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Resurrecting scores of rare images of the 19th century American West, "Print the Legend" offers engaging tales of ambitious photographic adventurers, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photos and to envision their expanding nation. 138 illustrations.
Follows the legendary John Ford through a career that spanned more than five decades, drawing on dozens of personal interviews, material from Ford's estate, and film criticism.
In Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford, a collection of writers explore Ford's view of politics, popular culture, and civic virtue in some of his best films: Drums Along the Mohawk, The Searchers, The Man Who Shot Liberty Valance, Stagecoach, How Green Was My Valley, and The Last Hurrah. John Ford, more than most motion picture directors, invites his viewers into a serious discussion of these themes. For instance, one can consider Plato's timeless question 'What is justice?' in The Man Who Shot Liberty Valance, vengeance as classical Greek tragedy in The Searchers, or ethnic politics in The Last Hurrah. Ford's films never grow stale or seem dated because he continually probes the most important questions of our civic culture: what must we do to survive, prosper, pursue happiness, and retain our common decency as a regime? Further, viewing them from a distance of time, we are subtly invited to ask whether anything has been lost or gained since Ford celebrated the civic virtues of an earlier America. Is Ford's America an idealized America or a lost America?
Ingeniously plotted and executed, Print the Legend is an epic masterpiece from Craig McDonald. Beginning to end, I was riveted by this story of character, history and intrigue.--MICHAEL CONNELLY The competition for the future of crime fiction is fierce, but don't take your eyes off Craig McDonald. He's wily, talented and -- rarest of the rare -- a true original. I am always eager to see what he's going to do next."--LAURA LIPPMAN What critics might call eclectic, and Eastern folks quirky, we Southerners call cussedness -- and it's the cornerstone of the American genius. As in: "There's a right way, a wrong way, and my way." You want to see how that looks on the page, pick up any of Craig McDonald's novels. He's built him a nice little shack out there way off all the reg'lar roads, and he's brewing some fine, heady stuff. Leave your money under the rock and come back in an hour. --JAMES SALLIS With Print the Legend, with a James Ellroy-like scope and vision of national history, McDonald takes on governmental conspiracy, Hemingway hagiography, the under-history of the FBI, the Death of the Author (literal and figurative) and the tantalizing, destructive mythologization of the Writer's Life. While the scale is immense, McDonald's hand is deft, and we never forget that, at its center, this is a human story, complex and bruising and deeply felt. --MEGAN ABBOTT "Print the Legend is a landmark book. Lassiter for me is the Flashman/Zelig of the new era, but with a ferocious literary knowledge that is worn so lightly. A book beyond genre, stunning." --KEN BRUEN Craig McDonald's debut, Head Games, a relentlessly slick and action packed literary caper novel, was shortlisted for the Edgar, Anthony, Crimespress and Gumshoe awards for Best First Novel. Now, with Print the Legend, McDonald exceeds the extraordinary promise of his debut, delivering a consummate mystery about a conspiracy gone wrong, and the outer edges of creative jealousy and obsessive revenge. It was the shot heard around the world: On July 2, 1961, Ernest Hemingway died from a shotgun blast to the head... 4 years later, two men have come to Idaho to confront the widow Hemingway—men who have doubts about the circumstances of Hemingway's death. One is crime novelist Hector Lassiter, the oldest and best of Hem's friends...the last man standing of the Lost Generation. Hector has heard rumors of some surviving Hemingway manuscripts: a "lost" chapter of A Moveable Feast and a full-length novel written by a deluded Hemingway that Hector fears might compromise his own reputation. The other man is professor Richard Paulson, who along with his pregnant wife Hannah, herself an aspiring writer, is bent on proving that Mary Hemingway murdered Papa. As Hector digs into the mystery of Hemingway's lost writings, he uncovers an audacious, decades-long conspiracy tied to the emergent art movements of 1920's Paris, the most duplicitous of Cold War espionage tactics, and J. Edgar Hoover's FBI...
In Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford, a collection of writers explore Ford's view of politics, popular culture, and civic virtue in some of his best films: Drums Along the Mohawk, The Searchers, The Man Who Shot Liberty Valance, Stagecoach, How Green Was My Valley, and The Last Hurrah. Book jacket.
"Legend doesn't merely survive the hype, it deserves it." From the New York Times bestselling author of The Young Elites What was once the western United States is now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic's wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic's highest military circles. Born into the slums, fifteen-year-old Day is the country's most wanted criminal. But his motives may not be as malicious as they seem. From very different worlds, June and Day have no reason to cross paths - until the day June's brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family's survival, while June seeks to avenge Metias's death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets. Full of nonstop action, suspense, and romance, this novel is sure to move readers as much as it thrills.
The Legend of the Monk and the Merchant by Terry Felber Pdf
Terry Felber has written a parable that will transform your life and your business. Many years ago, this book helped Dave Ramsey rediscover the marketplace as a mission field--and merchants as ministers. Now let it open your eyes to the opportunities for service and leadership all around you.
She’s on the hunt for a hero… Luke Trenton, Viscount Merritt, returned from war a changed man. Battle stripped away his civility and brought out his inner beast. There is no charm or tenderness in him now; only dark passions and a hardened soul. He has nothing to offer the starry-eyed, innocent girl who pledged her heart to him four years ago. But Cecily Hale isn’t a girl any longer. She’s grown into a woman—one who won’t be pushed away. She and Luke are guests at a house party when a local legend captures their friends’ imaginations. While the others plunge into the forest on a wild goose...er, stag chase, Cecily’s on the hunt for a man. She has only a few moonlit nights to reach the real Luke…the wounded heart she knows still beats inside the war-ravaged body…or she could lose him to the darkness forever. This is a novella of approximately 20,000 words, or 80 pages. It was originally published under the title The Legend of the Werestag.
The Last Kind Words Saloon: A Novel by Larry McMurtry Pdf
New York Times Bestseller Named one of the Best Books of the Year by the Seattle Times The Last Kind Words Saloon marks the triumphant return of Larry McMurtry to the nineteenth-century West of his classic Lonesome Dove. In this "comically subversive work of fiction" (Joyce Carol Oates, New York Review of Books), Larry McMurtry chronicles the closing of the American frontier through the travails of two of its most immortal figures, Wyatt Earp and Doc Holliday. Tracing their legendary friendship from the settlement of Long Grass, Texas, to Buffalo Bill's Wild West Show in Denver, and finally to Tombstone, Arizona, The Last Kind Words Saloon finds Wyatt and Doc living out the last days of a cowboy lifestyle that is already passing into history. In his stark and peerless prose McMurtry writes of the myths and men that live on even as the storied West that forged them disappears. Hailed by critics and embraced by readers, The Last Kind Words Saloon celebrates the genius of one of our most original American writers.
In this unusually wide-ranging study, spanning more than a century and covering such diverse forms of expressive culture as Shakespeare, Central Park, symphonies, jazz, art museums, the Marx Brothers, opera, and vaudeville, a leading cultural historian demonstrates how variable and dynamic cultural boundaries have been and how fragile and recent the cultural categories we have learned to accept as natural and eternal are. For most of the nineteenth century, a wide variety of expressive forms—Shakespearean drama, opera, orchestral music, painting and sculpture, as well as the writings of such authors as Dickens and Longfellow—enjoyed both high cultural status and mass popularity. In the nineteenth century Americans (in addition to whatever specific ethnic, class, and regional cultures they were part of) shared a public culture less hierarchically organized, less fragmented into relatively rigid adjectival groupings than their descendants were to experience. By the twentieth century this cultural eclecticism and openness became increasingly rare. Cultural space was more sharply defined and less flexible than it had been. The theater, once a microcosm of America—housing both the entire spectrum of the population and the complete range of entertainment from tragedy to farce, juggling to ballet, opera to minstrelsy—now fragmented into discrete spaces catering to distinct audiences and separate genres of expressive culture. The same transition occurred in concert halls, opera houses, and museums. A growing chasm between “serious” and “popular,” between “high” and “low” culture came to dominate America’s expressive arts. “If there is a tragedy in this development,” Lawrence Levine comments, “it is not only that millions of Americans were now separated from exposure to such creators as Shakespeare, Beethoven, and Verdi, whom they had enjoyed in various formats for much of the nineteenth century, but also that the rigid cultural categories, once they were in place, made it so difficult for so long for so many to understand the value and importance of the popular art forms that were all around them. Too many of those who considered themselves educated and cultured lost for a significant period—and many have still not regained—their ability to discriminate independently, to sort things out for themselves and understand that simply because a form of expressive culture was widely accessible and highly popular it was not therefore necessarily devoid of any redeeming value or artistic merit.” In this innovative historical exploration, Levine not only traces the emergence of such familiar categories as highbrow and lowbrow at the turn of the century, but helps us to understand more clearly both the process of cultural change and the nature of culture in American society.
DigiCat Publishing presents to you this special edition of "Legends of Vancouver" by E. Pauline Johnson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Modern Drummer Legends: Rush's Neil Peart by Neil Peart Pdf
(Percussion). Neil Peart's ten appearances on the cover of Modern Drummer magazine span the years 1980, when he was five albums and several tours into his historic run with the Canadian progressive rock band Rush, and 2020, the year of his passing. No other drummer has come close to appearing so many times on the front of a drum publication, certainly not the world's most recognized one. This, the first installment in Modern Drummer magazine's Legends book series, collects all nine of Peart's cover stories, plus the complete contents of his May 2020 Modern Drummer tribute issue. Highlights include analyses of Neil's performances on every Rush studio album, a survey of the evolution of his famous live drumkits, transcriptions of deep Rush cuts, dozens of photos, and much more.
The NFL icon who first brought show business to sports shares his life lessons on fame, fatherhood, and football. Three days before the 1969 Super Bowl, Joe Namath promised the nation that he would lead the New York Jets to an 18-point underdog victory against the seemingly invincible Baltimore Colts. When the final whistle blew, that promise had been kept. Namath was instantly heralded as a gridiron god, while his rugged good looks, progressive views on race, and boyish charm quickly transformed him - in an era of raucous rebellion, shifting social norms, and political upheaval - into both a bona fide celebrity and a symbol of the commercialization of pro sports. By 26, with a championship title under his belt, he was quite simply the most famous athlete alive. Although his legacy has long been cemented in the history books, beneath the eccentric yet charismatic personality was a player plagued by injury and addiction, both sex and substance. When failing knees permanently derailed his career, he turned to Hollywood and endorsements, not to mention a tumultuous marriage and fleeting bouts of sobriety, to try and find purpose. Now 74, Namath is ready to open up, brilliantly using the four quarters of Super Bowl III as the narrative backbone to a life that was anything but charmed. As much about football and fame as about addiction, fatherhood, and coming to terms with our own mortality, All the Way finally reveals the man behind the icon.
Prodigy: The Graphic Novel by Leigh Dragoon,Marie Lu Pdf
June allows herself to be captured so that she can assist an assassination plot against a new Elector Primo by the rebel Patriots leader, in a graphic novel adaptation of the second book in the trilogy.
"Loosely follows the plot of the Super Entertainment System game The legends of Zelda: a link to the past. Some new twists and characters were added to preserve the element of surprise and add to the dramatic flow"--Page 196.