La Paris Des Impressionistes La Parigi Degli Impressionisti Terzo Volume
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La Paris des impressionistes / La Parigi degli impressionisti Terzo volume Edizione economica con le illustrazioni in bianco e nero by Cristina Contilli Pdf
Questo terzo ed ultimo volume si propone di completare i due precedenti, offrendo una panoramica delle attrici, cantanti liriche, ballerine e musiciste che sono state muse e modelle dei pittori attivi nella Francia della Bella Epoque. COVER: Lina Cavalieri, attrice e cantante lirica in un ritratto e in una photo / carte postale dello studio Reutlinger di Parigi.
Susan Marie Canning,Patrick Florizoone,Nancy Ireson,Kimberly Nichols,Art Institute of Chicago
Author : Susan Marie Canning,Patrick Florizoone,Nancy Ireson,Kimberly Nichols,Art Institute of Chicago Publisher : Yale University Press Page : 169 pages File Size : 47,5 Mb Release : 2014-01-01 Category : Art ISBN : 9780300203912
James Ensor by Susan Marie Canning,Patrick Florizoone,Nancy Ireson,Kimberly Nichols,Art Institute of Chicago Pdf
"James Ensor: The Temptation of Saint Anthony was published in conjunction with an exhibition titled Temptation: The Demons of James Ensor, organized by and presented at the Art Institute of Chicago from November 23, 2014, to January 25, 2015."
Author : James H. Rubin Publisher : Univ of California Press Page : 208 pages File Size : 54,7 Mb Release : 2008-04-03 Category : Art ISBN : 9780520248014
Impressionism and the Modern Landscape by James H. Rubin Pdf
The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.
Richard R. Brettell,Paul Hayes Tucker,Natalie Henderson Lee,Metropolitan Museum of Art (New York, N.Y.)
Author : Richard R. Brettell,Paul Hayes Tucker,Natalie Henderson Lee,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 482 pages File Size : 53,9 Mb Release : 2009 Category : Painting, Modern ISBN : 9781588393494
Nineteenth- and Twentieth-century Paintings by Richard R. Brettell,Paul Hayes Tucker,Natalie Henderson Lee,Metropolitan Museum of Art (New York, N.Y.) Pdf
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Author : Helene Barbara Weinberg Publisher : Metropolitan Museum of Art Page : 441 pages File Size : 54,5 Mb Release : 2004 Category : Impressionism ISBN : 9781588391193
Childe Hassam, American Impressionist by Helene Barbara Weinberg Pdf
"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.
What sets this study apart from the vast literature on Monet is Gedo's focused, jargon-free, accessible, psychoanalytic assessment of Monet and his relationship with his first wife and mistress, Camille Doncieux, and the impact of this complex relationship on the artist's work. Using this psychobiographical approach in conducting a careful reading of primary source material and Monet's paintings, Gedo (independent scholar) does much to debunk a good deal of the mythology surrounding the artist's life at this period. She offers fresh insights into the content of many of Monet's major paintings, particularly his figurative works that feature Camille as a model or subject. So, for example, Gedo proposes that Monet's Camille (or The Woman in the Green Dress) from 1866, via its composition, "functioned as a metaphor for the uncertainty characterizing the relationship between lovers," in addition to exposing publicly Camille as Monet's mistress. As is the danger when applying psychoanalysis to the study of art history, some of Gedo's assertions and interpretations approach the level of implausibility; however, these flights of psychoanalytic fancy are few and far between. The writing is engaging, endnotes are extensive but not oppressive, and the book is sufficiently illustrated with many images in color. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. E. Gliem.
Metropolitan Museum of Art (New York, N.Y.),Musée d'Orsay
Author : Metropolitan Museum of Art (New York, N.Y.),Musée d'Orsay Publisher : Unknown Page : 344 pages File Size : 51,5 Mb Release : 2012 Category : Art, French ISBN : UCSD:31822038714317
Impressionism, Fashion & Modernity by Metropolitan Museum of Art (New York, N.Y.),Musée d'Orsay Pdf
"This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day. Although fashionable subjects have been depicted throughout history, for many artists and writers, including Charles Baudelaire, Stéphanie, Mallarmé, Êmile Zola, Gustave Caillebotte, Edgar Degas, Édouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, fashion became integral to the search for new literary and visual expression."--Book jacket.
Women in Impressionism by Susan Elizabeth Strauber Pdf
This title presents a thorough analysis of how the concepts of 'woman' and 'femininity' unfold inside the broader spectrum of Impressionist painting by male as well as female artists.
Author : Mary G. Morton,George T. M. Shackelford Publisher : University of Chicago Press Page : 0 pages File Size : 46,6 Mb Release : 2015 Category : Art ISBN : 022626355X
Gustave Caillebotte by Mary G. Morton,George T. M. Shackelford Pdf
"More than fifty of Gustave Caillebotte's (1848-1894) strongest paintings illustrate the fertile period from 1875 to 1885 when he was most closely allied with the impressionists. Accompanying the National Gallery of Art's major new exhibition, coorganized with the Kimbell Art Museum, this volume explores the inquisitive, experimental, almost fearless vision that inspired his masterworks"--
Renoir Landscapes, 1865-1883 by Colin B. Bailey,Robert McDonald Parker,Auguste Renoir Pdf
This stunning book, published to accompany a major touring exhibition, examines Renoir's landscape art in depth, demonstrating that he was one of the most audacious and original landscape artists of his age.
