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Author : Pedro Calderón de la Barca
Publisher : Unknown
Page : 44 pages
File Size : 55,7 Mb
Release : 1765
Category : Electronic
ISBN : BL:A0019446216
Author : Pedro Calderón de la Barca
Publisher : Unknown
Page : 128 pages
File Size : 52,5 Mb
Release : 1750*
Category : Electronic
ISBN : OCLC:771349655
Author : Anonim
Publisher : Unknown
Page : 32 pages
File Size : 51,6 Mb
Release : 17??
Category : Electronic
ISBN : OCLC:252423331
Author : Pedro Calderón de la Barca
Publisher : Unknown
Page : 130 pages
File Size : 46,6 Mb
Release : 1965
Category : Spanish drama
ISBN : UCAL:B3527725
Author : Pedro Calderón de la Barca
Publisher : Unknown
Page : 32 pages
File Size : 43,9 Mb
Release : 1805
Category : Electronic
ISBN : OCLC:928729157
Author : Juan Hidalgo,Pedro Calderón de la Barca,Margaret Rich Greer,Louise K. Stein
Publisher : Edition Reichenberger
Page : 426 pages
File Size : 45,9 Mb
Release : 1986
Category : Operas
ISBN : 3923593279
Author : Denise M. DiPuccio
Publisher : Bucknell University Press
Page : 252 pages
File Size : 54,9 Mb
Release : 1998
Category : Drama
ISBN : 0838753728
These dialogues express different world visions. If the expected cultural exchange takes place, then an enduring relationship of tolerance and understanding forms between the two worlds. Bonds that surpass temporal, geographic, and philosophical specificity attest to humankind's universal and atemporal need for myth. The questions, proposed answers, and subsequent revisions will, it is hoped, coexist in an ongoing dialogue among ancient, Golden Age, and contemporary individuals.
Author : Robert ter Horst
Publisher : University Press of Kentucky
Page : 405 pages
File Size : 50,7 Mb
Release : 2021-11-21
Category : Drama
ISBN : 9780813187716
Although Pedro Calderón de la Barca was one of the greatest and most prolific playwrights of Spain's Golden Age, most of his nonallegorical comedias—118 in all—have remained unknown. Robert ter Horst presents here the first full-length study of these works, a sustained, meditative analysis dealing with more than 80 plays, conveying a sense of the whole of Calderón's secular theater. To approach so vast a body of literature, Mr. ter Horst examines the meaning and function in Calderón of three broad subjects—myth, honor, and history—the warp threads across which the playwright weaves a subtle tapestry of contrasts, dualities, and conflicts: the private person versus the public person, the inner realm versus the outer, masculine against feminine, poet against prince. The Calderón who emerges is a consciously consummate artist whose lifelong study was the passions of the human mind and body. In addition, he is seen as a synthesizer of his Spanish literary heritage and especially as a brilliant adapter of Cervantes' insights to the stage. Robert ter Horst's profound and far-ranging analysis sheds light on many fine works previously neglected and finds new depths in such supreme achievements as No hay cosa como callar, El segundo Escipión, and La vida es suefio.
Author : Pedro Calderón de la Barca
Publisher : Unknown
Page : 32 pages
File Size : 51,7 Mb
Release : 17??
Category : Electronic
ISBN : OCLC:252423331
Author : British Museum. Department of Printed Books
Publisher : Unknown
Page : 1058 pages
File Size : 49,7 Mb
Release : 1885
Category : English literature
ISBN : UCAL:C2643723
Author : Anonim
Publisher : Unknown
Page : 716 pages
File Size : 49,7 Mb
Release : 1885
Category : Electronic
ISBN : BSB:BSB11455936
Author : David Jonathan Hildner
Publisher : John Benjamins Publishing
Page : 132 pages
File Size : 45,9 Mb
Release : 1982
Category : Drama
ISBN : 9789027217219
Both reason and exalted passions become the preserve of noble blood in Calderón's plays. The concern of his characters that they not commit a "low" action, is not simply a Christian concern with avoiding sin. The characters are much more concerned with practicing a virtue which will distinguish them from the vulgar.
Author : Víctor Arizpe,Smith College. Library
Publisher : Edition Reichenberger
Page : 440 pages
File Size : 43,6 Mb
Release : 1996
Category : Chapbooks, Spanish
ISBN : 3930700824
Author : Charles Ganelin,Howard Mancing
Publisher : Purdue University Press
Page : 438 pages
File Size : 53,5 Mb
Release : 1994
Category : Literary Collections
ISBN : 1557530866
Drawing on the groundbreaking Spanish scholarship and editions of earlier generations and relying on research conducted in Spanish archives, this pioneering group of English-speaking scholars offers a new treatment of familiar material. The editors yoke together widely varying critical practices, including incisive New Critical readings and far-reaching explorations that draw on the most current European critical thought. In addition to these more strictly literary studies, there are interdisciplinary essays focusing on seventeenth- and twentieth-century reception and the social makeup of the comedia audience. The whole thus presents a balanced picture of the many ways in which the comedia can be viewed, and the contributors complement each other's work in often surprising ways, illuminating the same corpus from a number of perspectives.
Author : Bárbara Mujica
Publisher : Bucknell University Press
Page : 310 pages
File Size : 53,5 Mb
Release : 2013-10-03
Category : Literary Criticism
ISBN : 9781611485189
Shakespeare and the Spanish Comedia is a nearly unique transnational study of the theater / performance traditions of early modern Spain and England. Divided into three parts, the book focuses first on translating for the stage, examining diverse approaches to the topic. It asks, for example, whether plays should be translated to sound as if they were originally written in the target language or if their “foreignness” should be maintained and even highlighted. Section II deals with interpretation and considers such issues as uses of polyphony, the relationship between painting and theater, and representations of women. Section III highlights performance issues such as music in modern performances of classical theater and the construction of stage character. Written by a highly respected group of British and American scholars and theater practitioners, this book challenges the traditional divide between the academy and the stage and between one theatrical culture and another.