technique and important orchestral repertoire.
Author : Robin Evans
Publisher : MIT Press
Page : 460 pages
File Size : 48,6 Mb
Release : 2000-08-25
Category : Architecture
ISBN : 0262550385
Robin Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. Anyone reviewing the history of architectural theory, Robin Evans observes, would have to conclude that architects do not produce geometry, but rather consume it. In this long-awaited book, completed shortly before its author's death, Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. He shows that geometry does not always play a stolid and dormant role but, in fact, may be an active agent in the links between thinking and imagination, imagination and drawing, drawing and building. He suggests a theory of architecture that is based on the many transactions between architecture and geometry as evidenced in individual buildings, largely in Europe, from the fifteenth to the twentieth century. From the Henry VII chapel at Westminster Abbey to Le Corbusier's Ronchamp, from Raphael's S. Eligio and the work of Piero della Francesca and Philibert Delorme to Guarino Guarini and the painters of cubism, Evans explores the geometries involved, asking whether they are in fact the stable underpinnings of the creative, intuitive, or rhetorical aspects of architecture. In particular he concentrates on the history of architectural projection, the geometry of vision that has become an internalized and pervasive pictorial method of construction and that, until now, has played only a small part in the development of architectural theory. Evans describes the ambivalent role that pictures play in architecture and urges resistance to the idea that pictures provide all that architects need, suggesting that there is much more within the scope of the architect's vision of a project than what can be drawn. He defines the different fields of projective transmission that concern architecture, and investigates the ambiguities of projection and the interaction of imagination with projection and its metaphors.
Author : Julius H. Jacobson
Publisher : Sourcebooks, Inc.
Page : 383 pages
File Size : 43,8 Mb
Release : 2008
Category : Compact discs
ISBN : 9781402248092
Covers sixty of the world's most celebrated composers, from Bach, Mozart and Beethoven to Tchaikovsky, Gershwin and Bernstein. It weaves five hundred years of history and music into a rich tapestry of sound and story.
Author : Vincent van Gogh
Publisher : Delphi Classics
Page : 3364 pages
File Size : 48,9 Mb
Release : 2014-07-09
Category : Art
ISBN : 8210379456XXX
One of the most celebrated artists of Western art, the Post-Impressionist Vincent van Gogh created masterpieces that are now famous for their striking colour, emphatic brushwork and contoured forms. Although the artist died in obscurity, his artworks would go on to change the course of modern art, powerfully influencing Expressionism and the works of leading artists. A first of its kind in digital print, the ‘Masters of Art’ series allows readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents the complete paintings and letters of the Dutch master. For all art lovers, this stunning collection offers a personal and unique digital portrait of one of the world’s greatest artists. (Version 2) Features: * the complete paintings of Vincent van Gogh — over 800 paintings, fully indexed and arranged in chronological order * features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * beautiful 'detail' images, allowing you to explore van Gogh's celebrated works in detail * numerous images relating to van Gogh’s life and works * includes over 800 letters — explore the artist’s vast and scholarly correspondence with his brother Theo * EVEN includes the detailed biography by van Gogh’s sister-in-law * hundreds of images in stunning colour - highly recommended for tablets, iPhone and iPad users, or as a valuable reference tool on traditional eReaders * UPDATED with improved and larger images Please visit: www.delphiclassics.com for more information and to browse our range of titles CONTENTS: The Highlights STILL LIFE WITH CABBAGE AND CLOGS AVENUE OF POPLARS IN AUTUMN THE POTATO EATERS SKULL WITH BURNING CIGARETTE SELF-PORTRAIT WITH STRAW HAT THE WHITE ORCHARD PORTRAIT OF THE POSTMAN JOSEPH ROULIN STILL LIFE: VASE WITH TWELVE SUNFLOWERS VINCENT’S HOUSE IN ARLES (THE YELLOW HOUSE) THE CAFÉ TERRACE ON THE PLACE DU FORUM, ARLES, AT NIGHT PORTRAIT OF DR. GACHET VINCENT’S BEDROOM IN ARLES VINCENT’S CHAIR WITH HIS PIPE THE RED VINEYARD SELF-PORTRAIT WITH BANDAGED EAR THE STARRY NIGHT WHEAT FIELD WITH CYPRESSES IRISES WHEAT FIELD WITH CROWS The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Letters THE CORRESPONDENCE OF VINCENT VAN GOGH The Biography MEMOIR OF VINCENT VAN GOGH by Johanna Gesina van Gogh Please visit: www.delphiclassics.com for more information
Author : Lyon & Healy
Publisher : Unknown
Page : 500 pages
File Size : 40,7 Mb
Release : 1910
Category : Player piano rolls
ISBN : UOM:39015066543920
Author : Vincent van Gogh
Publisher : Delphi Classics
Page : 3046 pages
File Size : 43,8 Mb
Release : 2012
Category : Electronic
ISBN : 8210379456XXX
Author : University of Michigan. School of Music
Publisher : Unknown
Page : 130 pages
File Size : 48,8 Mb
Release : 1944
Category : Concert programs
ISBN : UOM:39015009459192
Author : Ethan Mordden
Publisher : Oxford University Press, USA
Page : 590 pages
File Size : 52,8 Mb
Release : 1980-05-29
Category : Music
ISBN : 9780198020301
Relaxed and accessible in style, this authoritative guide is the first symphony handbook for non-musicians. The book begins with a general introduction to the symphony and short pieces on the orchestra and musical styles. Mordden goes on to describe, chronologically, over 700 pieces--from Vivaldi to twentieth-century composers. Further aids to the reader include two lists of repertory builders and a glossary of musical terms. Easy and pleasurable to read...a genuinely useful guide for the music lover who has not had a musical education but loves concert music.--John Barkham Reviews
Author : Eugene Narmour
Publisher : University of Chicago Press
Page : 460 pages
File Size : 43,8 Mb
Release : 1992-11
Category : Music
ISBN : 0226568423
In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with cognitive relations between melodic tones at their most basic level. After summarizing the formalized methodology of the theory described in that work, Narmour develops an elaborate and original symbology to show how sixteen archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognitive operations by which listeners assimilate and ultimately encode these complex melodic structures. More than 250 musical examples from different historical periods and non-Western cultures demonstrate the panstylistic scope of Narmour's model. Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists.