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Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The second volume provides a survey of the national schools of Germany, Spain, England, America, the Slavonic countries (especially Russia), Hungary, Italy and Greece. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary. This volume also contains a discography and an index covering both volumes (general entries, singers and theatres).
Author : International Bureau of the American Republics Publisher : Unknown Page : 1172 pages File Size : 41,5 Mb Release : 1897 Category : Hawaii ISBN : UOMDLP:abe6791:0001.001
Commercial Directory of the American Republics,: Argentine Republic. Bolivia. Brazil. Chile. Colombia. Costa Rica. Ecuador. Falkland Islands. Greater republic of Central America. Guatemala. The Guianas. Haiti. Hawaii. Honduras. British Honduras by International Bureau of the American Republics Pdf
This tender and funny memoir traces Mary Helen's childhood from the age of eight to the beginnings of young womanhood at age 13. Combining a child's freshness of vision with adult irony, she conveys the poverty and prejudice she faced without sacrificing the memories of the everyday joys she experienced.
Author : International Bureau of the American Republics Publisher : Unknown Page : 1182 pages File Size : 45,5 Mb Release : 1897 Category : Electronic ISBN : IND:30000113987329
Dioses y Orishas Del Panteon de Yoruba by McR El Pensador Pdf
El Santoral Yoruba, el principio de la mitología de la religión, el comienzo y el cimiento de la historia de este legado religioso. La misma leyenda, que su curso religioso se expande como la semilla, que del fruto se recoge el extracto de la fe de nuestros ancestros viviendo en un presente. Tambores que en su repicar no han dejado de sonar la melodía que marca la historia dentro de esta religión del Santoral Yoruba. Las Deidades, Dioses y Orishas, principio de fe, que une corazones bajo el repicar de los tambores africanos. Costumbres de un pueblo de fe que data de la misma historia y la misma mitología de esta religión del Panteón Yoruba que en historia viviente no muere, ecos los tambores, ritos y ceremonias. Por lo tanto, el contenido de lo que ustedes encontraran en este libro y en otros de la religión del Santo y el Palo, está apto para un verdadero aprendizaje de acuerdo a los principios de esta religión del Santoral Yoruba.
Latinos and the Liberal City by Eduardo Contreras Pdf
The "Latino vote" has become a mantra in political media, as journalists, pundits, and social scientists regularly weigh in on Latinos' loyalty to the Democratic Party and the significance of their electoral participation. But how and why did Latinos' liberal orientation take hold? What has this political inclination meant—and how has it unfolded—over time? In Latinos and the Liberal City, Eduardo Contreras addresses these questions, offering a bold, textured, and inclusive interpretation of the nature and character of Latino politics in America's shifting social and cultural landscape. Contreras argues that Latinos' political life and aspirations have been marked by diversity and contestation yet consistently influenced by the ideologies of liberalism and latinidad: while the principles of activist government, social reform, freedom, and progress sustained liberalism, latinidad came to rest on promoting unity and commonality among Latinos. Contreras centers this compelling narrative on San Francisco—America's liberal city par excellence—examining the role of its Latino communities in local politics from the 1930s to the 1970s. By the early twentieth century, San Francisco's residents of Latin American ancestry traced their heritage to nations including Mexico, Puerto Rico, Nicaragua, El Salvador, Chile, and Peru. These communities formed part of the New Deal coalition, defended workers' rights with gusto, and joined the crusade for racial equality decades before the 1960s. In the mid- to late postwar era, Latinos expanded claims for recognition and inclusion while participating in movements and campaigns for socioeconomic advancement, female autonomy, gay liberation, and rent control. Latinos and the Liberal City makes clear that the local public sphere nurtured Latinos' political subjectivities and that their politicization contributed to the vibrancy of San Francisco's political culture.
Africans in Exile by Benjamin N. Lawrance,Nathan Riley Carpenter Pdf
The enforced removal of individuals has long been a political tool used by African states to create generations of asylum seekers, refugees, and fugitives. Historians often present such political exile as a potentially transformative experience for resilient individuals, but this reading singles the exile out as having an exceptional experience. This collection seeks to broaden that understanding within the global political landscape by considering the complexity of the experience of exile and the lasting effects it has had on African peoples. The works collected in this volume seek to recover the diversity of exile experiences across the continent. This corpus of testimonials and documents is presented as an "archive" that provides evidence of a larger, shared experience of persecution and violence. This consideration reads exiles from African colonies and nations as active participants within, rather than simply as victims of, the larger global diaspora. In this way, exile is understood as a way of asserting political dissidence and anti-imperial strategies. Broken into three distinct parts, the volume considers legal issues, geography as a strategy of anticolonial resistance, and memory and performative understandings of exile. The experiences of political exile are presented as fundamental to an understanding of colonial and postcolonial oppression and the history of state power in Africa.
Author : International Bureau of the American Republics Publisher : Unknown Page : 1172 pages File Size : 40,5 Mb Release : 1897 Category : America ISBN : SRLF:D0004659363
The Routledge Research Companion to Early Modern Spanish Women Writers by Nieves Baranda,Anne J. Cruz Pdf
In Spain, the two hundred years that elapsed between the beginning of the early modern period and the final years of the Habsburg Empire saw a profusion of works written by women. Whether secular or religious, noble or middle class, early modern Spanish women actively composed creative works such as poetry, prose narratives, and plays. The Routledge Research Companion to Early Modern Spanish Women Writers covers the broad array of different kinds of writings – literary as well as extra-literary – that these women wrote, taking into consideration their subject positions and the cultural and historical contexts that influenced and were influenced by them. Beyond merely recognizing the individual women authors who had influence in literary, religious, and intellectual circles, this Research Companion investigates their participation in these circles through their writings, as well as the ways in which their texts informed Spain’s cultural production during the early modern period. In order to contextualize women’s writings across the historical and cultural spectrum of early modern Spain, the Research Companion is divided into six sections of general thematic interest: Women’s Worlds; Conventual Spaces; Secular Literature; Women in the Public Sphere; Private Circles; Women Travelers. Each section is subdivided into chapters that focus on specific issues or topics.